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Last updated on October 31, 2025, updated monthly. |
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 1 . Kate Bush - Army Dreamers"Army Dreamers" is a song by Kate Bush released in 1980. It tells the story of a grieving mother for her young adult son, killed during military maneuvers. The song tackles the poignant theme of young soldiers losing their lives in service. Kate Bush, known for her unique style and distinctive voice, often explores complex subjects in her songs. The video for the song features Kate Bush in camouflage, surrounded by soldiers in a wooded setting. The music video is directed by Keef. Writer(s) : Catherine Bush Publisher(s) : Kate Bush Music Ltd Featured on the 1980 album Never for Ever
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 2 . XTC - Mayor Of SimpletonBritish rock band XTC’s "The Mayor of Simpleton," penned by Andy Partridge and helmed by producer Paul Fox, debuts as the vibrant lead single from their 1989 album "Oranges & Lemons." Initially molded as a slower, reggae-tinged track, it morphs into an effervescent pop anthem, anchored by Colin Moulding’s deliberately orchestrated bass lines, intricate guitar layers, and vocal harmonies. Reaching No. 72 on the Billboard Hot 100 and claiming the peak of the US Alternative Songs chart, it unfolds as a clever ode to emotional intelligence, playfully juxtaposing the narrator’s academic gaps with an endearing capacity for love. XTC, formed in 1972 and rebranded in 1976, sidestepped live audiences post-1982 due to Partridge’s stage fright but secured cult reverence with "Black Sea" and "English Settlement." "The Mayor of Simpleton" punctuates a three-year hiatus following 1986’s "Skylarking." The music video is directed by Jim Blashfield. Writer(s) : Andrew John Partridge Publisher(s) : Bmg Vm Music Limited Featured on the 1989 album Oranges & Lemons
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 3 . Todd Rundgren - Bang The Drum All DayTodd Rundgren’s "Bang The Drum All Day," released in 1983, has become an anthem for anyone preferring fun over work. Rundgren played all the instruments, mainly electronic ones, a novelty at the time. Football fans know it as the celebratory tune for Green Bay Packers' touchdowns at Lambeau Field since 1995. Writer(s) : Todd Harry Rundgren Publisher(s) : Fiction Music Inc Featured on the 1983 album The Ever Popular Tortured Artist Effect
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 4 . XTC - Generals And Majors"Generals and Majors" by XTC skewers war-time clichés with a sardonic nod to "oh, what a lovely war." Colin Moulding delivers vocals and basslines laced in irony, while Andy Partridge’s jagged guitar riffs and vocals add pointed contrast. Produced by Steve Lillywhite, the track marches to Terry Chambers’ clipped drumming. The video features Richard Branson—then-owner of Virgin Records—wandering through the absurdity. Writer(s) : Colin Ivor Moulding Publisher(s) : Bmg Vm Music Limited Featured on the 1980 album Black Sea
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 5 . Radiohead - No Surprises"No Surprises" emerges from Radiohead's third studio album, "OK Computer," released on May 21, 1997. It's a creation of all band members and features a calming melody paired with a notable glockenspiel riff. The track finds its way as the album’s third single on January 12, 1998, reaching No. 4 on the UK Singles Chart. Its music video, directed by Grant Gee, showcases Thom Yorke's face in a helmet that fills with water in a single shot. Recorded in one take at St. Catherine's Court, owned by Jane Seymour, the song took shape amid the album sessions. It became a fixture in the band's 1997-1998 world tour performances and appears in concert films like "Meeting People is Easy." With B-sides "Palo Alto" and "How I Made My Millions," its release got substantial airplay and endures in Radiohead's live sets. You can find the song’s music video on platforms like YouTube. The music video is directed by Grant Gee. Writer(s) : Philip James Selway, Thomas Edward Yorke, Jonathan Greenwood, Colin Charle Greenwood, Edward John O Brien Publisher(s) : Warner Chappell Music Ltd Featured on the 1997 album OK Computer
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 6 . David Bowie - The Hearts Filthy LessonDavid Bowie’s "The Hearts Filthy Lesson," from 1995, marks a bold turn into industrial rock, crafted with Brian Eno’s experimental production techniques. Cryptic lyrics reference themes of decay and violence, embodied by the character Ramona A. Stone. The song’s gritty textures and dark tones align it with Bowie’s exploration of art and mortality, resonating with the unsettling aesthetic of the '90s. Featured in Se7en, the song illustrates Bowie and Eno’s fascination with industrial sounds, blending dissonance and rhythm into a dense sonic tapestry. Writer(s) : Brian Peter George Eno, Michael Garson (Usa), Erdal Kizilcay, David Bowie, Sterling Campbell, Reeves Gabrels Publisher(s) : Jones Music America, Tintoretto Music, Opal Music (Gb 1), Threptos Music Featured on the 1995 album Outside
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 7 . Electric Light Orchestra - TwilightFeaturing symphonic rock elements with modern synthesizers for its time, "Twilight" by Electric Light Orchestra, released in 1981, stands out with its dynamic opening and rich vocal harmonies. Written by Jeff Lynne, the track became iconic after being used without authorization in the 1983 animated short film "Daicon IV Opening Animation," produced for the Daicon IV science fiction convention in Japan, and later became a cult favorite in Japanese otaku culture. The music video is directed by Bev Bevan. Writer(s) : Jeffrey Lynne Publisher(s) : Alleytime Ltd, Polygon Music Featured on the 1981 album Time
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 8 . David Bowie - Hallo SpaceboyOriginally conceived as an instrumental piece called "Moondust" by Reeves Gabrels, the song was revised by Bowie and Brian Eno and released in 1995 as "Hallo Spaceboy." In 1996, the remixed version by Pet Shop Boys incorporated elements from their song "Space Oddity," adding a pop dimension to the track. Bowie performed "Hallo Spaceboy" with Nine Inch Nails during his American tour, and later with Pet Shop Boys at the 1996 Brit Awards. The music video is directed by David Mallet. Writer(s) : Brian Peter George Eno, David Bowie Publisher(s) : Opal Music (Gb 1), Tintoretto Music Featured on the 1995 album Outside
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 9 . Genesis - Throwing It All AwayRemaining one of the most popular songs of the Phil Collins era, "Throwing It All Away" by Genesis, released in 1986, is a rock ballad illustrating their evolution towards a pop-oriented sound. The song talks about a couple going through a rough patch in their relationship, a recurring theme for Collins. The music video is directed by James Yukich. Writer(s) : Michael Rutherford, Anthony George Banks, Phillip Collins Publisher(s) : Imagem Songs Limited, Philip Collins Ltd, Michael Rutherford Publishing Ltd Featured on the 1986 album Invisible Touch
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 10 . Radiohead - Jigsaw Falling Into PlaceRadiohead’s “Jigsaw Falling Into Place,” unveiled as the lead single from their seventh studio album, "In Rainbows," on December 10, 2007, encapsulates a moment of sonic tension and lyrical urgency. Released weeks after the album’s disruptive pay-what-you-want debut on October 10, it lands at No. 30 on the UK Singles Chart and No. 69 in Canada, carving its understated imprint globally. Thom Yorke’s soaring vocals intertwine with acoustic guitar, propelled by Nigel Godrich’s meticulous production, recorded at Halswell House and Tottenham House. The all-band affair, punctuated by Phil Selway’s percussive drive and Jonny Greenwood’s quiet intensity, finds its visual counterpart in Garth Jennings’s minimalist headcam video, stripping away artifice amidst a sea of "In Rainbows" tour performances in 2008. The music video is directed by Adam Buxton. Writer(s) : David Bowie Publisher(s) : Jones Music America Featured on the 1997 album In Rainbows
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 11 . Radiohead - Creep"Creep" by Radiohead, released in 1992, propels the band from their Oxfordshire roots into the global spotlight. With its melancholic lyrics and haunting melody, the song captures themes of alienation and self-doubt. Drawing influence from alternative rock giants like R.E.M. and the Pixies, "Creep" sets the stage for Radiohead's exploration of complex emotional landscapes. This single precedes an evolution in their sound, demonstrated in later albums like *The Bends* and *OK Computer*. Writer(s) : Michael Edwa Rd Hazlewood, Albert Louis Hammond, Colin Charle S Greenwood, Thomas Yorke, Jonathan Greenwood, Philip Selway, Edward John O Brien Publisher(s) : Warner Chappell Music Ltd Featured on the 1992 album Pablo Honey
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 12 . Gerry Rafferty - Baker Street"Baker Street" by Gerry Rafferty, released in 1978, is famous for its iconic saxophone riff played by Raphael Ravenscroft. The song was written during a difficult transition period for Rafferty after leaving his former band Stealers Wheel. The track describes life in a bustling city, inspired by the eponymous street in London where Rafferty stayed with a friend. The success of "Baker Street" propelled Rafferty to international stardom, reaching the second spot on the Billboard Hot 100. It is said that Ravenscroft was only paid 27 pounds for his solo before later earning much more in royalties. The music video is directed by Liam Genockey. Writer(s) : Gerald Rafferty Publisher(s) : Stage Three Music Limited Featured on the 1978 album City to City
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 13 . Electric Light Orchestra - So SeriousReflecting Electric Light Orchestra's transition to more electronic sounds, "So Serious" was released in 1986. Jeff Lynne later had a successful career producing for artists like George Harrison and Tom Petty. The music video is directed by Peter Christopherson. Writer(s) : Jeffrey Lynne Publisher(s) : Emi April Music Inc Featured on the 1986 album Balance of Power
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 14 . David Bowie - Let's DanceHighlighted by a guitar riff played by then-unknown Stevie Ray Vaughan and released in 1983, "Let's Dance" marked a turning point in Bowie's career, produced by Nile Rodgers of Chic. The song, reflecting influences of funk and post-disco, became a massive commercial success and the best-selling single of Bowie's career. The music video, shot in Australia, is famous for the red shoes mentioned in the lyrics, which became a symbol of the oppression of Australian Aboriginals. The music video is directed by David Mallet. Writer(s) : David Bowie Publisher(s) : Jones Music America Featured on the 1983 album Let's Dance
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 15 . David Bowie - China GirlBecoming a global hit, "China Girl," released in 1983, was produced by Nile Rodgers and combines rock elements with Stevie Ray Vaughan's guitar and new wave. The controversial music video features Bowie and an Asian actress, addressing themes of colonialism and interracial relationships. It's said that co-writer Iggy Pop was inspired by a brief affair with a Vietnamese actress. He also revisited the track on his album "The Idiot." The music video is directed by David Mallet. Writer(s) : James Jr Osterberg, David Bowie Publisher(s) : Emi Music Publishing Ltd, Unknown Publisher Featured on the 1983 album Let's Dance
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 16 . Electric Light Orchestra - Rock 'N' Roll Is KingShowcasing Jeff Lynne's ability to fuse traditional rock with modern orchestral arrangements, "Rock 'N' Roll Is King" by Electric Light Orchestra, released in 1983, celebrates classic rock and roll with infectious energy. Writer(s) : Jeffrey Lynne, Publisher(s) : Alleytime Ltd, Polygon Music Featured on the 1983 album Secret Messages
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 17 . David Bowie - Wild Is The WindDavid Bowie’s 1976 rendition of "Wild Is The Wind" somehow manages to be both reverently nostalgic and unmistakably his own. Originally penned by Dimitri Tiomkin and Ned Washington and famously interpreted by Nina Simone, Bowie’s version doesn’t just inhabit the song—it smolders inside it, giving it the kind of emotional gravity that feels deeply cinematic. Recorded during the "Station to Station" sessions at Cherokee Studios in Los Angeles, the track is a fascinating outlier amidst the album's otherwise cocaine-fueled experimentation with funk and krautrock influences. The delicate interplay between Earl Slick’s guitar work and Bowie’s achingly passionate delivery transforms what could’ve been a mere homage into an exercise in measured theatricality. Even if the orchestration leans towards lush melodrama, it’s Bowie’s voice—fragile yet commanding—that gives the song its poignant edge, hovering somewhere between despair and devotion. When the track was later adopted as part of his 1981 compilation "ChangesTwoBowie" and released as a single in the UK, it notched a modest No. 24 on the charts, proving its peculiar appeal beyond mere fan service. With its monochrome-laced music video by David Mallet blending live footage with stark visuals, the song feels like an elegant time capsule of Bowie’s introspective side—unmistakably intimate but still towering in ambition. Featured on the 1982 album Strange Kind of Love
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 18 . Yes - It Can HappenFeaturing Trevor Rabin on guitar and production, "It Can Happen" by Yes, released in 1983, combines progressive elements with catchy choruses. The initial version of the song was sung by Chris Squire before being re-recorded with Jon Anderson for the album "90125." Writer(s) : Trevor C Rabin, Christopher Rus Sell Squire, John Roy Anderson Publisher(s) : Tremander Songs, Warner Tamerlane Pub Corp, Affirmative Music, Carlin Music Corp Featured on the 1983 album 90125
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 19 . David Bowie - Modern LoveProduced by Nile Rodgers, "Modern Love," released in 1983, is an energetic anthem blending gospel and funk with rock, highlighted by punchy brass and a danceable rhythm. The song has been featured in many films and series, notably in an iconic scene from Noah Baumbach's film "Frances Ha" starring Greta Gerwig. In 2024, Zaho de Sagazan performed a cover of "Modern Love" at the Cannes Film Festival opening ceremony, paying tribute to Greta Gerwig, the jury president. The music video is directed by Jim Yukich. Writer(s) : David Bowie Publisher(s) : Jones Music America Featured on the 1983 album Moonage Daydream : Soundtrack
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 20 . Genesis - Hold On My HeartGenesis’ "Hold On My Heart," a soft rock ballad from 1992, showcases the band’s polished, emotive approach as they balance rock and pop sensibilities. Recorded at The Farm in Surrey, the track’s visual counterpart presents the band in a deserted nightclub, moving in slow motion, a unique effect created by recording at accelerated speed. This track captures Genesis’ shift towards more accessible melodies while retaining their progressive rock foundation, conveying themes of love and emotional endurance. Writer(s) : Anthony George Banks, Phillip Collins, Michael Rutherford Publisher(s) : Michael Rutherford Publishing Ltd, Philip Collins Ltd, Imagem Songs Limited Featured on the 1991 album We Can't Dance
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ABOUT Art RockArt Rock, the MusicArt Rock emerges in the 1960s, characterized by its desire to incorporate elements from other types of music (classical, jazz, avant-garde, etc.). It stands out for its sophisticated approach, emphasizing creativity, innovation, and a certain intellectualization of music. One of the most notable features of Art Rock is the complexity of its compositions. Unlike traditional rock songs that often follow a verse-chorus-verse structure, Art Rock pieces explore non-linear and more elaborate structures. Art Rock artists integrate extended instrumental sections, unexpected transitions, and multiple movements within a single song, reminiscent of classical music suites. Art Rock also distinguishes itself through the use of unconventional time signatures. Instead of sticking to the traditional 4/4, compositions can shift between signatures like 7/8, 5/4, or even mixed signatures within the same piece. This approach creates more complex and varied rhythms, adding an extra dimension to the music. Art Rock, the WordsArt Rock artists aren’t afraid to experiment with a wide range of instruments, often borrowed from other musical genres. Beyond the traditional rock setup of guitars, bass, and drums, they incorporate classical instruments like violin, cello, piano, and brass. Electronic instruments like synthesizers, mellotrons, and theremins are also commonly used to create unique and innovative sound textures. Production techniques in Art Rock are often cutting-edge. Artists and producers explore advanced recording methods, such as multi-tracking, tape reversal, and sophisticated studio effects. They play with the soundscape, using stereo creatively and manipulating sounds to create immersive auditory landscapes. Art Rock, the SoundLyrics in Art Rock tend to be more poetic and introspective than in traditional rock. Artists tackle deep and complex subjects, such as alienation, the search for meaning, and intense personal experiences. The lyrics are often metaphorical and open to interpretation, encouraging listeners to think and uncover hidden meanings. The lyrical themes in Art Rock are frequently influenced by literature and visual arts. Artists draw from literary works, artistic movements, and philosophical concepts to enrich their texts. References to writers, painters, and art currents are common, creating a strong link between music and other art forms. This multidisciplinary approach reinforces the intellectual and artistic nature of the genre. Art Rock, the Cultural ImpactArt Rock has had a considerable influence on rock music and many other genres. By introducing complex song structures and advanced sound experimentation, Art Rock has broadened the horizons of traditional rock. Its influence is also felt in genres such as new wave and alternative rock. Art Rock has also left an indelible mark on popular culture. The visual and conceptual elements of Art Rock have become essential components of music presentation, influencing not only how artists perform but also how they are perceived by the public. Art Rock has always sparked varied, often polarizing, criticism. While some critics and fans praise the genre’s innovation and complexity, others criticize it for being pretentious and elitist. Art Rock has played a crucial role in the evolution of fashion regarding gender and androgyny. Artists often challenged traditional gender norms, wearing clothing and makeup that blended masculine and feminine elements. This fluidity inspired many fashion designers to explore similar concepts in their collections. |
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