This day (February 8, 2021), in Henderson, Nevada, died Mary Wilson, American singer and founding member of The Supremes

Mary Wilson: A Supreme Legacy

Mary Wilson was born on March 6, 1944, in Greenville, Mississippi, to Sam and Johnny Mae Wilson. As the eldest of three children, she lived in several cities before reuniting with her family in Detroit, where they settled in the Brewster-Douglas housing projects. It was there that Wilson met Florence Ballard, and their shared love of music led them to perform together in school talent shows.

In 1959, Ballard invited Wilson to audition for Milton Jenkins, who was forming a sister group to his male trio, the Primes. With the addition of Diana Ross and Betty McGlown, the Primettes were formed. After signing with Motown Records in 1961, they became known as The Supremes, eventually solidifying their place as one of the most successful female vocal groups of all time.

Wilson’s journey from humble beginnings to international fame was marked by perseverance, talent, and an enduring commitment to music.

Rise to Stardom

The Supremes initially struggled to find commercial success, earning the nickname “no-hit Supremes.” Their fortunes changed in 1963 with “When the Lovelight Starts Shining Through His Eyes,” followed by their breakout hit, “Where Did Our Love Go,” in 1964. The group became a cultural phenomenon, achieving twelve number-one singles and making 17 appearances on *The Ed Sullivan Show*.

In 1967, Motown rebranded the group as Diana Ross and the Supremes, with Florence Ballard departing and Cindy Birdsong joining. Wilson continued as a key member as the group evolved, maintaining their influence despite changes in the lineup.

The Supremes’ rise was marked by chart-topping success, extensive media appearances, and a legacy that endures in popular culture.

Post-Ross Era and Group Evolution

After Diana Ross’s departure in 1970, the group entered a new phase with Jean Terrell as lead vocalist. Referred to as the “new Supremes,” they continued to achieve success with hits such as “Up the Ladder to the Roof” and “Stoned Love.” Wilson took on a more prominent vocal role, contributing lead or co-lead vocals to several tracks.

Despite lineup changes, including the arrivals and departures of Cindy Birdsong, Linda Lawrence, and Sherry Payne, the group maintained a steady presence in the music industry until their disbandment in 1977 following Wilson’s departure.

Wilson’s tenure in The Supremes spanned nearly two decades, making her a consistent force in the group’s evolution.

Solo Career and Authorship

After The Supremes disbanded, Wilson pursued a solo career, releasing a self-titled album in 1979 with Motown. Though the album had modest success, she focused on musical theater, starring in productions such as *Beehive* and *Dancing in the Streets*.

In 1986, Wilson achieved success with her memoir, *Dreamgirl: My Life as a Supreme*, which became a bestseller. A follow-up memoir, *Supreme Faith: Someday We’ll Be Together*, was published in 1990. Her literary work provided an intimate look into her life with The Supremes and beyond.

Wilson’s transition to solo endeavors demonstrated her ability to adapt and thrive beyond the group’s legacy.

Legal Battles and Advocacy

Wilson became an advocate for artists’ rights, pushing for truth in music legislation that aimed to prevent unauthorized use of The Supremes’ name by tribute acts. Her efforts led to the passage of laws in over 28 U.S. states.

She also played a role in supporting the Music Modernization Act, addressing royalty payments for pre-1972 recordings. Wilson’s activism extended beyond music, supporting various charitable causes and participating in public speaking engagements to inspire others.

Her commitment to protecting the legacy of The Supremes and other artists left a lasting impact on the music industry.

The Supremes’ Fashion and Influence

Wilson and The Supremes were known for their glamorous style, donning elaborate gowns and accessories that set trends in the music world. Inspired by stars like Nina Horne and Josephine Baker, their fashion choices reflected elegance and sophistication.

Wilson curated a collection of Supremes’ gowns, which were exhibited at the Rock and Roll Hall of Fame and the Victoria and Albert Museum. Her book, *Supreme Glamour*, documented the group’s iconic looks.

The Supremes’ influence on fashion remains evident in the styles of subsequent generations of female performers.

Personal Life and Later Years

Wilson married Pedro Ferrer in 1974, and they had three children before divorcing in 1981. In 1994, she faced personal tragedy when her son Rafael died in a car accident. Despite challenges, she remained dedicated to her career and family.

Wilson continued to perform, record music, and engage with fans through social media and public appearances. She released music sporadically, with singles such as “Time to Move On” reaching the Billboard dance charts.

Her later years were characterized by continued creativity, activism, and a strong connection to The Supremes’ legacy.

Death and Legacy

Mary Wilson passed away in her sleep on February 8, 2021, at the age of 76. Two days before her passing, she announced plans to release new solo music with Universal Music Group. Her contributions to music, fashion, and advocacy continue to resonate, and her influence remains a cornerstone of The Supremes’ enduring legacy.

Survived by her children, grandchildren, and siblings, Wilson’s impact on music history endures through her work and dedication to preserving The Supremes’ legacy.

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Photo : Mary Wilson