‘Vous Avez Dit Bizarre’ N°717 – 2010s Music Videos

Highlighting tracks with distinct vibes—The 1975’s playful “Girls” contrasts youthful chaos with indie pop charm, while Ed Sheeran’s “Don’t” seethes with betrayal over sharp R&B beats. Nicole Scherzinger’s fierce “Poison” radiates energy, and My Chemical Romance’s “Sing” delivers modern rock defiance. Twin Atlantic’s driving “Free” captures raw resilience, and Rita Ora’s “Radioactive” leans into sleek electro-pop hooks.

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‘L’Amour Toujours’ N°694 – 2010s Music Videos

Rihanna's heartfelt "Stay" dials down pop extraversion into raw piano-led intimacy, while Miley Cyrus's "Adore You" channels quiet ache amidst "Bangerz" chaos. Calvin Harris and Ellie Goulding's "I Need Your Love" melds ethereal tones with club-ready beats, and Jay Sean’s "Down" marries late-2000s catchiness with Lil Wayne's laid-back flow. Philip George revives garage nostalgia in "Alone No More," and Shontelle delivers resilience with her polished "Impossible." N-Dubz and Mr. Hudson’s “Playing With Fire” balances grit with vulnerability, while Zara Larsson’s breezy "So Good" sparkles with R&B charm.

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Rory Gallagher rocks Belfast (1984)

Rory Gallagher rocks Belfast  (1984)
Rory Gallagher rocks Belfast (1984)
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‘Vous Avez Dit Bizarre’ N°304 – Vintage 2000s Music Videos

The Zutons' “Don’t Ever Think [Too Much]” keeps it simple with a catchy riff and relaxed vibe, while Travis’ politically charged “The Beautiful Occupation” takes on war’s grim realities with understated indie rock power. Bloc Party’s “Flux” flips the script, diving into electronic beats, and The Wombats’ “Moving to New York” captures youthful chaos with humor. Meanwhile, Girls Aloud’s “Life Got Cold” leans into emotional introspection, echoing Britpop tones, and Feeder’s “Just a Day” delivers raw, high-energy rock, matched by its chaotic fan-made video.

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‘Music For The Dancers’ N°94 – Vintage 90s Videos

Janet Jackson’s "Together Again" blends grief and celebration with its disco-infused beats, while Madonna's "Deeper and Deeper" mixes disco nostalgia and house vibes with emotional depth. The Prodigy's "Everybody in the Place" channels frenetic UK rave culture, while 2 Unlimited’s "No Limit" became a Eurodance anthem. Corona's "The Rhythm of the Night" dominates with its infectious pulse, and Taylor Dayne’s "Tell It to My Heart" brings high-energy '80s pop with powerhouse vocals. Whitney Houston’s "Step by Step" showcases resilience through gospel-tinged pop, and Five’s "Everybody Get Up" reworks Joan Jett’s classic into a bold, late-'90s hit.

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‘Look Ma, No Mike!’ N°2 – Vintage 90s Videos

Highlighting standout moments from various artists. The Stranglers mix wit and melody in “Always The Sun,” while Northside’s “My Rising Star” captures Madchester’s indie-dance charm. Morrissey channels rockabilly in “Certain People I Know,” and Oasis bursts in with “Supersonic,” brimming with grit. Cher reshapes “Walking in Memphis” into glossy reinvention, and Cyndi Lauper’s “Who Let In The Rain” delivers heartfelt introspection. Jamiroquai balances groove and reflection with “Half the Man,” and Paul Weller’s “Wild Wood” blends nature-inspired lyrics and acoustic elegance. Lighthouse Family stays mellow with “Postcard From Heaven,” and Mark Owen’s “Child” pairs orchestrals with quiet emotion. Each track reflects its creators’ distinct style while capturing individual moments in music history.

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‘Vous Avez Dit Bizarre’ N°527 – Vintage 80s Videos

The Specials’ “War Crimes” critiques global conflict with reggae-infused rhythm, while Red Box’s “For America” disguises sharp geopolitical commentary in pop accessibility. Altered Images’ “Happy Birthday” blends mischievous new wave charm with quirky sophistication. U2’s “In God’s Country” paints American contradictions in a shimmering desertscape, and Megadeth’s “Wake Up Dead” delivers raw, thrash-fueled intensity. The Stone Roses’ “Sally Cinnamon” hints at their indie roots, weaving jangly guitars with subtle storytelling, while Dee C. Lee’s “See The Day” offers elegant, melancholic mid-’80s appeal. Erasure’s “The Circus” wraps working-class struggles in synthpop layers, and Wah!’s “The Story of the Blues” fuses post-punk grit with brass-driven warmth.

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As we wish, today, Bernard Sumner a ‘Happy Birthday,’ here is the perfect time to list the ‘BESTS’ of his band : New Order

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  • Post published:January 4, 2026
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As we wish, today, English singer & musician Bernard Sumner a ‘Happy Birthday,’ here is the perfect time to list the ‘BESTS’ of his band : New Order (more…)

Continue ReadingAs we wish, today, Bernard Sumner a ‘Happy Birthday,’ here is the perfect time to list the ‘BESTS’ of his band : New Order

Prince brings The Revolution to Atlanta (1985)

Prince brings The Revolution to Atlanta (1985)
Prince brings The Revolution to Atlanta (1985)
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Elektra publish ‘The Doors,’ their eponymous debut album featuring ‘Light My Fire’, ‘Alabama Song’ and ‘The End’ (1967)

‘The Doors‘ feat. ‘Light My Fire’, ‘Alabama Song’ & ‘The End’ is their eponymous debut album produced by Paul A. Rothchild and released on January 4, 1967 by Elektra.

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Sister Sledge release their third album : ‘We Are Family’ featuring ‘He’s the Greatest Dancer,’ ‘Lost in Music’ and ‘We Are Family’ (1979)

Sister Sledge‘s ‘We Are Family’ is an album written and produced by Nile Rodgers and Bernard Edwards and released in January 1979 by Cotillion Records.

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Dio rocks Hollywood (1984)

Dio rocks Hollywood (1984)
Dio rocks Hollywood (1984)
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On Dutch TV, Donna Summer at ‘TopPop’ (1977)

On Dutch TV, Donna Summer at ‘TopPop’ (1977)
On Dutch TV, Donna Summer at ‘TopPop’ (1977)
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On English TV today, David Bowie at ‘TOTP’ (1973)

On English TV today, David Bowie at ‘TOTP’ (1973)
On English TV today, David Bowie at ‘TOTP’ (1973)
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Eurythmics release their second album : ‘Sweet Dreams (Are Made of This)’ featuring ‘Love Is a Stranger’ and ‘Sweet Dreams’ (1983)

Eurythmics‘ ‘Sweet Dreams (Are Made of This)’ is their second studio album released on January 4, 1983 by RCA Records.

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