Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Jan 8,2026 edition
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Afro-Love
Tems maintains her stronghold atop AFRO-LOVE with “Me & U,” continuing an impressive run that reflects her current dominance in the genre.
Salima Chica’s “Songi Songi” holds firm at No. 2, matching Tems’ consistency with a seamless mix of modern Afro-pop and Congolese flair.
“Você” by 3 Finer featuring Ganan Boy rises to No. 3, marking the chart’s most significant upward movement and signaling the duo’s growing appeal across Lusophone audiences.
Calema’s “Leva Tudo” steadies at No. 4, while lordkez’s “Aweh” slips two spots to No. 5 after previously commanding the third position.
Tems’ “Love Me Jeje” remains rooted in the Top 10, further emphasizing her dual impact on the chart.
Newcomer stability defines the middle tier: Limo’s “Joggo” and Jeady Jay’s “Ayéyé [Nous Aussi]” continue their steady performances, while Ckay’s “Emiliana” reclaims ground by returning to the Top 10 at No. 9.
Harmonik’s “Ret Tan’n Mwen” arrives at No. 13, injecting kompa elegance into the lineup with restrained emotion and expert vocal layering, bridging Afro-Caribbean rhythm with melodic precision.
RYM’s “Songi Remix” drifts to No. 17 as Rutshelle Guillaume’s collaborations maintain dual presence, highlighting her enduring resonance within the region’s diaspora soundscape.
The lower end of the chart remains anchored by Phil-Emon’s “Delicious” and Donovan Bts’s “Lot Chance,” each extending their chart life through rhythmic cohesion and loyal fan traction.
Alt Z
Tate McRae’s “Just Keep Watching” continues its flawless hold atop ALT Z, with “Greedy” securing the runner-up spot to solidify her chart dominance.
The upper echelon remains unchanged, showing remarkable stability as Faouzia’s “Minefields” and Sub Urban’s “Uh Oh!” with Benee keep their long-standing Top 5 presence.
Elley Duhé’s “Middle Of The Night” and The Chainsmokers’ “Takeaway” with Lennon Stella retain their mid-chart momentum, reflecting the playlist’s enduring preference for sleek, emotional pop production.
Lauren Spencer Smith’s “Flowers” and Lizzy McAlpine’s “Ceilings” continue their quiet climb, blending introspective lyricism with subtle sonic restraint.
Tate McRae places yet another single inside the Top 15 as “Nobody’s Girl” rises, extending her reign to three entries—an uncommon feat for a single artist in consecutive weeks.
The consistency of the bottom half underscores the genre’s listener loyalty, with “Wasteland [From Arcane Season 2]” by Royal and The Serpent anchoring the chart through cinematic alternative energy.
Alternative Metal
Linkin Park preserve their dominance in ALTERNATIVE METAL, holding the top two spots with “The Emptiness Machine” and “Up From The Bottom.”
Falling In Reverse’s “Watch The World Burn” climbs to No. 3, displacing The Pretty Reckless’s seasonal entry “Where Are You Christmas?” to fourth.
The genre’s pulse remains tightly wound between nostalgia and reinvention, as Evanescence’s “Afterlife” steadies at No. 5 and Breaking Benjamin’s “So Cold” continues its impressive run at No. 6.
Multiple appearances from Falling In Reverse reaffirm the band’s stronghold across streaming audiences, while Linkin Park’s deeper catalog cuts—“Lost” and “Two Faced”—retain presence in the Top 11.
Motionless In White and Slipknot continue to trade mid-chart positions, sustaining the heavier edge of this lineup.
The lower ranks remain populated by scene veterans such as Skillet and Daughtry, emphasizing a solid core audience that prizes emotional catharsis and anthemic guitar work over fleeting trends.
Alternative R&B
Mariah The Scientist remains untouchable atop ALTERNATIVE R&B with “Burning Blue,” extending her lead for a third consecutive chart.
Ravyn Lenae and Sevdaliza hold steady in the runner-up slots, creating a consistent trio that defines the subgenre’s current aesthetic of soft futurism and layered intimacy.
Mariah The Scientist’s collaboration with Kali Uchis, “Is It a Crime,” preserves its placement at No. 4, while “2 You” and “From A Woman” sustain her unprecedented multi-track dominance.
Sevdaliza’s “No Me Cansare” with Karol G continues its gradual ascent, intertwining electronic sensuality with global rhythm.
New additions refresh the lower tier as Young M.A’s “Big” debuts at No. 19, bringing assertive lyrical energy and introspective grit to an otherwise atmospheric lineup.
SiR’s “Hair Down” featuring Kendrick Lamar enters at No. 20, closing the set with smooth assurance and thematic reflection on identity and composure.
American Hip-Hop
Kendrick Lamar’s “Not Like Us” remains immovable at No. 1 on AMERICAN HIP-HOP, marking an extended stay that underscores its cultural weight.
King Von holds steady at No. 2 with “Took Her To The O,” while Central Cee’s “Band4Band” with Lil Baby remains a fierce contender at No. 3.
YoungBoy Never Broke Again’s “Wine & Dine” climbs to No. 4, overtaking Twice and Megan Thee Stallion’s “Strategy,” which slips modestly to fifth.
The mid-section reflects stability among modern mainstays, with Pooh Shiesty, Travis Scott, and Offset all maintaining traction.
New arrivals inject emotional texture: Yung Bleu’s “You’re Mines Still” lands at No. 13, enriching the chart with melodic introspection, while YFN Lucci’s “On My Mind” debuts at No. 19, blending vulnerability with street-level authenticity.
The lower tier remains buoyed by Glorilla’s twin appearances, ensuring a balance between hardened bravado and mainstream accessibility as the new year’s cycle begins.
Art Pop
Lady Gaga and Bruno Mars remain at No. 1 on ART POP with “Die With A Smile,” maintaining their command through a blend of vocal power and cinematic poise that continues to define this collaborative era.
Billie Eilish’s “Birds Of A Feather” keeps steady at No. 2, its subdued vulnerability offering a sharp emotional contrast to Gaga’s grandeur.
Gaga’s “Abracadabra” holds its third-place position, forming part of her sustained triple presence in the Top 10, a rare feat even by her own standards.
Charli XCX’s “Guess,” featuring Eilish, stays strong at No. 4, while Aurora’s “Cure For Me” and Lana Del Rey’s “Doin’ Time” maintain their mid-chart constancy with ethereal allure and sun-drenched melancholy, respectively.
The top half remains largely unmoved, highlighting the continued resonance of established heavyweights in this genre’s hybrid pop-art soundscape.
Charli XCX tightens her hold on the lower half, now claiming three placements, while Gaga adds yet another entry with “Disease” debuting at No. 20—a haunting, electronic introspection that signals a daring new chapter in her artistry.
In a chart otherwise marked by equilibrium, Gaga’s fresh addition provides the week’s only major narrative shift, reaffirming her as both pop icon and restless experimenter.
Asian Pop
Rosé’s “Apt.” featuring Bruno Mars continues to reign supreme on ASIAN POP, sustaining its crossover appeal through impeccable balance between K-pop polish and Western soul influence.
BLACKPINK’s high-energy “뛰어 (JUMP)” remains the runner-up, keeping their momentum intact in a chart brimming with competition.
LE SSERAFIM’s “Spaghetti,” with J-Hope, anchors third place once again, bridging sharp choreography with playful bravado.
KATSEYE continues to dominate the middle ranks, with “Gameboy” and “Gnarly” trading places yet keeping the group firmly inside the Top 5, underscoring their rise as this generation’s standout newcomer.
Jennie’s “Like Jennie” advances to No. 6, reaffirming her solo allure, while Stray Kids’ “신선놀음 (DIVINE)” dips slightly but remains a fixture of experimental edge within the K-pop mainstream.
TWICE reappear at the chart’s close with “Strategy” featuring Megan Thee Stallion, marking a surprise cross-genre collaboration that expands both artists’ sonic reach and caps a week of fluid but balanced adjustments.
Caribbean Club
Kybba’s “Ba Ba Bad Remix,” featuring Ryan Castro, Sean Paul, and Busy Signal, retains its unshakable grip atop CARIBBEAN CLUB, its percussive power and star-studded lineup keeping dancefloors alive across the region.
Triangle Des Bermudes’ “Charger” holds the runner-up slot, solidifying its stature as one of the most dynamic French Caribbean crossovers of the season.
El Alfa continues to flex dominance with dual entries—“Si. Es Asi” and “Este”—occupying the third and fourth positions and showcasing his signature mix of speed, humor, and relentless rhythm.
The upper tier remains largely frozen, an indicator of how entrenched these hits have become in the Caribbean club ecosystem.
Further down, minor reshuffling keeps familiar faces in rotation, with Theodora’s “PAY!” rising modestly and Arlene MC’s “Gelatinozo” sliding to the closing slot.
The result is a chart that prizes consistency and charisma in equal measure, rewarding artists whose sonic identities are as recognizable as their hooks.
Corridos
Tito Double P extends his reign on CORRIDOS with “Nadie,” maintaining the No. 1 position through raw storytelling and melodic authority.
Fuerza Regida’s “Ansiedad” continues to hold tight at No. 2, reinforcing the group’s emotional intensity and chart reliability.
Xavi’s collaboration with Grupo Frontera, “No Capea,” remains a fixture at No. 3, preserving its blend of regional romanticism and contemporary edge.
Gabito Ballesteros’ “Presidente” and Ian Cordova’s “Linda Mujer” round out the Top 5, reflecting a smooth balance between youthful innovation and genre tradition.
New momentum arrives at No. 19 with Fuerza Regida and Grupo Frontera’s “Me Jalo,” a late-breaking duet that dives into themes of infidelity and regret while embodying both groups’ signature tension between vulnerability and swagger.
Otherwise, the week shows minor positional reshuffles, with established acts like Carin León and Eden Muñoz maintaining steady support amid a landscape defined by narrative depth and regional pride.
Country Music
Tito Double P extends his reign on CORRIDOS with “Nadie,” maintaining the No. 1 position through raw storytelling and melodic authority.
Fuerza Regida’s “Ansiedad” continues to hold tight at No. 2, reinforcing the group’s emotional intensity and chart reliability.
Xavi’s collaboration with Grupo Frontera, “No Capea,” remains a fixture at No. 3, preserving its blend of regional romanticism and contemporary edge.
Gabito Ballesteros’ “Presidente” and Ian Cordova’s “Linda Mujer” round out the Top 5, reflecting a smooth balance between youthful innovation and genre tradition.
New momentum arrives at No. 19 with Fuerza Regida and Grupo Frontera’s “Me Jalo,” a late-breaking duet that dives into themes of infidelity and regret while embodying both groups’ signature tension between vulnerability and swagger.
Otherwise, the week shows minor positional reshuffles, with established acts like Carin León and Eden Muñoz maintaining steady support amid a landscape defined by narrative depth and regional pride.
Dance Pop
Morgan Wallen keeps an unbroken grip atop COUNTRY MUSIC with “I Got Better,” extending his streak of consecutive No. 1s and underscoring his continued dominance over the genre’s mainstream sound.
Ella Langley and Riley Green’s “You Look Like You Love Me” remains close behind at No. 2, while Wallen’s “I’m The Problem” climbs to No. 3, confirming his unmatched multi-track performance this cycle.
Riley Green’s “Worst Way” trades places with Wallen’s entry, while Bailey Zimmerman and Miley Cyrus round out the Top 6 with contrasting blends of romantic ache and apocalyptic introspection.
Luke Combs remains a chart mainstay with four titles across the list, a feat few modern country artists can parallel.
Minimal change below the Top 10 signals stability as Morgan Wallen’s deeper cuts like “20 Cigarettes” and “Smile” continue to resonate, buoyed by his loyal listener base and seamless storytelling.
The week closes without new debuts, allowing this lineup to solidify its late-year momentum and set the tone for a steady, tradition-rich start to 2026.
East & South African Music
Rosé and Bruno Mars remain unrivaled atop DANCE POP with “Apt.,” blending romantic restraint with a polished groove that continues to captivate audiences across both pop and dance formats.
Lady Gaga and Bruno Mars’ “Die With A Smile” stays close behind at No. 2, its enduring resonance marking one of the most elegant duets in modern crossover pop.
Dua Lipa’s “Levitating” retains its place at No. 3, a reminder of her lasting influence over dance-inflected mainstream music nearly half a decade after its debut.
Shakira’s heartfelt “Acróstico – Milan + Sasha” and Dimitri Vegas’ euphoric “Thank You [Not So Bad]” round out an unshaken Top 5, the former drawing strength from emotional intimacy, the latter from club-minded escapism.
The mid-chart remains anchored by consistent favorites—Doja Cat’s blend of retro flair and attitude, Elton John’s enduring remix success, and Gaga’s “Shallow,” which continues its long chart afterlife.
Zara Larsson makes a graceful debut at No. 19 with “Midnight Sun,” a luminous, trance-laced entry produced by MNEK and Margo XS that captures the Nordic surrealism of endless daylight while introducing a refreshing tonal shift to the list.
Her arrival injects subtle movement into an otherwise stable chart, hinting that 2026’s early stretch will prioritize refinement over disruption in the dance-pop landscape.
French R&B
Goon Flavour’s “Ngishutheni” featuring Master KG and Eemoh continues its commanding lead on EAST & SOUTH AFRICAN MUSIC, reaffirming the cross-border appeal of South Africa’s amapiano-driven pulse.
Chella’s “My Darling” and Tyla’s global breakout “Water” hold steady, while Davido’s “With You” and CIZA’s “Isaka (6AM)” complete a Top 5 marked by sleek production and emotional resonance.
The chart’s cohesion mirrors the region’s current musical identity—fusion-oriented yet locally grounded, balancing club vitality with storytelling rooted in experience.
Further down, Sharma Boy’s “Saqajaan” climbs modestly to No. 13, suggesting a growing Somali pop crossover presence, while stalwarts like Master KG, Marioo, and Diamond Platnumz maintain enduring relevance.
Despite limited movement, the lineup reflects a soundscape confident in its rhythm and global footprint, signaling that 2026 begins not with upheaval but with reinforcement of a thriving musical dialogue across borders.
Metalcore
Joé Dwèt Filé’s “4 Kampé” keeps its reign atop FRENCH R&B, continuing to balance melodic vulnerability with polished, radio-friendly flair.
Gims remains a powerhouse with both “Sois Pas Timide” and “Spider” featuring Dystinct, underscoring his enduring command over the scene’s mainstream and diasporic audiences.
Gazo’s “Nanani Nanana” retains its aggressive rhythm at No. 4, providing tonal contrast within an otherwise smooth top tier dominated by melody and romance.
Dadju and Tayc’s “I Love You” closes out the Top 5, offering the genre’s signature fusion of sentimentality and club sensibility.
Further down, Gazo’s multiple entries confirm his cross-generational pull, while L2B’s “Tout Pour L’Équipe” surges to No. 17, reflecting the growing appetite for R&B cuts that merge confidence with camaraderie.
Minimal volatility this week underscores how deeply these tracks have rooted themselves in both French-speaking markets and the global streaming landscape.
Modern Dancehall
YUNGBLUD’s “Zombie” rises to No. 1 on METALCORE, ending Bad Omens’ multi-month dominance and ushering in a moment of theatrical rebellion that merges punk attitude with the genre’s heavy emotional scope.
Bad Omens’ “Dying To Love” and “Specter” now occupy the second and third spots, maintaining their ironclad presence despite the shuffle at the top.
Babymetal’s “Ratatata” featuring Electric Callboy and “Like A Villain” round out a fierce Top 5, where playfulness and precision collide to define the genre’s modern energy.
Electric Callboy continue to occupy multiple mid-tier positions, reaffirming their role as the scene’s bridge between humor and intensity.
The week’s sole new addition, Bad Omens’ “Nowhere To Go,” debuts at No. 20, reintroducing themes of alienation and release through the band’s signature electronic-metal fusion.
As the year opens, the genre remains firmly kinetic—evolving without losing its identity, and thriving on the tension between introspection and eruption.
Nigerian Pop
Rema and Selena Gomez’s “Calm Down” preserves its chart leadership on MODERN DANCEHALL, continuing to blend Afrobeat warmth with island bounce in a way few tracks have replicated.
Kybba’s “Ba Ba Bad Remix” featuring Ryan Castro, Sean Paul, and Busy Signal holds its second-place ground, remaining a festival favorite with unstoppable energy.
The top tier remains a familiar rotation of rhythmic excellence, with Moliy’s “Shake It To The Max [Fly]” and Spice’s “Go Down Deh” sustaining their grip through relentless replay value.
Further down, Uncle Waffles’ “Wadibusa” continues its slow-burn ascent, bridging amapiano and dancehall through infectious percussion and effortless groove.
The week’s only new arrival, “Hayhat” by Bessan Ismail, enters at No. 20 and offers an introspective twist to the genre—a melancholic pop-dancehall hybrid steeped in emotional fatigue and contemporary Arabic influence.
Its inclusion marks a subtle but notable shift toward wider regional fusion, expanding the genre’s reach into unexpected emotional territory.
Pov: Indie
Rema’s “Calm Down” featuring Selena Gomez holds firm atop NIGERIAN POP, continuing its unmatched global momentum as a cross-continental anthem.
Ayra Starr’s “Rush” remains steady at No. 2, while Chiké and Mohbad’s “Egwu” climbs to third, driven by its nostalgic fusion of Afrobeat and highlife cadences.
Omah Lay and Fireboy DML follow closely, their emotional resonance and melodic subtlety providing stability at the core of the chart.
Tems’ “Me & U” edges upward to No. 12, extending her recent streak across multiple regional charts, while Wizkid and Davido continue to demonstrate enduring pull within a balanced and cohesive midsection.
With no debuts this week, the chart’s continuity underscores Nigeria’s current golden age—an ecosystem of artists refining their sound rather than reinventing it.
Punjabi Party
Glass Animals’ “Heat Waves” remains at No. 1 on POV: INDIE, asserting its longevity through timeless production and emotional familiarity.
Hozier’s “Too Sweet” continues to resonate at No. 2, its soulful folk pop holding steady as the year’s early mood-setter.
YUNGBLUD’s “Zombie” rises to No. 3, crossing over from metalcore into indie recognition and demonstrating genre fluidity at work.
Twenty One Pilots’ cinematic run holds strong with multiple entries, led by “The Line [From Arcane Season 2]” at No. 4.
The rest of the list shows minimal fluctuation, reflecting an audience rooted in introspection and artistry over trend-driven churn.
This stability affirms that 2026 opens not with a new wave, but with the quiet persistence of voices that have already defined a generation’s emotional vocabulary.
Urban Contemporary
Karan Aujla’s “For A Reason” leads PUNJABI PARTY once again, maintaining its momentum through deft lyricism and refined swagger.
Sidhu Moose Wala’s “Barota” holds tight at No. 2, while Navaan Sandhu’s “Deewane” featuring Bir surges into the Top 3, signaling his steady rise as a generational voice in Punjabi pop.
Shubh and Cheema Y remain pillars of the chart’s midsection, balancing braggadocio with sonic experimentation.
The week’s highlight comes with Navaan Sandhu’s “Navior” debuting at No. 20—a meticulously crafted track that merges introspection with sleek production from Yaari Ghuman and Daaku, showcasing Sandhu’s DIY ethos and creative confidence.
The blend of veterans and self-directed newcomers underscores how Punjabi music continues to thrive on innovation within deeply rooted cultural form.
Urbano Latino
Shakira’s “Zoo” retains its throne atop URBAN CONTEMPORARY, followed closely by “Soltera,” confirming her dual dominance in this category.
Partynextdoor’s “No Chill” continues its smooth trajectory at No. 3, while Usher’s “Good Good” rises to fourth, reviving the R&B charm that once defined his prime.
Wale’s “On Chill” with Jeremih and Ciara’s “How We Roll” stabilize the midsection with modern, soulful polish.
GloRilla’s “I Luv Her” featuring T-Pain climbs into the Top 10, injecting assertive energy into an otherwise silky field.
Lower placements by John Legend and Clipse retain a legacy presence, rounding out a chart that balances polish, purpose, and R&B lineage with seamless precision.