Bi-Weekly Music Chart Highlights: Top 20 Tracks Across 15 Genres Dec 21 2024 edition
Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 60 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 15 genres.
Here is the December, 21, 2024 edition
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Alt Z
The Alt Z chart remained stable at the top, with Tate McRae‘s “Greedy” at number one, followed by Faouzia‘s “Minefields” and Sub Urban‘s “Uh Oh!” at ranks two and three. The most notable movement was the entry of Elley Duhé‘s “Middle Of The Night” at number four. Released in 2020 and later revived by its TikTok success, the track blends a haunting melody inspired by Isaac Albéniz with modern pop production.
Gracie Abrams‘ “Risk” climbed into the top 10, moving up to 10th, while David Guetta & Kim Petras’ “When We Were Young” slipped to 11th. Elle King‘s “Drunk (And I Don’t Wanna Go Home)” exited the rankings, leaving space for these shifts.
Alternative Metal
The Alternative Metal chart shows significant shifts, with three new entries from prominent bands. Linkin Park secures the top two positions with “The Emptiness Machine” debuting at number one and “Heavy Is The Crown [League Of Legends Worlds 2024]” at number two. “The Emptiness Machine” features Emily Armstrong and explores themes of disillusionment with poignant vocal dynamics, while “Heavy Is The Crown” blends nu-metal and rap rock, performed during the League of Legends Championship and later adapted for Arcane.
Falling In Reverse introduces “Prequel” at rank five, delivering a sharp critique of societal norms paired with melodic aggression. This new track sets the tone for their upcoming fifth album. Their previous hits, “Watch The World Burn” and “Ronald”, hold strong at ranks three and six, respectively, staying firmly in the top 10.
Elsewhere, Motionless In White and Slipknot maintain stable positions, with Slipknot’s “Nero Forte” holding firm in 11th place. Notable exits include “Nickelback – San Quentin” and “Arch Enemy – Handshake With Hell”, making room for these impactful new entries.
Alternative R&B
The Alternative R&B chart sees new energy this week with three notable entries. Coldplay‘s collaborative anthem “We Pray” lands at number three, bringing together Elyanna, Little Simz, Burna Boy, and Tini. Produced across multiple languages, the song’s hopeful message resonates with its diverse cultural voices under Chris Martin’s leadership.
Katy Perry‘s “I’M His, He’S Mine”, featuring Doechii, debuts at rank six. This track infuses dance-pop with a hip-hop twist, sampling Crystal Waters‘ “Gypsy Woman” and showcasing a vibrant collaboration that highlights dynamic identity. FKA twigs‘ “Eusexua” also makes its entrance at number 14, blending hypnotic techno with ethereal vocals that transform mundane office settings into captivating art.
Sevdaliza‘s “Alibi” holds its position at the top, while Tinashe‘s “Nasty” stays strong at number two. Swedish House Mafia‘s “Lioness” slips slightly to rank four, and Mariah The Scientist’s “From A Woman” remains steady at number five. Notable exits include Little Simz‘s “Gorilla” and Teyana Taylor’s “Morning”, making way for this week’s fresh additions.
American Hip-Hop
The American Hip-Hop chart remains steady at the top, with Kendrick Lamar’s “Not Like Us” holding first place and Travis Scott’s “Fe!N” close behind. Eminem’s “Houdini” moves into third, while “Godzilla” climbs to fifth.
Two new tracks join the rankings this week. A$AP Rocky’s “Tailor Swif” debuts at number seven, pairing street visuals shot in Kyiv with a cinematic touch and a playful nod to Taylor Swift. Rod Wave’s “Fall Fast in Love” enters at rank 16, reflecting on the highs and lows of relationships through introspective lyrics.
Yung Bleu’s “You’re Mines Still” and Glorilla’s “Yeah Glo!” exit the top 20, making room for these new additions. Tracks like Megan Thee Stallion’s “Mamushi” and Pooh Shiesty’s “Back In Blood” maintain their positions, reflecting ongoing stability in the middle of the chart.
Art Pop
The Art Pop chart remains dynamic, with Lady Gaga & Bruno Mars‘ “Die With A Smile” holding firmly at number one. Billie Eilish strengthens her presence with “Birds of a Feather” debuting at number two. Co-written with Finneas, the track explores themes of connection and loss, accompanied by haunting visuals in an abandoned office setting.
A$AP Rocky’s “Highjack” enters at rank eight, blending introspective verses with Jessica Pratt’s ethereal vocals. This unique collaboration navigates fame’s pressures through a mix of boom-bap beats and choir harmonies. Billie Eilish also debuts “Wildflower [A Colors Show]” at number 18, reflecting on regret and renewal post-breakup with a raw, acoustic performance.
Among returning tracks, Billie Eilish’s “What Was I Made For?” and “Everything I Wanted” hold steady in the top five. Notable exits include Lady Gaga’s “911” and Charli XCX’s “Von Dutch”, making room for fresh entries that enrich this week’s chart.
Asian Pop
The Asian Pop chart sees Lisa holding the top spot with “Rockstar” and adding a new entry at number three with “New Woman”, her collaboration with Rosalía. The track channels Y2K aesthetics with empowering visuals. Rosé’s “Gone” debuts at number 15, offering a melancholic ballad of heartbreak with stripped-down instrumentation and reflective lyrics.
Stray Kids’ “Megaverse” enters at rank 19, combining EDM trap with themes of self-determination and a cyber-inspired video. Meanwhile, Jung Kook’s “Standing Next To You” moves up to 10th place, as “3D” drops slightly to 11th.
Exits include “Bini – Cherry On Top” and “NewJeans – How Sweet”, making room for these new entries and subtle shifts across the rankings.
Country Music
The Country Music chart sees two new entries this week, starting with Ella Langley and Riley Green’s “You Look Like You Love Me” debuting at number one. This piano-driven duet, set in a smoky bar, blends playful lyrics with a throwback feel, showcasing the duo’s harmonious chemistry. Chris Stapleton’s “Think I’M In Love With You” joins the rankings at number 16. With soulful violin riffs and slow-burning rhythms, the track adds a bluesy touch to Stapleton’s signature sound.
Luke Combs’ “Ain’t No Love In Oklahoma” slips to second place, while Bailey Zimmerman’s “Fall In Love” and Hardy’s “Wait In The Truck” hold steady at ranks three and four, respectively. Notable exits include “Justin Moore – You, Me, And Whiskey” and “Taylor Swift – I Bet You Think About Me,” making room for these fresh additions.
Despite the shifts, familiar tracks like Morgan Wallen’s “You Proof” and Lainey Wilson’s “Wildflowers And Wild Horses” maintain their strong positions, continuing to anchor the chart.
Dance Pop
The Dance Pop chart remains largely stable at the top, with Lady Gaga & Bruno Mars’ “Die With A Smile” and Mariah Carey’s timeless “All I Want For Christmas Is You” holding the first two spots. Sevdaliza’s “Alibi” stays steady at rank three, while Bruno Mars’ “Leave The Door Open” keeps its place at number four.
This week features one new entry: Dua Lipa’s “Love Again” debuts at number 19. Sampling Al Bowlly’s “My Woman,” the track blends disco-inspired dance-pop with themes of rediscovering love. Its surreal music video adds a playful dimension to its emotional undertones.
Elsewhere, Elton John’s “Cold Heart – Pnau Remix” climbs to number six, marking a resurgence, while Doja Cat continues to dominate with multiple tracks on the chart, including “Paint The Town Red” at rank five and “Say So” rising to eighth. Despite minor shifts, staples like Shakira’s “Acróstico” and Enrique Iglesias’ “Asi Es La Vida” remain consistent, while Dimitri Vegas’ “Thank You [Not So Bad]” drops to 12th, highlighting the ongoing competition for top spots.
East & South African Music
The East & South African Music chart introduces several new entries this week, bringing a fresh wave of energy. Ssaru and Trio Mio’s “Maintain” debuts at rank four. This gengetone club anthem captures Nairobi’s urban grit with infectious rhythm and chemistry. At number five, “Kwelanga 2.0” by Bassie, Tman Xpress, and LeeMcKrazy layers dynamic beats with pan-African vocal harmonies, amplifying its collaborative spirit. Felo Le Tee’s “Yebo Lapho” enters at rank six, blending isiZulu and English to showcase amapiano’s global reach. D Voice and Zuchu’s duet “Nani” lands at number seven, combining bongo flava with Afrobeat for a lush, emotive sound.
Bensoul and Bien’s “Extra Pressure” debuts at rank eight, uniting Kenya’s talents with a catchy hook that explores devotion in relationships. Kevin Kade and The Benelement EleéeH’s “Sikosa” joins at rank ten, melding French and Swahili for a multilingual celebration of passion. Marioo’s “Statue” appears at rank 13, fusing bongo flava and Afrobeat with vibrant melodies.
Diamond Platnumz & Jason Derulo’s “Komasava Remix” retains its dominance at number one, while “Jeje” drops slightly to rank nine. Meanwhile, “Phina – Ti Ti Ti” remains steady at rank 11, and “Makhelwane” by Wanitwa Mos and Nkosazana Daughter slips to rank 12. Notable exits include “Chriss Eazy – Sekoma” and “Harrycane & Master KG – Dubula,” making way for these exciting new entries.
French R&B
The French R&B chart sees significant movement this week with four new entries. Gims takes the top spot with “Sois Pas Timide”, a track blending rap and melodic vocals. Its introspective lyrics tackle themes of confidence and self-belief, supported by dynamic beats. MHD’s “Kata” debuts at number eight, combining Parisian swagger with karate-inspired symbolism to highlight perseverance and luxury. Tiakola’s “Manon”, featuring Ryflo, Oskoow, and MC Cebezinho, lands at rank 10, merging urban and afro influences with themes of fashion and relationships. Finally, Jungeli’s “T’Étais Où ?” joins at rank 17, delivering a nostalgic afropop-tinged collaboration with Vegedream, Alonzo, and Zaho.
Gims & Dystinct’s “Spider” drops to second place, while Tayc & Shreya Ghoshal’s “Yimmy Yimmy” and Guy2Bezbar’s “Monaco” maintain their strong positions in the top five. “Maes – Interpol” and “Heuss L’Enfoiré – Mélanine” exit the rankings, making way for these fresh entries.
Despite the shifts, tracks like Keblack’s “Boucan” and Dadju & Tayc’s “I Love You” remain stable, reflecting a balance between familiar hits and dynamic newcomers in this week’s chart
Metalcore
he Metalcore chart sees minimal changes at the top, with Babymetal & Electric Callboy’s “Ratatata” holding strong at number one, followed by SiM’s “The Rumbling” and Motionless In White’s “Another Life” at ranks two and three, respectively.
This week introduces one new entry: Architects’ “Seeing Red” debuts at rank 18. The track combines raw lyricism with intense instrumentation, highlighted by Sam Carter’s signature vocal flourish, creating a dynamic critique of societal issues.
Elsewhere, Slaughter To Prevail’s “K.O.D.” drops slightly to rank nine, while Bad Omens continues to dominate the chart with multiple tracks, including “Like A Villain” at number four and “Nowhere To Go” climbing to eighth. Notable exits include “Lorna Shore – To The Hellfire” from the top 15, now at 20th, reflecting subtle shifts in the lower ranks. Despite these changes, Electric Callboy’s “We Got The Moves” and Bring Me The Horizon’s “Kool-Aid” remain steady in the top 10, reinforcing the genre’s balance between stability and fresh energy.
Modern Dancehall
The Modern Dancehall chart sees five new entries this week, adding fresh energy to the rankings. Kraff’s “Ikation” debuts at number three, blending Spanish Town’s rhythmic roots with modern dancehall styles. Coldplay’s “We Pray,” featuring Elyanna, Little Simz, Burna Boy, and Tini, enters at rank six, offering a multilingual anthem of hope and cultural collaboration. Vybz Kartel’s “The Comet” lands at number eight, reflecting his resilience and return through evocative lyrics. Najeeriii’s “1Rifle” debuts at rank 13, showcasing a trap-dancehall fusion with his signature “mumble style.” Finally, Joker Kartel’s “Biyé 50” appears at rank 16, highlighting Creole rhythms rooted in La Réunion.
Shenseea’s “Hit & Run” retains its hold on the top spot, while Burna Boy’s “For My Hand” remains steady at number two. Uncle Waffles’ “Wadibusa” and Tyla’s “Jump” drop slightly to fourth and fifth, respectively, making room for the new entries. Jamal’s “Ballandor” debuts at number 19, blending reggae and dancehall with reflective storytelling.
Notable exits include “Nhance – Tables Turn” and “Tommy Lee Sparta – Wah War,” leaving space for the dynamic shifts this week. The chart reflects a strong balance of established hits and innovative new tracks.
Nigerian Pop
The Nigerian Pop chart introduces two new entries this week, showcasing fresh collaborations and global appeal. Chris Brown and Wizkid’s “Call Me Every Day” debuts at rank 19, blending R&B and Afrobeats in a track that highlights mutual admiration and love. At number 20, Coldplay’s multilingual anthem “We Pray,” featuring Elyanna, Little Simz, Burna Boy, and Tini, adds a diverse cultural voice to the rankings.
Omah Lay’s “Soso” rises to claim the top spot, pushing Jordan Adetunji’s “Kehlani Remix” to second place. Chiké and Mohbad’s “Egwu” remains steady at rank three, while Rema’s “Calm Down” climbs to fifth. Burna Boy’s “For My Hand” and Ayra Starr’s “Last Heartbreak Song” drop slightly, making room for the week’s new entries.
Notable exits include “Chris Brown – Hmmm” and Burna Boy’s “Tested, Approved & Trusted,” reflecting the evolving dynamics of the chart. Despite these changes, established hits like Wizkid’s “Essence” and Tems’ “Me & U” maintain their positions, continuing to resonate with fans.
Pov: Indie
The POV: Indie chart remains steady at the top, with Hozier’s “Too Sweet” holding first place, followed by Glass Animals’ “Heat Waves” and Mitski’s “My Love Mine All Mine” in second and third. This week introduces one new entry: Conan Gray’s “Memories” debuts at rank nine. The piano-led ballad captures the raw aftermath of a breakup, with Gray delivering heartfelt emotions that resonate deeply with listeners.
Elsewhere, Beabadoobee’s “Glue Song” and Conan Gray’s “Heather” climb to fourth and fifth, respectively, while Chappell Roan’s “Casual” drops slightly to number ten. Despite minor shifts, Yungblud’s “Cotton Candy” and Twenty One Pilots’ “Level Of Concern” maintain their strong mid-chart positions.
Notable exits include “Rare Americans – Brittle Bones Nicky 2” and “Twenty One Pilots – Midwest Indigo,” making room for Gray’s new addition. The chart reflects a mix of stability and subtle changes, driven by emotional narratives and intimate performances.
Urbano Latino
The Urbano Latino chart features dynamic changes this week, with three notable new entries. Feid and Maisak debut at number one with “Se Me Olvida,” a reggaeton track exploring post-breakup regret and bittersweet acceptance. Mesita’s remix of “Una Foto,” featuring Nicki Nicole, Emilia, and Tiago PZK, enters at rank four. The track combines sultry lyrics and reflective themes, creating a multifaceted urban narrative. Xavi’s “La Diabla” lands at number five, blending Mexican regional and urban influences with seductive lyrics and a captivating sound.
Karol G’s “Si Antes Te Hubiera Conocido” drops to second place, while Feid & Atl Jacob’s “Luna” maintains a strong hold at number three. Maluma’s “Hawái” makes a reappearance at rank nine, adding depth to the chart. Notable exits include “Trueno – Mamichula” and “Beéle – Morena,” allowing space for these fresh entries.
Despite these shifts, consistent hits like “Boza & Elena Rose – Orion” and “Izaak & Jhaycoanuel Aa – Bby Boo [Remix]” continue to hold their positions, showcasing the blend of stability and innovation that defines this week’s rankings.
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