Last updated on March 8, 2026, updated twice a month.
Over the past decade, Asian Pop has transitioned from a regional phenomenon to a central force in the global music landscape. It remains deeply rooted in local traditions while thriving through a globalized approach and a robust digital presence.
The list below ranks 20 recently released Asian Pop songs in descending order of engagement over the last 30 days.
1 . RoseÌ, Bruno Mars - Apt.Details ![]() ![]() “Apt.” pairs Rosé with Bruno Mars in an irresistibly sleek showdown, blending glossy electropop with scrappy pop-punk hues. Bruno’s signature retro flourishes intersect with Rosé’s indie-tinged brilliance, creating a tug-of-war between seductive basslines and airy guitar riffs. The song’s playful nod to a Korean drinking chant adds cultural depth, catching listeners off-guard with its infectious familiarity. Interpolating Toni Basil’s 1982 banger “Mickey,” the track spins nostalgia into something sharp-edged and kinetic, demolishing genre boundaries as easily as knocking back soju shots. The production lineup—Bruno himself, Cirkut, Omer Fedi, and Rogét Chahayed—constructs a tightly layered soundscape that’s strangely chaotic yet perfectly cohesive. Rosé’s breathy delivery teases, while Bruno leans into a swagger that feels both effortless and meticulously performed. Commercially, it wrangles massive streams and downloads right out of the gate, speaking to its crossover pull. The YouTube video amplifies the song’s playful tension, with a flirtatious visual narrative served in neon-drenched nonchalance. But beneath its flirtation and sass lies a self-awareness—Bruno’s veteran polish meets Rosé’s calculated freshness in an unlikely, electric collaboration. Genres : Pop,k-pop, dance pop, pop The music video is directed by Daniel Ramos >> Lyrics >> More by the same : Website
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2 . 화사 - Good GoodbyeDetails ![]() ![]() With “Good Goodbye,” Hwasa picks her first ballad as a title track—yes, the same genre she once side-eyed—and releases it as a digital single on October 15, 2025. Co-written with An Shin-ae and Park Woo-sang (LOGOS), who also takes care of the arrangement, the song doesn’t beg for thanks or apologies, only a bit of elegance in parting ways. Lines like “안녕은 우릴 아프게 하지만 우아할 거야” (“Goodbye hurts us but it’ll be elegant”) and the English hook “goodbye good goodbye” cue the tone: subdued heartbreak, minus the drama. “Just kill my ego,” sings the narrator, navigating regret with polish instead of pity. It’s all wrapped in an emotional ballad style that keeps the sentiment sharp but serviceable, helped along by a clean production and Park Jung-min showing up in the music video. Genres : k-pop The music video is directed by Yeom Woojin >> Lyrics
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3 . BLACKPINK - 뛰어(JUMP)Details ![]() ![]() Released in July 2025 via YG Entertainment, “JUMP” breaks BLACKPINK’s group hiatus since their 2023 entry for BLACKPINK THE GAME’s soundtrack. Production credits line up Diplo, 24, Boaz Van De Beatz, Zecca, and Ape Drums, whose fingerprints are all over its EDM backbone and hardstyle-leaning pulse. The result swerves noticeably from their earlier formulas—not a reinvention, but a reshuffle. Formed in 2016, BLACKPINK—Jisoo, Jennie, Rosé, and Lisa—still manages to attach surprise to a formula known for its rigor. Genres : k-pop The music video is directed by ; >> More by the same : Website
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4 . LE SSERAFIM, LE SSERAFIM,J-Hope - SpaghettiDetails ![]() ![]() “Spaghetti” slips into alternative pop and funk with a beat described as both sophisticated and addictive. Released on October 24, 2025, it leads LE SSERAFIM’s first single album with a wink and a smirk. The lyrics play up the image of the group as spaghetti in your teeth—impossible to ignore, mildly annoying, oddly satisfying. Production by Score, Megatone, and “Hitman” Bang keeps things fast, loose, and just polished enough. J-Hope of BTS drops in for one dynamic verse, boosting the song’s playful mood without overstaying his welcome. Hooks come easy, confidence runs high, and the invitation is clear: chew on this, and good luck spitting it out. Genres : k-pop The music video is directed by Wontae Go >> Lyrics >> More by the same : Website
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5 . Jennie - Like JennieDetails ![]() ![]() “Like Jennie” arrives as the latest solo venture from South Korean singer and rapper Jennie, scheduled for release in March 2025 as part of her debut studio album. Infused with a mix of pop and hip-hop, the track leans into her signature style, both playful and self-assured. The title riffs on her name, reinforcing the persona she has crafted. Issued via her own label, Odd Atelier, in collaboration with Columbia Records, the song follows her 2018 solo debut, “SOLO.” Genres : ,k-pop The music video is directed by HANBAGO (HAN GYEOL LEE) Featured on the album Ruby >> More by the same : Website
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6 . KATSEYE - GnarlyDetails ![]() ![]() KATSEYE returns from a 9-month silence with “Gnarly,” a sardonic club track layered in booming 808s and coarse rave synths. Released in April 2025, the song repeats the word “gnarly” about 40 times, transforming trendy catchwords into a running punchline. Lyrics veer into pop culture absurdism—“Boba tea (Gnarly), Tesla (Gnarly), Fried chicken (Gnarly)”—while cheekily comparing attraction to snack-food heat: “Hottie, hottie, like a bag of Takis.” The video unfolds inside a hyperactive party-world of Y2K fashion and saturated styling, echoing the track’s satire on linguistic oversimplification. Genres : k-pop The music video is directed by Cody Critcheloe >> More by the same : Website
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7 . KATSEYE - GameboyDetails ![]() ![]() “Gameboy” lands as track three on KATSEYE’s second EP, released June 2025, picking up where their debut year left off. Layered in brisk pop sheen and international hooks, the song keeps pace with a lineup that stretches from South Korea to the Philippines by way of Switzerland and the U.S. This is the same six-piece—Daniela, Lara, Manon, Megan, Sophia, Yoonchae—formed via the 2023 series The Debut: Dream Academy and now operated out of Los Angeles. The EP follows previous cuts like “Debut,” “Touch,” and “Gnarly,” shifting tones without dropping the global polish. Released under HYBE and Geffen Records, the group’s formation was tracked in the Netflix documentary Pop Star Academy: KATSEYE, for anyone keeping score at home. Genres : k-pop The music video is directed by Aerin Moreno Featured on the album BEAUTIFUL CHAOS >> More by the same : Website
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8 . LNGSHOT - Moonwalkin'Details ![]() ![]() Jay Park’s LNGSHOT dives into the music scene with “Moonwalkin’,” their debut title track. This January 2026 release features a modern trap-R&B vibe, enriched with melodic hip-hop. Its dreamy soundscape captures youthful emotions and determination, using Michael Jackson’s legendary moonwalk as a perseverance metaphor. The production opts for rhythmic melodies and vocal effects, steering clear of typical pop elements, a nod to Jay Park’s hip-hop influence. Showcasing potential, LNGSHOT’s polished performance reflects their active role in shaping “Moonwalkin'” and their debut EP, *SHOT CALLERS*, which includes an eclectic mix of hip-hop, R&B, and pop. Genres : k-pop The music video is directed by Bang Jae Yeob >> Lyrics >> More by the same : Website |
9 . (G)I-DLE, (G)I-DLE,Skaiwater - LE - MonoDetails ![]() ![]() “Mono” by (G)I-DLE featuring Skaiwater hits the scene on January 27, 2026, as the group’s first full comeback of the year. Minimalism becomes their new groove, breaking from their usual sound with help from UK’s Skaiwater’s gritty delivery. A shift from the flashy to the refined, the song echoes a call to quiet the mind and let heartbeats lead, perfectly encapsulated in “이제는 머린 뮤트해 심장 박동 노래해.” Minnie’s earworm alert melody and Soyeon’s nod to its artistic minimalism and vocal novelty standout. The black-and-white visuals echo the individuality embracing inclusiveness mantra of right, left, East, West, straight, or gay. Genres : k-pop The music video is directed by Cho Joonko >> Lyrics >> More by the same : Website |
10 . Katseye - TouchDetails ![]() ![]() The debut single from HYBE x Universal Music Group’s girl group, KATSEYE, “Touch,” explores themes of disillusionment and emotional detachment in relationships. Released in May 2024, the song’s lyrical focus on miscommunication resonates with its poignant melodies. A “Holiday Version” later reimagines the track for festive celebrations, offering a unique perspective on moving forward from lost connections. Genres : Pop,5th gen k-pop The music video is directed by Cody Critcheloe >> Lyrics >> More by the same : Website
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11 . Stray Kids - LalalalaDetails ![]() ![]() Stray Kids‘ November 2023 single “Lalalala,” from their eighth EP, is a vibrant mix of phonk and Afrobeats. Its lyrics celebrate life and the joy of living in the moment. The dynamic video features a giant smoke-like creature confronting a marching band, mirroring the song’s energetic beats. Genres : Pop,k-pop, k-pop boy group, pop The music video is directed by Bang Jae-yeob Featured on the album Rock-Star (ep) >> Lyrics >> More by the same : Website
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12 . Bts - DynamiteDetails ![]() ![]() “Dynamite” is BTS’ foray into disco-pop, released on August 21, 2020, through Big Hit Entertainment and Sony Music Entertainment. Produced by David Stewart, the track stands out as the band’s first fully English-language single. Designed to lift spirits during the COVID-19 pandemic, it channels joy through everyday moments. Debuting at number one on the Billboard Hot 100, it makes BTS the first all-South Korean act to achieve this. The song secures the group’s first Grammy nomination for Best Pop Duo/Group Performance at the 63rd Annual Grammy Awards. Originally a standalone release, “Dynamite” later finds its place on their fifth Korean-language album, “Be,” released on November 20, 2020. BTS, formed in 2010, comprises RM, Jin, Suga, J-Hope, Jimin, V, and Jungkook.
Genres : k-pop, disco-pop The music video is directed by Yong Seok Choi >> Lyrics >> More by the same : Website
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13 . TWICE - This Is ForDetails ![]() ![]() Released in July 2025, “This Is For” lands as TWICE’s title track from their fourth studio album, their first in almost four years. All nine members—Jihyo, Nayeon, Jeongyeon, Momo, Sana, Mina, Dahyun, Chaeyoung, and Tzuyu—serve up a high-energy blend with strings and harp floating over a notably funky rhythm. The song arrives alongside a choreographed MV dropping the same day as the album: 14 tracks aiming straight for summer’s upbeat quota. Debuting under JYP Entertainment in 2015, TWICE built a sizeable audience across Korea and Japan, backing albums like Twicetagram and songs like “TT” and “Cheer Up.” Genres : k-pop The music video is directed by Hyeongjun Park >> Lyrics >> More by the same : Website
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14 . Blackpink - Pink VenomDetails ![]() ![]() “Pink Venom” blends hip-hop, pop rap, EDM, and dance with the sharp twang of traditional Korean instruments like the geomungo and gayageum. Released as the lead single from Blackpink‘s “Born Pink” in August 2022, the track weaves rhythmic rap deliveries with a hypnotic undercurrent. Commercially, it dominates the Billboard Global 200 for two weeks, a historic first for a girl group. The choreography earns recognition at the MTV Video Music Awards, while its visuals win at the MAMA Awards.
Genres : k-pop, hip-hop The music video is directed by Seo Hyun-Seung >> Lyrics >> More by the same : Website
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15 . Aespa - WhiplashDetails ![]() ![]() From its first pulsing beat, “Whiplash” projects an electrifying confidence wrapped in razor-sharp EDM production. Aespa leans into a techno-heavy soundscape, crafting a propulsive rhythm that feels like it was designed for neon-lit nights and frenetic motion. The minimalist choreography showcased in the video clip mirrors the sleek intensity of the track, drawing inspiration from cult visuals like *Aeon Flux* and the surreal aesthetics of *Hylics.* The lyrics celebrate individuality and unstoppable drive, positioning the group as arbiters of a future-forward, trendsetting ethos. A five-month break from their “Supernova” release hasn’t dulled their momentum; instead, “Whiplash” feels like an energy surge redefining their catalog. Performed during their world tour “SYNK: PARALLEL LINE,” its fiery reception underscores their global reach, while the South Korean 3× Platinum certification cements its immediate local impact. The track’s synthetic textures contrast beautifully against its message of human-centered confidence, blending Aespa’s signature digital-girl narrative with emotional resonance. Genres : Pop,k-pop girl group The music video is directed by Lee Sohyun, Kim Doi >> Lyrics >> More by the same : Website
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16 . Stray Kids - 신선놀음 (DIVINE)Details ![]() ![]() Stray Kids drop “신선놀음 (DIVINE)” as one of two title tracks from their 2025 album *SKZ IT TAPE ‘DO IT’*, released on November 21. Built on a classic boom bap backbone, the track flips smoothly between melodic vocal rides and barked-out rap, framing the group as self-styled sinseon—Korean folkloric sages with a taste for “NEW POP.” The concept finds them breaking away from worldly static, casting themselves as divine rule-breakers with no use for tradition. Lyrics stick to that tune: confident, self-authored, uninterested in following anyone else’s blueprint for meaning or creativity. The video leans in hard—myth-charged visuals meet digital fantasy, with members navigating dystopian tableaus like folklore avatars with backup dancers. Production-wise, it’s all in: bold percussion, theatrical flair, and hooks looping just long enough to ground the spectacle. “DIVINE” doesn’t try to reinvent pop—it just redraws the boundary lines so Stray Kids can claim the space inside. Or outside, as they’d likely prefer. The music video is directed by SAMSON >> Lyrics >> More by the same : Website
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17 . XG - HypnotizeDetails ![]() ![]() “Hypnotize” spins a high-energy narrative with XG’s signature blend of dreamy melodies and 90s-inspired piano beats. The track seductively lures listeners through lines like “Watch me hypnotize you with my eyes,” pairing them with chanted hooks and refrains from all seven members. Co-written by JAKOPS, Justin Kwon, Lukas Costas, and Alex Schwoebel, its upbeat tempo is punctuated by clock “tick tock” motifs. Some listeners feel the chorus could use more punch compared to earlier hits like “GALA.” Genres : k-pop The music video is directed by Kim In Tae >> Lyrics >> More by the same : Website |
18 . ILLIT - Not Cute AnymoreDetails ![]() ![]() A dreamy pop cut with a reggae sway, “Not Cute Anymore” sees ILLIT poking fun at their own image. They sing about ditching jelly shoes and keyring charms for brave bags and matcha, trying on a cooler look without fully committing to the persona. The repeated line “I’m not cute anymore (uh-uh)” plays like a wink, not a manifesto—mock-defiant but deeply self-aware. There’s a twist in the chorus: rejecting one label to keep it, but on their own terms. The video confirms the pose is semi-serious—they’re not discarding their cuteness, just proving there’s more to see. Genres : k-pop The music video is directed by Kwanggoeng Yu >> Lyrics >> More by the same : Website
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19 . Twice - Strategy (w/ Megan Thee Stallion)Details ![]() ![]() Interpolating a 2000s R&B hook, “Strategy” pairs Twice with Megan Thee Stallion for a track that turns romantic cynicism into an art form. Slinky production underpins lyrics dissecting emotional one-upmanship, where love is less about affection and more about chess moves. The video shifts between neon-lit glamour and metaphor-laden vignettes, amplifying the song’s theme of relationships as a calculated game where sincerity is optional and strategy is key. Genres : Hip Hop, Pop, R&B,k-pop, k-pop girl group, pop, houston rap, rap, trap queen The music video is directed by Lafic >> Lyrics >> More by the same : Website
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20 . Blackpink - Shut DownDetails ![]() ![]() “Shut Down” merges hip-hop with a Niccolò Paganini sample, wrapping sharp lyrics in a classical veneer. Produced by Teddy and 24, the track is penned by Teddy, Danny Chung, Vince, and 24. It reaches number 25 on the US Billboard Hot 100. The music video stitches together scenes from earlier Blackpink visuals, nodding to “Ddu-Du Ddu-Du,” “Whistle,” and others. Jisoo, Jennie, Rosé, and Lisa continue their run under YG Entertainment, shaping K-pop’s global footprint since 2016.
Genres : k-pop, pop The music video is directed by Seo Hyun-Seung >> Lyrics >> More by the same : Website
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Modest disclaimer: These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
We don’t claim to be exhaustive, so it’s possible you won’t find a title you expected to see on this list. Sorry about that — these things happen.
Our aim with these rankings is not to provide a definitive measure but to offer a snapshot of trends that resonate with audiences today.
Introduction and Definitions
Asian Pop in the 2020s represents a fusion of modernity with cultural authenticity, employing advanced production techniques to appeal to audiences worldwide. It encompasses an eclectic mix of popular music genres from East, Southeast, and beyond.
Key genres include:
- K-pop (South Korea): Integrates elements of dance-pop, hip-hop, and R&B.
- J-pop (Japan): Features sub-styles like Shibuya-kei, city pop, and idol pop.
- P-pop (Philippines): Combines K-pop influences with local R&B and ballad traditions.
- V-pop (Vietnam): Blends traditional ballads with contemporary pop aesthetics.
- T-pop (Thailand): Merges local sounds with modern rhythms.
- I-pop (Indonesia): Incorporates traditional pop (dangdut) with global trends.
- M-pop (Malaysia): Fuses pop, R&B, and traditional Malaysian music.
- Mandopop (China): Highlights melodic ballads with R&B and electronic influences.
- Cantopop (Hong Kong): Combines traditional Chinese pop sounds with rock and electronic elements.
Evolution: A Brief History
The 2010s: Foundations and Global Recognition
Asian Pop gained significant traction during the 2010s, with K-pop taking the lead. Groups such as BTS, EXO, and BLACKPINK spearheaded its global success. In 2012, Psy’s “Gangnam Style” made history as the first YouTube video to surpass one billion views, cementing K-pop’s place on the international stage.
South Korean labels like SM Entertainment, YG Entertainment, and JYP Entertainment invested heavily in production, marketing, and global tours.
Meanwhile, Mandopop continued to flourish, in mainland China and Taiwan, with artists such as Jay Chou with his fusion of Western musical elements with traditional Chinese motifs and JJ Lin and his his versatile vocal style, gaining prominence. In Hong Kong, Cantopop saw artists like Eason Chan’s emotionally resonant ballads and Joey Yung polished pop anthems dominate the charts.
J-pop, on the other hand, thrived domestically, with artists like Perfume and Arashi, though it remained predominantly localized.
In Southeast Asia, P-pop began to organize with acts like SB19, formed in the late 2010s, paving the way for a Philippine pop movement.
The 2020s: Diversification and Global Dominance
The 2020s mark the era where Asian Pop solidifies its presence worldwide. Platforms like TikTok accelerate the genre’s growth, turning music challenges into viral sensations.
- K-pop: BTS dominates international charts, becoming the first Korean act to top the Billboard Hot 100 with *Dynamite* in 2020. BLACKPINK expands its reach through collaborations with Dua Lipa, Selena Gomez, and Lady Gaga.
- Mandopop: G.E.M. (Gloria Tang) captivates audiences with her powerful vocals and heartfelt lyrics, while Hua Chenyu brings experimental flair, blending rock and electronic influences into his music.
- Cantopop: AGA introduces contemporary R&B elements, while Mirror, a boy band, energizes the scene with fresh pop compositions and dynamic performances.
- P-pop: SB19 continues to lead, with groups like BINI and BGYO amplifying the genre in Southeast Asia.
- T-pop: Acts such as 4EVE and Trinity innovate by blending K-pop influences with Thai musical elements.
- V-pop: Sơn Tùng M-TP achieves global recognition, bringing Vietnamese music to international audiences.
- I-pop and M-pop: Indonesia and Malaysia develop unique niches that resonate regionally and globally.
Relevant Media to follow the evolution:
- Soompi A leading site for K-pop updates.
- Arama! Japan Covers J-pop news.
- China Music Radar Focuses on Mandopop trends.
- Philippine Star Music Highlights the P-pop scene.
- Zing News A platform for V-pop.
- Thairath Music Tracks T-pop developments.
- Tempo Music Covers I-pop updates.
- The Star Music Highlights M-pop culture.
Melodies, Production, and Labels
Asian Pop features captivating melodies characterized by strong hooks and intricate arrangements. Traditional instrumentation such as the Korean “gayageum”, Vietnamese string instruments, and Indonesian “gamelans” often complement modern sounds, including synthesizers, electronic beats, and electric guitars.
Notable producers:
- Teddy Park (South Korea): Creator behind BLACKPINK’s hits.
- Yasutaka Nakata (Japan): Known for his work with Perfume and Kyary Pamyu Pamyu.
- Gao Xiaosong (China): A key figure in Mandopop.
- Jonathan Manalo (Philippines): Pioneering producer in P-pop.
- Hoàng Touliver (Vietnam): A driving force in modern V-pop.
- Boy Trai (Thailand): Innovator in T-pop production.
- Aizat Amdan (Malaysia): Blends modernity with traditional Malaysian elements.
Key Labels:
- SM Entertainment ( South Korea)
- YG Entertainment (South Korea)
- Avex Group (Japan)
- Star Music (Philippines)
- JYP Entertainment (South Korea)
- MTP Entertainment (Vietnam)
- GMM Grammy (Thailand)
- Musica Studios (Indonesia)
- Universal Music Malaysia (Malaysia)
- Sony Music Asia (Asia)
- Taihe Music Group (China)
- Modern Sky Entertainment (China)
- Emperor Entertainment Group (EEG) (Hong-Kong)
- Media Asia Music (Hong-Kong)
Connections Between Asian Pop and Fashion
Asian Pop intertwines seamlessly with the world of fashion, with music videos serving as showcases for global and regional brands. Artists collaborate with major fashion houses to enhance their image and extend their influence.
Several examples:
- BTS & Louis Vuitton Ambassadors for the luxury brand.
- BLACKPINK & Chanel Members actively representing the brand.
- Kyary Pamyu Pamyu & Moschino A Japanese partnership highlighting bold, creative aesthetics.
- 4EVE (Thailand) & YSL Beauty Thai campaigns emphasizing contemporary style.
- Raisa (Indonesia) & Uniqlo Indonesian promotions showcasing minimalistic design.
- G.E.M. (China) & Gucci The Mandopop star collaborates with Gucci, appearing in campaigns and showcasing the brand’s eclectic luxury designs during live performances.
- Jackson Wang (China) & Fendi As a solo artist and former GOT7 member, Jackson Wang works closely with Fendi, launching exclusive collections and becoming a global ambassador.
- Mirror (Hong Kong) & Burberry The Cantopop boy band partners with Burberry, embodying the brand’s modern aesthetic in promotional campaigns and music videos.
- Joey Yung (Hong Kong) & Dior The Cantopop icon collaborates with Dior, featuring prominently in campaigns and attending exclusive events representing the brand.
ADJACENT GENRES
- k-pop
- folk-pop
- k-pop girl group
- j-pop
- k-pop boy group
- indonesian pop
- j-rock
- idol rock
- 5th gen k-pop
- korean r&b
- j-pixie
- j-rap
- p-pop
- opm
- anime
- indonesian r&b
- japanese alternative rock
- modern rock





4.94% / 0.03%


















Rosé’s “Apt.” featuring Bruno Mars continues to lead ASIAN POP, ahead of BLACKPINK’s “뛰어 (JUMP)” at No. 2 and LE SSERAFIM’s “Spaghetti” with J-Hope at No. 3. KATSEYE’s “Gameboy” and “Gnarly” remain in the Top 5, while Jennie’s “Like Jennie” advances to No. 6. Stray Kids’ “신선놀음 (DIVINE)” slips slightly, and TWICE’s “Strategy” featuring Megan Thee Stallion reenters the chart’s closing ranks.