‘Music For The Dancers’ N°610 – 2010s Music Videos

R.I.O., Ziezie, Demi Lovato, Disclosure, Aggro Santos, Redlight, Rudimental, JLS, Rizzle Kicks, Dj Fresh, Shift K3Y, Chris Malinchak

They are the performers of twelve twelve dance tunes that ranked in various charts, this week (05/52) BUT … in the Tens 2010s.

Here, they are reunited in one glorious playlist. Enjoy!

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Tracklist

1 . R.I.O. – Turn This Club Around (w/ U-Jean)

“Turn This Club Around” by R.I.O. featuring U-Jean is an unabashed ode to electronic revelry delivered with a polished flair typical of the early 2010s EDM explosion.

The track opens with a surge of synthetic beats and an infectious hook that feel designed less for nuance and more for sheer dancefloor saturation.

U-Jean’s vocals are clean-cut, leaning into a bubbly and almost carefree tone that aligns with the song’s unrestrained pursuit of celebration.

Its lyrics operate squarely within the template of party anthems: direct, repetitive, and bordering on self-parody with lines that champion club culture to near hyperbolic degrees.

Noteworthy is the production by Yann Peifer and Manuel Reuter, who weaponize predictability in a way that keeps the energy high, even as the song leans on genre conventions.

The remixes add little beyond slight tonal shifts, with versions like Crystal Lake’s giving a harder edge, yet failing to transcend the original’s sonic boundaries.

The accompanying music video, while visually energetic, offers nothing groundbreaking, relying on familiar tropes of nightlife imagery and choreographed rowdiness.

Despite its formulaic structure, the song’s charm lies in its refusal to masquerade as anything other than an instant gratification-fueled banger, perfectly suited for neon-lit nights in crowded spaces.


The music video is directed by George Cifteli & Dirk Hilger.
HEAR IT

Featured on the 2011 album “Turn This Club Around”.

Lyrics >> More by the same : Facebook

2 . Ziezie – Sensei

ZieZie’s “Sensei” steps into the UK hip-hop scene with a sly confidence, blending sleek production and infectious rhythms into a polished 2018 release.

The smooth interplay between a laid-back beat and ZieZie’s lyrical delivery creates a sound both enticing and comfortable, a balancing act that reflects his artistic maturity post his signing with RCA Records.

Unlike some of his earlier breakout tracks, like the bouncy “Fine Girl,” this single opts for a more understated vibe, trading instant catchiness for a tune that lingers subtly in the mind.

A key highlight is the song’s minimalist hook, which feels designed to loop endlessly in the listener’s head, embodying the repetitive charm characteristic of effective modern tracks.

Its accompanying music video layers visual swagger over the sonic confidence, all sharp edits and flashy aesthetics, flirting with the hyper-stylized tropes often seen in late-2010s urban music visuals.

Though “Sensei” didn’t carve out a space in UK chart territory, its reception on platforms like YouTube and SoundCloud proved its appeal, resonating with ZieZie’s online fanbase.

What stands out here isn’t innovation but execution: ZieZie commits fully to a track that oozes self-assurance, making it feel more personal than calculated despite its commercial polish.

As a reflection of ZieZie’s trajectory in this period, “Sensei” fits comfortably between breakout moments and larger collaborations, a testament to an artist experimenting with what comes next while doubling down on his unique style.


The music video is directed by Chris Chuky.
HEAR IT

Featured on the 2018 album “Sensei”.

Lyrics >> More by the same : Instagram

3 . Demi Lovato – Sorry Not Sorry

Demi Lovato’s “Sorry Not Sorry” throws caution to the wind with its unapologetic flair, positioning itself as a pop-R&B anthem drenched in defiance and empowerment.

Released in 2017, the track’s infectious energy stems from its bold production led by Oak Felder, pairing confident lyrics with a beat that blends glossy pop polish and soulful textures seamlessly.

Lovato’s vocal delivery is charged with fervor, each note carrying a palpable air of self-assurance and controlled vengeance that rises above the typical break-up gore, slipping into something more triumphant and victorious.

Lyrically, it steps into the post-heartbreak narrative, rejecting remorse and instead celebrating personal resurgence, choosing swagger as its language over sentimentality.

The accompanying music video, an opulent montage of house parties, captures this high-energy ethos, with star-studded cameos adding extra layers of spectacle without ever feeling overindulgent.

The 2023 reissue featuring Slash on guitar revisits the track with a rock-infused grandeur, showcasing how the original’s unapologetic DNA adapts across genres without losing its edge.

Critically speaking, the track’s charm lies in its meticulous balance of polished commercial appeal and razor-sharp defiance, transcending the cliché “revenge song” trope through its sheer audacity and maximalist charm.


The music video is directed by Hannah Lux Davis.
HEAR IT

Featured on the 2017 album “Tell Me You Love Me”.

Lyrics >> More by the same : Official Site

4 . Disclosure – White Noise (w/ AlunaGeorge)

“White Noise,” crafted by Disclosure with AlunaGeorge, encapsulates the electronic duo’s knack for intertwining smooth, enchanting vocals with sharp, propulsive beats.

Released in early 2013 as part of their breakout album “Settle,” the track managed to climb its way to the number two slot on the UK Singles Chart, proving that a rhythm-heavy, offbeat anthem could hold its own against mainstream contenders.

Slickly produced yet brimming with personality, the song is a study in contrasts: the ethereal delivery of Aluna Francis’s voice glides over a backdrop of mechanized, boundary-pushing soundscapes, creating an intricate push-pull dynamic.

The accompanying video, set in Detroit, adds a gritty narrative to the polished production, focusing on moments of unexpected joy as a security guard takes to abandoned buildings, striking an emotional chord somewhere between desolation and defiance.

Critical reception was acclamatory without veering into hyperbole, with *Pitchfork* singling it out as “Best New Music” and *Billboard* slotting it among the top tracks of 2013.

A memorable moment came at the 2014 BRIT Awards, where the song was fused with Lorde’s “Royals” in a performance that spotlighted its versatility and magnetism.

The track’s lengthy chart presence—nearly a full year on the dance charts—further attests to its enduring pull on audiences, even in an industry where fleeting attention spans often prevail.

What makes “White Noise” resonate is its refusal to neatly settle into a predefined category; it revels in off-kilter experimentation while remaining captivatingly listenable.

With its blend of artistry and mass appeal, the song occupies a compelling space, resisting immediate definition and daring the listener to engage on its terms.


The music video is directed by Luke Monaghan.
HEAR IT

Featured on the 2013 album “Settle”.

Lyrics >> More by the same : Official Site

5 . Aggro Santos – Candy (w/ Kimberly Wyatt)

Released on 2 May 2010, “Candy” spotlights Aggro Santos’ collaboration with Kimberly Wyatt of The Pussycat Dolls, carving out a space in pop charts with its euphoric synth-pop beats and flirtatious lyrics.

Produced by Quiz & Larossi, the track’s blend of David Guetta-inspired production and catchy hooks powered it to number five on the UK Singles Chart, where it lingered for two weeks and snagged a silver certification from the BPI.

The song doesn’t aim for subtlety. Its chorus flirts with commercial branding, serving a confectionery metaphor sugarcoated in bright, pulsating rhythms. It’s playful, admittedly shallow, yet undeniably effective as it cruises through three minutes of high-energy escapism.

Wyatt’s first post-Dolls chart success adds an intriguing footnote; she slips seamlessly into the world of feature vocals, wielding charisma as light and fizzy as the song itself.

The accompanying video, directed by Emil Nava, leans hard into the exuberance, turning a UV-lit water fight under London Bridge into the visual climax.

While the song enjoys bursts of catchiness, it runs the risk of feeling oddly manufactured, a little too engineered to tick every box for summer chart fodder. Yet its global reception in places like Poland and Ireland testifies to the universality of a banger well-crafted for mindless fun.

“Candy” is not deep, nor does it pretend to be. It waves its synthetic snacks at listeners unapologetically and dares them not to chew. There’s an art in that confidence, even if it’s not long-lasting.


The music video is directed by Emil Nava.
HEAR IT

Featured on the 2011 album “Aggrosantos.com”.

Lyrics >> More by the same : Twitter

6 . Redlight – Get Out My Head

“Get Out My Head” by Redlight strolls confidently into the realm of early 2010s house music, stitched together with infectious beats and a pulsating energy that’s bound to override any sense of stillness.

Released in January 2012, the track builds on a rhythm that’s as relentless as the nightclub lights it was designed to accompany. The uncredited vocals of Nicole Jackson, whose sharp delivery cuts through the mix, add a layer of urgency, though her contributions remain one of the curious quirks of the song’s history, floating largely under the radar.

The production feels laser-focused on evoking a visceral response—its hypnotic repetition less about innovation and more about locking listeners into its groove, an unapologetic ode to the primal allure of movement. The radio edit trims any excess fat, while remixes, like Joker’s, nudge the track into slightly darker or more experimental corners without straying too far from its core mission.

Commercially, it played its part well, brushing the upper echelons of UK charts with respectable agility, hinting at Redlight’s knack for crafting earworms without becoming saccharine. “Get Out My Head” may not reinvent house or even deviate boldly from its blueprint, but it grabs enough attention through sheer persistence, riding high on rhythm and repetition.

The song’s music video toes the line between direct and disorienting, an extension of the track’s laser-focused intensity. Visuals ricochet between shadowy atmospheres and blinding hues, a metaphoric nod to the cyclical push-and-pull of its melodies. Through its no-nonsense dancefloor orientation, the track finds itself less concerned with lyrical depth and more with commandeering your feet. Whether that’s a triumph or a limitation depends entirely on who’s listening.


The music video is directed by Tom Swindell .
HEAR IT

Lyrics >> More by the same : YouTube

7 . Rudimental – Rumour Mill (w/ Anne-Marie & Will Heard)

“Rumour Mill” serves up a sleek blend of electronic and R&B influences, enhanced by Anne-Marie and Will Heard’s joint vocal chemistry.

This track, featured on Rudimental’s second album “We the Generation,” offers a mix of polished fascination and understated simplicity.

The lyrics navigate themes of connection and presence, while the production leans on a relaxed, groove-driven backdrop rather than high-energy theatrics.

Despite its charting in various countries, including a modest number 67 spot on the UK Singles Chart, the song’s streamlining avoids the tropes of anthemic electronic hits.

The arrangement feels strikingly minimal, a choice that allows the vocals to take center stage amid sparse instrumentals.

This restraint is a double-edged sword: while it offers a polished depth perfect for casual unwinding, it risks fading too quickly from memory.

Its accompanying music video and live performances add a layer of intimacy, yet neither transforms the song’s core character.

The track neither reinvents Rudimental’s sound nor dilutes it, instead cementing itself as a fine, if fleeting, addition to a growing sonic portfolio.


The music video is directed by Dominic Dorin, Lewis Foster.
HEAR IT

Featured on the 2015 album “We the Generation”.

Lyrics >> More by the same : Official Site

8 . JLS – Do You Feel What I Feel?

JLS’s “Do You Feel What I Feel?” offers an intriguing sonic fusion, blending their polished pop harmonies with a subtle nod to Bing Crosby’s 1963 holiday classic “Do You Hear What I Hear?”

The track sidesteps overtly saccharine sentimentality by anchoring its festive undertones with an upbeat rhythm, keeping it close to the dancefloor rather than the fireplace.

Released on December 30, 2011, as the third and final single from their “Jukebox” album, the song embodies a playful juxtaposition of seasonal cheer and contemporary pop stylings.

While the production by Julian Bunetta provides a bouncy backdrop, the sampling choice splits the room—its recycled familiarity prompts either a nostalgic grin or a skeptical eyebrow.

Chart performance fell short of JLS’s usual dominance, with a peak at number 16 in the UK, a rare miss for the quartet’s consistent streak of top 10 hits.

The accompanying music video mirrors the song’s infectious exuberance with dynamic choreography featuring Akai Osei and entertaining cameos, bagging the “Best Video” award at the 2012 MOBO Awards.

Live renditions of the track, from their slot on the Children in Need telethon to “The Graham Norton Show,” radiate unrestrained energy, though the seasonal angle feels like a stretch given its post-Christmas release date.

JLS’s ability to marry holiday themes with club-ready beats is ambitious, but the whimsical essence of the original melody sometimes clashes with the modern production, leaving the song teetering between timeless carol and forgettable filler.

Still, for fans of glossy boy band pop, it delivers exactly the carefree charm they signed up for—even if, like its chart run, it doesn’t quite stick the landing.


The music video is directed by Marcus Lundin.
HEAR IT

Featured on the 2011 album “Jukebox”.

Lyrics >> More by the same : Official Site

9 . Rizzle Kicks – Mama Do The Hump

“Mama Do the Hump” channels a carefree attitude synonymous with Rizzle Kicks’ unique blend of hip-hop and pop energy.

Produced by Fatboy Slim, the track leans on a funky backbone, with layered samples from Craig McLachlan’s “Mona” and Bobbie Gentry’s “Reunion” weaving nostalgic textures into its cheeky narrative.

The uncredited contribution from MNEK in the chorus adds a subtle yet effective balance to the duo’s playful wordplay, lending smoother undertones to an otherwise spirited arrangement.

Released in December 2011 as part of their debut album “Stereo Typical,” it quickly became a chart heavyweight, peaking at number two in the UK Singles Chart, sitting just behind Jessie J’s “Domino.”

The track’s longevity is undeniable, remaining a commercial titan with sales exceeding 600,000 units and achieving a Platinum certification by the BPI.

Visually, the music video ups the charm with cameos from James Corden and Eamonn Walker, while Jordan Stephens’ family members lip-sync their way through its vibrant, self-aware humor.

The song’s versatility has seen it embedded in various media, straddling the line between a party anthem and a pop-culture artifact, while juggling an irreverent approach to rhythm and storytelling.


The music video is directed by Jordan ‘Rizzle’ Stephens.
HEAR IT

Featured on the 2011 album “Stereo Typical”.

Lyrics >> More by the same : Official Site

10 . Dj Fresh – Louder (w/ Sian Evans)

“DJ Fresh – Louder” arrives with the kind of audacity that only a chart-topping electronic anthem can muster.

Featuring Welsh vocalist Sian Evans, its blend of hard-hitting dubstep beats and melodic undertones carves itself a unique space in the 2011 music landscape.

The track doesn’t waste time getting to the point, with its relentless energy seeming tailor-made for both sweaty club nights and adrenaline-infused ad campaigns.

Its ascent to the number one spot across multiple UK charts isn’t surprising, but what sets it apart is its claim to fame as the first dubstep track to achieve such a feat.

The song rides a balance between chaos and control, with Evans’ voice acting as both anchor and fuel to the pulsating rhythm.

If the inclusion of this track in “Wipeout 2048” and a Lucozade Sport campaign wasn’t enough evidence of its cultural reach, look no further than its nearly breathless first-week sales figures.

The accompanying music video, directed with a kinetic flair by Ben Newman, mirrors the track’s ethos: fast, intense, and unapologetically bold.

By the time it scooped up the “Best Collaboration” award at the Urban Music Awards, “Louder” had already proven itself a heavyweight contender in electronic music history.


The music video is directed by Ben Newman.
HEAR IT

Featured on the 2012 album “Nextlevelism”.

Lyrics >> More by the same : Facebook

11 . Shift K3Y – Gone Missing (w/ BB Diamond)

Shift K3Y’s “Gone Missing,” featuring BB Diamond, lands in that curious sweet spot between melancholic introspection and a groove-laden electronica anthem.

Having spent over a year and a half in production purgatory, it’s a track that bears the weight of meticulous tinkering, most notably on its impeccably EQ’d kick drum that anchors the track’s rhythmic punch.

Originally co-written with Becky Hill, circumstances led to BB Diamond stepping in, her sultry vocals injecting a layer of vulnerability that complements the taut, polished production.

The lyrics tread familiar ground—love, absence, and yearning—but the real story lies in how this narrative aligns with its dynamic beat craftsmanship, merging UK garage, house influences, and a hint of pop sensibility.

Despite its lengthy production timeline, the song never feels overworked, though it misses the broader chart impact it might have deserved, peaking only modestly on the UK Singles Chart.

Yet, it’s less about commercial performance and more a revealing glimpse into Shift K3Y’s craft—a balancing act between innovation and accessibility that pays off atmospherically, even if not universally celebrated.


HEAR IT

Lyrics >> More by the same : Instagram

12 . Chris Malinchak – If U Got It

Chris Malinchak’s “If U Got It” takes the listener on a deep house journey, swaying between nostalgia and modernity with its polished production and carefully selected samples.

Borrowing from classics like The Supremes’ “I’m Gonna Make You Love Me” and Smokey Robinson’s “Cruisin’,” the track weaves lyrical fragments into a hypnotic electronic backdrop that feels both intimate and expansive.

The radio edit clocks in at just over three minutes, making it accessible for mainstream listeners, while the extended mix offers over five minutes of immersive groove for purists who appreciate the genre’s laid-back repetition.

With remixes by Mark Knight and Joe Hertz, the release taps into multiple facets of house, offering versatility without losing its core identity.

Chart success in the UK and other regions shows its wide resonance, while the Barcelona-set music video adds an interpretative layer, blending curiosity, romance, and a touch of surrealism.

Though often calm and reflective, the song carries an underlying tension, reflecting universal themes of yearning and connection within its slick sonic package.


HEAR IT

Lyrics >> More by the same : Facebook

For THE FULL ‘MUSIC FOR THE DANCERS’ COLLECTION click here

This week Top 20 New Music on RVM *

(*) According to our own statistics, upadted on February 16, 2025

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