Every month, we update our “Most Trending Vintage [music genre] Songs” series to spotlight the vintage tracks experiencing the highest engagement growth over the last six months.
These rankings combine data from our platform with external streaming metrics, offering a comprehensive view of the classics that are resonating with listeners today.
Spanning 29 genres, the charts aren’t about the most famous songs but rather the ones gaining momentum. By tracking upward trends in vintage music, we can uncover which genres are making a comeback and which sounds might inspire contemporary artists to reconnect with timeless influences.
We don’t claim to be exhaustive. It’s possible you won’t find a title you expected to see on this list. Sorry about that — these things happen.
Explore the shifts, rediscover the hits, and see what’s capturing the attention of a new generation of listeners.
BIG BEAT
The Big Beat chart features two new entries. Fatboy Slim‘s “Demons” enters at #17, offering a moody, downtempo vibe enriched by Macy Gray’s evocative vocals, shifting from his typical high-energy style.
Death In Vegas’ “Aisha” joins at #18, blending dark electronic tones with Iggy Pop’s spoken-word delivery, creating a haunting atmosphere.
Departing the rankings are Groove Armada’s “I See You Baby” and Basement Jaxx’s “Where’s Your Head At”. Armand Van Helden’s “My My My” retains its top position, while the Utah Saints dominate the upper half with “Something Good ’08” and “What Can You Do For Me” at #3 and #4.
See the Full Top 20 for Big Beat
2000s GARAGE ROCK
Two new entries shape the 2000s Garage Rock chart. The Raconteurs’ “Hands” debuts at #18, combining introspective lyrics with a polished instrumental backdrop.
The 5.6.7.8’s “I’m Blue” takes the #20 spot, delivering raw, surf-rock energy with retro charm. Exiting the rankings are Kasabian’s “Goodbye Kiss” and The Black Keys’ “Lonely Boy”. Notably, Black Rebel Motorcycle Club’s “Love Burns” surges from #17 to #4, marking a standout climb.
The White Stripes’ “I Just Don’t Know What To Do With Myself” maintains its position at the summit.
See the Full Top 20 for 2000S Garage Rock
BRITPOP
Primal Scream’s “Loaded” enters the Britpop chart at #19, blending acid house with indie sensibilities. Fat Les’ “Vindaloo” drops from #10 to #14, while the Utah Saints continue strong at #9 and #11 with “Something Good ’08” and “What Can You Do For Me”.
Departing the chart is Supergrass’ “Pumping On Your Stereo”. “Jailbird” by Primal Scream remains unshaken at #1, reflecting its enduring influence in the genre.
See the Full Top 20 for Britpop
90s SOPHISTI-POP
The 90s Sophisti-Pop chart remains stable with no new entries or exits this month. Sting’s “Shape Of My Heart” continues to dominate at #1, while Chris Rea’s “Auberge” and Sting’s “Mad About You” hold strong at #2 and #3, respectively.
Everything But The Girl’s “Missing” stays comfortably at #4, maintaining its iconic status in the genre.
See the Full Top 20 for 90S Sophisti-Pop
2010s R&B
The 2010s R&B chart sees a notable reshuffle. Nick Jonas’ “Jealous” climbs to #4, while Summer Walker’s “Playing Games” retains its #3 position.
Notable stability is observed with The Weeknd’s “Try Me” and A$AP Rocky’s “Everyday” continuing to hold the top two spots.
With no new entries or exits this month, the chart reflects a solidifying appreciation for these tracks within the genre.
See the Full Top 20 for 2010S R&B
NEO-MELLOW
The Neo-Mellow chart sees a new entry with David Gray’s “The One I Love” debuting at #19. This 2005 release from Life in Slow Motion brings a cinematic, bittersweet tone, showcasing Gray’s signature rasp.
Exiting the rankings is Snow Patrol‘s “Chasing Cars”.
Meanwhile, “Mad World” by Gary Jules & Michael Andrews continues its reign at #1.
Keane holds steady at #2 and #3 with “Everybody’s Changing” and “Somewhere Only We Know”, respectively.
See the Full Top 20 for Neo-Mellow
POST-DISCO
The Post-Disco chart welcomes two fresh entries. Shalamar’s “Take That to the Bank” lands at #17, delivering a quintessential disco groove from 1978.
Howard Johnson’s “So Fine” debuts at #20, showcasing smooth early ’80s R&B vibes.
Exiting the chart are Patrice Rushen‘s “Forget Me Nots” and Evelyn “Champagne” King’s “Love Come Down”.
The S.O.S. Band’s “Take Your Time [Do It Right]” remains the genre leader, holding the top spot for another month.
See the Full Top 20 for Post-Disco
YACHT ROCK
James Ingram’s “Yah Mo B There” enters the Yacht Rock chart at #6, bringing a polished blend of R&B and pop from 1983, featuring Michael McDonald’s signature harmonies.
No tracks leave the chart this month, but Fleetwood Mac’s “Everywhere” slips to #20.
Don Henley’s “The Boys of Summer” retains the top position.
The Eagles’ “Hole In The World” and Billy Ocean’s “Caribbean Queen” follow in second and third place.
See the Full Top 20 for Yacht Rock
DIVA HOUSE
The Diva House chart adds SNAP!‘s “The First the Last Eternity [Till the End]” at #20. This 1994 Eurodance track combines infectious rhythms with a bold, high-energy vibe, complementing SNAP!’s legacy.
No departures occur, but Urban Cookie Collective’s “The Key The Secret” continues its grip on #1.
Notable movements include CeCe Peniston’s “Keep On Walkin’” climbing to #7, reshaping the mid-tier rankings.
See the Full Top 20 for Diva House
VINTAGE POWER POP
The Vintage Power Pop chart features The Cars’ “Tonight She Comes” debuting at #19, bringing polished hooks and vibrant energy from their 1985 catalog.
No tracks exit the chart, and Blondie’s “The Tide Is High” remains #1.
Nada Surf’s “Inside of Love” climbs significantly to #4, while The Knack’s “My Sharona” dips to #5.
Consistent movements define this month, balancing fresh and classic sounds.
See the Full Top 20 for Vintage Power Pop
EURODANCE
The Eurodance chart introduces two new entries this month. Dr. Alban’s “Look Who’s Talking” lands at #16, showcasing a bold reggae-tinged Eurodance anthem from 1994.
Dj Bobo’s “Love Is All Around” debuts at #19, blending uplifting lyrics with a high-energy Eurobeat vibe.
Exiting the rankings are Bombalurina‘s “Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini” and 2 Eivissa’s “Oh La La La”.
Dr. Alban’s “It’s My Life” continues to dominate at #1, holding its lead for another month.
See the Full Top 20 for Eurodance
HEARTLAND ROCK
Heartland Rock sees Bryan Adams’ “Christmas Time” enter the chart at #1, bringing a festive yet nostalgic tone to the genre.
Joe Cocker’s “Don’t You Love Me Anymore?” debuts at #18, showcasing a heartfelt ballad with his signature rasp.
Departing are Robert Plant’s “Big Log” and The Black Crowes’ “She Talks to Angels”.
Bryan Adams also holds strong positions with “Have You Ever Really Loved a Woman?” at #2 and “Here I Am” climbing to #5.
See the Full Top 20 for Heartland Rock
NEW JACK SWING
The New Jack Swing chart adds two fresh tracks. Ready For The World’s “Love You Down” debuts at #19, delivering a smooth, emotive groove.
Keith Sweat’s “Nobody”, featuring Athena Cage, enters at #20, blending romantic lyrics with signature swing rhythms.
No tracks exit this month, leaving the top-ranking “Take Your Time [Do It Right]” by The S.O.S. Band firmly at #1.
SWV’s “Can We” and Freddie Jackson’s “Rock Me Tonight” maintain their stronghold at #2 and #3, respectively.
See the Full Top 20 for New Jack Swing
POST-GRUNGE
Post-Grunge welcomes two new entries. The Offspring’s “The Kids Aren’t Alright” lands at #18, bringing fast-paced punk energy to the chart.
Linkin Park’s “Somewhere I Belong” debuts at #20, offering a reflective yet powerful addition from their Meteora album.
Faith No More’s “Last Cup of Sorrow” and Korn’s “Twisted Transistor” exit the rankings.
Candlebox’s “Far Behind” retains its spot at #1, with Limp Bizkit’s “Behind Blue Eyes” close behind at #2.
See the Full Top 20 for Post-Grunge
TRIP HOP
Trip Hop sees Morcheeba’s “Otherwise” debut at #6, infusing the chart with dreamy, downtempo charm from their 2002 album Charango.
No tracks leave the rankings, but Portishead’s “Sour Times” remains unshaken at #1.
Thievery Corporation’s “Lebanese Blonde” holds steady at #2, and Olive’s “You’re Not Alone” stays at #3, maintaining a cohesive top tier.
See the Full Top 20 for Trip Hop
80S NEW WAVE POP
The 80s New Wave Pop chart remains largely stable this month, with no new entries.
Kate Bush’s “Army Dreamers” holds the top position, continuing to resonate with its poignant themes and ethereal delivery.
Blondie’s “The Tide Is High” and Thompson Twins’ “Lay Your Hands On Me” secure their #2 and #3 spots, respectively, maintaining their enduring appeal.
Belinda Carlisle’s “La Luna” closes the chart at #20, showcasing her consistent presence across rankings.
See the Full Top 20 for 80S New Wave Pop
GANGSTER RAP
The Gangster Rap chart introduces one new entry: 2Pac and The Notorious B.I.G.’s “Runnin’ [Dying to Live]” debuts at #4. This posthumous collaboration brings a reflective tone, produced by Eminem with a poignant Edgar Winter sample.
Departing from the rankings is Mary J. Blige and Nas’ “Love Is All We Need.”
D12’s “Purple Pills” retains its dominance at #1, while Ice Cube’s “Check Yo Self” and Puff Daddy’s “Can’t Nobody Hold Me Down” stay firmly at #2 and #3.
See the Full Top 20 for Gangster Rap
80S GLAM METAL
Alice Cooper’s “[He’s Back] The Man Behind the Mask” joins the chart at #20, blending horror-inspired lyrics with polished ’80s rock energy.
Exiting the chart is April Wine’s “Just Between You and Me.”
Asia’s “Heat of the Moment” continues its reign at #1, with Def Leppard’s “Rock of Ages” holding steady at #2.
Poison showcases its dominance with three tracks still charting, including “Every Rose Has Its Thorn” at #13.
See the Full Top 20 for 80S Glam Metal
90S MELLOW GOLD
The 90s Mellow Gold chart sees the Pretenders’ “2000 Miles” debut at #17, adding a bittersweet holiday vibe to the rankings.
Leo Sayer’s “When I Need You” remains unshaken at #1, continuing to captivate listeners with its tender emotion.
Bryan Adams’ “Have You Ever Really Loved a Woman?” climbs to #2, reinforcing his chart dominance with three tracks still featured.
Exiting the chart is Van Morrison’s “Days Like This,” making room for these changes.
See the Full Top 20 for 90S Mellow Gold
OLD SCHOOL HIP HOP
The Old School Hip Hop chart adds Run-D.M.C.’s “Ghostbusters” at #19, a nostalgic hip-hop reimagining of Ray Parker Jr.’s classic from the Ghostbusters II soundtrack.
No tracks leave the rankings this month, indicating a stable lineup.
LL Cool J.’s “Loungin (w/ Total)” holds the top spot, maintaining its smooth charm and widespread appeal.
Public Enemy secures multiple positions, with “911 Is a Joke” at #7 and “Fight the Power” at #11, showcasing their continued influence.
See the Full Top 20 for Old School Hip Hop
BOY BANDS RETRO
East 17’s “Stay Another Day” makes a significant debut at #5. This heartfelt ballad departs from the group’s usual pop/hip-hop style, offering lush orchestration and poignant lyrics that resonate with themes of personal grief and emotional vulnerability.
The chart sees no exits this month, indicating a stable lineup of classic hits and fan favorites. Tracks like All-4-One’s “I Swear” remain steadfast at #1, with NSYNC’s “Bye Bye Bye” and Bell Biv DeVoe’s “Poison” continuing to hold their positions at #2 and #3 respectively, maintaining their iconic status.
See the Full Top 20 for Boy Bands Retro
INDIE ROCK
This month’s Indie Rock chart does not introduce any new entries, but notable shifts in rankings keep it dynamic. Mono’s “Life In” retains its position at the top, solidifying its status as a genre-defining track, while Gerry Cinnamon’s “Sometimes” remains a close second, continuing its appeal with listeners.
The Yeah Yeah Yeahs’ “Maps” climbs to the #3 spot, reflecting its enduring emotional resonance and innovative approach to indie music. Fat Les’ tracks “Jerusalem” and “Vindaloo” slightly adjust their positions but continue to contribute to the energetic diversity of the chart.
See the Full Top 20 for Indie Rock
GIRL GROUPS
The Girl Groups chart sees No Angels’ “Daylight In Your Eyes” rising to #3, bringing renewed attention to its catchy melodies and powerful vocal performances. This shift demonstrates the track’s growing popularity among fans of the genre.
The Pussycat Dolls re-enter the chart with their hit “Stickwitu (w/ Avant)” at #17, a reminder of their widespread influence and the song’s timeless appeal as a tender ballad.
SWV’s “Can We (w/ Missy Elliott)” holds firmly at #1, showcasing its blend of R&B and hip-hop influences. Jade’s “I Wanna Love You” follows closely behind at #2, maintaining its strong presence as a romantic anthem.
See the Full Top 20 for Girl Groups
POP DANCE
Mr. Probz’s “Waves” enters the Pop Dance chart at #19, marking its return to prominence with its unique fusion of acoustic and electronic elements. Originally released in 2013, the track’s Robin Schulz remix propelled it to international acclaim, blending yearning lyrics with a melodic deep house arrangement.
The chart remains consistent otherwise, with Loud Luxury’s “Body” retaining the #1 position thanks to its infectious rhythm and wide appeal. Supermode’s “Tell Me Why” stays steady at #2, continuing to captivate audiences with its high-energy production.
See the Full Top 20 for Pop Dance
NEO SOUL
Nas’ “If I Ruled the World [Imagine That] (w/ Lauryn Hill)” debuts at #20, adding a reflective and socially conscious dimension to the Neo Soul chart. The collaboration combines Nas’ incisive lyricism with Lauryn Hill’s soulful vocals, creating a thought-provoking anthem.
De La Soul’s “All Good? (w/ Chaka Khan)” remains at #1, exemplifying the genre’s signature fusion of smooth grooves and meaningful lyrics. Erick Sermon’s “Music (w/ Marvin Gaye)” holds its place at #2, blending nostalgic vocals with contemporary production.
Mary J. Blige continues to dominate the chart with multiple entries, including “Family Affair” at #8 and “Love Is All We Need (w/ Nas)” at #11, affirming her lasting impact on Neo Soul.
See the Full Top 20 for Neo Soul
ART ROCK
Bing Crosby and David Bowie’s “Peace On Earth / Little Drummer Boy” enters the chart at #2, bringing a rare holiday duet that blends Crosby’s traditional crooning with Bowie’s modern tenor. The track, recorded in 1977, juxtaposes the timeless melody of “Little Drummer Boy” with the original counterpoint of “Peace On Earth,” offering a harmonious blend of two distinct musical eras. Its annual resurgence affirms its status as a seasonal classic.
Kate Bush’s “Army Dreamers” remains the chart leader, showcasing its lasting impact as a poignant exploration of loss and disillusionment. Other staples, like Roger Waters’ “Another Brick In The Wall (w/ Cyndi Lauper)” at #3 and XTC’s “Mayor Of Simpleton” at #4, maintain their strong positions, reflecting the depth and diversity of the Art Rock genre.
See the Full Top 20 for Art Rock
2010s TRAP
Summer Walker’s “Stretch You Out” debuts at #20, adding a sultry yet emotionally raw dimension to the chart. The track, from her 2019 album Over It, pairs her evocative vocals with A Boogie wit da Hoodie’s smooth feature, creating a layered exploration of vulnerability and relationships.
The top three positions remain unchanged, with Lil Wayne’s “Mona Lisa” leading the pack, followed by Jay Z’s “On To The Next One” and Kanye West’s “Runaway.” These tracks continue to epitomize the genre’s intricate production and introspective themes.
See the Full Top 20 for 2010S Trap
NU METAL
Linkin Park’s “Somewhere I Belong” enters at #19, delivering a blend of nu-metal aggression and melodic introspection. Released in 2003, the track captures the band’s signature fusion of raw intensity and reflective lyrics, cemented by Joe Hahn’s visually arresting music video.
Ministry’s “N.W.O. [New World Order]” holds the #1 spot, reflecting its enduring resonance as a politically charged anthem. Candlebox’s “Far Behind” and Limp Bizkit’s “Behind Blue Eyes” continue to anchor the top three, showcasing the genre’s diverse emotional and sonic range.
See the Full Top 20 for Nu Metal
POST-PUNK
The Fall’s “There’s a Ghost in My House” debuts at #18, offering a frenetic post-punk reinterpretation of R. Dean Taylor’s classic. Mark E. Smith’s deadpan delivery combined with Ian Broudie’s production creates a track that merges raw energy with a polished edge, securing its place as a standout entry.
Talking Heads’ “This Must Be the Place [Naive Melody]” retains its position at #1, exemplifying the genre’s ability to pair lyrical complexity with melodic accessibility. Other tracks, including The Smiths’ “There Is A Light That Never Goes Out” at #3, continue to define the introspective and experimental spirit of post-punk.
See the Full Top 20 for Post-Punk
This monthly update of the top 20 tracks across 29 vintage genres reflects the continued evolution of listener preferences. While some tracks maintain their grip on the charts, others make way for fresh entries that bring new perspectives and sounds to the forefront.
Disclaimer: Our aim with these rankings is not to provide a definitive measure but to offer a snapshot of trends that resonate with audiences today.
We’ll continue to share these updates regularly, consolidating data and highlighting the shifts that make each genre so dynamic.
Thank you for following along, and we look forward to seeing how these charts evolve in the weeks to come.
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