Billie Holiday begins the recording of ‘Body and Soul,’ an album for Verve (1957)
Billie Holiday‘s ‘Body and Soul’ is a studio album recorded on January 3, 4,7 & 9, 1957 and released the same year by Verve Records.
As we wish John Paul Jones, Led Zeppelin bassist, a Happy Birthday, the day is perfect for a ‘Led Zeppelin at their bests’ post
As we wish, today, English bassist John Paul Jones a ‘Happy Birthday,’ here is the perfect time to list the ‘BESTS’ of his band : Led Zeppelin (more…)
As we wish a ‘Bon Anniversaire’ to Thomas Bangalter, the day is perfect for a ‘best of his duo : Daft Punk’ post
As we wish, today, French musician, Thomas Bangalter a ‘Happy @|#} th Birthday,’ the time has come to playlist the ‘BESTS’ of his band : Daft Punk (more…)
Tony Bennett records ‘Strike Up the Band’ with Count Basie and his Orchestra (1959)
Tony Bennett‘s ‘Strike Up the Band’ is a studio album recorded on January 3 & 5, 1959 with Count Basie and his Orchestra and first released as ‘Basie Swings, Bennett Sings’ the same year by Roulette.
Kudu Records publish Grover Washington, Jr’s debut album : ‘Inner City Blues’ (1972)
Grover Washington, Jr’s ‘Inner City Blues’ is his debut album produced By Creed Taylor and released on January 3, 1972 by Kudu Records.
Elvin Jones finishes the recording of ‘Elvin!’ for Riverside (1962)
Elvin Jones‘ ‘Elvin!’ is an album recorded on July 11 & December 27, 1961 and January 3, 1962 and released the same year by Riverside.
Branford Marsalis records ‘Trio Jeepy’ with Jeff Tain Watts and Milt Hinton (1988)
Branford Marsalis‘ ‘Trio Jeepy’ is an album recorded on January 3-4, 1988 with bassist Milt Hinton and released in June 1989 By Sony Music.
Happy Birthday James Carter. ‘Future Tense’
This day (January 3, 1969), in Detroit, Michigan , is born James Carter, an American jazz saxophonist. (more…)
Country And Western Waltz
As the waltz waltzes across genres, Betse Ellis and the New Christy Minstrels infuse folk energy into the rhythm, blending past tales with contemporary flair. From Texas Rangers Gent to Kathy Troccoli, each artist tells a story of love and longing through echoing melodies and intricate steps. The Western waltz is not just a dance but a journey, a continuity that unites regional rhythms and musical icons in a captivating symphony of sound.
Me:nu Du Jour January 2 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOL TODAY We Listen To Lonnie Smith, Art Blakey, McCoy Tyner We Celebrate Trombone Shorty, Erroll Garner We Watch Van Morrison, Phish, Celine Dion, Rancid, Metallica, Britney Spears,…
This week In ’90s Throwback’ 01/52
How well do you know the music of R.E.M., Portishead, Marilyn Manson, Daft Punk, Daft Punk, Björk, Portishead, Tori Amos, Eva Cassidy, Kristin Hersh, Tori Amos, Cassandra Wilson ? Take our 12-track quiz.
‘Vous Avez Dit Bizarre’ N°303 – Vintage 90s Music Videos
UB40’s "Bring Me Your Cup" brings relaxed reggae vibes to *Promises and Lies*, while The Mission’s "Tower of Strength" stands tall with its Gothic rock intensity, amplified by collaborations like *TOS2020*. Sheryl Crow’s "Everyday Is a Winding Road" grooves with layered textures and a candid nod to life’s chaos, as U2’s funk-infused "Mysterious Ways" experiments with duality and feminine themes. The Beastie Boys’ "Sure Shot" bridges jazz and hip-hop with a sharp social edge, while Sinead O’Connor’s minimalist "Thank You for Hearing Me" channels raw emotion. The Smashing Pumpkins’ "Rocket" merges grunge and ambition, and Blur’s "The Universal" juxtaposes grandeur with biting irony. Natalie Imbruglia’s brooding "Smoke" paints heartbreak through layered guitars, and Kula Shaker’s "Govinda" merges Sanskrit prayers with psychedelic sounds. Genesis’s "No Son of Mine" tackles family pain with deep storytelling, and Dylan’s "Like A Rolling Stone" finds a swaggering cover in The Rolling Stones’ lively performances.
‘Music For The Dancers’ N°92 – Vintage 80s Videos
The page highlights iconic tracks like The Sugarhill Gang’s “Rapper’s Delight,” a 1979 hip-hop cornerstone with its cheeky lyrics and Chic-sampled bassline, and Michael Jackson’s energetic 1987 hit “The Way You Make Me Feel,” brimming with swagger. Gloria Estefan’s vibrant “Rhythm Is Gonna Get You” merges Latin beats with glossy ‘80s pop, while The Gap Band’s funk-driven “Burn Rubber On Me” showcases synth-heavy grooves. Sheila and B. Devotion’s disco-infused “Spacer” features Chic’s magic touch with interstellar themes, while Neneh Cherry’s confident “Buffalo Stance” mixes hip-hop and pop with cutting-edge production. Inner City’s house anthem “Good Life” blends techno precision with disco warmth, and Alexander O’Neal’s “Criticize” oozes Minneapolis funk energy. Rose Royce’s “Is It Love You’re After” and The Nolans’ bubbly “I’m in the Mood for Dancing” round off the era’s mix of rhythm, defiance, and feel-good vibes.
Hip-Hop & Soul N°229 – Vintage 90s Music Videos
Arrested Development’s "Mr. Wendal" combines meaning with rhythm, highlighting homelessness through empathetic storytelling, while Michael Jackson’s genre-blending "Black or White" challenges racial prejudice with bold visuals. MC Hammer updates heartbreak in "Have You Seen Her," and 2Pac’s reflective "I Wonder If Heaven Got a Ghetto" threads struggle with hope. Busta Rhymes’ daring "Dangerous" fuses chaos with charm, and Dru Hill’s "How Deep Is Your Love" layers seductive R&B with cinematic flair for *Rush Hour.* Puff Daddy's "Been Around the World" blends Bowie and Stansfield samples into a luxurious anthem, and Warren G’s "Prince Igor" experiments with the fusion of rap and opera. Whitney Houston and Mariah Carey’s "When You Believe" merges pop balladry with theatrical ambition, leaving late ‘90s nostalgia unmistakable.
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