Monthly Vintage Music Chart Highlights: Top 20 Tracks Across 15 Genres Feb 2, 2025 edition

Every month, we update our “Most Trending Vintage [music genre] Songs” series to spotlight the vintage tracks experiencing the highest engagement growth over the last six months.

These rankings combine data from our platform with external streaming metrics, offering a comprehensive view of the classics that are resonating with listeners today.

Spanning 29 genres, the charts aren’t about the most famous songs but rather the ones gaining momentum. By tracking upward trends in vintage music, we can uncover which genres are making a comeback and which sounds might inspire contemporary artists to reconnect with timeless influences.

We don’t claim to be exhaustive. It’s possible you won’t find a title you expected to see on this list. Sorry about that — these things happen.

Explore the shifts, rediscover the hits, and see what’s capturing the attention of a new generation of listeners.

Here is the Feb 2,2025 edition

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Monthly Vintage Music Chart Highlights: Top 20 Tracks Across 15 Genres Feb 2,2025 edition

Big Beat

Armand Van Helden‘s “My My My” holds onto the top position, with The KLF’s “Last Train To Trancentral [Live From The Lost Continent]” and Utah Saints’ “Something Good ’08” maintaining their spots in the top three. The chart remains largely stable, with only one new entry.

Armand Van Helden’s “The Funk Phenomena” debuts at number 20, bringing a 1996 house influence into the rankings. The track, built around a sample of Rick James‘ “Give It to Me Baby,” initially saw moderate chart success in Europe and is recognized for its energetic production. Its arrival pushes Fatboy Slim’s “Praise You” off the list.

Death In Vegas’ “Aisha” climbs notably from 18th to 6th place, making it the most significant upward movement of the month. Meanwhile, Fatboy Slim’s “Right Here Right Now” drops one spot to 7th, and Groove Armada’s “I See You Baby” climbs from 13th to 10th, securing a stronger position in the rankings.

See the Full Top 20 for Big Beat

2000s Garage Rock

The White Stripes’ “I Just Don’t Know What to Do with Myself” continues to lead the chart, while Yeah Yeah Yeahs’ “Maps” and “Heads Will Roll” remain firm in the second and third positions. The top five remains largely intact, with Black Rebel Motorcycle Club’s “Love Burns” holding onto fourth place.

The chart sees one new entry, with Death From Above 1979‘s “Romantic Rights” entering at number 19. This track, known for its aggressive basslines and intense drumming, comes from the band’s 2004 album *You’re a Woman, I’m a Machine*. Its past inclusion in video game soundtracks and a notable television performance have contributed to its legacy.

The arrival of “Romantic Rights” forces The White Stripes’ “Dead Leaves and the Dirty Ground” off the rankings. Additionally, The White Stripes’ “The Hardest Button to Button” moves up from 14th to 9th, while The Subways’ “Rock & Roll Queen” drops from 10th to 14th.

See the Full Top 20 for 2000s Garage Rock

Britpop

Cast’s “Walkaway” rises from second to claim the top spot, switching places with Primal Scream’s “Jailbird.” Oasis’ “Roll With It” moves up to third, overtaking Shed Seven’s “Chasing Rainbows,” which now sits at fourth.

The chart sees two new entries. Lush‘s “Nothing Natural” debuts at number 6, adding a shoegaze-influenced sound to the rankings. Produced by Robin Guthrie of Cocteau Twins, the track is characterized by atmospheric guitars and introspective lyrics. Supergrass’ “Pumping on Your Stereo” enters at number 19, known for its upbeat energy and a music video featuring the band members as puppets.

These additions replace The Beautiful South’s “Perfect 10” and Jesus Jones’ “Right Here Right Now,” both of which drop out. Meanwhile, Edwyn Collins‘ “A Girl Like You” falls from fourth to eighth, and Shed Seven’s “Going for Gold” drops from seventh to ninth.

See the Full Top 20 for Britpop

90s Sophisti-Pop

Sting’s “Shape of My Heart” remains the top song, followed by Chris Rea’s “Auberge” and Sting’s “Mad About You” in second and third places. The upper half of the chart experiences little movement.

No new entries appear in the rankings this month. However, there are minor shifts in position. Sting’s “The Soul Cages” climbs from 11th to 9th, surpassing The Beautiful South’s “Don’t Marry Her,” which moves from ninth to 11th.

Everything But The Girl’s “Five Fathoms” gains two spots, moving from 18th to 16th, while Basia’s “Drunk on Love” drops one position to 18th. The rest of the rankings remain largely unchanged.

See the Full Top 20 for 90s Sophisti-Pop

2010s R&B

The top three remains steady, with The Weeknd’s “Try Me” leading, followed by A$AP Rocky’s “Everyday” and Summer Walker’s “Playing Games.” There are a few adjustments within the lower half of the rankings.

Kendrick Lamar and SZA’s “All The Stars” enters at number 16, adding a soundtrack-driven presence to the list. Featured in *Black Panther*, the track merges Lamar’s sharp lyricism with SZA’s smooth vocals over a layered production. Pitbull’s “Hey Baby (Drop It to the Floor)” also debuts at number 19, bringing a high-energy club anthem into the mix.

These new arrivals push out Bryson Tiller’s “Don’t” and Ne-Yo’s “Never Knew I Needed,” both of which leave the rankings. Additionally, Chris Brown’s “Back to Sleep” moves up from 16th to 14th, while Summer Walker’s “Girls Need Love” slips from 10th to 15th.

See the Full Top 20 for 2010s R&B

Neo-Mellow

Gary Jules & Michael Andrews’ “Mad World” continues to dominate the chart, followed closely by Keane‘s “Everybody’s Changing” and “Somewhere Only We Know.” The top positions remain unchanged, with most movements occurring in the lower half of the rankings.

Snow Patrol’s “Chasing Cars” is the only new entry, debuting at number 20. Originally released in 2006, the track gained widespread recognition after its placement in *Grey’s Anatomy*. With its stripped-down production and emotional delivery, it became one of the most-played songs on UK radio in the 2000s.

Jack Johnson‘s “Upside Down” exits the rankings to make room for the new arrival. Other notable shifts include The Calling’s “Wherever You Will Go” climbing from 15th to 14th, while Alanis Morissette’s “Crazy” falls from 17th to 18th.

See the Full Top 20 for Neo-Mellow

P0st-Disco

The S.O.S. Band’s “Take Your Time [Do It Right]” holds onto the number one spot, with Imagination’s “Just an Illusion” and Cheryl Lynn’s “Encore” maintaining their strong positions in the top three.

Tom Browne’s “Funkin’ for Jamaica” enters the chart at number 10. Released in 1980, this jazz-funk track became a defining anthem, topping the Billboard R&B chart. Its distinctive groove and Toni Smith’s commanding vocals contribute to its continued influence in funk and hip-hop.

Maze’s “Joy & Pain” also joins the rankings at number 19. A reflection on life’s highs and lows, the song has remained a staple in R&B and soul music. It replaces Shakatak’s “Easier Said Than Done,” which drops out of the chart.

Club Nouveau’s “Lean On Me” rises from 10th to 8th, while Howard Johnson’s “So Fine” moves up from 20th to 13th, marking one of the most notable climbs.

See the Full Top 20 for P0st-Disco

Yacht Rock

Don Henley’s “The Boys of Summer” continues to lead the chart, followed by Eagles’ “Hole in the World.” George Benson’s “In Your Eyes” moves up to third, overtaking Billy Ocean’s “Caribbean Queen,” which now sits in fourth place.

No new entries are present this month, but there are some notable shifts. Chicago’s “Hard to Say I’m Sorry” moves up from eighth to seventh, while “You’re the Inspiration” drops one place to eighth.

The rest of the chart remains largely stable, with Fleetwood Mac’s “Everywhere” maintaining its position at number 20, and Patrick Swayze’s “She’s Like the Wind” holding steady at 15th.

See the Full Top 20 for Yacht Rock

Diva House

Urban Cookie Collective’s “The Key The Secret” remains at number one, followed by Steps’ “One for Sorrow” and La Bouche’s “Sweet Dreams,” keeping the top three unchanged.

No new songs enter the rankings this month. However, there are some position changes. Bizarre Inc’s “Playing with Knives” climbs from ninth to seventh, pushing CeCe Peniston’s “Keep On Walkin’” down to eighth.

Elsewhere, Snap!’s “Rame [Beloved]” swaps places with Lonnie Gordon’s “Happenin’ All Over Again,” while the lower half of the chart remains steady with no major movements.

See the Full Top 20 for Diva House

Vintage Power Pop

Blondie’s “The Tide Is High” holds onto the top position, while XTC’s “Mayor of Simpleton” moves up to second place, pushing Cheap Trick’s “The Flame” down to fourth. Nada Surf’s “Inside of Love” climbs to third.

No new entries appear on the chart this month. The rankings mainly shift within the lower half, with Teenage Fanclub & De La Soul’s “Fallin’” climbing from 14th to 12th, while The Cars’ “Tonight She Comes” rises from 19th to 18th.

The rest of the chart remains stable, with The Cars’ “You Might Think” dropping one spot to 20th, rounding out the list.

See the Full Top 20 for Vintage Power Pop

Eurodance

Dr. Alban maintains his dominance at the top of the chart, with “It’s My Life” and “Away From Home” continuing to hold the first and second positions. Urban Cookie Collective’s “The Key The Secret” also remains steady at number three.

There are no new entries this month, but the rankings shift slightly. Dr. Alban’s “Look Who’s Talking” moves up from 16th to 11th, while Snap!’s “Rame [Beloved]” drops from 11th to 18th.

Sandra’s “Maria Magdalena” falls to the last spot, switching places with U.S.U.R.A.’s “Open Your Mind.” The rest of the list remains largely unchanged, with U96’s “Club Bizarre” and Scooter’s “Nessaja” holding firm in the top five.

See the Full Top 20 for Eurodance

Heartland Rock

Bryan Adams continues to lead the chart with “Christmas Time,” followed by “Have You Ever Really Loved a Woman?” and Cheap Trick’s “The Flame.” The top positions remain stable, with most shifts occurring in the lower half of the rankings.

No new songs enter the chart this month. However, Bryan Adams‘ “Back to You” climbs from 10th to 7th, surpassing The Black Crowes’ “Jealous Again” and America’s “You Can Do Magic,” which both drop one place.

Joe Cocker’s “Don’t You Love Me Anymore?” moves up from 18th to 14th, while Bryan Adams’ “(Everything I Do) I Do It for You” gains two spots, now sitting at number 18. Steve Winwood’s “Roll With It” remains in the final position.

See the Full Top 20 for Heartland Rock

New Jack Swing

The S.O.S. Band’s “Take Your Time [Do It Right]” holds onto the number one spot, while Atlantic Starr’s “Always” makes a strong debut at number two, pushing SWV’s “Can We” down to third.

“Always,” released in 1987, became a defining ballad for Atlantic Starr, topping the Billboard Hot 100 and the R&B chart. Its smooth harmonies and heartfelt lyrics cemented its place as a standout track from the *All in the Name of Love* album.

Wreckx-N-Effect’s “Rump Shaker” and Keith Sweat’s “I’m Not Ready” both drop in ranking, while Bell Biv DeVoe’s “Poison” moves down from 7th to 9th. Otherwise, the rest of the chart remains largely intact.

See the Full Top 20 for New Jack Swing

Post-Grunge

Candlebox’s “Far Behind” continues its run at number one, while Limp Bizkit’s “Behind Blue Eyes” and Counting Crows’ “Accidentally in Love” hold onto their second and third positions.

Nickelback’s “Too Bad” is the only new entry, debuting at number 15. The track, released in 2001, deals with themes of family loss and resilience, backed by heavy guitar riffs and anthemic choruses. Its arrival pushes Spacehog’s “In the Meantime” down to the last position.

Rage Against The Machine’s “Bombtrack” falls two spots to 7th, switching places with Silverchair’s “Tomorrow.” Better Than Ezra’s “Good” also moves up one position, now sitting at number 8.

See the Full Top 20 for Post-Grunge

Trip Hop

Portishead’s “Sour Times” maintains its top position, with Olive’s “You’re Not Alone” moving up to second, pushing Thievery Corporation’s “Lebanese Blonde” down to third.

Morcheeba’s “Let Me See” is the only new entry this month, debuting at number 18. Featured on the *Big Calm* album, the song blends trip-hop with smooth vocals and introspective lyrics. Its arrival causes Björk’s “Triumph of a Heart” to exit the rankings.

Air’s “Sexy Boy” drops from 13th to 19th, while Everything But The Girl’s “I Don’t Want to Talk About It” moves up to 10th. The rest of the chart remains mostly unchanged.

See the Full Top 20 for Trip Hop

80s New Wave Pop

Thompson Twins’ “Doctor! Doctor!” climbs to the number one spot, pushing Kate Bush’s “Army Dreamers” down to fourth. Blondie’s “The Tide Is High” holds steady at number two, while “Lay Your Hands On Me” remains in third place.

The chart welcomes one new entry: Belinda Carlisle’s “Circle in the Sand” at number 16. Released in 1988, the song features soaring synths and atmospheric guitar, with a beach-set music video reinforcing its romantic themes.

Belinda Carlisle remains a strong presence, now holding three positions with “Heaven Is a Place on Earth” at 15th and “I Get Weak” dropping out to make room for her latest addition. The rest of the rankings see only minor shifts, with Yazoo’s “Nobody’s Diary” and Village People’s “Can’t Stop the Music” swapping places.

See the Full Top 20 for 80s New Wave Pop

Gangster Rap

D12’s “Purple Pills” remains at number one, but the biggest movement comes from “Hit ‘Em High,” which debuts at number two. Featured on the *Space Jam* (1996) soundtrack, the song unites B-Real, Busta Rhymes, Coolio, LL Cool J, and Method Man over a high-energy production.

Mary J. Blige’s “Love Is All We Need” featuring Nas also enters the rankings at number 20. Produced by Jimmy Jam and Terry Lewis, the track blends hip-hop and R&B while incorporating a sample of Rick James’ “Moonchild.”

The arrival of these new tracks pushes Jay-Z’s “Izzo (H.O.V.A.)” and Ice Cube’s “Bop Gun (One Nation)” off the list. Elsewhere, “Check Yo Self” drops two spots to fourth as Puff Daddy’s “Can’t Nobody Hold Me Down” climbs to third.

See the Full Top 20 for Gangster Rap

80s Glam Metal

Cheap Trick’s “The Flame” rises from third to take the top spot, while Ozzy Osbourne’s “Bark at the Moon” climbs to second. Def Leppard’s “Rock of Ages” falls from second to third.

The only new entry this month is Foreigner’s “Cold as Ice,” arriving at number 20. Originally released in 1977, the song became a signature hit for the band and remains a staple of classic rock playlists.

Asia’s “Heat of the Moment” drops from first to sixth, marking the most notable decline. Otherwise, the rankings remain stable, with Poison’s multiple entries in the lower half of the chart holding their positions.

See the Full Top 20 for 80s Glam Metal

90s Mellow Gold

Leo Sayer’s “When I Need You” retains its number one spot, while Bryan Adams’ “Have You Ever Really Loved a Woman?” and Paul McCartney’s “Hope of Deliverance” continue to hold second and third places, respectively.

Public Enemy’s “He Got Game” featuring Stephen Stills enters at number 20. The title track from the *He Got Game* (1998) soundtrack, the song samples Buffalo Springfield’s “For What It’s Worth” and addresses themes of social struggle and resilience.

The entry of “He Got Game” forces Status Quo’s “Fun Fun Fun” off the rankings. Meanwhile, Bob Seger’s “Hollywood Nights” moves up one spot to fifth, switching places with Bonnie Raitt’s “Nick of Time.”

See the Full Top 20 for 90s Mellow Gold

Old School Hip Hop

“Hit ‘Em High” makes another major move, climbing to the top of the chart, pushing LL Cool J’s “Loungin” to second place. Newcleus’ “Jam On It” remains steady at number three.

There are no new entries this month, but some songs shift positions. Run-D.M.C.’s “Ghostbusters” climbs from 19th to 13th, overtaking “My Adidas” in the process.

The lower half of the rankings remain mostly unchanged, with Sir Mix-a-Lot’s “Baby Got Back” holding at 19th and Boogie Down Productions’ “Love’s Gonna Get’cha” closing out the list.

See the Full Top 20 for Old School Hip Hop

Boy Bands Retro

All-4-One’s “I Swear” remains at the top of the chart, with *NSYNC’s* “Bye Bye Bye” holding firm in second place. One Direction’s “History” moves up one spot to third, switching places with Bell Biv DeVoe’s “Poison,” which drops to fourth.

No new entries appear this month, but there are a few ranking adjustments. East 17’s “Around the World” climbs from 11th to 9th, overtaking No Mercy’s “Please Don’t Go,” which falls to 10th.

Backstreet Boys’ “The Call” holds onto the last position, while Puff Daddy’s “I’ll Be Missing You” and East 17’s “Deep” swap places at 13th and 15th, respectively. Otherwise, the chart remains stable.

See the Full Top 20 for Boy Bands Retro

Indie Rock

Mono’s “Life in Mono” retains the number one spot, with Gerry Cinnamon’s “Sometimes” and Yeah Yeah Yeahs’ “Maps” holding steady at second and third. Caesars Palace’s “Jerk It Out” moves up to fourth, overtaking Editors’ “An End Has a Start.”

Two new entries join the chart. Joe Goddard’s “Gabriel,” featuring Valentina’s vocals, lands at number 19. Originally released in 2011, the track gained underground popularity through BBC Radio 1 airplay and its inclusion in *Grand Theft Auto V*. The Flaming Lips’ “Fight Test” debuts at number 20, bringing its introspective themes and psychedelic influences to the rankings.

The addition of these tracks forces Fat Les’ “Vindaloo” and “Jerusalem” out of the top 20. Elsewhere, LCD Soundsystem’s “All My Friends” drops from fourth to sixth, while Death Cab for Cutie’s “I Will Follow You into the Dark” climbs one spot to seventh.

See the Full Top 20 for Indie Rock

Girl Groups

SWV’s “Can We” featuring Missy Elliott remains the number one song, while Jade’s “I Wanna Love You” and No Angels’ “Daylight in Your Eyes” continue to hold their second and third positions. Brownstone’s “If You Love Me” moves up to fourth, pushing The Pointer Sisters’ “Slow Hand” down to fifth.

The chart welcomes one new entry: Sugababes’ “Hole in the Head” at number 20. Released in 2003, the track topped the UK Singles Chart and gained international success, blending pop melodies with electronic production.

Its arrival causes Wilson Phillips’ “You’re in Love” to exit the rankings. Otherwise, most shifts are minimal, with Cherish’s “Do It to It” moving up from 13th to 11th, and En Vogue’s “Riddle” dropping one position.

See the Full Top 20 for Girl Groups

Pop Dance

Loud Luxury’s “Body” maintains its hold at the top, with Supermode’s “Tell Me Why” still at number two. The biggest shift comes from Armin van Buuren’s “Burned with Desire,” which enters the chart at number three, pushing Fedde Le Grand’s “Put Your Hands Up for Detroit” down to fourth.

Dj Snake’s “Let Me Love You” featuring Justin Bieber debuts at number 19. A commercial hit upon release, the track blends EDM with pop, reaching number four on the Billboard Hot 100. Also making its first appearance is Sharam’s “PATT (Party All The Time)” at number 20, a 2006 club hit built around Eddie Murphy’s 1985 song of the same name.

The new entries push Becky Hill’s “I Could Get Used to This” and David Guetta’s “The World is Mine” out of the rankings. Meanwhile, Tiësto’s “Lethal Industry” rises from sixth to fifth, and Calvin Harris’ “How Deep Is Your Love” drops from ninth to 11th.

See the Full Top 20 for Pop Dance

Neo Soul

De La Soul’s “All Good?” featuring Chaka Khan stays in the top spot, followed by Erick Sermon’s “Music” with Marvin Gaye at number two. SWV’s “Can We” featuring Missy Elliott remains in third, while Jay-Z’s “Empire State of Mind” and Aaliyah’s “Hot Like Fire” switch positions at fourth and fifth.

No new entries join the chart this month, but there are some small adjustments. Slum Village’s “Tainted” drops from sixth to eighth, while Lucy Pearl’s “Dance Tonight” moves up to sixth.

Gnarls Barkley’s “Crazy” gains one spot, climbing from 14th to 13th, while Raphael Saadiq’s “Ask of You” moves down from 15th to 16th. The rest of the rankings remain unchanged.

See the Full Top 20 for Neo Soul

Art Rock

Kate Bush’s “Army Dreamers” retains the number one position, with Bing Crosby’s “Peace on Earth / Little Drummer Boy” and Roger Waters’ “Another Brick in the Wall” featuring Cyndi Lauper staying in second and third place.

Two new David Bowie tracks enter the chart. “Fame 90” debuts at number 19, offering a remixed take on his 1975 hit, modernized for the *Sound+Vision* tour and *Changesbowie* compilation. Meanwhile, “Wild Is the Wind” lands at number 20, showcasing Bowie’s 1976 rendition of the classic song, known for its haunting vocal delivery and cinematic production.

The new additions push Pete Townshend’s “Let My Love Open the Door” and XTC’s “Senses Working Overtime” out of the rankings. Elsewhere, David Bowie’s “The Hearts Filthy Lesson” climbs from ninth to seventh, switching places with Yes’ “It Can Happen.”

See the Full Top 20 for Art Rock

2010s Trap

Lil Wayne’s “Mona Lisa” maintains its grip on the top spot, with “She Will” moving up from fourth to second, overtaking Kanye West’s “Runaway” and Jay-Z’s “On to the Next One,” which both drop one position.

No new songs appear on the chart this month, but there are some notable shifts. DJ Snake’s “Let Me Love You” climbs from tenth to eighth, while Tory Lanez’s “Jerry Sprunger” moves down to tenth.

Pitbull’s “Hey Baby (Drop It to the Floor)” gains one spot to 14th, exchanging places with Lil Wayne’s “Love Me.” The rest of the rankings see minimal movement, with most tracks staying within one or two positions of their previous spots.

See the Full Top 20 for 2010s Trap

Nu Metal

Ministry’s “N.W.O.” remains at number one, followed by Candlebox’s “Far Behind” and Limp Bizkit’s “Behind Blue Eyes” in second and third place, respectively.

Linkin Park’s “Points of Authority” makes its way into the chart at number 20. Originally featured on *Hybrid Theory*, the track became a fan favorite, later remixed as “Pts.OF.Athrty” for the *Reanimation* album, which gained commercial success.

Its arrival forces Korn’s “Twisted Transistor” off the chart. Other movements include Silverchair’s “Tomorrow” climbing to fifth, swapping places with Rage Against the Machine’s “Bombtrack.”

See the Full Top 20 for Nu Metal

Post-Punk

Talking Heads’ “This Must Be the Place (Naive Melody)” holds firm at number one, while XTC’s “Mayor of Simpleton” stays in second. Captain Sensible’s “Wot” moves up from sixth to third, pushing The Smiths’ “There Is a Light That Never Goes Out” down to fourth.

No new songs appear this month, but there are some changes in ranking. Talking Heads’ “And She Was” falls from 13th to 16th, while The Fall’s “There’s a Ghost in My House” climbs from 18th to 14th.

New Order’s “Bizarre Love Triangle” and Siouxsie & The Banshees’ “Spellbound” swap positions, with the former rising to 17th and the latter dropping to 18th. The Go-Betweens’ “Streets of Your Town” remains at number 20.

See the Full Top 20 for Post-Punk


This monthly update of the top 20 tracks across 29 vintage genres reflects the continued evolution of listener preferences.

Disclaimer: Our aim with these rankings is not to provide a definitive measure but to offer a snapshot of trends that resonate with audiences today.

We’ll continue to share these updates regularly, consolidating data and highlighting the shifts that make each genre so dynamic.

Thank you for following along, and we look forward to seeing how these charts evolve in the weeks to come.

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