Donna Summer releases her third album ‘A Love Trilogy’ produced By Giorgio Moroder & Pete Bellotte (1976

Donna Summer‘s ‘A Love Trilogy’ is her third album produced By Giorgio Moroder & Pete Bellotte and released on March 18, 1976 by Oasis.

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1 . Prelude To Love / Could It Be Magic

2 . Wasted (Live)

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Track Listing : 1.Try Me, I Know We Can Make It (Pete Bellotte, Giorgio Moroder, Donna Summer) – 17:57 . 2.Prelude To Love (Pete Bellotte, Giorgio Moroder, Donna Summer) – 01:06 . 3.Could It Be Magic (Adrienne Anderson, Barry Manilow, Frédéric Chopin) – 05:15 . 4.Wasted (Pete Bellotte, Giorgio Moroder) – 05:09 . 5.Come With Me (Pete Bellotte, Giorgio Moroder) – 04:22

Musicians : Donna Summer – Vocals . Giorgio Moroder – Bass Guitar, Synthesizer . Madeline Bell – Backing Vocals . Sunny Leslie – Backing Vocals . Sue Glover – Backing Vocals . Munich Machine – Band . Thor Baldursson – String Arrangement . Frank Diez – Guitar . Keith Forsey – Drums . Martin Harrison – Drums . Molly Moll – Guitar . Gary Unwin – Bass . Les Hurdle – Bass

Production : Produced By Giorgio Moroder, Pete Bellotte . Jürgen Koppers – Engineer . Mack & Hans – Engineer . Joseph M. Palmaccio – Mastering

Package : Jochen Harder – Photography . Henry Vizcarra – Art Direction

Recorded In 1975.

Released On March 18, 1976 By Oasis.

(Source Donna Summer – A Love Trilogy | Official Site )

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Robert Christgau
This is marred by new what’s-going-on-in-the-next-apartment distractions; again and again. Donna bids the object of her affections “come . . . come . . . come” before adding “to my arms,” so that when she cries out “don’t let go” you have to wonder of what […]

RyanPC @ RateYourMusic
An extremely underrated album in Donna’s catalog – none of the songs were really big mainstream hits at the time – but for my money it is perhaps her most flawless album. Every single track is disco perfection […]

Wilson & Alroy’s Record Reviews
A big step up from the previous album, as Bellotte and Moroder invent their formula all at once: strident strings, robotic rhythms, sweeping suites, campy covers (Barry Manilow‘s “Could It Be Magic”). Summer also gets to sing at full voice, instead of just cooing and simpering. […]

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