'L'Amour Toujours' New Music Videos - N°714

Tunisian‘//go.radiovideo.music/wallybseck‘> rapper‘//go.radiovideo.music/wallybseck‘> A.L.A‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> October‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> 1991‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> rose‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> fame‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> hits‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “U.Z.I”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “S.A.F.E”‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> YouTube‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> showcasing‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> distinctive‘//go.radiovideo.music/wallybseck‘> clean‘//go.radiovideo.music/wallybseck‘> beats‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> introspective‘//go.radiovideo.music/wallybseck‘> lyrics.

xx
‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/tayc‘>Tayc‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> French-Cameroonian‘//go.radiovideo.music/wallybseck‘> singer‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> emerged‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> “Alchemy”‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2017‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “Nyxia”‘//go.radiovideo.music/wallybseck‘> trilogy‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> showcasing‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> AfroPop‘//go.radiovideo.music/wallybseck‘> blend.‘//go.radiovideo.music/wallybseck‘> His‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> “Le‘//go.radiovideo.music/wallybseck‘> temps”‘//go.radiovideo.music/wallybseck‘> topped‘//go.radiovideo.music/wallybseck‘> French‘//go.radiovideo.music/wallybseck‘> charts‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> establishing‘//go.radiovideo.music/wallybseck‘> him‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> scene.‘//go.radiovideo.music/wallybseck‘> Winning‘//go.radiovideo.music/wallybseck‘> “Danse‘//go.radiovideo.music/wallybseck‘> avec‘//go.radiovideo.music/wallybseck‘> les‘//go.radiovideo.music/wallybseck‘> stars”‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2021‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> highlight‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> diverse‘//go.radiovideo.music/wallybseck‘> talents‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> singing‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> dancing.
‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/aitch‘>Aitch‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> Harrison‘//go.radiovideo.music/wallybseck‘> Armstrong‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Manchester‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> gained‘//go.radiovideo.music/wallybseck‘> fame‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> 2018‘//go.radiovideo.music/wallybseck‘> freestyle‘//go.radiovideo.music/wallybseck‘> “Straight‘//go.radiovideo.music/wallybseck‘> Rhymez.”‘//go.radiovideo.music/wallybseck‘> His‘//go.radiovideo.music/wallybseck‘> debut‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> “Close‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> Home”‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> peaked‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> number‘//go.radiovideo.music/wallybseck‘> two‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> UK‘//go.radiovideo.music/wallybseck‘> Albums‘//go.radiovideo.music/wallybseck‘> Chart‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> featuring‘//go.radiovideo.music/wallybseck‘> hits‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “Baby”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> collaborations‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Ed‘//go.radiovideo.music/wallybseck‘> Sheeran.‘//go.radiovideo.music/wallybseck‘> He‘//go.radiovideo.music/wallybseck‘> won‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> 2023‘//go.radiovideo.music/wallybseck‘> BRIT‘//go.radiovideo.music/wallybseck‘> Award‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> Best‘//go.radiovideo.music/wallybseck‘> Hip‘//go.radiovideo.music/wallybseck‘> Hop/Grime/Rap‘//go.radiovideo.music/wallybseck‘> Act.

LIT‘//go.radiovideo.music/wallybseck‘> Killah‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> trap-laced‘//go.radiovideo.music/wallybseck‘> intimacy‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> “Fiamore‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> Malcolm‘//go.radiovideo.music/wallybseck‘> Todd’s‘//go.radiovideo.music/wallybseck‘> “Chest‘//go.radiovideo.music/wallybseck‘> Pain‘//go.radiovideo.music/wallybseck‘> (I‘//go.radiovideo.music/wallybseck‘> Love‘//go.radiovideo.music/wallybseck‘>)”‘//go.radiovideo.music/wallybseck‘> uses‘//go.radiovideo.music/wallybseck‘> strings‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> percussive‘//go.radiovideo.music/wallybseck‘> jolts‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> map‘//go.radiovideo.music/wallybseck‘> post-breakup‘//go.radiovideo.music/wallybseck‘> heartache.‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/sabrinaclaudio‘>Sabrina‘//go.radiovideo.music/wallybseck‘> Claudio‘//go.radiovideo.music/wallybseck‘> returns‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> subdued‘//go.radiovideo.music/wallybseck‘> “Before‘//go.radiovideo.music/wallybseck‘> It’s‘//go.radiovideo.music/wallybseck‘> Too‘//go.radiovideo.music/wallybseck‘> Late‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Voyage‘//go.radiovideo.music/wallybseck‘> examines‘//go.radiovideo.music/wallybseck‘> self-perception‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> “Tajne‘//go.radiovideo.music/wallybseck‘> u‘//go.radiovideo.music/wallybseck‘> Ogledalu.”‘//go.radiovideo.music/wallybseck‘> Scarcuchi’s‘//go.radiovideo.music/wallybseck‘> “Promesas”‘//go.radiovideo.music/wallybseck‘> brings‘//go.radiovideo.music/wallybseck‘> clipped‘//go.radiovideo.music/wallybseck‘> rhythms‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> detours‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> romance.

Eric‘//go.radiovideo.music/wallybseck‘> Benét‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/kerihilson‘>Keri‘//go.radiovideo.music/wallybseck‘> Hilson‘//go.radiovideo.music/wallybseck‘> glide‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> retro‘//go.radiovideo.music/wallybseck‘> elegance‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> “Can’t‘//go.radiovideo.music/wallybseck‘> Wait‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Lawrence‘//go.radiovideo.music/wallybseck‘> rework‘//go.radiovideo.music/wallybseck‘> “My‘//go.radiovideo.music/wallybseck‘> First‘//go.radiovideo.music/wallybseck‘> Real‘//go.radiovideo.music/wallybseck‘> Love”‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Jonathan‘//go.radiovideo.music/wallybseck‘> Groff.‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/mylessmith‘>Myles‘//go.radiovideo.music/wallybseck‘> Smith’s‘//go.radiovideo.music/wallybseck‘> “My‘//go.radiovideo.music/wallybseck‘> First‘//go.radiovideo.music/wallybseck‘> Heartbreak”‘//go.radiovideo.music/wallybseck‘> reflects‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> paternal‘//go.radiovideo.music/wallybseck‘> loss‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Stephen‘//go.radiovideo.music/wallybseck‘> Zechariah’s‘//go.radiovideo.music/wallybseck‘> “Thanga‘//go.radiovideo.music/wallybseck‘> Thaali”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Tamil‘//go.radiovideo.music/wallybseck‘> folk‘//go.radiovideo.music/wallybseck‘> charm‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> vocal‘//go.radiovideo.music/wallybseck‘> interplay.

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‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/13md‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘titre_special_page‘>>>‘//go.radiovideo.music/wallybseck‘> CHECK‘//go.radiovideo.music/wallybseck‘> THE‘//go.radiovideo.music/wallybseck‘> TRACKLIST

Here‘//go.radiovideo.music/wallybseck‘> are‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> brand‘//go.radiovideo.music/wallybseck‘> new‘//go.radiovideo.music/wallybseck‘> worldwide‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> songs‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> caught‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> these‘//go.radiovideo.music/wallybseck‘> past‘//go.radiovideo.music/wallybseck‘> days‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> our‘//go.radiovideo.music/wallybseck‘> interest‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> liking.‘//go.radiovideo.music/wallybseck‘> Beware‘//go.radiovideo.music/wallybseck‘> (possibly‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> NSFW

57‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> LIT‘//go.radiovideo.music/wallybseck‘> Killah‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Fiamore

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/1ptV2NOt5z2XxvHfFlapz0‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/GQW41I6CAkU/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Argentine‘//go.radiovideo.music/wallybseck‘> rapper‘//go.radiovideo.music/wallybseck‘> LIT‘//go.radiovideo.music/wallybseck‘> Killah‘//go.radiovideo.music/wallybseck‘> trades‘//go.radiovideo.music/wallybseck‘> freestyle‘//go.radiovideo.music/wallybseck‘> battles‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> slow-burning‘//go.radiovideo.music/wallybseck‘> intimacy‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> “Fiamore‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> moody‘//go.radiovideo.music/wallybseck‘> blend‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> trap‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Latin‘//go.radiovideo.music/wallybseck‘> urban‘//go.radiovideo.music/wallybseck‘> textures.

He‘//go.radiovideo.music/wallybseck‘> crafts‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> lyrical‘//go.radiovideo.music/wallybseck‘> narrative‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> refracts‘//go.radiovideo.music/wallybseck‘> moments‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> connection‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> disillusion‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> pairing‘//go.radiovideo.music/wallybseck‘> soft‘//go.radiovideo.music/wallybseck‘> melodies‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> confessional‘//go.radiovideo.music/wallybseck‘> tone.

The‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘> fuses‘//go.radiovideo.music/wallybseck‘> “fiamma”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “amore‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> invented‘//go.radiovideo.music/wallybseck‘> term‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> gestures‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> just‘//go.radiovideo.music/wallybseck‘> enough‘//go.radiovideo.music/wallybseck‘> drama‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> toward‘//go.radiovideo.music/wallybseck‘> affection‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> burns‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> soothes.

Wake‘//go.radiovideo.music/wallybseck‘> Me‘//go.radiovideo.music/wallybseck‘> (2020‘//go.radiovideo.music/wallybseck‘>)

56‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Malcolm‘//go.radiovideo.music/wallybseck‘> Todd‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Chest‘//go.radiovideo.music/wallybseck‘> Pain‘//go.radiovideo.music/wallybseck‘> [I‘//go.radiovideo.music/wallybseck‘> Love]

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3gPYoFtn70aTgl546XVSET‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/ujiJic-KLbQ/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Chest‘//go.radiovideo.music/wallybseck‘> Pain‘//go.radiovideo.music/wallybseck‘> (I‘//go.radiovideo.music/wallybseck‘> Love‘//go.radiovideo.music/wallybseck‘>)”‘//go.radiovideo.music/wallybseck‘> shapes‘//go.radiovideo.music/wallybseck‘> Malcolm‘//go.radiovideo.music/wallybseck‘> Todd’s‘//go.radiovideo.music/wallybseck‘> aching‘//go.radiovideo.music/wallybseck‘> reflection‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> post-breakup‘//go.radiovideo.music/wallybseck‘> inertia‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> tight‘//go.radiovideo.music/wallybseck‘> arrangement‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> strings‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> moody‘//go.radiovideo.music/wallybseck‘> guitar‘//go.radiovideo.music/wallybseck‘> licks‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> percussive‘//go.radiovideo.music/wallybseck‘> bursts‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> mimic‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> pounding‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> bruised‘//go.radiovideo.music/wallybseck‘> heart.

Completed‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> just‘//go.radiovideo.music/wallybseck‘> two‘//go.radiovideo.music/wallybseck‘> days‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> melody‘//go.radiovideo.music/wallybseck‘> spontaneously‘//go.radiovideo.music/wallybseck‘> hummed‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> drapes‘//go.radiovideo.music/wallybseck‘> its‘//go.radiovideo.music/wallybseck‘> melancholy‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> raw‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> almost‘//go.radiovideo.music/wallybseck‘> theatrical‘//go.radiovideo.music/wallybseck‘> flair‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> tipping‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> melodrama.

Todd‘//go.radiovideo.music/wallybseck‘> calls‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> bittersweet‘//go.radiovideo.music/wallybseck‘> ode‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> haunting‘//go.radiovideo.music/wallybseck‘> presence‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> someone‘//go.radiovideo.music/wallybseck‘> long‘//go.radiovideo.music/wallybseck‘> gone‘//go.radiovideo.music/wallybseck‘> yet‘//go.radiovideo.music/wallybseck‘> still‘//go.radiovideo.music/wallybseck‘> camped‘//go.radiovideo.music/wallybseck‘> out‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> memory.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Aidan‘//go.radiovideo.music/wallybseck‘> Cullen‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Malcolm+Todd++Malcolm+Todd+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Malcolm‘//go.radiovideo.music/wallybseck‘> Todd

Out‘//go.radiovideo.music/wallybseck‘> Of‘//go.radiovideo.music/wallybseck‘> Bounds‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)

55‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Voyage‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Tajne‘//go.radiovideo.music/wallybseck‘> U‘//go.radiovideo.music/wallybseck‘> Ogledalu

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/42u7AA9xEypVS9UBwjPnU4‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/_vmcjSQS0DA/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Tajne‘//go.radiovideo.music/wallybseck‘> u‘//go.radiovideo.music/wallybseck‘> Ogledalu‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> or‘//go.radiovideo.music/wallybseck‘> “Secrets‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> Mirror‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> is‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Serbian‘//go.radiovideo.music/wallybseck‘> artist‘//go.radiovideo.music/wallybseck‘> Voyage‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> Mihajlo‘//go.radiovideo.music/wallybseck‘> Veruović.

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> moody‘//go.radiovideo.music/wallybseck‘> introspection‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> skimming‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> veneer‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> self-perception‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> teeter‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> confession‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> concealment.

Voyage‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> who‘//go.radiovideo.music/wallybseck‘> debuted‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> “Vrati‘//go.radiovideo.music/wallybseck‘> me”‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2019‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> released‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> “Porok‘//go.radiovideo.music/wallybseck‘> i‘//go.radiovideo.music/wallybseck‘> greh”‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> same‘//go.radiovideo.music/wallybseck‘> year‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> also‘//go.radiovideo.music/wallybseck‘> appears‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> TV‘//go.radiovideo.music/wallybseck‘> series‘//go.radiovideo.music/wallybseck‘> “U‘//go.radiovideo.music/wallybseck‘> klinču.”

Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Voyage++Tajne+u+Ogledalu+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Tajne‘//go.radiovideo.music/wallybseck‘> U‘//go.radiovideo.music/wallybseck‘> Ogledalu

54‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Stephen‘//go.radiovideo.music/wallybseck‘> Zechariah‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Thanga‘//go.radiovideo.music/wallybseck‘> Thaali‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Magisha‘//go.radiovideo.music/wallybseck‘> Baheerathan‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/4YFHFYKRR2IO4Oh5fKwmhF‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/VTav-PHAVMI/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Stephen‘//go.radiovideo.music/wallybseck‘> Zechariah‘//go.radiovideo.music/wallybseck‘> joins‘//go.radiovideo.music/wallybseck‘> forces‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Magisha‘//go.radiovideo.music/wallybseck‘> Baheerathan‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> “Thanga‘//go.radiovideo.music/wallybseck‘> Thaali‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> duet‘//go.radiovideo.music/wallybseck‘> released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘> whose‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘> translates‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> “Golden‘//go.radiovideo.music/wallybseck‘> Garland.”

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> interplay‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> their‘//go.radiovideo.music/wallybseck‘> voices‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> threading‘//go.radiovideo.music/wallybseck‘> affectionate‘//go.radiovideo.music/wallybseck‘> declarations‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> wink‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> mischief.

Zechariah‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> Singapore-born‘//go.radiovideo.music/wallybseck‘> composer‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> actor‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> continues‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> habit‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> intertwining‘//go.radiovideo.music/wallybseck‘> Tamil‘//go.radiovideo.music/wallybseck‘> folk‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> urbane‘//go.radiovideo.music/wallybseck‘> arrangements‘//go.radiovideo.music/wallybseck‘> dating‘//go.radiovideo.music/wallybseck‘> back‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> 2016‘//go.radiovideo.music/wallybseck‘> debut‘//go.radiovideo.music/wallybseck‘> single.

Naam‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Srinisha‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> (2020‘//go.radiovideo.music/wallybseck‘>)

53‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Lawrence‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> My‘//go.radiovideo.music/wallybseck‘> First‘//go.radiovideo.music/wallybseck‘> Real‘//go.radiovideo.music/wallybseck‘> Love‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Jonathan‘//go.radiovideo.music/wallybseck‘> Groff‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/jjiFd9T44j0/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“My‘//go.radiovideo.music/wallybseck‘> First‘//go.radiovideo.music/wallybseck‘> Real‘//go.radiovideo.music/wallybseck‘> Love”‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Lawrence‘//go.radiovideo.music/wallybseck‘> featuring‘//go.radiovideo.music/wallybseck‘> Jonathan‘//go.radiovideo.music/wallybseck‘> Groff‘//go.radiovideo.music/wallybseck‘> reimagines‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> 1956‘//go.radiovideo.music/wallybseck‘> original‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Connie‘//go.radiovideo.music/wallybseck‘> Francis‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> The‘//go.radiovideo.music/wallybseck‘> Jaybirds‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> stripped-down‘//go.radiovideo.music/wallybseck‘> acoustics‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> knowing‘//go.radiovideo.music/wallybseck‘> wink‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> mid-century‘//go.radiovideo.music/wallybseck‘> sentimentality.

The‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> recorded‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> Power‘//go.radiovideo.music/wallybseck‘> Station‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> BerkleeNYC‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> marks‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> cross-generational‘//go.radiovideo.music/wallybseck‘> nod‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> first-ever‘//go.radiovideo.music/wallybseck‘> collaboration‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> Connie‘//go.radiovideo.music/wallybseck‘> Francis‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Bobby‘//go.radiovideo.music/wallybseck‘> Darin—roles‘//go.radiovideo.music/wallybseck‘> now‘//go.radiovideo.music/wallybseck‘> inhabited‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Gracie‘//go.radiovideo.music/wallybseck‘> Lawrence‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Groff‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> Broadway‘//go.radiovideo.music/wallybseck‘> show‘//go.radiovideo.music/wallybseck‘> “Just‘//go.radiovideo.music/wallybseck‘> In‘//go.radiovideo.music/wallybseck‘> Time.”

23‘//go.radiovideo.music/wallybseck‘> [Acoustic-Ish]‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

52‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Eric‘//go.radiovideo.music/wallybseck‘> Benét‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/kerihilson‘>Keri‘//go.radiovideo.music/wallybseck‘> Hilson‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Can‘t‘//go.radiovideo.music/wallybseck‘> Wait

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3uDZc1Mzf7smj1KuaY5YSG‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/dSfkJLblCYI/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Can‘t‘//go.radiovideo.music/wallybseck‘> Wait”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Eric‘//go.radiovideo.music/wallybseck‘> Benét‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/kerihilson‘>Keri‘//go.radiovideo.music/wallybseck‘> Hilson‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> slick‘//go.radiovideo.music/wallybseck‘> R&B-meets-disco‘//go.radiovideo.music/wallybseck‘> number‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> chronicles‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> ritual‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> dressing‘//go.radiovideo.music/wallybseck‘> sharp‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> stepping‘//go.radiovideo.music/wallybseck‘> out‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> partner‘//go.radiovideo.music/wallybseck‘> who‘//go.radiovideo.music/wallybseck‘> gets‘//go.radiovideo.music/wallybseck‘> it.

Trading‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> then‘//go.radiovideo.music/wallybseck‘> meeting‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> chorus‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> two‘//go.radiovideo.music/wallybseck‘> glide‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> polished‘//go.radiovideo.music/wallybseck‘> ease‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> buoyed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Camper’s‘//go.radiovideo.music/wallybseck‘> laid-back‘//go.radiovideo.music/wallybseck‘> production.

Benét‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> marking‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> first‘//go.radiovideo.music/wallybseck‘> full‘//go.radiovideo.music/wallybseck‘> project‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> nearly‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> decade‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> calls‘//go.radiovideo.music/wallybseck‘> Hilson‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> dream‘//go.radiovideo.music/wallybseck‘> collaborator—equal‘//go.radiovideo.music/wallybseck‘> parts‘//go.radiovideo.music/wallybseck‘> pen‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> voice‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> presence.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Seveneight‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Eric+Benét+&+Keri+Hilson++The+Co-Star+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>The‘//go.radiovideo.music/wallybseck‘> Co-Star

Sometimes‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> Cry‘//go.radiovideo.music/wallybseck‘> (2010‘//go.radiovideo.music/wallybseck‘>)

51‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Cioffi‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Ragazzi‘//go.radiovideo.music/wallybseck‘> Lì

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/4Os4hlQpSHdOvbCetxNjaT‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/TddRCm9-OCE/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“RAGAZZI‘//go.radiovideo.music/wallybseck‘> LÌ‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> sees‘//go.radiovideo.music/wallybseck‘> Italian‘//go.radiovideo.music/wallybseck‘> artist‘//go.radiovideo.music/wallybseck‘> Cioffi‘//go.radiovideo.music/wallybseck‘> tracing‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> delicate‘//go.radiovideo.music/wallybseck‘> fingerprints‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> memory‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> ballad‘//go.radiovideo.music/wallybseck‘> format‘//go.radiovideo.music/wallybseck‘> laced‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> alternative‘//go.radiovideo.music/wallybseck‘> hues.

He‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> recollections‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> softness‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> avoids‘//go.radiovideo.music/wallybseck‘> melodrama‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> letting‘//go.radiovideo.music/wallybseck‘> imagery‘//go.radiovideo.music/wallybseck‘> do‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> lifting.

Following‘//go.radiovideo.music/wallybseck‘> earlier‘//go.radiovideo.music/wallybseck‘> singles‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “BOGOTÀ”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “La‘//go.radiovideo.music/wallybseck‘> mia‘//go.radiovideo.music/wallybseck‘> tribù‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Cioffi‘//go.radiovideo.music/wallybseck‘> continues‘//go.radiovideo.music/wallybseck‘> constructing‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> catalog‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> contemporary‘//go.radiovideo.music/wallybseck‘> Italian‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> quiet‘//go.radiovideo.music/wallybseck‘> intent.

Diecimila‘//go.radiovideo.music/wallybseck‘> Bugie‘//go.radiovideo.music/wallybseck‘> (2020‘//go.radiovideo.music/wallybseck‘>)

50‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/mylessmith‘>Myles‘//go.radiovideo.music/wallybseck‘> Smith‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> My‘//go.radiovideo.music/wallybseck‘> First‘//go.radiovideo.music/wallybseck‘> Heartbreak

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5gbUP33wFJPawjY5DxR3OA‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/5LVU-P-yFuo/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

In‘//go.radiovideo.music/wallybseck‘> “My‘//go.radiovideo.music/wallybseck‘> First‘//go.radiovideo.music/wallybseck‘> Heartbreak‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/mylessmith‘>Myles‘//go.radiovideo.music/wallybseck‘> Smith‘//go.radiovideo.music/wallybseck‘> traces‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> fallout‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> father‘s‘//go.radiovideo.music/wallybseck‘> departure‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> unpacking‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> silence‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> confusion‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> lingering‘//go.radiovideo.music/wallybseck‘> resentment‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> left‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> ages‘//go.radiovideo.music/wallybseck‘> 7‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> 13.

He‘//go.radiovideo.music/wallybseck‘> pens‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “my‘//go.radiovideo.music/wallybseck‘> first‘//go.radiovideo.music/wallybseck‘> heartbreak‘//go.radiovideo.music/wallybseck‘> looks‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> little‘//go.radiovideo.music/wallybseck‘> bit‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> me”‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> unnerving‘//go.radiovideo.music/wallybseck‘> precision‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> watching‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> own‘//go.radiovideo.music/wallybseck‘> reflection‘//go.radiovideo.music/wallybseck‘> morph‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> one‘//go.radiovideo.music/wallybseck‘> who‘//go.radiovideo.music/wallybseck‘> left.

Written‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> London‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> friends‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> produced‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Eron‘//go.radiovideo.music/wallybseck‘> Ebage‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> turns‘//go.radiovideo.music/wallybseck‘> childhood‘//go.radiovideo.music/wallybseck‘> grief‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> self-prescribed‘//go.radiovideo.music/wallybseck‘> therapy.

Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Myles+Smith++A+Minute‘//go.radiovideo.music/wallybseck‘>,+A+Moment…+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>A‘//go.radiovideo.music/wallybseck‘> Minute‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> A‘//go.radiovideo.music/wallybseck‘> Moment…

49‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Scarcuchi‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Daniel‘//go.radiovideo.music/wallybseck‘> Martinez‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> Dam‘//go.radiovideo.music/wallybseck‘> Dam‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Promesas

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/1rWqkNMLQHdixy8MYbGmAy‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/yGpw8x0FlME/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Promesas”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Scarcuchi’s‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> lyricism‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Daniel‘//go.radiovideo.music/wallybseck‘> Martinez‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Dam‘//go.radiovideo.music/wallybseck‘> Dam’s‘//go.radiovideo.music/wallybseck‘> penchant‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> clipped‘//go.radiovideo.music/wallybseck‘> rhythms‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> humid‘//go.radiovideo.music/wallybseck‘> basslines.

A‘//go.radiovideo.music/wallybseck‘> fusion‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> reggaeton‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> rap‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> parses‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> pledges‘//go.radiovideo.music/wallybseck‘> made‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> broken‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> relationships‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> veer‘//go.radiovideo.music/wallybseck‘> off‘//go.radiovideo.music/wallybseck‘> course‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> drama‘//go.radiovideo.music/wallybseck‘> tipping‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> cliché.

Scarcuchi‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> Scarlett‘//go.radiovideo.music/wallybseck‘> Guadalupe‘//go.radiovideo.music/wallybseck‘> Rueda‘//go.radiovideo.music/wallybseck‘> Cordero‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Campeche‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Mexico‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> adds‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> soft-edged‘//go.radiovideo.music/wallybseck‘> contrast‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> otherwise‘//go.radiovideo.music/wallybseck‘> sharp‘//go.radiovideo.music/wallybseck‘> vocal‘//go.radiovideo.music/wallybseck‘> textures.

48‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/sabrinaclaudio‘>Sabrina‘//go.radiovideo.music/wallybseck‘> Claudio‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Before‘//go.radiovideo.music/wallybseck‘> It‘s‘//go.radiovideo.music/wallybseck‘> Too‘//go.radiovideo.music/wallybseck‘> Late

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3KZyt06EPdbV8mv5hAbGJj‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/MT3EUSaEh0g/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Before‘//go.radiovideo.music/wallybseck‘> It‘s‘//go.radiovideo.music/wallybseck‘> Too‘//go.radiovideo.music/wallybseck‘> Late”‘//go.radiovideo.music/wallybseck‘> finds‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/sabrinaclaudio‘>Sabrina‘//go.radiovideo.music/wallybseck‘> Claudio‘//go.radiovideo.music/wallybseck‘> returning‘//go.radiovideo.music/wallybseck‘> after‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> three-year‘//go.radiovideo.music/wallybseck‘> silence‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> weaving‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> restrained‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> ballad‘//go.radiovideo.music/wallybseck‘> under‘//go.radiovideo.music/wallybseck‘> STINT’s‘//go.radiovideo.music/wallybseck‘> minimal‘//go.radiovideo.music/wallybseck‘> production.

With‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> tone‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> skirts‘//go.radiovideo.music/wallybseck‘> confession‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> cautionary‘//go.radiovideo.music/wallybseck‘> tale‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> urge‘//go.radiovideo.music/wallybseck‘> articulating‘//go.radiovideo.music/wallybseck‘> affection‘//go.radiovideo.music/wallybseck‘> before‘//go.radiovideo.music/wallybseck‘> time‘//go.radiovideo.music/wallybseck‘> renders‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> irrelevant.

The‘//go.radiovideo.music/wallybseck‘> visuals‘//go.radiovideo.music/wallybseck‘> mirror‘//go.radiovideo.music/wallybseck‘> this‘//go.radiovideo.music/wallybseck‘> intimate‘//go.radiovideo.music/wallybseck‘> urgency‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> capturing‘//go.radiovideo.music/wallybseck‘> Claudio‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> partner‘//go.radiovideo.music/wallybseck‘> mid-picnic‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> mid-oar‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> mid-swoon‘//go.radiovideo.music/wallybseck‘> beneath‘//go.radiovideo.music/wallybseck‘> dusky‘//go.radiovideo.music/wallybseck‘> skies.

Written‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> reminder‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> “love‘//go.radiovideo.music/wallybseck‘> loudly‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> intentionally‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Claudio’s‘//go.radiovideo.music/wallybseck‘> restrained‘//go.radiovideo.music/wallybseck‘> delivery‘//go.radiovideo.music/wallybseck‘> tempers‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> sentimentality‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> allowing‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> vulnerability‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> linger‘//go.radiovideo.music/wallybseck‘> rather‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> plead.

Warm‘//go.radiovideo.music/wallybseck‘> December‘//go.radiovideo.music/wallybseck‘> (2020‘//go.radiovideo.music/wallybseck‘>)

42‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> El‘//go.radiovideo.music/wallybseck‘> Chapo‘//go.radiovideo.music/wallybseck‘> Junior‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Sto‘//go.radiovideo.music/wallybseck‘> Giù‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Medy‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/39b04Yqk0TTxulJ17N3kdP‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/JYP_L70mwTI/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 1‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Sto‘//go.radiovideo.music/wallybseck‘> Giù”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> El‘//go.radiovideo.music/wallybseck‘> Chapo‘//go.radiovideo.music/wallybseck‘> Junior‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Medy‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> Neapolitan‘//go.radiovideo.music/wallybseck‘> dialect‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> trap-inflected‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> urban‘//go.radiovideo.music/wallybseck‘> beats.

Released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> mirrors‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> ongoing‘//go.radiovideo.music/wallybseck‘> redefinition‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> Naples’‘//go.radiovideo.music/wallybseck‘> current‘//go.radiovideo.music/wallybseck‘> music‘//go.radiovideo.music/wallybseck‘> scene‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> local‘//go.radiovideo.music/wallybseck‘> identity‘//go.radiovideo.music/wallybseck‘> rubs‘//go.radiovideo.music/wallybseck‘> shoulders‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> contemporary‘//go.radiovideo.music/wallybseck‘> hip-hop‘//go.radiovideo.music/wallybseck‘> silhouettes.

Dario‘//go.radiovideo.music/wallybseck‘> Salvati‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> alias‘//go.radiovideo.music/wallybseck‘> El‘//go.radiovideo.music/wallybseck‘> Chapo‘//go.radiovideo.music/wallybseck‘> Junior‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> hailing‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> Salerno‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2006‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> filters‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> raw‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> streetwise‘//go.radiovideo.music/wallybseck‘> lens‘//go.radiovideo.music/wallybseck‘> practiced‘//go.radiovideo.music/wallybseck‘> since‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> early‘//go.radiovideo.music/wallybseck‘> entries‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2019.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Emanuele‘//go.radiovideo.music/wallybseck‘> Pistoia‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=El+Chapo+Junior++Vedetta+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Vedetta

Eastpak‘//go.radiovideo.music/wallybseck‘> (2018‘//go.radiovideo.music/wallybseck‘>)

41‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Jay‘//go.radiovideo.music/wallybseck‘> Webb‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Love‘//go.radiovideo.music/wallybseck‘> Me‘//go.radiovideo.music/wallybseck‘> Tonight

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/2xtJzZk0TkqB3wD6qaNKuw‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/eabfBsyTEq0/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> May‘//go.radiovideo.music/wallybseck‘> 1‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Love‘//go.radiovideo.music/wallybseck‘> Me‘//go.radiovideo.music/wallybseck‘> Tonight”‘//go.radiovideo.music/wallybseck‘> slips‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> country‘//go.radiovideo.music/wallybseck‘> ballad‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> quiet‘//go.radiovideo.music/wallybseck‘> confession‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> tracing‘//go.radiovideo.music/wallybseck‘> late-night‘//go.radiovideo.music/wallybseck‘> vulnerability‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> precision‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> whiskey-soaked‘//go.radiovideo.music/wallybseck‘> lyric.

Jay‘//go.radiovideo.music/wallybseck‘> Webb‘//go.radiovideo.music/wallybseck‘> writes‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> ones‘//go.radiovideo.music/wallybseck‘> too‘//go.radiovideo.music/wallybseck‘> exhausted‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> pretend‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> spinning‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> story‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> escape‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> intimacy‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> world‘//go.radiovideo.music/wallybseck‘> outside‘//go.radiovideo.music/wallybseck‘> collapses‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> silence.

It’s‘//go.radiovideo.music/wallybseck‘> not‘//go.radiovideo.music/wallybseck‘> about‘//go.radiovideo.music/wallybseck‘> grand‘//go.radiovideo.music/wallybseck‘> declarations‘//go.radiovideo.music/wallybseck‘> but‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> suspension‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> disbelief—just‘//go.radiovideo.music/wallybseck‘> two‘//go.radiovideo.music/wallybseck‘> broken‘//go.radiovideo.music/wallybseck‘> people‘//go.radiovideo.music/wallybseck‘> asking‘//go.radiovideo.music/wallybseck‘> each‘//go.radiovideo.music/wallybseck‘> other‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> lie‘//go.radiovideo.music/wallybseck‘> down‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> lie‘//go.radiovideo.music/wallybseck‘> sweetly.

Broken‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

40‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Wally‘//go.radiovideo.music/wallybseck‘> B.‘//go.radiovideo.music/wallybseck‘> Seck‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Je‘//go.radiovideo.music/wallybseck‘> t’aime

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/0asUQUTSzH2XEZaAdWSJeK‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/JAMMDyPu1Lc/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Je‘//go.radiovideo.music/wallybseck‘> t’aime”‘//go.radiovideo.music/wallybseck‘> fuses‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> pulse‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> afro-pop‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> rhythmic‘//go.radiovideo.music/wallybseck‘> complexities‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> Mbalax‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> sketching‘//go.radiovideo.music/wallybseck‘> out‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> sound‘//go.radiovideo.music/wallybseck‘> both‘//go.radiovideo.music/wallybseck‘> rooted‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> contemporary.

Wally‘//go.radiovideo.music/wallybseck‘> B.‘//go.radiovideo.music/wallybseck‘> Seck‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> yearning‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> Wolof‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> French‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> leaning‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> matters‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> heart‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> unmistakable‘//go.radiovideo.music/wallybseck‘> intent.

The‘//go.radiovideo.music/wallybseck‘> delivery—equal‘//go.radiovideo.music/wallybseck‘> parts‘//go.radiovideo.music/wallybseck‘> restraint‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> intensity—aligns‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> broader‘//go.radiovideo.music/wallybseck‘> catalogue‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> traditional‘//go.radiovideo.music/wallybseck‘> Senegalese‘//go.radiovideo.music/wallybseck‘> motifs‘//go.radiovideo.music/wallybseck‘> meet‘//go.radiovideo.music/wallybseck‘> digital‘//go.radiovideo.music/wallybseck‘> sheen.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Kenny‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Wally+B.+Seck++Entre+Nous+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Entre‘//go.radiovideo.music/wallybseck‘> Nous

Alhamdou‘//go.radiovideo.music/wallybseck‘> Lilah‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Sidiki‘//go.radiovideo.music/wallybseck‘> Diabate‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> (2017‘//go.radiovideo.music/wallybseck‘>)

39‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Lyka‘//go.radiovideo.music/wallybseck‘> Estrella‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Hayy‘//go.radiovideo.music/wallybseck‘> Langga

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/6eOv9abdJaAgzoNtmefMzd‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/Eu4Rj3KTpYw/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Hayy‘//go.radiovideo.music/wallybseck‘> Langga”‘//go.radiovideo.music/wallybseck‘> finds‘//go.radiovideo.music/wallybseck‘> Lyka‘//go.radiovideo.music/wallybseck‘> Estrella‘//go.radiovideo.music/wallybseck‘> leaning‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> Visayan‘//go.radiovideo.music/wallybseck‘> tenderness‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> doubles‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> casual‘//go.radiovideo.music/wallybseck‘> sigh‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> term‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> endearment.

Fresh‘//go.radiovideo.music/wallybseck‘> off‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> win‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> “Tawag‘//go.radiovideo.music/wallybseck‘> ng‘//go.radiovideo.music/wallybseck‘> Tanghalan”‘//go.radiovideo.music/wallybseck‘> season‘//go.radiovideo.music/wallybseck‘> six‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> she‘//go.radiovideo.music/wallybseck‘> signs‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> ABS-CBN‘//go.radiovideo.music/wallybseck‘> Music‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> begins‘//go.radiovideo.music/wallybseck‘> threading‘//go.radiovideo.music/wallybseck‘> Southern‘//go.radiovideo.music/wallybseck‘> Philippine‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> influences‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> sleek‘//go.radiovideo.music/wallybseck‘> ballad‘//go.radiovideo.music/wallybseck‘> form.

Her‘//go.radiovideo.music/wallybseck‘> delivery‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> measured‘//go.radiovideo.music/wallybseck‘> yet‘//go.radiovideo.music/wallybseck‘> expressive‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> mirrors‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> understated‘//go.radiovideo.music/wallybseck‘> sincerity‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> General‘//go.radiovideo.music/wallybseck‘> Santos‘//go.radiovideo.music/wallybseck‘> City‘//go.radiovideo.music/wallybseck‘> roots.

Hawak‘//go.radiovideo.music/wallybseck‘> Mo‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

38‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Sukha‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Punjaban

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/1IP2G9KlWwT9xw1OlGf6Pd‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/XVEVM-K98To/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Punjaban”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Sukha’s‘//go.radiovideo.music/wallybseck‘> clipped‘//go.radiovideo.music/wallybseck‘> delivery‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> producer‘//go.radiovideo.music/wallybseck‘> Manni‘//go.radiovideo.music/wallybseck‘> Sandhu’s‘//go.radiovideo.music/wallybseck‘> polished‘//go.radiovideo.music/wallybseck‘> hooks‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> Kahlon‘//go.radiovideo.music/wallybseck‘> shades‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> composition‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> layered‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> lean‘//go.radiovideo.music/wallybseck‘> subtly‘//go.radiovideo.music/wallybseck‘> nostalgic.

The‘//go.radiovideo.music/wallybseck‘> song‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> performed‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Punjabi‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> themes‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> desire‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> detachment‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> smirk‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> walking‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> fine‘//go.radiovideo.music/wallybseck‘> line‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> intimacy‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> spectacle.

Sukha‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> Sukhman‘//go.radiovideo.music/wallybseck‘> Sodhi‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Toronto‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> rose‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> prominence‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> “Siftaan”‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2022‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> charted‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Canada‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> “8‘//go.radiovideo.music/wallybseck‘> Asle.”

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Teji‘//go.radiovideo.music/wallybseck‘> Sandu‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Sukha++By+Any+Means+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>By‘//go.radiovideo.music/wallybseck‘> Any‘//go.radiovideo.music/wallybseck‘> Means

Same‘//go.radiovideo.music/wallybseck‘> Thing‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

37‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> kwn‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Do‘//go.radiovideo.music/wallybseck‘> What‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> Say

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/2TYAJJTyGC4i3m0RlhuXeu‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/h0m20CpYfV4/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

On‘//go.radiovideo.music/wallybseck‘> “Do‘//go.radiovideo.music/wallybseck‘> What‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> Say‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> kwn‘//go.radiovideo.music/wallybseck‘> toys‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> suggestion‘//go.radiovideo.music/wallybseck‘> over‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> brisk‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> self-produced‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> threading‘//go.radiovideo.music/wallybseck‘> electronic‘//go.radiovideo.music/wallybseck‘> flourishes‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> structure‘//go.radiovideo.music/wallybseck‘> she‘//go.radiovideo.music/wallybseck‘> initially‘//go.radiovideo.music/wallybseck‘> built‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> slower‘//go.radiovideo.music/wallybseck‘> tempo.

Based‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Walthamstow‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> East‘//go.radiovideo.music/wallybseck‘> London‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> singer‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> composer‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> producer‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> DJ‘//go.radiovideo.music/wallybseck‘> uses‘//go.radiovideo.music/wallybseck‘> autotune‘//go.radiovideo.music/wallybseck‘> not‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> crutch‘//go.radiovideo.music/wallybseck‘> but‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> deliberate‘//go.radiovideo.music/wallybseck‘> texture‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> shaping‘//go.radiovideo.music/wallybseck‘> vocal‘//go.radiovideo.music/wallybseck‘> nuances‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> blur‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> assertive‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> detached.

A‘//go.radiovideo.music/wallybseck‘> graduate‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> ELAM‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> she‘//go.radiovideo.music/wallybseck‘> blends‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> trap‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> electronic‘//go.radiovideo.music/wallybseck‘> influences‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> surgical‘//go.radiovideo.music/wallybseck‘> precision.

Eyes‘//go.radiovideo.music/wallybseck‘> Wide‘//go.radiovideo.music/wallybseck‘> Open‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

36‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/dextadaps‘>Dexta‘//go.radiovideo.music/wallybseck‘> Daps‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/stalkashley‘>Stalk‘//go.radiovideo.music/wallybseck‘> Ashley‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> RBG

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/4o5DogPb9wXMb6A4i9F7tu‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/oRvMa83xHoU/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“RBG”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/dextadaps‘>Dexta‘//go.radiovideo.music/wallybseck‘> Daps‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/stalkashley‘>Stalk‘//go.radiovideo.music/wallybseck‘> Ashley‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> collision‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> dancehall‘//go.radiovideo.music/wallybseck‘> sensuality‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> sly‘//go.radiovideo.music/wallybseck‘> bravado.

The‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> shorthand‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> “Real‘//go.radiovideo.music/wallybseck‘> Bad‘//go.radiovideo.music/wallybseck‘> Gyal‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> flips‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> cultural‘//go.radiovideo.music/wallybseck‘> script‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> anointing‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> self-possessed‘//go.radiovideo.music/wallybseck‘> woman‘//go.radiovideo.music/wallybseck‘> who‘//go.radiovideo.music/wallybseck‘> calls‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> shots‘//go.radiovideo.music/wallybseck‘> then‘//go.radiovideo.music/wallybseck‘> walks‘//go.radiovideo.music/wallybseck‘> away‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> your‘//go.radiovideo.music/wallybseck‘> wallet‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> your‘//go.radiovideo.music/wallybseck‘> pride.

‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/dextadaps‘>Dexta‘//go.radiovideo.music/wallybseck‘> Daps‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> known‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> “7‘//go.radiovideo.music/wallybseck‘> Eleven‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> brands‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> strip‘//go.radiovideo.music/wallybseck‘> club‘//go.radiovideo.music/wallybseck‘> anthem‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> designation‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> suits‘//go.radiovideo.music/wallybseck‘> its‘//go.radiovideo.music/wallybseck‘> rhythmic‘//go.radiovideo.music/wallybseck‘> swagger‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> unflinching‘//go.radiovideo.music/wallybseck‘> candor.

Morning‘//go.radiovideo.music/wallybseck‘> Love‘//go.radiovideo.music/wallybseck‘> (2013‘//go.radiovideo.music/wallybseck‘>)

35‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Ai‘//go.radiovideo.music/wallybseck‘> Milly‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Still‘//go.radiovideo.music/wallybseck‘> Love

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3xuZ0wrl7FWoyRUzNgemYd‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/pBZ6z0x5p0E/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Still‘//go.radiovideo.music/wallybseck‘> Love”‘//go.radiovideo.music/wallybseck‘> finds‘//go.radiovideo.music/wallybseck‘> Jamaican‘//go.radiovideo.music/wallybseck‘> trap‘//go.radiovideo.music/wallybseck‘> dancehall‘//go.radiovideo.music/wallybseck‘> artist‘//go.radiovideo.music/wallybseck‘> Ai‘//go.radiovideo.music/wallybseck‘> Milly‘//go.radiovideo.music/wallybseck‘> folding‘//go.radiovideo.music/wallybseck‘> introspection‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> sparse‘//go.radiovideo.music/wallybseck‘> percussion‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> moody‘//go.radiovideo.music/wallybseck‘> trap‘//go.radiovideo.music/wallybseck‘> loops.

He‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> marked‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> ambivalence‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> tracing‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> uneven‘//go.radiovideo.music/wallybseck‘> aftershocks‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> affection‘//go.radiovideo.music/wallybseck‘> gone‘//go.radiovideo.music/wallybseck‘> sour.

Influenced‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> upbringing‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Oracabessa‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> early‘//go.radiovideo.music/wallybseck‘> encounters‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> rap‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> dancehall‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Ai‘//go.radiovideo.music/wallybseck‘> Milly‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> narratives‘//go.radiovideo.music/wallybseck‘> sharpened‘//go.radiovideo.music/wallybseck‘> since‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> high‘//go.radiovideo.music/wallybseck‘> school‘//go.radiovideo.music/wallybseck‘> beginnings.

Not‘//go.radiovideo.music/wallybseck‘> A‘//go.radiovideo.music/wallybseck‘> Strength‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)

34‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/d4vdartist‘>d4vd‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Is‘//go.radiovideo.music/wallybseck‘> This‘//go.radiovideo.music/wallybseck‘> Really‘//go.radiovideo.music/wallybseck‘> Love?

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/0h2vooD5PFOykbPon6ShIZ‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/ktcu9NVFYSo/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 29‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Is‘//go.radiovideo.music/wallybseck‘> This‘//go.radiovideo.music/wallybseck‘> Really‘//go.radiovideo.music/wallybseck‘> Love?”‘//go.radiovideo.music/wallybseck‘> sees‘//go.radiovideo.music/wallybseck‘> d4vd‘//go.radiovideo.music/wallybseck‘> wrestle‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> ambivalence‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> setting‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> introspective‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> against‘//go.radiovideo.music/wallybseck‘> lean‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> echoes‘//go.radiovideo.music/wallybseck‘> bedroom‘//go.radiovideo.music/wallybseck‘> pop’s‘//go.radiovideo.music/wallybseck‘> minimalist‘//go.radiovideo.music/wallybseck‘> ethos.

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> probes‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> murky‘//go.radiovideo.music/wallybseck‘> edges‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> uncertainty‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> narrator‘//go.radiovideo.music/wallybseck‘> questions‘//go.radiovideo.music/wallybseck‘> whether‘//go.radiovideo.music/wallybseck‘> affection‘//go.radiovideo.music/wallybseck‘> is‘//go.radiovideo.music/wallybseck‘> genuine‘//go.radiovideo.music/wallybseck‘> or‘//go.radiovideo.music/wallybseck‘> just‘//go.radiovideo.music/wallybseck‘> another‘//go.radiovideo.music/wallybseck‘> fleeting‘//go.radiovideo.music/wallybseck‘> illusion.

Released‘//go.radiovideo.music/wallybseck‘> via‘//go.radiovideo.music/wallybseck‘> Darkroom/Interscope‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> fits‘//go.radiovideo.music/wallybseck‘> seamlessly‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> d4vd’s‘//go.radiovideo.music/wallybseck‘> catalog‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> lo-fi‘//go.radiovideo.music/wallybseck‘> ruminations‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> many‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> which‘//go.radiovideo.music/wallybseck‘> originated‘//go.radiovideo.music/wallybseck‘> within‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> acoustic‘//go.radiovideo.music/wallybseck‘> confines‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> iPhone.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Tommy‘//go.radiovideo.music/wallybseck‘> Kilroy‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=d4vd++Withered+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Withered

Here‘//go.radiovideo.music/wallybseck‘> With‘//go.radiovideo.music/wallybseck‘> Me‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)

33‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/gims‘>Gims‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> Keblack‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Touché

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/0hQqfUxxTVwYW172Ble1oD‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/8SytEuulc9M/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Touché”‘//go.radiovideo.music/wallybseck‘> sees‘//go.radiovideo.music/wallybseck‘> Gims‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Keblack‘//go.radiovideo.music/wallybseck‘> exchange‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> over‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> beat‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> flirts‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> French‘//go.radiovideo.music/wallybseck‘> urban‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> understated‘//go.radiovideo.music/wallybseck‘> rap‘//go.radiovideo.music/wallybseck‘> cadences.

Gims‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> whose‘//go.radiovideo.music/wallybseck‘> journey‘//go.radiovideo.music/wallybseck‘> stretches‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> Sexion‘//go.radiovideo.music/wallybseck‘> d’Assaut‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> solo‘//go.radiovideo.music/wallybseck‘> ventures‘//go.radiovideo.music/wallybseck‘> alongside‘//go.radiovideo.music/wallybseck‘> Sia‘//go.radiovideo.music/wallybseck‘> or‘//go.radiovideo.music/wallybseck‘> Maluma‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> signature‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> restraint‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> mix.

Keblack‘//go.radiovideo.music/wallybseck‘> counters‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> grounded‘//go.radiovideo.music/wallybseck‘> delivery‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> lending‘//go.radiovideo.music/wallybseck‘> contrast‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> spins‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> tension‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> measured‘//go.radiovideo.music/wallybseck‘> tug-of-war.

Est-Ce‘//go.radiovideo.music/wallybseck‘> Que‘//go.radiovideo.music/wallybseck‘> Tu‘//go.radiovideo.music/wallybseck‘> M‘Aimes‘//go.radiovideo.music/wallybseck‘> ?‘//go.radiovideo.music/wallybseck‘> (2015‘//go.radiovideo.music/wallybseck‘>)

32‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Danny‘//go.radiovideo.music/wallybseck‘> Wolf‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Amor.exe

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/547hB7UWilKF7MqFFLCYKr‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/JI82VXfe9Ks/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Amor.exe”‘//go.radiovideo.music/wallybseck‘> merges‘//go.radiovideo.music/wallybseck‘> synthetic‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> unease‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> channeling‘//go.radiovideo.music/wallybseck‘> Danny‘//go.radiovideo.music/wallybseck‘> Wolf’s‘//go.radiovideo.music/wallybseck‘> dual‘//go.radiovideo.music/wallybseck‘> affinity‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> hip‘//go.radiovideo.music/wallybseck‘> hop‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> electronic‘//go.radiovideo.music/wallybseck‘> production.

The‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘> juxtaposes‘//go.radiovideo.music/wallybseck‘> Spanish‘//go.radiovideo.music/wallybseck‘> tenderness‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> digital‘//go.radiovideo.music/wallybseck‘> detachment‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> hinting‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> repackaged‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> executable‘//go.radiovideo.music/wallybseck‘> code.

Atlanta-based‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Mexico‘//go.radiovideo.music/wallybseck‘> City-born‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Wolf‘//go.radiovideo.music/wallybseck‘> filters‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> circuitry‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> glitchy‘//go.radiovideo.music/wallybseck‘> rhythms‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> sterile‘//go.radiovideo.music/wallybseck‘> pulses.

Known‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> collaborations‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Juice‘//go.radiovideo.music/wallybseck‘> WRLD‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Lil‘//go.radiovideo.music/wallybseck‘> Uzi‘//go.radiovideo.music/wallybseck‘> Vert‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> he‘//go.radiovideo.music/wallybseck‘> infuses‘//go.radiovideo.music/wallybseck‘> this‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> mechanized‘//go.radiovideo.music/wallybseck‘> longing.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Bb‘//go.radiovideo.music/wallybseck‘> Aljouny‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Danny+Wolf++Corazón+Migrante+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Corazón‘//go.radiovideo.music/wallybseck‘> Migrante

Free‘//go.radiovideo.music/wallybseck‘> El‘//go.radiovideo.music/wallybseck‘> Chapo‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

31‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Denis‘//go.radiovideo.music/wallybseck‘> Ramniceanu‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Bipolara

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/66elBtZzxgKPrj2FvKrQ3R‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/ubbqjeBwU7c/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

In‘//go.radiovideo.music/wallybseck‘> “Bipolara‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Denis‘//go.radiovideo.music/wallybseck‘> Ramniceanu‘//go.radiovideo.music/wallybseck‘> weaves‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> contradictions‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> feeling‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> pairing‘//go.radiovideo.music/wallybseck‘> lyrical‘//go.radiovideo.music/wallybseck‘> ambivalence‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> accordion‘//go.radiovideo.music/wallybseck‘> flourishes‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> betray‘//go.radiovideo.music/wallybseck‘> neither‘//go.radiovideo.music/wallybseck‘> resolution‘//go.radiovideo.music/wallybseck‘> nor‘//go.radiovideo.music/wallybseck‘> remorse.

His‘//go.radiovideo.music/wallybseck‘> arrangement‘//go.radiovideo.music/wallybseck‘> toys‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> festivity‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> melancholy‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> evoking‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> carousel‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> moods‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> spin‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> desire‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> disillusion.

Rooted‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Romani‘//go.radiovideo.music/wallybseck‘> folk‘//go.radiovideo.music/wallybseck‘> traditions‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> refracts‘//go.radiovideo.music/wallybseck‘> contemporary‘//go.radiovideo.music/wallybseck‘> folk‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> tremble‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> guitar‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> mandolin‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> understated‘//go.radiovideo.music/wallybseck‘> precision.

Jolene‘//go.radiovideo.music/wallybseck‘> (2024‘//go.radiovideo.music/wallybseck‘>)

30‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Wangden‘//go.radiovideo.music/wallybseck‘> Sherpa‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Jun‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘> Heri‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Sushant‘//go.radiovideo.music/wallybseck‘> Ghimire‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/6pO2llrlrEr5daoL43kC2i‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/kJTgA-aBwZA/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Jun‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘> Heri”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Wangden‘//go.radiovideo.music/wallybseck‘> Sherpa‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Sushant‘//go.radiovideo.music/wallybseck‘> Ghimire‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> melancholic‘//go.radiovideo.music/wallybseck‘> duet‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> ponders‘//go.radiovideo.music/wallybseck‘> lost‘//go.radiovideo.music/wallybseck‘> moments‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> intimate‘//go.radiovideo.music/wallybseck‘> regrets‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> all‘//go.radiovideo.music/wallybseck‘> delivered‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Nepali.

Layered‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Rubin‘//go.radiovideo.music/wallybseck‘> Shrestha’s‘//go.radiovideo.music/wallybseck‘> flute‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Manice‘//go.radiovideo.music/wallybseck‘> Gandarbha’s‘//go.radiovideo.music/wallybseck‘> sarangi‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> slips‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> traditional‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> forsaking‘//go.radiovideo.music/wallybseck‘> modern‘//go.radiovideo.music/wallybseck‘> framing.

Roneeshma‘//go.radiovideo.music/wallybseck‘> Shrestha‘//go.radiovideo.music/wallybseck‘> appears‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> curated‘//go.radiovideo.music/wallybseck‘> glimpses‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> Nepali‘//go.radiovideo.music/wallybseck‘> rituals‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> terrains‘//go.radiovideo.music/wallybseck‘> echo‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> song‘s‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> register.

Production‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> mixing‘//go.radiovideo.music/wallybseck‘> are‘//go.radiovideo.music/wallybseck‘> carved‘//go.radiovideo.music/wallybseck‘> out‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Saswot‘//go.radiovideo.music/wallybseck‘> Shrestha‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> Omniphonics‘//go.radiovideo.music/wallybseck‘> Studio.

Tadha‘//go.radiovideo.music/wallybseck‘> Tadha‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Prajina‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

29‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/deanlewis‘>Dean‘//go.radiovideo.music/wallybseck‘> Lewis‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> Hate‘//go.radiovideo.music/wallybseck‘> That‘//go.radiovideo.music/wallybseck‘> It‘s‘//go.radiovideo.music/wallybseck‘> True

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/6H4stZ1AHlYnKl9iii1bvF‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/tiXhXpbqwSo/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Written‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> Bondi‘//go.radiovideo.music/wallybseck‘> Beach‘//go.radiovideo.music/wallybseck‘> Airbnb‘//go.radiovideo.music/wallybseck‘> just‘//go.radiovideo.music/wallybseck‘> ten‘//go.radiovideo.music/wallybseck‘> weeks‘//go.radiovideo.music/wallybseck‘> before‘//go.radiovideo.music/wallybseck‘> its‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘> release‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “I‘//go.radiovideo.music/wallybseck‘> Hate‘//go.radiovideo.music/wallybseck‘> That‘//go.radiovideo.music/wallybseck‘> It’s‘//go.radiovideo.music/wallybseck‘> True”‘//go.radiovideo.music/wallybseck‘> bears‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> marks‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> creative‘//go.radiovideo.music/wallybseck‘> urgency—produced‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> finalized‘//go.radiovideo.music/wallybseck‘> within‘//go.radiovideo.music/wallybseck‘> 48‘//go.radiovideo.music/wallybseck‘> hours‘//go.radiovideo.music/wallybseck‘> under‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> haze‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> sleepless‘//go.radiovideo.music/wallybseck‘> determination.

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> acoustic‘//go.radiovideo.music/wallybseck‘> minimalism‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> raw‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> stylistic‘//go.radiovideo.music/wallybseck‘> pivot‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/deanlewis‘>Dean‘//go.radiovideo.music/wallybseck‘> Lewis‘//go.radiovideo.music/wallybseck‘> signals‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> decisive‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> next‘//go.radiovideo.music/wallybseck‘> chapter.

Through‘//go.radiovideo.music/wallybseck‘> bare‘//go.radiovideo.music/wallybseck‘> instrumentation‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> confessional‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> sketches‘//go.radiovideo.music/wallybseck‘> out‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> recoil‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> mascara‘//go.radiovideo.music/wallybseck‘> or‘//go.radiovideo.music/wallybseck‘> metaphor.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Tim‘//go.radiovideo.music/wallybseck‘> Madden‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Dean+Lewis++The+Epilogue+(Deluxe‘//go.radiovideo.music/wallybseck‘>)+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>The‘//go.radiovideo.music/wallybseck‘> Epilogue‘//go.radiovideo.music/wallybseck‘> (Deluxe‘//go.radiovideo.music/wallybseck‘>)

How‘//go.radiovideo.music/wallybseck‘> Do‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> Say‘//go.radiovideo.music/wallybseck‘> Goodbye‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

28‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/destinconrad‘>Destin‘//go.radiovideo.music/wallybseck‘> Conrad‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Kissing‘//go.radiovideo.music/wallybseck‘> In‘//go.radiovideo.music/wallybseck‘> Public

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/2tA9LObXZkn5oazvqyRkxY‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/8j3xtd78Lxw/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Kissing‘//go.radiovideo.music/wallybseck‘> In‘//go.radiovideo.music/wallybseck‘> Public”‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/destinconrad‘>Destin‘//go.radiovideo.music/wallybseck‘> Conrad‘//go.radiovideo.music/wallybseck‘> delivers‘//go.radiovideo.music/wallybseck‘> midtempo‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> wink‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> focusing‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> open‘//go.radiovideo.music/wallybseck‘> displays‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> affection‘//go.radiovideo.music/wallybseck‘> rendered‘//go.radiovideo.music/wallybseck‘> both‘//go.radiovideo.music/wallybseck‘> sincere‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> stylized.

The‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> orbit‘//go.radiovideo.music/wallybseck‘> physical‘//go.radiovideo.music/wallybseck‘> intimacy‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> turning‘//go.radiovideo.music/wallybseck‘> PDA‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> soft‘//go.radiovideo.music/wallybseck‘> provocation‘//go.radiovideo.music/wallybseck‘> wrapped‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> slow‘//go.radiovideo.music/wallybseck‘> grooves‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> clean‘//go.radiovideo.music/wallybseck‘> production.

The‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> glamour‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> movement‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> pairing‘//go.radiovideo.music/wallybseck‘> carefully‘//go.radiovideo.music/wallybseck‘> curated‘//go.radiovideo.music/wallybseck‘> choreography‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> fashion‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> Mowalola‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> KidSuper‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Balenciaga.

Couples‘//go.radiovideo.music/wallybseck‘> kiss‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> cue‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> Conrad‘//go.radiovideo.music/wallybseck‘> glides‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> glossy‘//go.radiovideo.music/wallybseck‘> mise-en-scènes.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Zev‘//go.radiovideo.music/wallybseck‘> York‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Destin+Conrad++LOVE+ON+DIGITAL+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Love‘//go.radiovideo.music/wallybseck‘> On‘//go.radiovideo.music/wallybseck‘> Digital

On‘//go.radiovideo.music/wallybseck‘> 10‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)

27‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Chase‘//go.radiovideo.music/wallybseck‘> Matthew‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Heart‘//go.radiovideo.music/wallybseck‘> Half‘//go.radiovideo.music/wallybseck‘> Empty‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Lauren‘//go.radiovideo.music/wallybseck‘> Alaina‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/58fTwT5KI81Ktoi6Mjp1ZP‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/pu1W4ZyQKbM/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

In‘//go.radiovideo.music/wallybseck‘> “Heart‘//go.radiovideo.music/wallybseck‘> Half‘//go.radiovideo.music/wallybseck‘> Empty‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Chase‘//go.radiovideo.music/wallybseck‘> Matthew‘//go.radiovideo.music/wallybseck‘> trades‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Lauren‘//go.radiovideo.music/wallybseck‘> Alaina‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> resigned‘//go.radiovideo.music/wallybseck‘> duet‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> two‘//go.radiovideo.music/wallybseck‘> voices‘//go.radiovideo.music/wallybseck‘> reluctantly‘//go.radiovideo.music/wallybseck‘> inventory‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> wreckage‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> breakup.

The‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘> serves‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> neat‘//go.radiovideo.music/wallybseck‘> metaphor—neither‘//go.radiovideo.music/wallybseck‘> optimistic‘//go.radiovideo.music/wallybseck‘> nor‘//go.radiovideo.music/wallybseck‘> tragic—as‘//go.radiovideo.music/wallybseck‘> both‘//go.radiovideo.music/wallybseck‘> struggle‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> muted‘//go.radiovideo.music/wallybseck‘> ache‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> moving‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> something‘//go.radiovideo.music/wallybseck‘> once‘//go.radiovideo.music/wallybseck‘> full.

Alaina‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> “American‘//go.radiovideo.music/wallybseck‘> Idol”‘//go.radiovideo.music/wallybseck‘> runner-up‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Matthew‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> signed‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> Warner‘//go.radiovideo.music/wallybseck‘> Music‘//go.radiovideo.music/wallybseck‘> Nashville‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2022‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> lean‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> subtle‘//go.radiovideo.music/wallybseck‘> regret‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> unresolved‘//go.radiovideo.music/wallybseck‘> tension.

Love‘//go.radiovideo.music/wallybseck‘> You‘//go.radiovideo.music/wallybseck‘> Again‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

26‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/jungeli‘>Jungeli‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> À‘//go.radiovideo.music/wallybseck‘> Tes‘//go.radiovideo.music/wallybseck‘> Côtés‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Lenie‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/0wz1wXKDBtlGhfRNpnLtc1‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/L6WgofVxAIQ/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“À‘//go.radiovideo.music/wallybseck‘> Tes‘//go.radiovideo.music/wallybseck‘> Côtés”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Jungeli’s‘//go.radiovideo.music/wallybseck‘> afrobeat-inflected‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Lenie’s‘//go.radiovideo.music/wallybseck‘> smooth‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> crafting‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> bittersweet‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> overtones‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> tipping‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> melodrama.

The‘//go.radiovideo.music/wallybseck‘> French-language‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> moves‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> breezy‘//go.radiovideo.music/wallybseck‘> syncopation‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> clarity‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> balancing‘//go.radiovideo.music/wallybseck‘> light‘//go.radiovideo.music/wallybseck‘> electronic‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> against‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> rhythmic‘//go.radiovideo.music/wallybseck‘> warmth‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> nods‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> Jungeli’s‘//go.radiovideo.music/wallybseck‘> African‘//go.radiovideo.music/wallybseck‘> influences.

Lenie‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> fresh‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> stint‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> Star‘//go.radiovideo.music/wallybseck‘> Academy‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> delivers‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> composed‘//go.radiovideo.music/wallybseck‘> restraint‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> matching‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘s‘//go.radiovideo.music/wallybseck‘> understated‘//go.radiovideo.music/wallybseck‘> elegance.

Distributed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Universal‘//go.radiovideo.music/wallybseck‘> Music‘//go.radiovideo.music/wallybseck‘> Distributed‘//go.radiovideo.music/wallybseck‘> Labels‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “À‘//go.radiovideo.music/wallybseck‘> Tes‘//go.radiovideo.music/wallybseck‘> Côtés”‘//go.radiovideo.music/wallybseck‘> stays‘//go.radiovideo.music/wallybseck‘> squarely‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> register‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> subtly‘//go.radiovideo.music/wallybseck‘> flirting‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> hybrid‘//go.radiovideo.music/wallybseck‘> sonic‘//go.radiovideo.music/wallybseck‘> territories.

Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Jungeli++En+Attendant+Pour+Le+Peuple+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>En‘//go.radiovideo.music/wallybseck‘> Attendant‘//go.radiovideo.music/wallybseck‘> Pour‘//go.radiovideo.music/wallybseck‘> Le‘//go.radiovideo.music/wallybseck‘> Peuple

Petit‘//go.radiovideo.music/wallybseck‘> Génie‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Imen‘//go.radiovideo.music/wallybseck‘> Es‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Alonzo‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Abou‘//go.radiovideo.music/wallybseck‘> Debeing‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> Lossa‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

25‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> LinoG‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Selavi‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/moniafleur‘>Monia‘//go.radiovideo.music/wallybseck‘> Fleur‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/34vjT9CLWlfXNMsFZisYsa‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/bpY2mkkJ6QQ/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 24‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Selavi”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Burundian‘//go.radiovideo.music/wallybseck‘> artist‘//go.radiovideo.music/wallybseck‘> LinoG‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> vocalist‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/moniafleur‘>Monia‘//go.radiovideo.music/wallybseck‘> Fleur‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> whose‘//go.radiovideo.music/wallybseck‘> title‘//go.radiovideo.music/wallybseck‘> playfully‘//go.radiovideo.music/wallybseck‘> distorts‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> French‘//go.radiovideo.music/wallybseck‘> “C’est‘//go.radiovideo.music/wallybseck‘> la‘//go.radiovideo.music/wallybseck‘> vie.”

Rather‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> indulging‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> sentimentality‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> song‘//go.radiovideo.music/wallybseck‘> offers‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> wry‘//go.radiovideo.music/wallybseck‘> nod‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> life’s‘//go.radiovideo.music/wallybseck‘> unpredictabilities‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> set‘//go.radiovideo.music/wallybseck‘> against‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> contemporary‘//go.radiovideo.music/wallybseck‘> East‘//go.radiovideo.music/wallybseck‘> African‘//go.radiovideo.music/wallybseck‘> sound.

Fleur’s‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘> thread‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> adding‘//go.radiovideo.music/wallybseck‘> texture‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> rhythmically‘//go.radiovideo.music/wallybseck‘> assured‘//go.radiovideo.music/wallybseck‘> collaboration‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> continues‘//go.radiovideo.music/wallybseck‘> LinoG’s‘//go.radiovideo.music/wallybseck‘> pattern‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> regional‘//go.radiovideo.music/wallybseck‘> partnerships.

Iryanyuma‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

24‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Neelkamal‘//go.radiovideo.music/wallybseck‘> Singh‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Ladki‘//go.radiovideo.music/wallybseck‘> Deewani

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/0ylJWk0UrvKo6n66FQY3TV‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/9Prw3iwgTTE/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Ladki‘//go.radiovideo.music/wallybseck‘> Deewani”‘//go.radiovideo.music/wallybseck‘> features‘//go.radiovideo.music/wallybseck‘> Neelkamal‘//go.radiovideo.music/wallybseck‘> Singh‘//go.radiovideo.music/wallybseck‘> lending‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> voice‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> Hindi‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> flirts‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> formulas‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> regional‘//go.radiovideo.music/wallybseck‘> color.

Sunny‘//go.radiovideo.music/wallybseck‘> Leone‘//go.radiovideo.music/wallybseck‘> leads‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> T-Series-produced‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> navigating‘//go.radiovideo.music/wallybseck‘> elaborate‘//go.radiovideo.music/wallybseck‘> sets‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> costume-heavy‘//go.radiovideo.music/wallybseck‘> sequences‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> choreographies‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> lean‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> spectacle‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> nuance.

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> hinges‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> repetitive‘//go.radiovideo.music/wallybseck‘> hook‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> screen‘//go.radiovideo.music/wallybseck‘> pairing‘//go.radiovideo.music/wallybseck‘> plays‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> calculated‘//go.radiovideo.music/wallybseck‘> star‘//go.radiovideo.music/wallybseck‘> chemistry‘//go.radiovideo.music/wallybseck‘> rather‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> narrative‘//go.radiovideo.music/wallybseck‘> depth.

Maaja‘//go.radiovideo.music/wallybseck‘> Milela‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘> Pura3‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)

23‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Babasha‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> De‘//go.radiovideo.music/wallybseck‘> Ce‘//go.radiovideo.music/wallybseck‘> Te‘//go.radiovideo.music/wallybseck‘> Uiți‘//go.radiovideo.music/wallybseck‘> Așa‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/antonia‘>Antonia‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/79rksdIBECEMhSlpSB1NYE‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/egAgvAt_KNc/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“De‘//go.radiovideo.music/wallybseck‘> Ce‘//go.radiovideo.music/wallybseck‘> Te‘//go.radiovideo.music/wallybseck‘> Uiți‘//go.radiovideo.music/wallybseck‘> Așa”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Babasha’s‘//go.radiovideo.music/wallybseck‘> polished‘//go.radiovideo.music/wallybseck‘> manele-inspired‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Antonia’s‘//go.radiovideo.music/wallybseck‘> smooth‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> calculated‘//go.radiovideo.music/wallybseck‘> delivery.

Babasha‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> born‘//go.radiovideo.music/wallybseck‘> Vlad‘//go.radiovideo.music/wallybseck‘> Babașa‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Bacău‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> merges‘//go.radiovideo.music/wallybseck‘> Romanian‘//go.radiovideo.music/wallybseck‘> folk‘//go.radiovideo.music/wallybseck‘> motifs‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> pop-Balkan‘//go.radiovideo.music/wallybseck‘> hybrid‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> neither‘//go.radiovideo.music/wallybseck‘> clings‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> tradition‘//go.radiovideo.music/wallybseck‘> nor‘//go.radiovideo.music/wallybseck‘> chases‘//go.radiovideo.music/wallybseck‘> trends‘//go.radiovideo.music/wallybseck‘> blindly.

‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/antonia‘>Antonia‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> both‘//go.radiovideo.music/wallybseck‘> singer‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> model‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> slips‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> beat‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> practiced‘//go.radiovideo.music/wallybseck‘> ease‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> offering‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> contrast‘//go.radiovideo.music/wallybseck‘> that‘s‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> deliberate‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> is‘//go.radiovideo.music/wallybseck‘> ambiguous.

Music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> directed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> Ioana‘//go.radiovideo.music/wallybseck‘> Stan‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Babasha++Atipic+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Atipic

Aoleu‘//go.radiovideo.music/wallybseck‘> (2024‘//go.radiovideo.music/wallybseck‘>)

22‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Nordo‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Metchef

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/7qbDNH8EEQ8MsmzKWqosyN‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/0fQJ7jHiXy8/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Metchef”‘//go.radiovideo.music/wallybseck‘> weaves‘//go.radiovideo.music/wallybseck‘> Nordo’s‘//go.radiovideo.music/wallybseck‘> rhythmic‘//go.radiovideo.music/wallybseck‘> flair‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> tight‘//go.radiovideo.music/wallybseck‘> mesh‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> contemporary‘//go.radiovideo.music/wallybseck‘> hip-hop‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> cultural‘//go.radiovideo.music/wallybseck‘> intimacy.

Born‘//go.radiovideo.music/wallybseck‘> Marwen‘//go.radiovideo.music/wallybseck‘> Jebali‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Tunisia‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 1996‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> artist‘//go.radiovideo.music/wallybseck‘> injects‘//go.radiovideo.music/wallybseck‘> traditional‘//go.radiovideo.music/wallybseck‘> North‘//go.radiovideo.music/wallybseck‘> African‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> trap-laced‘//go.radiovideo.music/wallybseck‘> patterns‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> practiced‘//go.radiovideo.music/wallybseck‘> hand.

Following‘//go.radiovideo.music/wallybseck‘> albums‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “Nordo“‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “Labes‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> this‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> opts‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> grit‘//go.radiovideo.music/wallybseck‘> over‘//go.radiovideo.music/wallybseck‘> gloss‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> stitching‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> remarks‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> fabric‘//go.radiovideo.music/wallybseck‘> already‘//go.radiovideo.music/wallybseck‘> frayed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> generational‘//go.radiovideo.music/wallybseck‘> weight.

Ya‘//go.radiovideo.music/wallybseck‘> Denya‘//go.radiovideo.music/wallybseck‘> (2020‘//go.radiovideo.music/wallybseck‘>)

21‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Sakshi‘//go.radiovideo.music/wallybseck‘> Holkar‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Balma

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5QEYJhWxHSLS0vVPlKZ1vB‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/ZVYNOaJcZmU/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Released‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> JSS‘//go.radiovideo.music/wallybseck‘> Records‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Balma”‘//go.radiovideo.music/wallybseck‘> merges‘//go.radiovideo.music/wallybseck‘> kinetic‘//go.radiovideo.music/wallybseck‘> beats‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Sakshi‘//go.radiovideo.music/wallybseck‘> Holkar’s‘//go.radiovideo.music/wallybseck‘> folk-inflected‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> shaping‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> oscillates‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> abandon‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> inertia.

Edin‘//go.radiovideo.music/wallybseck‘> Rose‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Pratik‘//go.radiovideo.music/wallybseck‘> Sehajpal‘//go.radiovideo.music/wallybseck‘> inhabit‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> drenched‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> strobes‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> floor-fillers‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> performing‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> narrative‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> volatile‘//go.radiovideo.music/wallybseck‘> chemistry‘//go.radiovideo.music/wallybseck‘> under‘//go.radiovideo.music/wallybseck‘> disco‘//go.radiovideo.music/wallybseck‘> lights.

Lyrics‘//go.radiovideo.music/wallybseck‘> shuffle‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> yearning‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> exasperation‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> mapping‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> romance‘//go.radiovideo.music/wallybseck‘> awash‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> inertia‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> crossed‘//go.radiovideo.music/wallybseck‘> wires.

Disco‘//go.radiovideo.music/wallybseck‘> Wali‘//go.radiovideo.music/wallybseck‘> Raat‘//go.radiovideo.music/wallybseck‘> Riva‘//go.radiovideo.music/wallybseck‘> Arora‘//go.radiovideo.music/wallybseck‘> (2022‘//go.radiovideo.music/wallybseck‘>)

20‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Umar‘//go.radiovideo.music/wallybseck‘> Keyn‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Had‘//go.radiovideo.music/wallybseck‘> Loved‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> DNDM‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/7B0kIZLmdDvBdNI41V0yvf‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/E1C01Onwg2U/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Had‘//go.radiovideo.music/wallybseck‘> Loved”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Uzbek‘//go.radiovideo.music/wallybseck‘> producer‘//go.radiovideo.music/wallybseck‘> Umar‘//go.radiovideo.music/wallybseck‘> Keyn‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> DNDM‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> moody‘//go.radiovideo.music/wallybseck‘> deep‘//go.radiovideo.music/wallybseck‘> house‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> centered‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> post-breakup‘//go.radiovideo.music/wallybseck‘> inertia.

The‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> chronicle‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> unfinished‘//go.radiovideo.music/wallybseck‘> yet‘//go.radiovideo.music/wallybseck‘> extinguished‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> weighed‘//go.radiovideo.music/wallybseck‘> down‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> what-ifs‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> unsaid‘//go.radiovideo.music/wallybseck‘> goodbyes.

Melancholic‘//go.radiovideo.music/wallybseck‘> synths‘//go.radiovideo.music/wallybseck‘> lean‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> their‘//go.radiovideo.music/wallybseck‘> trademark‘//go.radiovideo.music/wallybseck‘> atmospherics‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> beat‘//go.radiovideo.music/wallybseck‘> trudges‘//go.radiovideo.music/wallybseck‘> forward‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> someone‘s‘//go.radiovideo.music/wallybseck‘> trying—half-heartedly—to‘//go.radiovideo.music/wallybseck‘> forget.

Memory‘//go.radiovideo.music/wallybseck‘> clings‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> even‘//go.radiovideo.music/wallybseck‘> if‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> lovers‘//go.radiovideo.music/wallybseck‘> don‘t.

Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Umar+Keyn++Best+Album+Mix+April+2025+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>Best‘//go.radiovideo.music/wallybseck‘> Album‘//go.radiovideo.music/wallybseck‘> Mix‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025

Lie‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

19‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Santy‘//go.radiovideo.music/wallybseck‘> G‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Amor‘//go.radiovideo.music/wallybseck‘> A‘//go.radiovideo.music/wallybseck‘> Distancia

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/0gjN8iKSXOaTyEc2aGuWoQ‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/MUtDjRMZupA/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Amor‘//go.radiovideo.music/wallybseck‘> A‘//go.radiovideo.music/wallybseck‘> Distancia”‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Santy‘//go.radiovideo.music/wallybseck‘> G‘//go.radiovideo.music/wallybseck‘> navigates‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> digital‘//go.radiovideo.music/wallybseck‘> age’s‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> ironies‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> voice‘//go.radiovideo.music/wallybseck‘> notes‘//go.radiovideo.music/wallybseck‘> replace‘//go.radiovideo.music/wallybseck‘> touch‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> emojis‘//go.radiovideo.music/wallybseck‘> stand‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> affection.

Set‘//go.radiovideo.music/wallybseck‘> against‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> reggaeton-infused‘//go.radiovideo.music/wallybseck‘> beat‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> turns‘//go.radiovideo.music/wallybseck‘> separation‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> both‘//go.radiovideo.music/wallybseck‘> sentiment‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> spectacle.

Santy‘//go.radiovideo.music/wallybseck‘> G‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> Latin‘//go.radiovideo.music/wallybseck‘> urban‘//go.radiovideo.music/wallybseck‘> artist‘//go.radiovideo.music/wallybseck‘> likely‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> Guatemalan‘//go.radiovideo.music/wallybseck‘> origin‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> themes‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> longing‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> bravado‘//go.radiovideo.music/wallybseck‘> common‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> earlier‘//go.radiovideo.music/wallybseck‘> releases‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “Solo‘//go.radiovideo.music/wallybseck‘> Contigo”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “Cupido.”

Solo‘//go.radiovideo.music/wallybseck‘> Contigo‘//go.radiovideo.music/wallybseck‘> (2024‘//go.radiovideo.music/wallybseck‘>)

18‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Juiicy‘//go.radiovideo.music/wallybseck‘> 2xs‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Leave‘//go.radiovideo.music/wallybseck‘> My‘//go.radiovideo.music/wallybseck‘> Man‘//go.radiovideo.music/wallybseck‘> Alone

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/6Mp0aJkkWsFNpMg0szOtS3‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/y9YvUfcdkus/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 20‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Leave‘//go.radiovideo.music/wallybseck‘> My‘//go.radiovideo.music/wallybseck‘> Man‘//go.radiovideo.music/wallybseck‘> Alone”‘//go.radiovideo.music/wallybseck‘> is‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Juiicy‘//go.radiovideo.music/wallybseck‘> 2xs‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> singer‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> songwriter‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> Cincinnati‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> now‘//go.radiovideo.music/wallybseck‘> based‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Atlanta.

Launching‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> vocal‘//go.radiovideo.music/wallybseck‘> journey‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> age‘//go.radiovideo.music/wallybseck‘> five‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> she‘//go.radiovideo.music/wallybseck‘> merges‘//go.radiovideo.music/wallybseck‘> lyrical‘//go.radiovideo.music/wallybseck‘> assertiveness‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> ear‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> tension‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> suggests‘//go.radiovideo.music/wallybseck‘> she’s‘//go.radiovideo.music/wallybseck‘> issuing‘//go.radiovideo.music/wallybseck‘> less‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> request‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> cease-and-desist.

Selected‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Future‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> 2019‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> 1800‘//go.radiovideo.music/wallybseck‘> Seconds‘//go.radiovideo.music/wallybseck‘> Vol.‘//go.radiovideo.music/wallybseck‘> 2‘//go.radiovideo.music/wallybseck‘> project‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> she‘//go.radiovideo.music/wallybseck‘> previously‘//go.radiovideo.music/wallybseck‘> contributed‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> collaborative‘//go.radiovideo.music/wallybseck‘> tracks‘//go.radiovideo.music/wallybseck‘> including‘//go.radiovideo.music/wallybseck‘> “My‘//go.radiovideo.music/wallybseck‘> Bae”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “Family.”

What‘//go.radiovideo.music/wallybseck‘> Did‘//go.radiovideo.music/wallybseck‘> You‘//go.radiovideo.music/wallybseck‘> Do‘//go.radiovideo.music/wallybseck‘> To‘//go.radiovideo.music/wallybseck‘> Me‘//go.radiovideo.music/wallybseck‘> (2019‘//go.radiovideo.music/wallybseck‘>)

17‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/andreabocelli‘>Andrea‘//go.radiovideo.music/wallybseck‘> Bocelli‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Je‘//go.radiovideo.music/wallybseck‘> Vis‘//go.radiovideo.music/wallybseck‘> Pour‘//go.radiovideo.music/wallybseck‘> Elle‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/kendjigirac‘>Kendji‘//go.radiovideo.music/wallybseck‘> Girac‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/2aRyPz2ll8NFnhGB56nchx‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/Rv2SdrJICwQ/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 17‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/andreabocelli‘>Andrea‘//go.radiovideo.music/wallybseck‘> Bocelli‘//go.radiovideo.music/wallybseck‘> joins‘//go.radiovideo.music/wallybseck‘> forces‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/kendjigirac‘>Kendji‘//go.radiovideo.music/wallybseck‘> Girac‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> “Je‘//go.radiovideo.music/wallybseck‘> Vis‘//go.radiovideo.music/wallybseck‘> Pour‘//go.radiovideo.music/wallybseck‘> Elle‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> reimagining‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> 1995‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> “Vivo‘//go.radiovideo.music/wallybseck‘> per‘//go.radiovideo.music/wallybseck‘> lei‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> now‘//go.radiovideo.music/wallybseck‘> tailored‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> francophone‘//go.radiovideo.music/wallybseck‘> ears‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> released‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> Valentine‘s‘//go.radiovideo.music/wallybseck‘> Day‘//go.radiovideo.music/wallybseck‘> 2025.

Girac‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> blending‘//go.radiovideo.music/wallybseck‘> French‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> gypsy‘//go.radiovideo.music/wallybseck‘> influences‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> lends‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> textured‘//go.radiovideo.music/wallybseck‘> contrast‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> Bocelli’s‘//go.radiovideo.music/wallybseck‘> classical‘//go.radiovideo.music/wallybseck‘> tenor‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> this‘//go.radiovideo.music/wallybseck‘> duet‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> coincides‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Bocelli’s‘//go.radiovideo.music/wallybseck‘> 30th‘//go.radiovideo.music/wallybseck‘> year‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> music.

Both‘//go.radiovideo.music/wallybseck‘> artists‘//go.radiovideo.music/wallybseck‘> bring‘//go.radiovideo.music/wallybseck‘> their‘//go.radiovideo.music/wallybseck‘> distinctive‘//go.radiovideo.music/wallybseck‘> signatures‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> trading‘//go.radiovideo.music/wallybseck‘> smooth‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘> over‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> arrangement‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> resists‘//go.radiovideo.music/wallybseck‘> nostalgia.

Vivo‘//go.radiovideo.music/wallybseck‘> Per‘//go.radiovideo.music/wallybseck‘> Lei‘//go.radiovideo.music/wallybseck‘> (2015‘//go.radiovideo.music/wallybseck‘>)

16‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Moha‘//go.radiovideo.music/wallybseck‘> K‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Lalla

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5eEujB7GCM34vovJBGCU50‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/ghxf06T9lXo/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 17‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

French-Moroccan‘//go.radiovideo.music/wallybseck‘> rapper‘//go.radiovideo.music/wallybseck‘> Moha‘//go.radiovideo.music/wallybseck‘> K‘//go.radiovideo.music/wallybseck‘> spins‘//go.radiovideo.music/wallybseck‘> “Lalla”‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> sleek‘//go.radiovideo.music/wallybseck‘> blend‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> raï‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> urban‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> skimming‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> contours‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> romance‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> knowingly‘//go.radiovideo.music/wallybseck‘> light‘//go.radiovideo.music/wallybseck‘> touch.

The‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> orbit‘//go.radiovideo.music/wallybseck‘> around‘//go.radiovideo.music/wallybseck‘> desire‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> admiration‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> he‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> ad-libs‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> phrasing‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> subtly‘//go.radiovideo.music/wallybseck‘> flatter‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> flirt.

Following‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> breakout‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> “Vroum‘//go.radiovideo.music/wallybseck‘> Vroum”‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> “Dernier‘//go.radiovideo.music/wallybseck‘> Souffle‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> “Lalla”‘//go.radiovideo.music/wallybseck‘> falls‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> line‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> recent‘//go.radiovideo.music/wallybseck‘> 2024‘//go.radiovideo.music/wallybseck‘> singles‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “Goodbye”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “Allo.”

Vroum‘//go.radiovideo.music/wallybseck‘> Vroum‘//go.radiovideo.music/wallybseck‘> (2021‘//go.radiovideo.music/wallybseck‘>)

15‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Kidi‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/gyakie‘>Gyakie‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Cheat‘//go.radiovideo.music/wallybseck‘> On‘//go.radiovideo.music/wallybseck‘> You

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5x7qg4Zm8jLDE9Nd4zBJ4d‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/8vhOM7sHK6Y/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 17‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Cheat‘//go.radiovideo.music/wallybseck‘> On‘//go.radiovideo.music/wallybseck‘> You”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> KiDi’s‘//go.radiovideo.music/wallybseck‘> polished‘//go.radiovideo.music/wallybseck‘> Afrobeat‘//go.radiovideo.music/wallybseck‘> sensibilities‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Gyakie’s‘//go.radiovideo.music/wallybseck‘> nocturnal‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> tone‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> weaving‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> dialogue‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> doubt‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> desire.

‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/gyakie‘>Gyakie‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> signature‘//go.radiovideo.music/wallybseck‘> pixie‘//go.radiovideo.music/wallybseck‘> cut‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> white‘//go.radiovideo.music/wallybseck‘> mesh‘//go.radiovideo.music/wallybseck‘> hoodie‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> adds‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> visual‘//go.radiovideo.music/wallybseck‘> twist‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> fans‘//go.radiovideo.music/wallybseck‘> latch‘//go.radiovideo.music/wallybseck‘> onto‘//go.radiovideo.music/wallybseck‘> during‘//go.radiovideo.music/wallybseck‘> pre-release‘//go.radiovideo.music/wallybseck‘> promos.

Her‘//go.radiovideo.music/wallybseck‘> process‘//go.radiovideo.music/wallybseck‘> favors‘//go.radiovideo.music/wallybseck‘> solitude‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> late‘//go.radiovideo.music/wallybseck‘> hours‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/kidi‘>KiDi‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> known‘//go.radiovideo.music/wallybseck‘> since‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> “Odo”‘//go.radiovideo.music/wallybseck‘> breakout‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> brings‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> structured‘//go.radiovideo.music/wallybseck‘> highlife‘//go.radiovideo.music/wallybseck‘> rhythm‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> balance‘//go.radiovideo.music/wallybseck‘> her‘//go.radiovideo.music/wallybseck‘> fluidity.

Odo‘//go.radiovideo.music/wallybseck‘> (2017‘//go.radiovideo.music/wallybseck‘>)

14‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Klass‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Pou‘//go.radiovideo.music/wallybseck‘> Yon‘//go.radiovideo.music/wallybseck‘> Moun‘//go.radiovideo.music/wallybseck‘> M‘//go.radiovideo.music/wallybseck‘> Ap‘//go.radiovideo.music/wallybseck‘> Mande‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/2Tif3Rjua8qfTCUFP6lFrV‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/25x6GN0tOTQ/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 17‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

In‘//go.radiovideo.music/wallybseck‘> “Pou‘//go.radiovideo.music/wallybseck‘> Yon‘//go.radiovideo.music/wallybseck‘> Moun‘//go.radiovideo.music/wallybseck‘> M‘//go.radiovideo.music/wallybseck‘> Ap‘//go.radiovideo.music/wallybseck‘> Mande‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Klass‘//go.radiovideo.music/wallybseck‘> unravels‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> stalemates‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> entanglement‘//go.radiovideo.music/wallybseck‘> steeped‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> resentment‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> claustrophobia‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Pipo’s‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘> circling‘//go.radiovideo.music/wallybseck‘> around‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> plea‘//go.radiovideo.music/wallybseck‘> wrapped‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> disillusionment.

The‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘> leans‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> band’s‘//go.radiovideo.music/wallybseck‘> signature‘//go.radiovideo.music/wallybseck‘> compas‘//go.radiovideo.music/wallybseck‘> structure—melodic‘//go.radiovideo.music/wallybseck‘> yet‘//go.radiovideo.music/wallybseck‘> weighty—while‘//go.radiovideo.music/wallybseck‘> Richie’s‘//go.radiovideo.music/wallybseck‘> songwriting‘//go.radiovideo.music/wallybseck‘> sketches‘//go.radiovideo.music/wallybseck‘> out‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> relationship‘//go.radiovideo.music/wallybseck‘> less‘//go.radiovideo.music/wallybseck‘> Romeo‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Juliet‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> hostage‘//go.radiovideo.music/wallybseck‘> negotiation‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> soundtrack.

Song‘//go.radiovideo.music/wallybseck‘> featured‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> album‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘https://www.amazon.com/s?k=Klass++My+Pain+Killer+album&tag=radiovideomus-20‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>My‘//go.radiovideo.music/wallybseck‘> Pain‘//go.radiovideo.music/wallybseck‘> Killer

M‘Ap‘//go.radiovideo.music/wallybseck‘> Marye‘//go.radiovideo.music/wallybseck‘> (2015‘//go.radiovideo.music/wallybseck‘>)

13‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Joban‘//go.radiovideo.music/wallybseck‘> Sandhu‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Jeon‘//go.radiovideo.music/wallybseck‘> Jogeya

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5eCxhFwamPoaAHQjkjKS0P‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/32bkn0tHp7k/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

In‘//go.radiovideo.music/wallybseck‘> “Jeon‘//go.radiovideo.music/wallybseck‘> Jogeya‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Joban‘//go.radiovideo.music/wallybseck‘> Sandhu‘//go.radiovideo.music/wallybseck‘> vocalizes‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> measured‘//go.radiovideo.music/wallybseck‘> portrait‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> fidelity‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> backed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Deol‘//go.radiovideo.music/wallybseck‘> Harman’s‘//go.radiovideo.music/wallybseck‘> lyrical‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> musical‘//go.radiovideo.music/wallybseck‘> blueprint.

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> balances‘//go.radiovideo.music/wallybseck‘> Punjabi‘//go.radiovideo.music/wallybseck‘> folk‘//go.radiovideo.music/wallybseck‘> textures‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> sleek‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> silhouettes‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> making‘//go.radiovideo.music/wallybseck‘> room‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> sentimentality‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> melodrama.

Seerat‘//go.radiovideo.music/wallybseck‘> Bajwa‘//go.radiovideo.music/wallybseck‘> plays‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> quiet‘//go.radiovideo.music/wallybseck‘> counterpart‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> offering‘//go.radiovideo.music/wallybseck‘> glances‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> articulate‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> declarations.

Trained‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> classical‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Sandhu‘//go.radiovideo.music/wallybseck‘> delivers‘//go.radiovideo.music/wallybseck‘> restraint‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> others‘//go.radiovideo.music/wallybseck‘> might‘//go.radiovideo.music/wallybseck‘> overindulge.

Mangni‘//go.radiovideo.music/wallybseck‘> (2015‘//go.radiovideo.music/wallybseck‘>)

12‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Oualid‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Te‘//go.radiovideo.music/wallybseck‘> Amo

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5kBoduQ1zbOZFUeD9RoAor‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/QOyJ3i137cY/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Performed‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Arabic‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Te‘//go.radiovideo.music/wallybseck‘> Amo”‘//go.radiovideo.music/wallybseck‘> brings‘//go.radiovideo.music/wallybseck‘> Oualid’s‘//go.radiovideo.music/wallybseck‘> Maghrebi‘//go.radiovideo.music/wallybseck‘> dialect‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> polite‘//go.radiovideo.music/wallybseck‘> collision‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> R&B-inflected‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Afro-Arabic‘//go.radiovideo.music/wallybseck‘> rhythms.

Released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> follows‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> string‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> singles‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> includes‘//go.radiovideo.music/wallybseck‘> “Jini‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> “Ya‘//go.radiovideo.music/wallybseck‘> Nari‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> “Tigui‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> extending‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> sonic‘//go.radiovideo.music/wallybseck‘> palette‘//go.radiovideo.music/wallybseck‘> without‘//go.radiovideo.music/wallybseck‘> overstating‘//go.radiovideo.music/wallybseck‘> its‘//go.radiovideo.music/wallybseck‘> intent.

Based‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> Netherlands‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> Moroccan-Egyptian‘//go.radiovideo.music/wallybseck‘> singer-songwriter‘//go.radiovideo.music/wallybseck‘> continues‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> collaborations‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> regional‘//go.radiovideo.music/wallybseck‘> artists‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> maintaining‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> careful‘//go.radiovideo.music/wallybseck‘> balance‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> commercial‘//go.radiovideo.music/wallybseck‘> sheen‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> cultural‘//go.radiovideo.music/wallybseck‘> specificity.

Di‘//go.radiovideo.music/wallybseck‘> Mochkila‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Norel‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

11‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Θοδωρής‘//go.radiovideo.music/wallybseck‘> Φέρρης‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Κατάματα

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/4gizfKGSprKyQgYgwX6BYS‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/xsJabvq06Ew/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Κατάματα”‘//go.radiovideo.music/wallybseck‘> (“Straight‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> Eyes”‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Θοδωρής‘//go.radiovideo.music/wallybseck‘> Φέρρης‘//go.radiovideo.music/wallybseck‘> unfolds‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> narrative‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> dissonance‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> romantic‘//go.radiovideo.music/wallybseck‘> disillusionment.

Over‘//go.radiovideo.music/wallybseck‘> production‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Γιάννης‘//go.radiovideo.music/wallybseck‘> Κατσιαφλιάκας‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Παναγιώτης‘//go.radiovideo.music/wallybseck‘> Βλασακούδης‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Ferris‘//go.radiovideo.music/wallybseck‘> sings‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> one-sided‘//go.radiovideo.music/wallybseck‘> devotion‘//go.radiovideo.music/wallybseck‘> met‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> avoidance‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> is‘//go.radiovideo.music/wallybseck‘> worn‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> costume‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> eyes‘//go.radiovideo.music/wallybseck‘> betray‘//go.radiovideo.music/wallybseck‘> unspoken‘//go.radiovideo.music/wallybseck‘> regret.

It’s‘//go.radiovideo.music/wallybseck‘> breakup‘//go.radiovideo.music/wallybseck‘> balladry‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> those‘//go.radiovideo.music/wallybseck‘> who‘//go.radiovideo.music/wallybseck‘> look‘//go.radiovideo.music/wallybseck‘> directly‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> what‘//go.radiovideo.music/wallybseck‘> others‘//go.radiovideo.music/wallybseck‘> prefer‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> sidestep.

Τα‘//go.radiovideo.music/wallybseck‘> Αμαρτωλά‘//go.radiovideo.music/wallybseck‘> Σου‘//go.radiovideo.music/wallybseck‘> Μάτια‘//go.radiovideo.music/wallybseck‘> (2018‘//go.radiovideo.music/wallybseck‘>)

10‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Νίκος‘//go.radiovideo.music/wallybseck‘> Μακρόπουλος‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Να‘//go.radiovideo.music/wallybseck‘> Γυρίσεις‘//go.radiovideo.music/wallybseck‘> Που

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/12yBDRdAFphLSeubaMO4Cc‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/U8V7zr5xib8/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> April‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Sonar‘//go.radiovideo.music/wallybseck‘> Music‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Να‘//go.radiovideo.music/wallybseck‘> Γυρίσεις‘//go.radiovideo.music/wallybseck‘> Που”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Nikos‘//go.radiovideo.music/wallybseck‘> Makropoulos’s‘//go.radiovideo.music/wallybseck‘> seasoned‘//go.radiovideo.music/wallybseck‘> laïko‘//go.radiovideo.music/wallybseck‘> vocal‘//go.radiovideo.music/wallybseck‘> delivery‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Andreas‘//go.radiovideo.music/wallybseck‘> Giatrakos’s‘//go.radiovideo.music/wallybseck‘> stripped-down‘//go.radiovideo.music/wallybseck‘> production.

Filmed‘//go.radiovideo.music/wallybseck‘> against‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> neoclassical‘//go.radiovideo.music/wallybseck‘> charm‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> Nafplio‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> adds‘//go.radiovideo.music/wallybseck‘> scenic‘//go.radiovideo.music/wallybseck‘> detachment‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> swat‘//go.radiovideo.music/wallybseck‘> away‘//go.radiovideo.music/wallybseck‘> an‘//go.radiovideo.music/wallybseck‘> ex’s‘//go.radiovideo.music/wallybseck‘> olive‘//go.radiovideo.music/wallybseck‘> branch‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> practiced‘//go.radiovideo.music/wallybseck‘> indifference.

Makropoulos‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> active‘//go.radiovideo.music/wallybseck‘> since‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> late‘//go.radiovideo.music/wallybseck‘> 1970s‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> rarely‘//go.radiovideo.music/wallybseck‘> entertains‘//go.radiovideo.music/wallybseck‘> nostalgia—and‘//go.radiovideo.music/wallybseck‘> certainly‘//go.radiovideo.music/wallybseck‘> not‘//go.radiovideo.music/wallybseck‘> here.

Σου‘//go.radiovideo.music/wallybseck‘> Έχω‘//go.radiovideo.music/wallybseck‘> Αγάπη‘//go.radiovideo.music/wallybseck‘> Μεγάλη‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

9‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Cleyton‘//go.radiovideo.music/wallybseck‘> David‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Conexão‘//go.radiovideo.music/wallybseck‘> Maravilhosa‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Fábio‘//go.radiovideo.music/wallybseck‘> Hustle‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/1ulsM1ayQIunnUPTOFHQph‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/S6c4Vz7aVQA/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Built‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> slick‘//go.radiovideo.music/wallybseck‘> Afrobeat‘//go.radiovideo.music/wallybseck‘> backbone‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> producer‘//go.radiovideo.music/wallybseck‘> Nick‘//go.radiovideo.music/wallybseck‘> Marty‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Conexão‘//go.radiovideo.music/wallybseck‘> Maravilhosa”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Cleyton‘//go.radiovideo.music/wallybseck‘> David’s‘//go.radiovideo.music/wallybseck‘> mellow‘//go.radiovideo.music/wallybseck‘> cadence‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Fábio‘//go.radiovideo.music/wallybseck‘> Hustle’s‘//go.radiovideo.music/wallybseck‘> laid-back‘//go.radiovideo.music/wallybseck‘> swagger.

Composed‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> David‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> slides‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> Zouk‘//go.radiovideo.music/wallybseck‘> inflections‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> indie-pop‘//go.radiovideo.music/wallybseck‘> phrasing‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> lyrical‘//go.radiovideo.music/wallybseck‘> sentiments‘//go.radiovideo.music/wallybseck‘> aimed‘//go.radiovideo.music/wallybseck‘> less‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> grand‘//go.radiovideo.music/wallybseck‘> declarations‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> more‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> soft-spoken‘//go.radiovideo.music/wallybseck‘> intimacy.

From‘//go.radiovideo.music/wallybseck‘> Mafalala‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> Maputo’s‘//go.radiovideo.music/wallybseck‘> nights‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> David‘//go.radiovideo.music/wallybseck‘> sketches‘//go.radiovideo.music/wallybseck‘> relationships‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> are‘//go.radiovideo.music/wallybseck‘> quietly‘//go.radiovideo.music/wallybseck‘> intricate‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> never‘//go.radiovideo.music/wallybseck‘> overstated.

Tempos‘//go.radiovideo.music/wallybseck‘> (2020‘//go.radiovideo.music/wallybseck‘>)

8‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/henrymoodie‘>Henry‘//go.radiovideo.music/wallybseck‘> Moodie‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Indigo

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/34r4lkt0hO0sbLI17vb0Os‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/PRMMokTTR-M/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 15‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Indigo”‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/henrymoodie‘>Henry‘//go.radiovideo.music/wallybseck‘> Moodie‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> produced‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> The‘//go.radiovideo.music/wallybseck‘> Nocturns‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> sketches‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> twilight‘//go.radiovideo.music/wallybseck‘> portrait‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> missed‘//go.radiovideo.music/wallybseck‘> chances‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> confessions‘//go.radiovideo.music/wallybseck‘> left‘//go.radiovideo.music/wallybseck‘> too‘//go.radiovideo.music/wallybseck‘> late.

Picking‘//go.radiovideo.music/wallybseck‘> up‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> thread‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> “drunk‘//go.radiovideo.music/wallybseck‘> text‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> it‘//go.radiovideo.music/wallybseck‘> lingers‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> London‘//go.radiovideo.music/wallybseck‘> streets—Camden‘//go.radiovideo.music/wallybseck‘> specifically—where‘//go.radiovideo.music/wallybseck‘> hope‘//go.radiovideo.music/wallybseck‘> flickers‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> fades‘//go.radiovideo.music/wallybseck‘> under‘//go.radiovideo.music/wallybseck‘> neon‘//go.radiovideo.music/wallybseck‘> lights.

With‘//go.radiovideo.music/wallybseck‘> indigo‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> chromatic‘//go.radiovideo.music/wallybseck‘> cipher‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Moodie‘//go.radiovideo.music/wallybseck‘> offers‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> quiet‘//go.radiovideo.music/wallybseck‘> requiem‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> those‘//go.radiovideo.music/wallybseck‘> still‘//go.radiovideo.music/wallybseck‘> haunted‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> one‘//go.radiovideo.music/wallybseck‘> who‘//go.radiovideo.music/wallybseck‘> slipped‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> cracks.

You‘//go.radiovideo.music/wallybseck‘> Were‘//go.radiovideo.music/wallybseck‘> There‘//go.radiovideo.music/wallybseck‘> For‘//go.radiovideo.music/wallybseck‘> Me‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

7‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Smiley‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Alex‘//go.radiovideo.music/wallybseck‘> Velea‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Connect-R‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Nu‘//go.radiovideo.music/wallybseck‘> Mă‘//go.radiovideo.music/wallybseck‘> Ierta

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/6XjoykViTGWmZq85yPWOkm‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/NXeQfUziKik/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Smiley‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Alex‘//go.radiovideo.music/wallybseck‘> Velea‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Connect-R‘//go.radiovideo.music/wallybseck‘> join‘//go.radiovideo.music/wallybseck‘> forces‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> “Nu‘//go.radiovideo.music/wallybseck‘> mă‘//go.radiovideo.music/wallybseck‘> ierta‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> pop-urban‘//go.radiovideo.music/wallybseck‘> piece‘//go.radiovideo.music/wallybseck‘> produced‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Șerban‘//go.radiovideo.music/wallybseck‘> Cazan‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> remorse‘//go.radiovideo.music/wallybseck‘> meets‘//go.radiovideo.music/wallybseck‘> poetic‘//go.radiovideo.music/wallybseck‘> self-incrimination.

Threaded‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> lines‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “Nu‘//go.radiovideo.music/wallybseck‘> mă‘//go.radiovideo.music/wallybseck‘> ierta‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> nu‘//go.radiovideo.music/wallybseck‘> mă‘//go.radiovideo.music/wallybseck‘> lăsa‘//go.radiovideo.music/wallybseck‘> să‘//go.radiovideo.music/wallybseck‘> fiu‘//go.radiovideo.music/wallybseck‘> mereu‘//go.radiovideo.music/wallybseck‘> greșeala‘//go.radiovideo.music/wallybseck‘> ta‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> excavates‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> anatomy‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> failing‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> vivid‘//go.radiovideo.music/wallybseck‘> expressions‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> guilt‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> manipulation.

Echoing‘//go.radiovideo.music/wallybseck‘> one‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> Connect-R’s‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> ordeals‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘> refuse‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> beg‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> forgiveness‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> choosing‘//go.radiovideo.music/wallybseck‘> instead‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> own‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> damage‘//go.radiovideo.music/wallybseck‘> dealt.

The‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> starring‘//go.radiovideo.music/wallybseck‘> Daria‘//go.radiovideo.music/wallybseck‘> Pentelie‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Vlad‘//go.radiovideo.music/wallybseck‘> Brumaru‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Larisa‘//go.radiovideo.music/wallybseck‘> Blidariu‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> mirrors‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> lyrical‘//go.radiovideo.music/wallybseck‘> tension‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> stylized‘//go.radiovideo.music/wallybseck‘> scenes‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> heartbreak‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> missed‘//go.radiovideo.music/wallybseck‘> chances‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> moody‘//go.radiovideo.music/wallybseck‘> redemption‘//go.radiovideo.music/wallybseck‘> arcs.

In‘//go.radiovideo.music/wallybseck‘> Lipsa‘//go.radiovideo.music/wallybseck‘> Mea‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Uzzi‘//go.radiovideo.music/wallybseck‘>)‘//go.radiovideo.music/wallybseck‘> (2007‘//go.radiovideo.music/wallybseck‘>)

6‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Maxie‘//go.radiovideo.music/wallybseck‘> Andreison‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Halika‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Lika‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3lT2jcmbOgFFI3X74wkrCK‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/XF0vxZ3cCoQ/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Stirring‘//go.radiovideo.music/wallybseck‘> chords‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> mid-tempo‘//go.radiovideo.music/wallybseck‘> percussion‘//go.radiovideo.music/wallybseck‘> set‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> mood‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> “Halika‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Lika‘//go.radiovideo.music/wallybseck‘> Na‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> Maxie‘//go.radiovideo.music/wallybseck‘> Andreison‘//go.radiovideo.music/wallybseck‘> releases‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> gentle‘//go.radiovideo.music/wallybseck‘> exorcism‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> grief‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> self-repair‘//go.radiovideo.music/wallybseck‘> wrapped‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> Tagalog‘//go.radiovideo.music/wallybseck‘> lyricism.

The‘//go.radiovideo.music/wallybseck‘> music‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘> presents‘//go.radiovideo.music/wallybseck‘> Maxie‘//go.radiovideo.music/wallybseck‘> not‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> drag‘//go.radiovideo.music/wallybseck‘> but‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> straight‘//go.radiovideo.music/wallybseck‘> man—a‘//go.radiovideo.music/wallybseck‘> deliberate‘//go.radiovideo.music/wallybseck‘> shift‘//go.radiovideo.music/wallybseck‘> from‘//go.radiovideo.music/wallybseck‘> sequins‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> stubble—playing‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> notions‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> identity‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> artifice.

Models‘//go.radiovideo.music/wallybseck‘> Zeinab‘//go.radiovideo.music/wallybseck‘> Harake‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Bethany‘//go.radiovideo.music/wallybseck‘> Talbot‘//go.radiovideo.music/wallybseck‘> appear‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> fragmented‘//go.radiovideo.music/wallybseck‘> echoes‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> romance‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> memory‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> subdued‘//go.radiovideo.music/wallybseck‘> yet‘//go.radiovideo.music/wallybseck‘> striking.

The‘//go.radiovideo.music/wallybseck‘> Maxie‘//go.radiovideo.music/wallybseck‘> Band—Akie‘//go.radiovideo.music/wallybseck‘> Cedilla‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> drums‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Keener‘//go.radiovideo.music/wallybseck‘> Dollosa‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> keys‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Jun‘//go.radiovideo.music/wallybseck‘> Praxides‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> bass‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Berny‘//go.radiovideo.music/wallybseck‘> Praxides‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> guitar—provides‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> warm‘//go.radiovideo.music/wallybseck‘> backdrop‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> soft‘//go.radiovideo.music/wallybseck‘> rock‘//go.radiovideo.music/wallybseck‘> instrumentation‘//go.radiovideo.music/wallybseck‘> built‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> reflection‘//go.radiovideo.music/wallybseck‘> rather‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> spectacle.

Maxie‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> known‘//go.radiovideo.music/wallybseck‘> offstage‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> Jayvhot‘//go.radiovideo.music/wallybseck‘> Galang‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> parlayed‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> *Drag‘//go.radiovideo.music/wallybseck‘> Race‘//go.radiovideo.music/wallybseck‘> Philippines*‘//go.radiovideo.music/wallybseck‘> Season‘//go.radiovideo.music/wallybseck‘> 3‘//go.radiovideo.music/wallybseck‘> win‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> *Queen‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> Universe*‘//go.radiovideo.music/wallybseck‘> slot‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> release‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> neither‘//go.radiovideo.music/wallybseck‘> courts‘//go.radiovideo.music/wallybseck‘> mainstream‘//go.radiovideo.music/wallybseck‘> pop‘//go.radiovideo.music/wallybseck‘> trends‘//go.radiovideo.music/wallybseck‘> nor‘//go.radiovideo.music/wallybseck‘> completely‘//go.radiovideo.music/wallybseck‘> avoids‘//go.radiovideo.music/wallybseck‘> them.

Tado‘//go.radiovideo.music/wallybseck‘> (2023‘//go.radiovideo.music/wallybseck‘>)

5‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/meroartist‘>Mero‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Diadem‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5my01OPtKE7EbyBiyjfRvy‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/WjGUQHqPVJk/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Mero’s‘//go.radiovideo.music/wallybseck‘> “Diadem‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> produced‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Jonas‘//go.radiovideo.music/wallybseck‘> Mengler‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> released‘//go.radiovideo.music/wallybseck‘> under‘//go.radiovideo.music/wallybseck‘> Groove‘//go.radiovideo.music/wallybseck‘> Attack‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> threads‘//go.radiovideo.music/wallybseck‘> springtime‘//go.radiovideo.music/wallybseck‘> sentiments‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> Deutschrap’s‘//go.radiovideo.music/wallybseck‘> punchy‘//go.radiovideo.music/wallybseck‘> cadence.

Romantic‘//go.radiovideo.music/wallybseck‘> vulnerability‘//go.radiovideo.music/wallybseck‘> anchors‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> lyrics‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> where‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> is‘//go.radiovideo.music/wallybseck‘> no‘//go.radiovideo.music/wallybseck‘> less‘//go.radiovideo.music/wallybseck‘> than‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> crown—carried‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> regal‘//go.radiovideo.music/wallybseck‘> nonchalance:‘//go.radiovideo.music/wallybseck‘> “Du‘//go.radiovideo.music/wallybseck‘> bist‘//go.radiovideo.music/wallybseck‘> mein‘//go.radiovideo.music/wallybseck‘> Diadem‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> ich‘//go.radiovideo.music/wallybseck‘> trag’‘//go.radiovideo.music/wallybseck‘> dich‘//go.radiovideo.music/wallybseck‘> wie‘//go.radiovideo.music/wallybseck‘> ein‘//go.radiovideo.music/wallybseck‘> König.”

Spring‘//go.radiovideo.music/wallybseck‘> blossoms‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> poetic‘//go.radiovideo.music/wallybseck‘> flourishes‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> refrains‘//go.radiovideo.music/wallybseck‘> blend‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> sonic‘//go.radiovideo.music/wallybseck‘> portrayal‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> refracting‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> someone‘//go.radiovideo.music/wallybseck‘> else’s‘//go.radiovideo.music/wallybseck‘> gaze.

Baller‘//go.radiovideo.music/wallybseck‘> Los‘//go.radiovideo.music/wallybseck‘> (2019‘//go.radiovideo.music/wallybseck‘>)

4‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Deepak‘//go.radiovideo.music/wallybseck‘> Gill‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Mithian‘//go.radiovideo.music/wallybseck‘> Golian‘//go.radiovideo.music/wallybseck‘> (w/‘//go.radiovideo.music/wallybseck‘> Sudesh‘//go.radiovideo.music/wallybseck‘> Kumari‘//go.radiovideo.music/wallybseck‘>)

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3XZiTjW3PjTi2QIH5xB8NY‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/ld5gZkMlmbM/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

“Mithian‘//go.radiovideo.music/wallybseck‘> Golian”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Deepak‘//go.radiovideo.music/wallybseck‘> Gill’s‘//go.radiovideo.music/wallybseck‘> vocals‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Sudesh‘//go.radiovideo.music/wallybseck‘> Kumari’s‘//go.radiovideo.music/wallybseck‘> seasoned‘//go.radiovideo.music/wallybseck‘> delivery‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> layering‘//go.radiovideo.music/wallybseck‘> their‘//go.radiovideo.music/wallybseck‘> performance‘//go.radiovideo.music/wallybseck‘> over‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> polished‘//go.radiovideo.music/wallybseck‘> Punjabi‘//go.radiovideo.music/wallybseck‘> production.

The‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> maneuvers‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> rhythmic‘//go.radiovideo.music/wallybseck‘> restraint‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> melodic‘//go.radiovideo.music/wallybseck‘> flourish‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> toeing‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> line‘//go.radiovideo.music/wallybseck‘> between‘//go.radiovideo.music/wallybseck‘> nostalgic‘//go.radiovideo.music/wallybseck‘> duet‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> contemporary‘//go.radiovideo.music/wallybseck‘> studio‘//go.radiovideo.music/wallybseck‘> precision.

With‘//go.radiovideo.music/wallybseck‘> Amanjot‘//go.radiovideo.music/wallybseck‘> Kaur‘//go.radiovideo.music/wallybseck‘> framed‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> video‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> visual‘//go.radiovideo.music/wallybseck‘> cues‘//go.radiovideo.music/wallybseck‘> echo‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> song’s‘//go.radiovideo.music/wallybseck‘> bittersweet‘//go.radiovideo.music/wallybseck‘> exchanges‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> just‘//go.radiovideo.music/wallybseck‘> enough‘//go.radiovideo.music/wallybseck‘> theatrical‘//go.radiovideo.music/wallybseck‘> restraint.

3‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Lil‘//go.radiovideo.music/wallybseck‘> Eddie‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Pretty‘//go.radiovideo.music/wallybseck‘> Tears‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/3719EaYQDrQqxGkpNIGOPV‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/RmeTqOX7v3g/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

In‘//go.radiovideo.music/wallybseck‘> “Pretty‘//go.radiovideo.music/wallybseck‘> Tears‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Lil‘//go.radiovideo.music/wallybseck‘> Eddie‘//go.radiovideo.music/wallybseck‘> filters‘//go.radiovideo.music/wallybseck‘> heartbreak‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> smooth‘//go.radiovideo.music/wallybseck‘> R&B‘//go.radiovideo.music/wallybseck‘> lens‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> letting‘//go.radiovideo.music/wallybseck‘> tear-shaped‘//go.radiovideo.music/wallybseck‘> metaphors‘//go.radiovideo.music/wallybseck‘> sparkle‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> nocturnal‘//go.radiovideo.music/wallybseck‘> diamonds.

Lines‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “I‘//go.radiovideo.music/wallybseck‘> wear‘//go.radiovideo.music/wallybseck‘> my‘//go.radiovideo.music/wallybseck‘> heart‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> my‘//go.radiovideo.music/wallybseck‘> sleeve‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> but‘//go.radiovideo.music/wallybseck‘> it’s‘//go.radiovideo.music/wallybseck‘> broken‘//go.radiovideo.music/wallybseck‘> inside”‘//go.radiovideo.music/wallybseck‘> flirt‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> transparency‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> while‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> refrain‘//go.radiovideo.music/wallybseck‘> insists‘//go.radiovideo.music/wallybseck‘> these‘//go.radiovideo.music/wallybseck‘> tears‘//go.radiovideo.music/wallybseck‘> carry‘//go.radiovideo.music/wallybseck‘> style‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> sorrow‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> equal‘//go.radiovideo.music/wallybseck‘> measure.

A‘//go.radiovideo.music/wallybseck‘> veteran‘//go.radiovideo.music/wallybseck‘> songwriter‘//go.radiovideo.music/wallybseck‘> for‘//go.radiovideo.music/wallybseck‘> Janet‘//go.radiovideo.music/wallybseck‘> Jackson‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> Maluma‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Eddie‘//go.radiovideo.music/wallybseck‘> turns‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> pen‘//go.radiovideo.music/wallybseck‘> inward‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> crafting‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> vulnerability‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> quiet‘//go.radiovideo.music/wallybseck‘> resilience.

Statue‘//go.radiovideo.music/wallybseck‘> (2017‘//go.radiovideo.music/wallybseck‘>)

2‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Waylon‘//go.radiovideo.music/wallybseck‘> Wyatt‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> Willow‘//go.radiovideo.music/wallybseck‘> Avalon‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Smoke‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> Embers‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/5YAzhZWJfVWHsUmtCqwy1o‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/jksNIOx-QaA/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Written‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> recorded‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> single‘//go.radiovideo.music/wallybseck‘> day‘//go.radiovideo.music/wallybseck‘> at‘//go.radiovideo.music/wallybseck‘> Electric‘//go.radiovideo.music/wallybseck‘> Lady‘//go.radiovideo.music/wallybseck‘> Studios‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Smoke‘//go.radiovideo.music/wallybseck‘> &‘//go.radiovideo.music/wallybseck‘> Embers”‘//go.radiovideo.music/wallybseck‘> pairs‘//go.radiovideo.music/wallybseck‘> Waylon‘//go.radiovideo.music/wallybseck‘> Wyatt‘s‘//go.radiovideo.music/wallybseck‘> gravel-coated‘//go.radiovideo.music/wallybseck‘> drawl‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> Willow‘//go.radiovideo.music/wallybseck‘> Avalon‘s‘//go.radiovideo.music/wallybseck‘> plaintive‘//go.radiovideo.music/wallybseck‘> warble‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> duet‘//go.radiovideo.music/wallybseck‘> that‘//go.radiovideo.music/wallybseck‘> shuffles‘//go.radiovideo.music/wallybseck‘> through‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> friction‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> distance‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> devotion.

Inspired‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Avalon‘s‘//go.radiovideo.music/wallybseck‘> surprise‘//go.radiovideo.music/wallybseck‘> visit‘//go.radiovideo.music/wallybseck‘> to‘//go.radiovideo.music/wallybseck‘> Wyatt‘//go.radiovideo.music/wallybseck‘> during‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> New‘//go.radiovideo.music/wallybseck‘> York‘//go.radiovideo.music/wallybseck‘> performance‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> captures‘//go.radiovideo.music/wallybseck‘> parallel‘//go.radiovideo.music/wallybseck‘> narratives‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> longing‘//go.radiovideo.music/wallybseck‘> shaped‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> life‘//go.radiovideo.music/wallybseck‘> on‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> road.

Both‘//go.radiovideo.music/wallybseck‘> artists‘//go.radiovideo.music/wallybseck‘> thread‘//go.radiovideo.music/wallybseck‘> personal‘//go.radiovideo.music/wallybseck‘> history‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> this‘//go.radiovideo.music/wallybseck‘> brief‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> melancholic‘//go.radiovideo.music/wallybseck‘> exchange‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> and‘//go.radiovideo.music/wallybseck‘> restraint.

1‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> T.I‘//go.radiovideo.music/wallybseck‘> Blaze‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Trenches‘//go.radiovideo.music/wallybseck‘> Luv‘//go.radiovideo.music/wallybseck‘>

‘//go.radiovideo.music/wallybseck‘> href=‘https://open.spotify.com/track/2v7r3nItoWRbCQBS1qFQnD‘‘//go.radiovideo.music/wallybseck‘> target=‘_blank‘‘//go.radiovideo.music/wallybseck‘> class=‘trend_watch‘‘//go.radiovideo.music/wallybseck‘> rel=‘noopener‘>‘//go.radiovideo.music/wallybseck‘> src=‘//radiovideo.music/wp-content/uploads/2025/11/hear_it_RVM.png‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘>

‘//go.radiovideo.music/wallybseck‘> src=‘https://i.ytimg.com/vi/roNcGeQ0s_s/hqdefault.jpg‘‘//go.radiovideo.music/wallybseck‘> class=‘dynamic_image‘‘//go.radiovideo.music/wallybseck‘> alt=‘‘‘//go.radiovideo.music/wallybseck‘> />‘//go.radiovideo.music/wallybseck‘> class=‘dynalisting‘>Date‘//go.radiovideo.music/wallybseck‘> Added‘//go.radiovideo.music/wallybseck‘> :‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> Apr‘//go.radiovideo.music/wallybseck‘> 13‘//go.radiovideo.music/wallybseck‘>,2025

‘//go.radiovideo.music/wallybseck‘> class=‘tracklisting‘>

Released‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> February‘//go.radiovideo.music/wallybseck‘> 2025‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> “Trenches‘//go.radiovideo.music/wallybseck‘> Luv”‘//go.radiovideo.music/wallybseck‘> sees‘//go.radiovideo.music/wallybseck‘> T.I‘//go.radiovideo.music/wallybseck‘> Blaze‘//go.radiovideo.music/wallybseck‘> lean‘//go.radiovideo.music/wallybseck‘> into‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> Afrobeat‘//go.radiovideo.music/wallybseck‘> instincts‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> confessional‘//go.radiovideo.music/wallybseck‘> edge.

Produced‘//go.radiovideo.music/wallybseck‘> by‘//go.radiovideo.music/wallybseck‘> Okizzy‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> track‘//go.radiovideo.music/wallybseck‘> sketches‘//go.radiovideo.music/wallybseck‘> the‘//go.radiovideo.music/wallybseck‘> inner‘//go.radiovideo.music/wallybseck‘> monologue‘//go.radiovideo.music/wallybseck‘> of‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> self-described‘//go.radiovideo.music/wallybseck‘> “trenches‘//go.radiovideo.music/wallybseck‘> boy”‘//go.radiovideo.music/wallybseck‘> confronting‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> guarded‘//go.radiovideo.music/wallybseck‘> suspicion.

With‘//go.radiovideo.music/wallybseck‘> lines‘//go.radiovideo.music/wallybseck‘> like‘//go.radiovideo.music/wallybseck‘> “I‘//go.radiovideo.music/wallybseck‘> no‘//go.radiovideo.music/wallybseck‘> really‘//go.radiovideo.music/wallybseck‘> sabi‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> even‘//go.radiovideo.music/wallybseck‘> if‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> sabi‘//go.radiovideo.music/wallybseck‘> love‘//go.radiovideo.music/wallybseck‘>,”‘//go.radiovideo.music/wallybseck‘> Blaze‘//go.radiovideo.music/wallybseck‘> situates‘//go.radiovideo.music/wallybseck‘> trust‘//go.radiovideo.music/wallybseck‘> as‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> luxury‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> not‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> default‘//go.radiovideo.music/wallybseck‘>,‘//go.radiovideo.music/wallybseck‘> in‘//go.radiovideo.music/wallybseck‘> his‘//go.radiovideo.music/wallybseck‘> emotional‘//go.radiovideo.music/wallybseck‘> economy.

He‘//go.radiovideo.music/wallybseck‘> punctuates‘//go.radiovideo.music/wallybseck‘> trauma-laced‘//go.radiovideo.music/wallybseck‘> verses‘//go.radiovideo.music/wallybseck‘> with‘//go.radiovideo.music/wallybseck‘> survivalist‘//go.radiovideo.music/wallybseck‘> wisdom:‘//go.radiovideo.music/wallybseck‘> “No‘//go.radiovideo.music/wallybseck‘> go‘//go.radiovideo.music/wallybseck‘> ever‘//go.radiovideo.music/wallybseck‘> let‘//go.radiovideo.music/wallybseck‘> a‘//go.radiovideo.music/wallybseck‘> girl‘//go.radiovideo.music/wallybseck‘> know‘//go.radiovideo.music/wallybseck‘> your‘//go.radiovideo.music/wallybseck‘> secret.”

Sometimes‘//go.radiovideo.music/wallybseck‘> [Remix]‘//go.radiovideo.music/wallybseck‘> (W/‘//go.radiovideo.music/wallybseck‘> Olamide‘//go.radiovideo.music/wallybseck‘> (2021‘//go.radiovideo.music/wallybseck‘>)

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For‘//go.radiovideo.music/wallybseck‘> THE‘//go.radiovideo.music/wallybseck‘> FULL‘//go.radiovideo.music/wallybseck‘> ‘L‘AMOUR‘//go.radiovideo.music/wallybseck‘> TOUJOURS‘‘//go.radiovideo.music/wallybseck‘> COLLECTION‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> click‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/amourtoujours‘>here

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57‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> LIT‘//go.radiovideo.music/wallybseck‘> Killah‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Fiamore

55‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Voyage‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Tajne‘//go.radiovideo.music/wallybseck‘> U‘//go.radiovideo.music/wallybseck‘> Ogledalu

51‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Cioffi‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Ragazzi‘//go.radiovideo.music/wallybseck‘> Lì

39‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Lyka‘//go.radiovideo.music/wallybseck‘> Estrella‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Hayy‘//go.radiovideo.music/wallybseck‘> Langga

38‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Sukha‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Punjaban

37‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> kwn‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Do‘//go.radiovideo.music/wallybseck‘> What‘//go.radiovideo.music/wallybseck‘> I‘//go.radiovideo.music/wallybseck‘> Say

35‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Ai‘//go.radiovideo.music/wallybseck‘> Milly‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Still‘//go.radiovideo.music/wallybseck‘> Love

32‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Danny‘//go.radiovideo.music/wallybseck‘> Wolf‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Amor.exe

31‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Denis‘//go.radiovideo.music/wallybseck‘> Ramniceanu‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Bipolara

24‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Neelkamal‘//go.radiovideo.music/wallybseck‘> Singh‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Ladki‘//go.radiovideo.music/wallybseck‘> Deewani

22‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Nordo‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Metchef

21‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Sakshi‘//go.radiovideo.music/wallybseck‘> Holkar‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Balma

16‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Moha‘//go.radiovideo.music/wallybseck‘> K‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Lalla

13‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Joban‘//go.radiovideo.music/wallybseck‘> Sandhu‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Jeon‘//go.radiovideo.music/wallybseck‘> Jogeya

12‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Oualid‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Te‘//go.radiovideo.music/wallybseck‘> Amo

11‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> Θοδωρής‘//go.radiovideo.music/wallybseck‘> Φέρρης‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Κατάματα

5‘//go.radiovideo.music/wallybseck‘> .‘//go.radiovideo.music/wallybseck‘> ‘//go.radiovideo.music/wallybseck‘> href=‘//go.radiovideo.music/meroartist‘>Mero‘//go.radiovideo.music/wallybseck‘> –‘//go.radiovideo.music/wallybseck‘> Diadem‘//go.radiovideo.music/wallybseck‘>

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