Bi-Weekly Music Chart Highlights: Top 20 Tracks Across 16 genres Mar 10, 2025 edition
Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Mar 10,2025 edition
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Alt Z
The ALT Z chart introduces two new entries this week, both linked to *Arcane* Season 2. Royal & The Serpent’s “Wasteland” enters at number nine, delivering jagged vocals and turbulent production that align with the series’ themes of survival and ambition. King Princess follows at number 17 with “Fantastic,” a track layered with shimmering synths and pulsing beats, reflecting themes of obsession and emotional volatility.
No tracks exit the chart completely, but J-Hope’s “Arson” and Lizzy McAlpine’s “Ceilings” shift downward, making room for the new additions. “When We Were Young” by David Guetta & Kim Petras also drops slightly, while the top eight songs remain unchanged, with Tate McRae’s “Greedy” still leading.
The overall composition of the chart stays largely stable, with only minor repositioning among existing songs. The introduction of tracks tied to *Arcane* Season 2 suggests a momentary shift toward music linked to visual storytelling.
Alternative Metal
The Alternative Metal chart remains mostly unchanged, with a single new entry: Five Finger Death Punch’s “Blue On Black” landing at number 20. This cover, originally released in 2019, reworks Kenny Wayne Shepherd’s blues track into a hard rock rendition, incorporating contributions from Shepherd, Brantley Gilbert, and Queen’s Brian May.
Skillet’s “Psycho In My Head” exits the rankings, allowing Five Finger Death Punch to claim the final spot. Meanwhile, Linkin Park continues its dominance, holding four of the top five positions. Falling In Reverse maintains strong representation, with “Watch The World Burn” staying at number three.
With only one shift, the chart remains heavily driven by established acts, reinforcing its consistency in blending modern and legacy alternative metal influences.
Alternative R&B
Teyana Taylor makes a return to the Alternative R&B rankings with “Morning,” featuring Kehlani, debuting at number 16. The track’s smooth production and sensual themes contrast with the harder-edged offerings on the list, providing a balance between energy and atmosphere.
FKA Twigs’ “Eusexua” slides to number 20 but remains in the chart, as there are no complete exits. The top positions remain unchanged, led by Sevdaliza’s “Alibi” and “No Me Cansaré.” Mariah The Scientist, Ari Lennox, and Doechii also retain their previous rankings with minimal shifts.
Despite its stability, the introduction of “Morning” adds a new sonic texture, reinforcing the chart’s blend of contemporary R&B influences.
American Hip-Hop
The American Hip-Hop chart sees several notable changes, with “Strategy” by Twice and Megan Thee Stallion entering at number three. The track, built on a 2000s R&B hook, explores themes of emotional manipulation through sleek production and layered storytelling. Tyler, The Creator’s “That Guy” debuts at number 17, while Kendrick Lamar’s “Euphoria,” a diss track from 2024, claims the 18th spot. King Von’s “Armed & Dangerous” also joins at number 19.
Glorilla’s “TGIF” and “Wanna Be” slip out, along with Yung Bleu’s “You’re Mines Still” and DaBaby’s “Bop.” Meanwhile, Kendrick Lamar retains the top two positions with “Not Like Us” and “Squabble Up,” further solidifying his presence in the rankings.
The entries mark a diverse mix of styles, from Twice’s genre-blending approach to Kendrick’s lyrically charged additions, demonstrating the range of hip-hop’s current landscape.
Art Pop
The Art Pop chart remains largely intact, with no new entries or exits this week. Lady Gaga and Billie Eilish continue to dominate, with “Die With A Smile” and “Birds Of A Feather” holding the top two spots. Charli XCX and Billie Eilish’s “Guess” climbs to number four, while Lady Gaga’s “Shallow” rises to number five.
Despite no fresh additions, some minor shifts occur, such as Billie Eilish’s “Lunch” and “Happier Than Ever” moving up slightly, while Lady Gaga’s “Disease” drops one position. The chart continues to showcase a strong mix of theatrical and introspective pop, with established artists maintaining their foothold.
Asian Pop
The Asian Pop chart welcomes one new entry this week, as Twice’s “Strategy” featuring Megan Thee Stallion debuts at number seven. The track merges 2000s R&B influences with a sharp lyrical approach, exploring romantic dynamics as a calculated exchange.
In contrast, aespa’s “Supernova” exits the rankings, marking a shift in momentum for the group. Lisa’s “New Woman” featuring Rosalía climbs from number 11 to six, while Rosé’s “Toxic Till The End” drops to number 17.
Despite these shifts, the top four remain unchanged, led by Rosé & Bruno Mars‘ “Apt.” The continued presence of multiple Blackpink-affiliated tracks reinforces the strong hold of the group’s members on the chart.
Country Music
Morgan Wallen claims the top spot with “Smile,” pushing Ella Langley and Riley Green’s “You Look Like You Love Me” to second place. “Smile” leans into introspective storytelling, balancing regret and self-reflection with a melancholic yet steady melody.
No songs exit the rankings, but notable shifts include Luke Combs’ “Ain’t No Love In Oklahoma” maintaining its grip on third, while “Sunday In The South” by Shenandoah, Jason Aldean, and Luke Bryan slides to tenth.
The chart remains stable overall, with minor repositioning among long-standing tracks. Morgan Wallen’s continued influence is reinforced, with two songs now securing positions in the top ten.
Dance Pop
The Dance Pop chart introduces Dua Lipa’s “Love Again” at number 17. The track, built on a sample of Al Bowlly’s “My Woman,” fuses disco-infused elements with introspective themes, adding a nostalgic yet vibrant energy to the rankings.
No exits occur, but adjustments see Shakira’s “Acróstico” moving up to number eight, while Dua Lipa’s “Houdini” drops to 13. Lady Gaga & Bruno Mars‘ “Die With A Smile” remains at number two, keeping Rosé & Bruno Mars‘ “Apt.” firmly at the top.
Despite the minor reshuffling, the rankings continue to reflect a strong blend of contemporary dance pop and classic influences.
East & South African Music
The East & South African Music chart introduces one new entry this week, as Woodblock DJs’ “Skuta Baba [Remix]” debuts at number eight. This high-energy track transforms folkloric themes into a club-ready anthem, layering bass-heavy production with ominous vocal loops.
Vigro Deep’s “A-Z [Yashi Moto]” drops slightly to number 13, while D Voice’s “Nani” featuring Zuchu climbs to number 11. The top five remains steady, with Tyla’s “Water” continuing to lead the rankings.
With minimal movement outside the addition of “Skuta Baba [Remix],” the chart continues to balance established hits with emerging club-driven sounds.
French R&B
Two new entries shake up the French R&B chart this week. Soolking’s “Carré OK” featuring Gims lands at number four, blending French and Arabic lyrics with an urban sound rooted in North African influences. Jul’s “Je Veux Que Toi” follows at number 16, bringing his signature laid-back delivery over an energetic beat.
KeBlack’s “Boucan” drops to tenth, while Ninho & Niska’s “Coco” slips one spot to 11. The rest of the chart remains largely stable, with Joé Dwèt Filé’s “4 Kampé” holding the number one position.
With the arrival of “Carré OK” and “Je Veux Que Toi,” the rankings highlight the continued integration of diverse influences within the genre.
Metalcore
The Metalcore chart sees one new entry as Bad Omens’ “Concrete Jungle” debuts at number 20. The track blends metalcore aggression with electronic textures, mirroring themes of survival and societal pressure.
Architects’ “Animals” drops out to make space, while Sim’s “The Rumbling” climbs to second place, swapping positions with Electric Callboy’s “We Got The Moves.” The rest of the top five remains unchanged, led by Babymetal & Electric Callboy’s “Ratatata.”
While movement is minimal, the entrance of “Concrete Jungle” reinforces the continued presence of Bad Omens on the chart, now holding multiple spots.
Modern Dancehall
The Modern Dancehall chart sees multiple new entries, starting with Ayetian’s “Balance” at number four. The track delivers a mix of electronic minimalism and R&B introspection, using hypnotic synths to explore themes of emotional stability.
Tyla’s “Jump” enters at number seven, blending Afrobeats, hip-hop, and dancehall in a collaboration featuring Gunna and Skillibeng. Uncle Waffles’ “Wadibusa,” an amapiano track, lands at number ten, bringing high-energy beats and viral appeal. Popcaan and Chronic Law’s “Kick It Wid Myself” debuts at 19, offering a brooding take on self-reliance, while Najeeriii’s “1Rifle” closes the rankings at number 20 with its trap-dancehall fusion.
Coldplay, Elyanna, Little Simz, Burna Boy, and Tini’s “We Pray” exits the chart along with Chronic Law’s “Don’t Fall” and Jah Vinci & Notnice’s “Scream.” The top three remain unchanged, with Rema’s “Calm Down” holding its lead.
The updates introduce a blend of amapiano, dancehall, and trap elements, reflecting shifts within the genre.
Nigerian Pop
The Nigerian Pop chart remains stable this week, with no new entries or exits. Rema’s “Calm Down” featuring Selena Gomez continues to lead, while Ayra Starr’s “Rush” and Omah Lay’s “Soso” hold the next two spots.
Victony’s “Soweto” climbs to number six, swapping positions with Ruger’s “Girlfriend,” which moves down to 11. Dax’s “Lonely Dirt Road” and Kizz Daniel’s “Buga” also gain ground, adjusting the lower half of the rankings.
Despite the minor shifts, the chart remains heavily dominated by Rema, Davido, and Omah Lay, reaffirming their stronghold in Nigerian pop.
Pov: Indie
Two new entries shake up the POV: Indie chart this week, both from Twenty One Pilots. “The Line” debuts at number three, adding a brooding, introspective track tied to *Arcane* Season 2. “Vignette” enters at 13, shifting from minimal piano-driven melodies to layered intensity.
Beabadoobee & Laufey’s “A Night to Remember” and Twenty One Pilots’ “Midwest Indigo” exit to make room for the new additions. The top two positions remain unchanged, with Hozier’s “Too Sweet” and Glass Animals’ “Heat Waves” holding firm.
These changes reinforce the presence of Twenty One Pilots on the chart, adding a mix of cinematic storytelling and introspective songwriting.
Urban Contemporary
The Urban Contemporary chart remains completely unchanged, with no new entries or exits. Shakira’s “Soltera” continues to hold the top spot, followed by GloRilla’s “I Luv Her” featuring T-Pain.
Minor position swaps occur in the lower half, with Don Toliver’s “Attitude” moving up to 19 while Sebastian Yatra’s “Tacones Rojos” featuring John Legend drops to 20. The rest of the chart remains consistent, featuring a mix of R&B, hip-hop, and Latin-infused tracks.
With no major shifts, the rankings highlight a steady presence of established names dominating the genre.
Urbano Latino
The Urbano Latino chart sees a major shake-up as Beéle & Ovy On The Drums’ “Mi Refe” debuts directly at number one, pushing Rauw Alejandro & Romeo Santos’ “Khé?” to second place. Beéle also claims two more spots with “Morena” at 19 and “Frente Al Mar” at 20, reinforcing his strong presence this week.
Bad Bunny’s “Me Porto Bonito” and Arcángel & Grupo Frontera’s “ALV” exit the rankings, making room for the new entries. Karol G’s “TQG” drops to sixth, while Xavi’s “La Diabla” climbs to fourth.
Beéle’s dominance in this update reshapes the landscape, introducing a fresh wave of Latin urban sounds to the chart.
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