Roberta Flack‘s ‘Feel Like Makin’ Love’ is her fifth solo album produced by Rubina Flake and released on March 1, 1975 by Atlantic.

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1 . Some Gospel According To Matthew


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Track Listing : 1.Feelin’ That Glow (Bobby Fusco, Sister Charlotte Laws, Gene Mcdaniels, Maurice Mckinley, Leon Pendarvis) – 05:48 . 2.I Wanted It Too (Ralph Macdonald, William Salter) – 02:51 . 3.I Can See The Sun In Late December (Stevie Wonder) – 12:48 . 4.Some Gospel According To Matthew (Stuart Scharf) – 02:37 . 5.Feel Like Makin’ Love (Gene Mcdaniels) – 02:55 . 6.Mister Magic (Ralph Macdonald, William Salter) – 03:55 . 7.Early Ev’Ry Midnite (Gene Mcdaniels, Leon Pendarvis) – 05:54 . 8.Old Heartbreak Top Ten (Gene Mcdaniels) – 04:22 . 9.She’S Not Blind (Stuart Scharf) – 05:24

Musicians : Bob James – Keyboards . Hugh Mccracken- Guitar . Alphonse Mouzon – Drums . Ralph Macdonald – Percussion . Dave Carey – Vibraphone . Joe Farrell – Oboe . Rubina Flake – Keyboards, Background Vocals . Idris Muhammad – Drums . Anthony Jackson – Bass . Gary King – Bass . Phil Kraus – Timpani . Keith Loving – Guitar . Leon Pendarvis – Keyboards . Richie Resnicoff – Guitar . David Spinozza – Guitar . Richard Tee – Keyboards . Jimmy Vass – Flute . Harry Whitaker – Keyboards . Ronald Zito – Drums . Karen Sargent – Oboe . Arthur Jenkins – Thumb Piano . Patti Austin – Background Vocals . Deniece Williams – Background Vocals . Bob Dorough – Background Vocals . Bill Eaton – Background Vocals . Rhetta Hughes – Background Vocals . Betty Buckley – Background Vocals . Joshie Armstead – Background Vocals . Janice Gadsden – Background Vocals . Lani Groves – Background Vocals . Leslie Miller – Background Vocals . Bill Salter – Background Vocals . Maretha Stewart – Background Vocals

Production : Produced By Rubina Flake . Jim Mccurdy – Engineer . Stephen Y. Scheaffer – Engineer . Harry Yarmark – Engineer

Recorded 1973-1974.

Released March 1, 1975 By Atlantic.

(Source Roberta Flack – Feel Like Makin’ Love | Official Site)

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Thor-Zine @ Amazon
This is easily the best from Roberta Flack who had a haunting, smooth, sophisticated, voice. She wasn’t the gritty soul singer of the day. In the 70’s she had the freedom as a arranger, composer, musician in a genre that wasn’t strictly controlled by corporate interest and demographics like today. […]

allmusic
Capping off a string of early-’70s hits with this album’s title track, Roberta Flack would soon take a sabbatical from the spotlight in 1975. […]

szarka @ RateYourMusic
The style on this album isn’t so much my favorite, but the playing and production are excellent. I suspect it would make a great makeout album… […]

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