On British TV today, Jimi Hendrix Experience at ‘The Lulu Show’ (1969)

On British TV today, Jimi Hendrix Experience at ‘The Lulu Show’ (1969)
On British TV today, Jimi Hendrix Experience at ‘The Lulu Show’ (1969)
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Frank Sinatra records ‘Sinatra at the Sands,’ his first live album with Count Basie and his orchestra, conducted by Quincy Jones (1966)

Frank Sinatra‘s ‘Sinatra at the Sands’ is his first live album recorded in January 1966 with Count Basie and his orchestra, conducted and arranged by Quincy Jones and released in July 1966 by Reprise.

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The Brown & Roach Quintet records ‘Clifford Brown and Max Roach at Basin Street’ for Emarcy (1956)

‘Clifford Brown and Max Roach at Basin Street’ is the last album (aka ‘At Basin Street’) officially recorded the Brown & Roach Quintet on January 4 & February 16-17, 1956 and released in 1956 By Emarcy.

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On TV today, Jimmy Witherspoon at ‘Jazz Casual’ (1962)

On TV today, Jimmy Witherspoon at ‘Jazz Casual’ (1962)
On TV today, Jimmy Witherspoon at ‘Jazz Casual’ (1962)
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En Place Pour La Java

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  • Post published:January 4, 2026
  • Post category:TRAD TRENDS

Unfold accordion's embrace in the musette, breathing life into Parisian streets where clarinet whispers, piano tinkles with urban elegy, and bandoneon weaves along in a 3/4 waltz through bistros and boulevards. Drums and double bass underpin this rhythm, becoming the pulse of dance halls where bourgeois feet join in with the working class. The Auvergne bagpipes hum, mingling with urban cravings as the Bal-musette engulfs Paris in the 1920s and '30s, setting the stage for flirtations and footwork. Jazz flirts with swing, intertwining with musette's tales spun in working-class jargon.

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‘Music For The Dancers’ N°646 – 2010s Music Videos

Jay Sean’s "Do You Remember" with Sean Paul and Lil Jon oozes neon-lit party vibes, blending pop, R&B, and dancehall, while Lady Gaga’s "Just Dance" commands dancefloors with its infectious electro-pop hedonism. David Guetta and Akon’s "Sexy Chick" thrives on unapologetic club energy, and Skrillex with Damian Marley’s "Make It Bun Dem" boldly fuses dubstep and reggae. Alexandra Stan’s playful "Get Back (ASAP)" channels Eurodance energy, and Avicii’s "My Feelings For You" nods to classic house with hypnotic loops. LMFAO and Chuckie’s "Let The Bass Kick in Miami Bitch" epitomizes no-holds-barred nightlife chaos, and Jennifer Hudson elevates Gorgon City’s house anthem "Go All Night" with powerhouse vocals.

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Hip-Hop & Soul N°93 – Vintage 90s Videos

Usher’s "You Make Me Wanna…" set the '90s R&B standard with its minimalist sound and emotional weight, while Boyz II Men’s "End of the Road" captured heartbreak with soaring harmonies and cinematic production. Biggie’s "One More Chance" blended smooth R&B with gritty swagger, and Snoop Dogg’s "Who Am I (What’s My Name)?" brought playful funk grooves to West Coast rap dominance. Bone Thugs-N-Harmony’s "1st of Tha Month" painted a raw picture of survival, and Warren G & Nate Dogg’s "Regulate" stood out for its vivid storytelling and lush G-Funk sound. Oleta Adams’s "Get Here" delivered timeless longing, while Des'ree’s "Feel So High" balanced reflection and optimism with its stripped-back allure. Each track carried its era’s essence, leaving distinct imprints.

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‘Music For The Dancers’ N°512 – Vintage 90s Videos

Apache Indian’s witty "Arranged Marriage" fuses bhangra and reggae to offer satire on cultural traditions, while Spacedust’s "Gym And Tonic" spins fitness humor into a UK chart-topper. Kristine W’s "Land of the Living" resonates with empowering house beats, and Saint Etienne’s "He’s On The Phone" exudes playful Euro-disco charm. Serious Danger’s garage anthem "Deeper" epitomizes 90s underground grit.

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‘Music For The Dancers’ N°93 – Vintage 2000s Videos

Diddy’s "Come to Me" blended hip-hop swagger with R&B polish, climbing to Billboard’s top 10 with Nicole Scherzinger's sultry presence. Kylie Minogue’s "Slow" wowed with its pared-back electro-pop pulse, while Sugababes brought breakup sass in "Hole in the Head." StoneBridge’s "Put 'Em High," featuring Therese, struck a balance of sleek beats and remix appeal, while Darude’s "Feel the Beat" rode trance waves post-"Sandstorm." Zombie Nation's "Kernkraft 400" became a sports anthem thanks to its C64-inspired hook. Emma Bunton’s "We’re Not Gonna Sleep Tonight" offered Latin-infused fun, and DHT’s *Listen to Your Heart* turned Roxette’s classic into dual dance and acoustic hits. Lastly, Herd & Fitz's "I Just Can’t Get Enough" stood out for Abigail Bailey’s infectious vocals and its enduring club presence.

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‘L’Amour Toujours’ N°292 – Vintage 80s Music Videos

Olivia Newton-John’s heartfelt "I Honestly Love You" pairs understated delivery with emotional depth, while Phil Collins and Marilyn Martin’s "Separate Lives" captures restrained sorrow. Lionel Richie’s "Ballerina Girl" offers tender simplicity, and U2’s "Pride (In the Name of Love)" channels a stirring message of resilience. Billy Joel’s "Uptown Girl" brings playful charm with its retro doo-wop vibes, and Tina Turner’s "Let’s Stay Together" reinvents Al Green’s classic with a bold, synth-heavy twist. Mariah Carey and Whitney Houston’s "When You Believe" counters its grand production with a hopeful theme, standing as a power-ballad moment.

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‘Vous Avez Dit Bizarre’ N°526 – Vintage 2000s Music Videos

Amy Macdonald’s "This Is The Life" evokes late-night freedom with brisk folk rhythms, while Sandi Thom’s "I Wish I Was a Punk Rocker" blends nostalgia with minimalist production. Kings of Leon hit anthemic heights in "Use Somebody," and Razorlight’s "Somewhere Else" channels restless ambition. Scouting for Girls’ "Elvis Ain’t Dead" pairs cheeky optimism with pop-rock charm, and The Darkness' festive "Christmas Time" delivers glam-filled holiday fun.

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Eva Cassidy sings in DC (1996)

Eva Cassidy sings in DC (1996)
Eva Cassidy sings in DC (1996)
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Tina Turner launches her tour in Buenos Aires (1988)

Tina Turner launches her tour in Buenos Aires (1988)
Tina Turner launches her tour in Buenos Aires (1988)
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