Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Jan 24,2026 edition
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Alt Z
Tate McRae continues her reign atop ALT Z as “Just Keep Watching” remains locked at number one.
Faouzia gains ground with “Minefields,” climbing to second and nudging “Greedy” down to third.
The rest of the top ten remains entirely unchanged, signaling strong listener consistency.
Sub Urban and Elley Duhé maintain their established positions, reinforcing the chart’s stable core.
“Unethical” edges upward to eleventh, swapping places with “Ceilings.”
Poppy delivers the sole new entry with “Bruised Sky,” debuting at number twenty with a track that balances industrial weight and emotional restraint, leaning into isolation rather than catharsis.
The exit of “Wasteland” closes an otherwise static update driven by endurance rather than turnover.
Alternative Metal
Linkin Park remain immovable at the top of ALTERNATIVE METAL, holding the first two positions with “The Emptiness Machine” and “Up From The Bottom.”
Falling In Reverse keep “Watch The World Burn” steady at number three.
“Voices In My Head” posts the biggest climb, jumping from eighth to fourth.
Linkin Park benefit again as “Lost” rises into the top five.
Breaking Benjamin and Evanescence trade places, with “So Cold” overtaking “Afterlife.”
Five Finger Death Punch gain momentum as “Blue On Black” moves up two spots.
Motionless In White re-enter at number twenty with “Masterpiece,” a reflective track built around themes of regret and self-forgiveness.
The remainder of the chart shifts minimally, preserving a familiar lower tier.
Alternative R&B
Ravyn Lenae claims the top spot on ALTERNATIVE R&B as “Love Me Not” rises from second to first.
Mariah The Scientist slips to number two with “Burning Blue” but continues to dominate the chart with multiple entries.
Sevdaliza’s “Alibi” remains fixed at third, maintaining its steady run.
The top fourteen positions show near-total continuity week to week.
Teyana Taylor enters at number fifteen with “Hard Part,” a restrained duet with Lucky Daye that circles unresolved relationship tension over warm, spacious production.
Jamila Woods follows at sixteen with “Practice,” a mellow neo-soul entry framed around patience and emotional learning, joined by Saba’s reflective verse.
JADE and Adekunle Gold drift downward as the two debuts reshape the lower half.
American Hip-Hop
Pooh Shiesty storms the AMERICAN HIP-HOP chart with “FDO,” debuting directly at number one.
The track marks a stark return, built on tense piano loops and heavy 808s, offering a blunt recap of prison time and survival without reinvention.
Kendrick Lamar’s “Not Like Us” drops to second but remains firmly entrenched.
King Von and Central Cee hold their high placements, maintaining strong upper-tier stability.
YoungBoy Never Broke Again reshuffles internally, with “Finest” climbing as “Wine & Dine” slides to tenth.
Drake’s “Laugh Now Cry Later” rebounds into the top ten.
The lower half remains largely unchanged, closing a week defined by a decisive new number one rather than broad turnover.
Art Pop
Lady Gaga remains firmly in control of the ART POP chart as “Die With A Smile” holds at number one, unchanged at the summit.
The entire top ten shows complete stability, with no movement among the chart’s leading titles.
Billie Eilish and Lady Gaga continue to trade dominance across the upper tier, maintaining a dense multi-entry presence.
The most notable shifts occur just below the top ten, where “Happier Than Ever” and “Bad Guy” move up one position each.
Rosalía’s “Berghain” slips two spots to thirteenth, marking the chart’s clearest downward move.
“Lunch” by Billie Eilish climbs into sixteenth, overtaking “Chains Of Love.”
Lady Gaga’s “Rain On Me” rises to seventeenth, while the bottom three remain unchanged.
Asian Pop
ROSÉ continues her uninterrupted reign on ASIAN POP with “Apt.” holding firm at number one.
The entire top six remains frozen, led by BLACKPINK and LE SSERAFIM.
BTS’ “Dynamite” posts the strongest climb, jumping from thirteenth to eighth.
ILLIT’s “Not Cute Anymore” edges up one place, while Stray Kids’ “DIVINE” slides to ninth.
HANA debuts at number thirteen with “Rose,” a first release shaped by themes of resilience and self-acceptance following the group’s audition journey.
LISA enters at fifteen with “Rockstar,” a hyperpop-leaning statement built around fame, provocation, and global pop confidence.
The Weeknd closes the chart at twenty with “One Of The Girls,” a soundtrack-driven collaboration tied to *The Idol* and its glossy, decadent tone.
Country Music
The CORRIDOS chart shows near-total stability, with the top nineteen tracks holding identical positions.
Tito Double P remains unchallenged at number one with “Nadie.”
Fuerza Regida continue their strong presence across the upper and mid-chart.
The only change comes at the bottom, where Chino Pacas enters at number twenty with “Ojitos Mentirosos.”
The track blends corrido tumbado with trap elements, pairing acoustic guitar with urban beats while circling themes of deception and emotional conflict.
Dance Pop
Morgan Wallen maintains his lead on the COUNTRY MUSIC chart as “I Got Better” holds at number one.
The top eight remains completely unchanged, reflecting exceptional chart stability.
Luke Combs’ “The Kind Of Love We Make” swaps positions with “Forever After All,” moving up to ninth.
Lainey Wilson’s “4X4Xu” climbs one spot to fourteenth.
Frank Ceara debuts at number seventeen with “Así Bonito,” a merengue pambiche collaboration with Juan Luis Guerra centered on warmth, restraint, and melodic ease.
Lainey Wilson adds a second entry at nineteen with “Wildflowers And Wild Horses,” reinforcing her growing footprint in the lower tier.
The chart closes unchanged with Shenandoah at number twenty.
East & South African Music
ROSÉ continues to dominate the DANCE POP chart as “Apt.” holds firm at number one without pressure from below.
The entire top nine remains unchanged, led by Lady Gaga, Dua Lipa, and Shakira maintaining a locked upper tier.
Zara Larsson posts the most dramatic move of the week as “Midnight Sun” surges from nineteenth to tenth.
Doja Cat experiences an internal reshuffle, with “Say So” slipping out of the top ten while “You Right” and “Streets” edge upward.
Sevdaliza’s “Alibi” drops slightly to fourteenth but remains a stable mid-chart fixture.
Dua Lipa’s “Houdini” slides to sixteenth, signaling softened momentum.
Akon enters at number twenty with “Ghetto,” a stripped-back R&B and hip-hop track rooted in social reflection and early-career grit.
French R&B
Goon Flavour retain control of EAST & SOUTH AFRICAN MUSIC as “Ngishutheni” remains unchallenged at number one.
The entire top six holds steady, underscoring sustained dominance at the summit.
“Tshwala Bam” and “Nairobi” swap positions, marking the only movement inside the top ten.
Master KG’s “Jerusalema” climbs one spot to eleventh, regaining visibility.
Sam Deep debuts at number twelve with “Shela,” a restrained, log-drum driven track centered on quiet flirtation and emotional hesitation.
The lower half stabilizes quickly, with Scotts Maphuma maintaining a double presence.
Harmonize closes the chart unchanged at number twenty.
Metalcore
Joé Dwèt Filé continues to lead FRENCH R&B as “4 Kampé” remains fixed at number one.
The top eight shows no movement, reflecting strong listener loyalty.
“Jolie Madame” climbs to ninth, overtaking Gazo’s “Kat” in the mid-chart exchange.
Gazo’s “Cartier” strengthens its position by moving into the top ten.
Dadju enters at number eighteen with “Va Dire À Ton Ex,” a polished R&B slow-burn centered on post-relationship negotiation and emotional restraint.
Da Uzi follows at nineteen with “Michael Jordan,” using the basketball icon as a metaphor for ambition, isolation, and survival under pressure.
Booba’s “Mona Lisa” holds steady at number twenty.
Modern Dancehall
The METALCORE chart remains completely static at the top, with YUNGBLUD’s “Zombie” holding the number one position.
Bad Omens continue to dominate the upper tier with multiple entries unchanged.
The entire top ten shows zero movement, highlighting entrenched listening habits.
Electric Callboy maintain their mid-chart presence without disruption.
Architects, Spiritbox, and Bring Me The Horizon remain locked in place near the lower half.
No debuts or exits occur this week, resulting in a fully frozen update.
Nigerian Pop
Kybba’s “Ba Ba Bad Remix” surges to the top of the MODERN DANCEHALL chart, overtaking last period’s leader to claim the number one position.
Spice and Wizthemc also gain ground, each moving up two places to reinforce a reshuffled top three.
Shenseea’s “Hit & Run” continues its steady climb, advancing into fourth and tightening the competition at the summit.
Meryl’s “Shatta Confessions” jumps from eighth to fifth, marking one of the strongest upward moves of the week.
Kraff’s “Ikation” accelerates from twelfth to sixth, signaling a clear boost in traction.
Chronic Law makes a forceful debut at number ten with “Badness Upgrade 2.0,” a hard-edged dancehall cut built on moody EastSyde production and raw reflections on pain, defiance, and street survival.
He doubles his impact immediately as “NY Girls” enters at thirteen, pairing late-night riddims with Cjthechemist’s precise, unrelenting production.
Tarrus Riley enters at fourteen with “Lighter,” a contemporary reggae and dancehall crossover centered on romantic ease and melodic balance alongside Shenseea.
Jamal debuts at sixteen with “Faada,” a gritty, fast-paced dancehall track driven by street realism and relentless momentum.
Tommy Lee Sparta reappears at nineteen with “Outside Brawling,” a confrontational cut focused on raw intimidation and crew loyalty.
Aya Nakamura closes the chart at twenty with “Dégaine,” a pop-rap collaboration with Damso infused with kizomba and kompa influences.
Overall, the update reshapes the chart dramatically, with a new leader, multiple sharp climbers, and a lower tier defined by assertive, high-impact debuts.
Pov: Indie
Rema continues to dominate NIGERIAN POP as “Calm Down” holds firmly at number one, maintaining its long-standing lead.
The top two remain unchanged, with Ayra Starr’s “Rush” sustaining strong momentum just behind.
Omah Lay and Chiké swap positions in the top five, as “Soso” climbs to third while “Egwu” slips to fourth.
Tems’ “Me & U” posts the chart’s most notable rise, jumping from twelfth to eighth.
Mavins’ “Overloading” drops three places to eleventh, marking the sharpest slide.
The lower half stabilizes quickly, with no new entries or exits recorded.
Urban Contemporary
Karan Aujla remains firmly in control of PUNJABI PARTY as “For A Reason” holds the top position.
The top seven shows complete stability, led by Sidhu Moose Wala and Navaan Sandhu.
Nijjar debuts strongly at number nine with “God Did,” a trap-leaning Punjabi pop track rooted in resilience, faith, and hard-earned loyalty.
Harkirat Sangha slips two places to tenth as a result of the new entry.
Karan Aujla adds “P Pop Culture” at sixteen, framing it as a manifesto-driven track blending Punjabi imagery with pop-rock grit.
The lower tier reshuffles slightly but remains structurally intact.
Urbano Latino
Shakira continues to lead URBAN CONTEMPORARY with “Zoo,” holding steady at number one.
The top five remains completely unchanged, anchored by Shakira and PARTYNEXTDOOR.
Jung Kook’s Usher-assisted remix climbs to sixth, overtaking Ciara.
Tiwa Savage enters at number seventeen with “Somebody’s Son,” a smooth Afrobeats and R&B duet with Brandy reflecting on heartbreak, hope, and emotional patience.
GloRilla’s “March” slips slightly to eighteenth.
Teyana Taylor closes the chart at twenty as “Morning” exits the mid-tier.