Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Apr 8, 2025 edition
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Alt Z
The ALT Z chart sees one new entry this week as Lizzy McAlpine’s “Ceilings” returns at number 20. Released in 2022, the folk-pop ballad gained traction through social media, resonating with its introspective lyrics and understated instrumentation. It replaces J-Hope’s “Arson,” which exits after holding a mid-chart position.
Elley Duhé’s “Middle Of The Night” rises to the top position, switching places with Sub Urban and Benee’s “Uh Oh!” which now ranks third. Melanie Martinez’s “Death” and Lauren Spencer Smith’s “Flowers” each move slightly up the chart. Faouzia’s “Minefields” maintains strong placement at number two, continuing its long chart presence.
The overall structure remains stable, with Gracie Abrams, Tate McRae, and Sub Urban maintaining multiple positions, reflecting consistent engagement with the genre’s core audience.
Alternative Metal
In the Alternative Metal chart, there are no new entries this week. Daughtry and Lzzy Hale’s cover of “Separate Ways (Worlds Apart)” holds at number 20 for a second week, while positions from Linkin Park, Falling In Reverse, and Motionless In White remain dominant across the top tiers.
Notable movements include Papa Roach and Carrie Underwood’s “Leave A Light On” sliding two spots to 14, while Slipknot’s “Unsainted” rises to 12. The rest of the chart shows minor shuffling, particularly among long-running tracks from Breaking Benjamin and Three Days Grace.
Linkin Park continues to occupy five entries, further illustrating their extended influence in the current cycle of the genre.
Alternative R&B
Alternative R&B features two new additions. SiR’s “Nothing Even Matters,” which nods to Lauryn Hill’s classic, enters at number 19. Snoh Aalegra’s “Whoa,” known for its layered production and remix with Pharrell, joins at number 20. These entries replace Sir’s “John Redcorn” and The Lonely Island’s “Here I Go.”
Mariah the Scientist’s “2 You” drops from seventh to ninth, while Lucky Daye’s “Over” moves up slightly. Doechii continues to lead with “Denial Is A River,” while maintaining two other chart positions with “Alter Ego” and her feature on Katy Perry’s collaboration.
The chart remains marked by a blend of emotionally charged storytelling and genre-crossing productions, with few disruptions in its top positions.
American Hip-Hop
American Hip-Hop sees one new entry. Future’s “Life Is Good” with Drake enters at number 20, bringing back a track that balances everyday imagery with themes of luxury. This entry removes Bosh’s “H24 [Takotak]” from the rankings.
Kendrick Lamar’s “Not Like Us” and “squabble up” remain strong, but the latter drops to ninth, while Lil Nas X rises to second. Glorilla continues to hold multiple spots, and Eminem’s entries remain in the mid-chart range with “Houdini” and “Godzilla.”
With minimal movement in the upper positions, the chart remains anchored by legacy collaborations and newer viral hits.
Art Pop
In Art Pop, there are no new entries this week. Billie Eilish and Lady Gaga maintain a dominant presence, holding 11 of the 20 positions combined. “Die With A Smile” by Gaga and Bruno Mars continues at number one, followed by Eilish’s “Birds Of A Feather.”
“Everything I Wanted” overtakes “Shallow” for the third position, while “Guess” by Charli XCX and Eilish moves down to seventh. Lana Del Rey’s and Charli XCX’s tracks hold steady in the lower ranks without significant shifts.
The chart remains static with a stable mix of past hits and recent releases from recurring artists, reflecting sustained popularity rather than new turnover.
Asian Pop
In Asian Pop, no new entries surface this week, but internal shifts shape the landscape. Rosé & Bruno Mars maintain the top spot with “Apt.,” while aespa’s “Whiplash” holds at number 2. Notably, Lisa’s “New Woman” slips from 11 to 17, replaced in the mid-tier by Stray Kids’ “Walkin On Water” rising from 19 to 16. Jennie, BLACKPINK, and aespa remain dominant with multiple appearances, reinforcing group and solo artist fluidity in the category.
Country Music
In Country Music, Kane Brown and Jelly Roll debut at #20 with “Haunted,” replacing Chris Stapleton’s “Think I’m In Love With You.” The collaboration introduces darker lyrical themes tied to fame and depression, with a country-rock fusion distinct from the mainstream tone. Ella Langley leads the rankings this week, overtaking Morgan Wallen. Luke Combs and Lainey Wilson maintain strong multi-track representation across the chart.
Dance Pop
Dance Pop sees no new entries, though rankings shift. David Guetta’s “I’M Good (Blue)” drops to 19, while Ofenbach and Norma Jean Martine’s “Overdrive” climbs to 18. Sevdaliza remains high at #3 with “Alibi,” and Rosé & Bruno Mars retain the top spot. The chart reflects continued engagement with retro elements—evident in reinterpretations of classic hits—and strategic global collaborations.
East & South African Music
In East & South African Music, “Kwelanga 2.0” by Bassie & M-Touch returns to the top 10 at rank 9. Jux and Iyanii’s tracks slide to the bottom despite holding steady in prior updates. Tyla’s “Water” retains the #1 spot. The top tier continues to balance amapiano-rooted compositions (Titom, Mr Pilato) with Tanzanian Bongo Flava contributions (Diamond Platnumz, Mbosso), reinforcing the genre’s regional crossover pull.
French R&B
French R&B remains stable with no entries or exits, though notable position reversals occur. Gims maintains four entries, and Joé Dwèt Filé holds both the top and bottom chart positions. “Loco,” the Gims and Lossa collaboration, drops slightly but remains mid-chart. Jul and Dadju are represented twice, while new-generation acts like Gazo and Tayc secure consistent placement, showing equilibrium between established names and current voices.
Metalcore
In Metalcore, Electric Callboy enters at #2 with “Elevator Operator,” their follow-up to the chart-topping “RATATATA.” The track displaces Sim’s “The Rumbling” to #4 and continues the band’s fusion of EDM, funk, and breakdowns. Architects debut at #7 with “Blackhole,” marking a fresh entry after their recent touring cycle. A Day To Remember and Spiritbox stabilize the lower end, while Bad Omens maintain high multi-track presence across ranks 4–19.
Modern Dancehall
Modern Dancehall sees two additions: Kraff’s “White Rum” enters at #14, highlighting nightlife themes, while Skeng & DJ Mac’s “Black Rain” debuts at #18. Both join a reshuffled mid-section, with Ayetian’s “Balance” down to #8 and Teejay’s “From Rags to Riches” up to #11. Rema and Shenseea continue holding the top two positions for a third consecutive update, signaling genre stability despite frequent mid-chart rotation.
Nigerian Pop
Nigerian Pop registers no new entries. However, Victony’s “Soweto” rises to #6, while Dax’s “Dear Alcohol” drops to #12. Omah Lay continues with two active tracks in the top 15, and Rema’s dual placements maintain his leading chart status. The top five is unchanged, solidifying “Calm Down” (both solo and remix) as dominant fixtures across consecutive listings.
Pov: Indie
POV: Indie remains unchanged in composition, though minor internal reordering occurs. Liana Flores overtakes Mitski, and Twenty One Pilots’ “Navigating” moves ahead of “Paladin Strait.” Twenty One Pilots still hold a third of the chart. Hozier’s “Too Sweet” stays at #1, maintaining its lead since its debut. No new artist entries indicate sustained audience interest in existing releases.
Urban Contemporary
Urban Contemporary adds K. Michelle’s “The Rain” at #13. The 2019 single receives renewed attention post-Gold certification in early 2025. Jung Kook & Usher’s remix drops to #14. Top ten rankings hold with no shifts in the leading five. Usher, GloRilla, and Partynextdoor continue dominating with multiple entries, suggesting cross-generational appeal within the R&B-rooted framework.
Urbano Latino
Urbano Latino welcomes Ozuna’s “Una Locura” at #7 and Myke Towers’ “Si Se Da – Remix” at #18. These additions push Bad Bunny’s “Dákiti” and “Ojitos Lindos” down the chart, though “Baile Inolvidable” holds #1. Rauw Alejandro & Romeo Santos’ “Khé?” slides to #10. Beéle maintains strong presence with three active titles. Karol G and Feid remain key constants across several collaborations.