Bi-Weekly Music Chart Highlights: Top 20 Tracks Across 15 Genres Jan 9,2025 edition
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 15 genres.
Here is the Jan 9,2025 edition
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Alt Z
The Alt Z chart remains stable at the top, with Tate McRae’s “Greedy” holding the first position, followed by Faouzia’s “Minefields” and Sub Urban’s “Uh Oh!” featuring Benee. While the top three remain unchanged, the rankings below them see some shifts.
Melanie Martinez’s “Tunnel Vision” debuts at rank 17. This track explores themes of objectification and emotional self-destruction, blending dark pop with haunting vocals. Meanwhile, Ashe’s “Till Forever Falls Apart” enters at number 20, bringing a mix of vintage swing and modern balladry, co-written and performed with Finneas. These additions inject new emotional textures into the chart.
Notable exits include Rosa Linn’s “Snap” and J-Hope’s “Arson,” making room for the new entries. Gracie Abrams’ “Risk” holds steady at number 10, while David Guetta & Kim Petras’ “When We Were Young” slips slightly to 11th.
Alternative Metal
The Alternative Metal chart welcomes one significant new entry as Linkin Park’s “Over Each Other” debuts at number four. This track delves into themes of communication breakdown and emotional strain, with Emily Armstrong’s vocals adding a poignant layer to the production.
The top positions remain firmly occupied by Linkin Park, with “The Emptiness Machine” and “Heavy Is The Crown” holding the first two ranks. Falling In Reverse continues to dominate the mid-chart with multiple tracks, including “Watch The World Burn” at number three and “Ronald” at number six.
Notable movements include Motionless In White’s “Another Life” retaining its eighth position, while Falling In Reverse’s “Voices In My Head” rises to ninth. There are no exits from the rankings this time, reflecting a more stable chart.
Alternative R&B
The Alternative R&B chart sees Sevdaliza asserting her dominance with two tracks in the top positions. “Alibi” remains at number one, while her collaboration with Karol G, “No Me Cansaré,” debuts at number two. The track fuses alternative pop and Latin rhythms, creating a unique blend of emotional intensity and cultural richness.
Doechii’s “Alter Ego” also enters the chart at number 19, delivering a high-energy fusion of hip-hop and house, complemented by razor-sharp lyricism. SiR’s “Nothing Even Matters” debuts at rank 20, offering a contemporary take on a Lauryn Hill classic with its lush production and heartfelt delivery.
Swedish House Mafia’s “Lioness” slips to rank 10, while Mariah The Scientist’s “From A Woman” remains steady at number six. Teyana Taylor’s “Bare Wit Me” drops out, making way for the fresh entries.
American Hip-Hop
The American Hip-Hop chart sees two notable new entries. GloRilla and Sexyy Red’s “Whatchu Kno About Me” debuts at number two, bringing a crunk revival infused with modern bravado and nostalgic sampling. Juice WRLD’s “Wishing Well” enters at rank 18, its poignant exploration of addiction and mental health resonating deeply.
Kendrick Lamar’s “Not Like Us” retains its stronghold at the top spot, while Eminem’s “Houdini” rises to third. Travis Scott’s “Fe!N” drops slightly to fourth, and Rod Wave’s introspective “25” debuts at number 15, adding emotional depth to the chart.
Notable exits include Glorilla’s “Tomorrow 2” and Jessie Murph & Jelly Roll’s “Wild Ones,” making room for the week’s dynamic additions. The mid-chart remains stable with tracks like Pooh Shiesty’s “Back In Blood” and Megan Thee Stallion’s “Mamushi.”
Art Pop
The Art Pop chart features one new entry this time. Lady Gaga’s “Disease” debuts at number 11, offering a brooding, dark synth-pop experience that explores themes of fear and self-doubt. The track signals a more experimental phase for Gaga while maintaining her theatrical essence.
Lady Gaga & Bruno Mars’ “Die With A Smile” continues to dominate the top spot, while Billie Eilish holds strong at ranks two through five with “Birds Of A Feather,” “What Was I Made For?,” and “Everything I Wanted.” Charli XCX’s “Von Dutch” returns to the rankings at number 20.
Lana Del Rey’s “Chemtrails Over The Country Club” moves up to 18th, replacing Charli XCX’s previous entry “Guess.” Despite these shifts, the chart reflects a balance between stability and innovation.
Asian Pop
The Asian Pop chart sees a major reshuffle at the top as Rosé and Bruno Mars debut “Apt.” at number one. This sleek collaboration blends electropop and pop-punk elements, featuring a playful nod to Korean drinking chants and nostalgic references. Aespa’s “Whiplash” enters at number two, delivering a techno-heavy track with intense energy and minimalist choreography that enhances its futuristic vibe.
Jennie’s “Mantra” debuts at rank three, combining electronic pop with confident R&B and rap influences, while Shanti Dope’s “Highschool” lands at number 12, exploring teenage rebellion with sharp lyricism and a crime-drama-inspired video. BABYMONSTER’s “Clik Clak” enters at 19th, showcasing a bold fusion of hip-hop swagger and glossy K-pop aesthetics.
Lisa’s “Rockstar” slips to fourth, while aespa’s “Supernova” and Stray Kids’ “Chk Chk Boom” remain steady at ranks six and eight, respectively. Notable exits include Fujii Kaze’s “Michi Teyu Ku” and (G)I-Dle’s “Nxde,” making way for this dynamic reshuffle.
Country Music
The Country Music chart introduces two new entries this week. Tyler Braden’s “Devil You Know” debuts at number 13, offering a gritty, introspective anthem that balances viral appeal with lyrical authenticity. James Johnston and Appel’s “Country Is For Me” enters at rank 18, celebrating rural culture with a transcontinental collaboration that bridges Australian and South African influences.
Ella Langley and Riley Green’s “You Look Like You Love Me” retains the top position, while Luke Combs’ “Ain’t No Love In Oklahoma” and Bailey Zimmerman’s “Fall In Love” hold steady at second and third. Lainey Wilson’s “4X4Xu” climbs to rank eight, and Morgan Wallen’s “You Proof” rises to fifth, reflecting subtle upward momentum.
Notable exits include Jessie Murph’s “How Could You,” making space for these fresh additions while maintaining stability in the chart’s core tracks.
Dance Pop
The Dance Pop chart welcomes a new leader as Rosé and Bruno Mars’ “Apt.” takes the top spot. This genre-blurring collaboration combines electropop and pop-punk elements with Bruno’s retro touches and Rosé’s indie-inspired vocals. Lady Gaga & Bruno Mars’ “Die With A Smile” slips to second, followed by Mariah Carey’s perennial favorite “All I Want For Christmas Is You” at third.
Doja Cat’s “Houdini” climbs to ninth, showcasing her consistent presence on the chart, while Lady Gaga’s “Disease” debuts at number 20. The track channels dark electronic synth-pop with introspective themes, adding depth to her evolving discography.
The chart remains steady with Dua Lipa’s “Levitating” and Elton John’s “Cold Heart” maintaining positions at ranks eight and six, respectively. Diamond Platnumz & Jason Derulo’s “Komasava Remix” exits the rankings, making room for this week’s dynamic entries.
East & South African Music
The East & South African Music chart introduces three new entries this week. Pabi Cooper, Focalistic, and Thebuu’s “Pabi Jo” debuts at number four, delivering a groove-heavy Amapiano track that emphasizes layered percussion and intricate vocals. Iyanii and Cedo’s “Kifo Cha Mende” lands at rank five, bringing a catchy yet simple chorus that resonates with Kenyan audiences. Dlala Thukzin, Funky Qla, and Zee Nxumalo’s “Ama Gear” enters at number 10, blending Gqom-inspired beats with Afro Tech rhythms for a high-energy offering.
Titom & Yuppe’s “Tshwala Bam” rises to claim the top position, pushing Diamond Platnumz & Jason Derulo’s “Komasava Remix” to second. Bassie & M-Touch’s “Kwelanga 2.0” and Ssaru’s “Maintain” maintain strong placements, reflecting the chart’s balance between stability and fresh energy.
Notable exits include Marioo’s “Statue” and Matata’s “Inakubalika,” as the chart evolves with innovative collaborations and regional diversity.
French R&B
The French R&B chart sees two new entries this week. Joé Dwèt Filé and Ronisia’s “Jolie Madame” debuts at rank 13, blending Afro-Caribbean rhythms with modern R&B for an intimate yet radio-friendly track. Gims & Lossa’s “Loco” enters at number 16, offering a polished, rhythm-driven collaboration that emphasizes groove and lyrical finesse.
Gims’ “Sois Pas Timide” remains firmly at the top, followed by his collaboration with Dystinct, “Spider,” and Tayc & Shreya Ghoshal’s “Yimmy Yimmy.” MHD’s “Full” climbs to tenth, while Keblack’s “Boucan” holds steady at sixth.
Aya Nakamura’s “Hypé” slips slightly to 18th, and Naza’s “Joli Bébé” edges closer to the lower ranks, as the chart reflects a blend of enduring favorites and fresh additions.
Metalcore
The Metalcore chart introduces two fresh entries this week. Spiritbox’s “Circle With Me” featuring Tatiana Shmayluk debuts at number 15, blending metalcore with progressive elements and showcasing dynamic live performances that elevate its emotional intensity. Lamb of God’s “Memento Mori” enters at number 20, delivering their signature heavy riff-driven sound with thematic depth.
Babymetal and Electric Callboy’s “Ratatata” retains its dominant top position, followed by Sim’s “The Rumbling” and Motionless In White’s “Another Life” at second and third, respectively. Bring Me The Horizon’s “Parasite Eve” climbs to seventh, while Bad Omens’ collaboration with Poppy, “V.A.N,” rises to ninth.
The chart maintains stability at its core, with Bad Omens continuing to dominate multiple spots, while minor movements reflect the ongoing appeal of genre staples.
Modern Dancehall
The Modern Dancehall chart sees a standout debut with Greeicy and Jay Wheeler’s “¿Qué Te Pasó?” landing at number two. This melancholic blend of Latin pop and dancehall undertones captures the weight of heartbreak with sleek production. Squash’s “Get Up” enters at rank 12, delivering a motivational anthem with polished reggae influences, while Teejay and Masicka’s collaboration “Never Complain” arrives at number 14, emphasizing resilience and ambition.
Shenseea’s “Hit & Run” holds its top spot, while Uncle Waffles & Royal Musiq’s “Wadibusa” and Kraff’s “Ikation” remain steady at ranks four and five. Vybz Kartel and Likkle Addi’s “M.O.T.M” debuts at number 19, blending generational commentary with sharp dancehall rhythms.
Notable exits include Popcaan’s “Greatness Inside Out,” as the chart continues to balance innovation with genre mainstays.
Nigerian Pop
The Nigerian Pop chart introduces two new entries, with Dax’s “Lonely Dirt Road” debuting at number 12. This introspective track blends alt-country instrumentation with hip-hop rhythms, delving into themes of self-reflection. Qing Madi’s “American Love” enters at number 20, combining Afrobeat and R&B influences to explore love’s whimsical complexities.
Omah Lay’s “Soso” retains its number-one position, followed by Chiké and Mohbad’s “Egwu” at second. Chris Brown’s “Sensational,” featuring Davido and Lojay, climbs to third, while Jordan Adetunji’s collaboration with Kehlani, “Kehlani Remix,” slips to fourth.
The chart reflects a mix of stability and growth, with new tracks bringing fresh perspectives to the genre while established hits maintain their stronghold.
Pov: Indie
POV: Indie introduces three new entries this week. Tom Cardy’s “Transcendental Cha Cha Cha” lands at number 12, blending humor and eclectic musical styles for a genre-defying experience. Rare Americans’ “Brittle Bones Nicky 3” debuts at rank 19, continuing their narrative-driven approach with animated storytelling. Twenty One Pilots’ “Backslide” enters at number 20, offering introspective lyrics and layered symbolism.
Hozier’s “Too Sweet” maintains its position at the top, with Glass Animals’ “Heat Waves” and Beabadoobee’s “Glue Song” rounding out the top three. Mitski’s “My Love Mine All Mine” slips to fourth, while Yungblud’s “I Was Made For Lovin’ You” rises to tenth.
The chart showcases a blend of heartfelt introspection and creative experimentation, solidifying its role as a space for innovative indie music.
Urbano Latino
Urbano Latino welcomes Shakira’s “Soltera” as the new number-one track, celebrating self-liberation with vibrant reggaetón energy. Cris MJ’s “Después De La Una” debuts at rank 12, capturing nightlife themes with polished reggaetón mechanics. Myke Towers and Benny Blanco’s “Degenere” lands at number 14, delivering a high-energy blend of electronic and Latin influences. Beéle’s “Frente Al Mar” debuts at 17, weaving Caribbean rhythms with romantic themes, while Luck Ra and Khea’s “Hola Perdida” enters at 19, blending Argentine musical traditions with contemporary trap elements.
Feid and Maisak’s “Se Me Olvida” slips to second, followed by Xavi’s “La Diabla” at third. Arcángel & Grupo Frontera’s “Alv” climbs to seventh, while Karol G’s “Si Antes Te Hubiera Conocido” drops to sixth.
This week’s entries highlight the genre’s diversity, balancing traditional sounds with modern innovation.
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