Top Corridos songs – 2020s

“Nadie” rolls out like a warning label for exes who won’t take a hint: stop calling, he’s busy with “new loves, much prettier.”

In between Dom Pérignon, cherry weed, and a carousel of party nights, the narrator assures her he’ll act like she’s nobody if the messages keep coming.

But for all the flexing, there’s no hiding how the smallest memories still sneak in—even during someone else’s embrace.

For every puff of bravado, there’s a sting: the love, the “little details,” and the absence of thanks don’t go down as smooth as the champagne.

“Everything that begins also ends one day,” he repeats, as if saying it enough times might finally make it true.

Genres : Latin,corrido

The music video is directed by @landrowrld &AO6 @pipes_ph

>> Lyrics >> More by the same : Website

10.21% / 0.55%

“Ansiedad” strips back the bluster, laying regional Mexican sounds over a scaffold of trap-infused melancholy.

Fuerza Regida—formed in 2014 in Sinaloa yet undeniably American—filters their sonic lineage through the angst of modern masculinity.

Produced by Jesús Ortiz Paz, Moises Lopez, and Meñostyle, the track threads horns and heartbreak into a bleary confession of unraveling nerves.

Genres : corrido, corridos tumbados, corridos bélicos, música mexicana, banda, sierreño, electro corridos, sad sierreño

Featured on the album 111XPANTIA

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37.95% / 0.66%

“No Capea” pairs Xavi with Grupo Frontera for a brisk norteño shuffle trimmed with brass and modern flash.

The arrangement leans on accordion, bajo sexto, and punchy horns, throwing a polished glow over its traditional roots.

Lyrically, it sketches a woman who laughs off gifts and smooth talk, more interested in autonomy than attention.

Xavi and Frontera alternate vocals without stepping on each other’s boots, backed by seasoned session hands and savvy production.

It’s regional Mexican in form, but not particularly concerned with playing the purist.

Genres : corridos tumbados, corrido, corridos bélicos, sad sierreño, música mexicana, banda

>> Lyrics >> More by the same : Website

107.04% / -4.99%

“Presidente” lines up Gabito Ballesteros with Natanael Cano, Luis R. Conriquez, and Netón Vega in a corrido tumbado staged for chart consumption.

Part of Ballesteros’s growing catalog of high-profile alliances, the track climbs to number 4 on the Mexico Songs chart, hits number 9 on Billboard’s Hot Latin Songs, and lands at 48 globally.

Released during Ballesteros’s stint with Natanael Cano’s Los CT and not long before an exclusive publishing deal with Warner Chappell Music, it arrives at a convenient moment.

2023 names him Billboard Latin Artist on the Rise—almost like the title saw it coming.

Genres : Latin,corrido, sierreno, corridos tumbados, musica mexicana, sad sierreno

>> Lyrics >> More by the same : Website

6.68% / 0.39%

Mexican regional powerhouses Gabito Ballesteros and Tito Double P join forces in “7 Dias,” a melancholic single released in January 2025 that chronicles the raw, restless descent into heartbreak exactly seven days post-breakup.

Gabito Ballesteros, a cornerstone of the corridos tumbados movement, boasts songwriting credits on “Lady Gaga” with Peso Pluma and Junior H, as well as “AMG” with Natanael Cano and Peso Pluma.

Tito Double P, fresh off his August 2024 debut album featuring Junior H, Ballesteros, and Pluma, amplifies the song’s bittersweet intensity.

Genres : Latin,corrido, corridos tumbados, corridos bélicos, música mexicana, sad sierreño, electro corridos, banda

>> More by the same : Website

10.92% / 0.54%

Mixing reggaeton rhythms with regional Mexican textures, “Linda Mujer” lets Ian Cordova oscillate between heart-thumping basslines and nostalgic melodies pulled from his Jiquilpan roots.

The lyrics wade through affection, sarcasm, and impulsive devotion, sketching out a romance that’s loving one minute and laughing the next.

Cordova, signed to Lucky Music Group, threads this through with a delivery that avoids theatrics but courts sincerity.

Genres : electro corridos, corrido, corridos bélicos, corridos tumbados

13.90% / 0.51%

On “La Pantera,” Alan Arrieta steps in as lead vocalist and co-writer, threading his signature behind-the-mic presence through the track’s layered collaboration with Marcos Villalobos and Gheef.

The 2025 single gestures toward Arrieta’s broader repertoire—”Polarizados,” “Home Run,” “Volví a Soñar”—where his ongoing preference for shared authorship and vocal centrality continues undeterred.

Genres : ,electro corridos, corrido

14.70% / 0.52%

Fuerza Regida’s “Por Esos Ojos” arrives in February 2025, extending the group’s presence in regional Mexican music.

Led by Jesús Ortíz Paz, the American band blends traditional sounds with contemporary influences.

The track follows “Tu Boda” and continues their run of releases resonating across North and Central America.

Known for collaborations, they have worked with Grupo Frontera on “Bebe Dame” and “ME JALO.”

Their music frequently navigates love, relationships, and personal experience.

Genres : Latin,corrido, corridos tumbados, corridos bélicos, música mexicana, banda, electro corridos, sierreño, sad sierreño

>> More by the same : Website

14.01% / 0.54%

In “Tu Boda,” Óscar Maydon, joined by Fuerza Regida, imagines his ex’s wedding not as a heartbreak, but a horror film he stars in.

Too shattered to applaud the vows, he flirts with the idea of painting her dress red at the altar and dragging them all to the afterlife—minus her groom, of course.

Part dark corrido, part revenge fantasy, he croons about love, jealousy, and suicidal rage with all the finesse of someone seconds from ruining the reception.

By the end, he shifts gear, blessing her new chapter while quietly setting fire to his own, which may explain the controversy over the song’s taste for ruin as romance.

Genres : Latin,corrido, corridos tumbados, sad sierreno, sierreno

The music video is directed by Jessy Terrero

>> Lyrics >> More by the same : Website

8.30% / 0.33%

“Amor” packs all the heat of a late-night confession, with the narrator spiraling into obsession over a body he calls his “drug.”

He’s gasping for her like it’s oxygen, ready to bring down the moon because heaven, apparently, lives in her touch.

He wants to do “everything” with her—no questions, no complaints, just raw devotion wrapped in sensual urgency.

Dreams of slow kisses and full-body exploration blur love with physical hunger until there’s no real line between them, only “amor.”

Genres : Latin,corrido, corridos tumbados, sad sierreno, sierreno

The music video is directed by Hector Toro

>> Lyrics >> More by the same : Website

15.72% / 1.22%

“No Es Por Acá” draws a line in the sand, but Carin León’s narrator does it with tequila-steady hands and a surplus of pride.

She wants back in after turning his feelings into her personal playground, but he’s not opening that door just to be someone’s nostalgia trip.

Yes, she might crave the bed and those “little kisses,” but he’s done handing out second chances like they’re candy at a feria.

“No es por acá” functions as a polite, singer-songwriter way of saying “try someone else’s misery.”

It’s not anger, just boundaries laced with irony—especially knowing how often his kind of love ends in encore requests.

Genres : Latin,corrido, musica mexicana, sad sierreno, sierreno

>> Lyrics >> More by the same : Website

2.77% / 0.22%

“Caperuza” threads a tale of lovers caught in emotional crossfire—one sharpening escape into a blade of vengeance, the other fumbling for forgiveness with empty hands.

Fuerza Regida spins this romantic turmoil into a tense narrative, steeped in their blend of corridos urbanos with trap-inflected grit.

Formed in 2014 in Sinaloa, the group’s storytelling reflects the edges of real-life urban relationships without softening the blows.

Genres : corrido, corridos tumbados, corridos bélicos, música mexicana, banda, sierreño, electro corridos, sad sierreño

Featured on the album 111XPANTIA

>> More by the same : Website

42.13% / 0.51%

“Lejos Estamos Mejor” delivers melancholia with measured clarity, tracing the wreckage of love’s end without squeezing out unnecessary regret.

Over sparse instrumentation, Edén Muñoz voices the reluctant truce between memory and moving on, accepting that silence and space sometimes soothe more than apologies ever could.

It’s a stripped confession—more resignation than rebellion—wrapped in regional textures native to his Sinaloa roots.

Genres : banda, corrido, norteño, corridos bélicos, corridos tumbados, música mexicana

Featured on the album Lejos Estamos Mejor (ep)

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36.10% / 2.07%

“Me Está Doliendo” pairs Carin León with Alejandro Fernández in a study of longing that resists closure.

The track’s centerpiece—“Para amarte salió bueno, pa’ olvidarte salió malo”—lands like a bitter toast to emotional incompetence.

León, often circling banda, norteño, and mariachi, intersects Fernández’s polished gravitas with a voice honed in heartbreak territory.

The result leans neither nostalgic nor redemptive—just exquisitely unresolved.

Genres : banda, norteño, sierreño, corrido, grupera, ranchera, sad sierreño, música mexicana

Featured on the album Palabra de To’s

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26.27% / 0.86%

“La Del Proceso” (2025) pairs Grupo Frontera and Manuel Turizo in a blend of Norteño-cumbia, pop, and urban sounds.

The lyrics trace the outcome of a failed relationship, weighing the emotional fallout of rushed decisions.

Turizo handles vocals and percussion, with Juan Javier Cantu on accordion and Alberto Acosta on bajo sexto.

Grupo Frontera starts in McAllen in 2022, Turizo comes with tracks like “Una Lady Como Tú.”

Genres : cumbia norteña, banda, norteño, música mexicana, corrido, corridos tumbados, grupera, corridos bélicos, tejano

Featured on the album Y Lo Que Viene

25.59% / 0.55%

“Ahí Estabas Tú” trades the rugged textures of regional Mexican music for a polished ballad, letting Carín León’s tenor glide over a melody steeped in sentiment.

The lyrics trace the narrator’s unexpected salvation in love—a presence that arrives precisely as his world crumbles, turning despair into solace.

Framed as fate rather than chance, the song leans fully into its devotion, with León anchoring his performance in gratitude and quiet revelation.

Though often associated with norteño’s revival, he shifts into pop ballad territory here, bending genre lines without theatrics.

Born in Hermosillo, Sonora, he grew up in a mariachi family, cutting his teeth in norteña before branching into other regional styles.

His solo career gained traction with “Amanecida Con Todo Y Con Todos,” but it was “El Malo” that propelled him forward.

“Ahí Estabas Tú” sits comfortably in his catalog, reinforcing his ability to tell deeply personal stories without excess.

Genres : Latin,banda, norteño, sierreño, corrido, grupera, ranchera, sad sierreño, música mexicana

>> More by the same : Website

17.58% / 1.45%

In “Despídase Bien,” Carin León watches the train wreck in slow motion and asks only for one thing before the rubble’s cleared: a proper goodbye.

He’s not denying it’s over—just craving a send-off that doesn’t feel like getting ghosted at the altar.

There’s weed, there’s meaningless flings, and there’s the inconvenient persistence of old joy replaying in his head like a broken playlist.

He owns his part in the mess, admits he never quite mastered love, and dreams of a future life equipped with a functioning heart that doesn’t short-circuit around her.

Genres : Hip Hop, Latin,corrido, musica mexicana, sad sierreno, sierreno

The music video is directed by Yerick Johnsson

>> Lyrics >> More by the same : Website

6.66% / 0.38%

In “Dos Días,” Tito Double P and Peso Pluma lay out a standoff where silence stretches past 48 hours, and pride does the rest.

She’s mad, he won’t budge, and the result is a spiral through parties, cocaine, and some conveniently available women who somehow don’t live up to her memory.

He flashes money, boasts about his entourage, then quietly confesses none of it hits the same since the breakup turned him into what he now calls a mess.

Between the struts and the slurs, the song measures just how fast bravado unravels when left to stew in its own ego.

Genres : Latin,corrido, corridos tumbados, sad sierreno

The music video is directed by José Sagaro

>> Lyrics >> More by the same : Website

5.06% / 0.31%

“Seguro Le Dolió” pairs Banda MS de Sergio Lizárraga with Fuerza Regida, a combination that leans on big-band brass while flirting with urbane touches of regional mexicano.

This track traces a breakup gone sour, where the narrator, having once put a crown on his partner’s head, now pours it into a glass—literal, bitter, and slightly theatrical.

The lyrics don’t hold back: heartfelt disappointments dressed up in barstool wisdom and sharp metaphors make disillusion feel oddly refreshing.

The arrangement stays true to Banda MS’s sonic muscle, with Fuerza Regida adding bite, while the vocals do the heavy lifting—emotive without tipping into melodrama.

Turns out, when the love story crashes, it leaves behind horns, hurt, and just enough irony to keep things interesting.

Genres : banda, norteño, grupera, música mexicana, ranchera, corrido

>> Lyrics >> More by the same : Website

56.62% / -1.18%

Corridos meet trap in “Ojitos Mentirosos”, where Chino Pacas threads acoustic guitar and urban beats into a hybrid tune that stays loyal to the corrido tumbado formula.

The song’s title—“Little Lying Eyes”—hints at deception and messy feelings, not exactly rare territory for a young artist who keeps circling themes like betrayal, romance, and street cred.

Pacas hails from Guanajuato, but his vocal delivery leans closer to urban confession than rural lament, slipping between tradition and the here-and-now with ease.

Genres : corrido, corridos tumbados, corridos bélicos, música mexicana

>> Lyrics >> More by the same : Website

16.80% / 0.19%