Singing (and Playing) Led Zeppelin

1 . Razer & Slash . Heartbreaker

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

More by the same : on RVM . RadioVideo.Music ]

2 . Alpha Blondy . Whole Lotta Love

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Alpha Blondy’s reinterpretation of “Whole Lotta Love,” a reggae-infused cover of the iconic Led Zeppelin track, was released as part of his 1997 album “Grand Bassam Zion Rock.” This rendition stays true to Blondy’s signature reggae style while reimagining the rock classic with a distinctive Caribbean rhythm.

“Grand Bassam Zion Rock” was produced under the Mango label, continuing the artist’s exploration of blending roots reggae with global influences.

The cover does not feature any direct collaborations with Led Zeppelin members but stands out as an homage to the original, bridging genres and introducing reggae audiences to a legendary rock anthem.

Alpha Blondy’s live performances of “Whole Lotta Love” have been part of reggae festivals and concerts globally, showcasing his ability to reinterpret Western music through an African and reggae lens.

The track did not chart on major Billboard lists but garnered attention within Afro-reggae circles for its bold fusion.

While there are no direct awards associated with this particular song, the album “Grand Bassam Zion Rock” contributed to Alpha Blondy’s continued prominence in the world/reggae music scene.

Music clips from live performances of the song are frequently featured online, providing fans with visuals of Blondy’s energetic stage presence and unique musical arrangements.

More by the same : on RVM . RadioVideo.Music ]

3 . Karen O – Immigrant Song (w/ Trent Reznor & Atticus Ross)

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Karen O’s rendition of “Immigrant Song,” featuring Trent Reznor and Atticus Ross, was recorded for the soundtrack of the 2011 film “The Girl with the Dragon Tattoo,” directed by David Fincher.

The collaboration marked the first time Reznor and Ross worked with Karen O, lead singer of Yeah Yeah Yeahs, and the track was prominently used in the film’s opening credits.

Originally written and performed by Led Zeppelin, the cover offers a modernized, industrial interpretation of the 1970 classic.

The cover version was released as a standalone single on December 2, 2011, through Columbia Records, tied directly to the soundtrack album Trent Reznor and Atticus Ross composed for the film.

The song received critical notice for its distinctive energy and cinematic use and contributed to the overall acclaim of the soundtrack, which won the Academy Award for Best Original Score in 2012.

While the single itself did not chart broadly, the visual pairing with the movie’s gripping sequence helped it gain visibility.

This track also became notable as one of the few high-profile renditions of “Immigrant Song,” as Led Zeppelin’s catalog is historically selective about licensing for covers.

A promotional music clip was created featuring elements from the film, amplifying its usage in film marketing leading up to the movie’s release.

More by the same : on RVM . RadioVideo.Music ]

4 . Temple Of The Dog . Achilles Last Stand

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

More by the same : on RVM . RadioVideo.Music ]

5 . Alabama Shakes . How Many More Times

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

More by the same : on RVM . RadioVideo.Music ]

6 . Alice in Chains . Kashmir

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

More by the same : on RVM . RadioVideo.Music ]

7 . Heart . No Quarter

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Heart’s version of “No Quarter,” a Led Zeppelin cover, appears on their live acoustic album “The Road Home,” released on August 29, 1995, produced by Led Zeppelin’s John Paul Jones.

The song originally featured on Led Zeppelin’s 1973 album “Houses of the Holy,” and Heart often performed it live as part of their Zeppelin-inspired sets.

Heart’s rendition retains the song’s complex structure and dark atmosphere, with Ann Wilson’s vocals and Nancy Wilson’s acoustic guitar paying homage to the original while adding their signature style.

The album “The Road Home” peaked at #87 on the Billboard 200 chart, and the live performance of “No Quarter” became a standout moment during their acoustic tour in 1994, showcasing Jones’s production influence.

Heart’s inclination for Zeppelin covers culminated at the 2012 Kennedy Center Honors, where their performance of “Stairway to Heaven” was praised by Led Zeppelin members.

While “No Quarter” from “The Road Home” itself did not chart as a single, it solidified the Wilson sisters’ admiration for Zeppelin’s work and showcased their ability to reinterpret rock classics with precision and reverence.

More by the same : on RVM . RadioVideo.Music ]

8 . Steve Vai & Zepparella . Babe I’m Gonna Leave You

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Steve Vai and Zepparella’s rendition of “Babe I’m Gonna Leave You” is a live performance cover of the folk-rock classic initially written by Anne Bredon in the 1950s and later popularized by Joan Baez and Led Zeppelin on their 1969 self-titled debut album.

This collaboration brought together Steve Vai, a Grammy-winning guitarist renowned for his technical proficiency and contributions to albums like “Passion and Warfare” (1990), and Zepparella, an all-female Led Zeppelin tribute band founded in 2005 known for their faithful recreations of Zeppelin’s catalog.

The track was performed during a live concert, showcasing Vai’s signature guitar virtuosity paired with the dynamic vocal and instrumental arrangements of Zepparella.

While there is no studio recording or official release of this collaboration, recordings of their performance have garnered significant views on platforms like YouTube, contributing to its widespread recognition among music enthusiasts.

The original “Babe I’m Gonna Leave You” did not chart upon its release but has been acclaimed for its innovative structure blending folk and hard rock, which inspired a multitude of artists to reinterpret the song across genres.

More by the same : on RVM . RadioVideo.Music ]

9 . Dave Grohl . Warren Haynes . No Quarter

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Dave Grohl and Warren Haynes performed “No Quarter,” a cover of the Led Zeppelin track originally released on their 1973 album “Houses of the Holy,” during a memorable live collaboration.

This rendition brought together Grohl, widely known as the frontman of Foo Fighters and former drummer of Nirvana, and Haynes, guitarist and vocalist for Gov’t Mule and longtime member of The Allman Brothers Band.

The performance occurred at the “Love Rocks NYC” benefit concert at the Beacon Theatre in New York City on March 7, 2019, an event that raised funds for God’s Love We Deliver, a non-profit organization.

“No Quarter,” composed by Led Zeppelin members Jimmy Page, Robert Plant, and John Paul Jones, features complex instrumentation and was also a staple of Led Zeppelin’s live shows.

Grohl handled drumming duties for this particular collaboration, paying homage to the original’s unique rhythmic structure, while Haynes contributed guitar and vocals, honoring the song’s intricate and haunting arrangement.

Clips from the live performance circulated widely across social media and streaming platforms, highlighting the unique union of two accomplished rock musicians interpreting a classic track.

More by the same : on RVM . RadioVideo.Music ]

10 . Foo Fighters . Stairway To Heaven

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

More by the same : on RVM . RadioVideo.Music ]

11 . Kid Rock . Ramble On

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Kid Rock’s song “Ramble On” appears on his 2003 self-titled album “Kid Rock,” which debuted at number 8 on the Billboard 200 and went on to be certified double platinum by the RIAA.

While the song shares its title with the iconic Led Zeppelin track, Kid Rock’s “Ramble On” is an entirely different composition and showcases his blend of country, rock, and blues influences.

The album featured collaborations with various artists, such as Sheryl Crow on the hit single “Picture,” but “Ramble On” does not feature any guest artists.

Kid Rock promoted the album on major platforms, including performances on “Saturday Night Live” (2003) and at MTV events during the early 2000s.

Though not released as an official single, “Ramble On” was part of Kid Rock’s setlist during his ‘Rock n Roll Revival’ tour in 2008, which featured a mix of classic songs and newer material.

The song illustrates themes that align with the personal narratives Kid Rock often includes in his music.

It contributes to the broader success of the “Kid Rock” album, which sold over 2 million copies in the U.S. and was a pivotal work in his discography.

Music clips of “Ramble On” can frequently be found within fan compilations of the artist’s live performances, showcasing its enduring presence in his catalog.

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12 . Tori Amos . Thank You

Van Halen’s rendition of “Rock and Roll,” originally a Led Zeppelin classic, was performed live by the band during select concerts and holds a place among the group’s high-energy covers.

The track was not included on any studio album by Van Halen but showcased their admiration for Led Zeppelin and their influence on rock music.

In several live performances, including during the “1982 Hide Your Sheep” tour, “Rock and Roll” became a fan highlight, often featuring David Lee Roth on vocals and Eddie Van Halen showcasing his signature guitar techniques.

Notable versions of the performance can be found in unofficial concert recordings that circulate among fans and collectors.

Although never officially released as a single or album track, its inclusion in the band’s setlist demonstrated their ability to reinterpret classic rock staples with their own hard rock flair.

It was also performed by the band during a few live collaborations with other artists, including special jam sessions in the late 1970s and early 1980s, cementing its place as an occasional but impactful live tribute.

There is no evidence of this live cover earning the band awards or chart positions, but its performance solidified connections to rock history, highlighting their ability to draw from earlier influences while embracing their own innovative style.

Dolly Parton covered “Stairway to Heaven,” originally written and performed by Led Zeppelin, for her 2002 album “Halos & Horns.” This rendition showcased her ability to reinterpret rock classics through a bluegrass and country lens.

The album “Halos & Horns” was Parton’s 36th studio record and marked her continued focus on acoustic and bluegrass styles during this era of her career.

Parton’s cover of the iconic rock anthem included unique instrumentation featuring banjos and her signature Appalachian vocal harmonies, maintaining the song’s spiritual theme while reimagining its sound.

While “Stairway to Heaven” was not released as a single, “Halos & Horns” did chart, reaching No.58 on the Billboard 200 and No.4 on the Top Country Albums chart.

The album was produced by Parton herself under her label, Dolly Records.

Known for performing songs from “Halos & Horns” during promotional tours, Parton included “Stairway to Heaven” in select setlists to highlight her genre-crossing versatility.

The song brought notable attention as Dolly became one of the few country artists to cover such a seminal rock work, demonstrating an interesting intersection between two widely distinct musical worlds.

Great White’s cover of “Since I’ve Been Loving You,” originally by Led Zeppelin, was included on their 1999 album “Great Zeppelin: A Tribute to Led Zeppelin,” which featured the band performing live renditions of several Led Zeppelin songs.

The album was recorded during a live concert at The Galaxy Theatre in Santa Ana, California, showcasing the band’s take on classic tracks by the iconic rock group.

The rendition captures the intricate guitar solos originally performed by Jimmy Page, with Great White guitarist Mark Kendall executing detailed re-creations of these solos.

While “Great Zeppelin: A Tribute to Led Zeppelin” did not chart in major markets, it has been noted as a comprehensive tribute album due to the authenticity of Great White’s performances.

The original version of “Since I’ve Been Loving You” by Led Zeppelin appeared on their 1970 album “Led Zeppelin III,” and Great White’s tribute highlights their long-standing admiration for the legendary band.

The performance on the live album does not feature any key collaborations or notable awards, but the recording is a reflection of the band’s dedication to celebrating Led Zeppelin’s influential catalog.

Clips and recordings of this live effort have circulated within fan communities, further solidifying its place as a significant tribute in Great White’s discography.

The Black Crowes performed a rendition of “Nobody’s Fault But Mine” with legendary Led Zeppelin guitarist Jimmy Page during their collaborative tour in the late 1990s and early 2000s, showcasing the track as part of their live setlist.

Originally written and recorded by Blind Willie Johnson in 1927, the song was famously reinterpreted by Led Zeppelin for their 1976 album “Presence.” This version, featuring Page alongside The Black Crowes, was later included on the live album “Live at the Greek,” released on February 29, 2000.

The album was recorded over two nights, October 18 and 19, 1999, at the Greek Theatre in Los Angeles.

“Live at the Greek” climbed to No.19 on the US Billboard 200 chart and was praised for its faithful renditions of classic rock staples.

This collaboration marked a notable partnership between Page and The Black Crowes, blending hard rock and blues influences.

The performances were captured in a pay-per-view broadcast and contributed to a renewed interest in Led Zeppelin covers during the late ’90s.

Phish has performed a cover of Led Zeppelin’s “Good Times Bad Times,” originally released on Led Zeppelin’s debut album “Led Zeppelin” in 1969.

Phish’s rendition has become a notable inclusion in their live performances, showcasing the band’s penchant for covering classic rock tracks.

First played on October 30, 1985, at Hunt’s in Burlington, Vermont, it has since appeared in over 100 live Phish setlists, making it one of their longest-standing cover songs.

Notably performed during their landmark Big Cypress festival on December 31, 1999, which drew over 85,000 fans for a two-day celebration into the new millennium, the song was part of a historic seven-and-a-half-hour set that lasted until sunrise.

It has frequently been used as an encore in their performances, such as during their highly regarded July 21, 1997, show at Virginia Beach Amphitheater, a concert that saw widespread fan acclaim for its high-energy setlist.

While this cover has never been included on a Phish studio album, it is featured on the live release “Hampton/Winston-Salem ’97,” which documented their notable 1997 fall tour.

Featuring Trey Anastasio’s masterful guitar work alongside the band’s improvisational style, this Zeppelin classic serves as both a tribute to rock legends and a showcase of Phish’s distinctive live performance energy.

Skid Row and Mötley Crüe have been pivotal acts in the Rock N’ Roll scene, contributing significant songs to the genre, though no official collaboration between the two bands currently exists.

Skid Row gained prominence with their debut self-titled album released in January 1989, featuring hits like “18 and Life” and “Youth Gone Wild,” with “18 and Life” reaching No.4 on the Billboard Hot 100.

The album was certified 5× Platinum by the RIAA.

Meanwhile, Mötley Crüe, formed in 1981, achieved commercial success with albums like “Shout at the Devil” (1983), “Theatre of Pain” (1985), and “Dr.

Feelgood” (1989), the latter peaking at No.1 on the Billboard 200 and certified 6× Platinum.

Their 1989 track “Kickstart My Heart” was nominated for a Grammy Award for Best Hard Rock Performance.

Notable collaborations include Mötley Crüe’s work with producer Bob Rock for “Dr.

Feelgood,” who was also known for working with Metallica.

Skid Row toured extensively with Guns N’ Roses during their “Use Your Illusion Tour” in 1991, while Mötley Crüe headlined major festivals including “Moscow Music Peace Festival” in 1989.

Both bands’ music was heavily featured on platforms like MTV, which played pivotal roles in amplifying their visibility during the 1980s and early 1990s.

Clips from their music videos, such as Skid Row’s “I Remember You” and Mötley Crüe’s “Girls, Girls, Girls,” remain iconic pieces of 80s rock imagery.

Godsmack’s “Good Times, Bad Times” is a cover of the original Led Zeppelin track, featured as the opening song on their acoustic EP “The Other Side,” released on March 16, 2004.

The EP marked a stylistic shift for the band, presenting them in a more stripped-down, acoustic format.

This song was not released as a single but became a highlight of the EP, showcasing the band’s ability to reinterpret classics with their signature sound.

“The Other Side” debuted at number five on the Billboard 200 chart and received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal for its track “Touché,” making the EP a standout in the band’s discography.

Though “Good Times, Bad Times” itself did not chart individually, it contributed to the overall success of the release.

The song also underlined Godsmack’s reverence for rock legends like Led Zeppelin, whose influence is often cited in interviews with the band members.

Recorded at Spiral Recording Studio in Hollywood, California, “Good Times, Bad Times” is accompanied by other tracks that further explore the band’s acoustic sensibilities.

It has since become a well-regarded component of the band’s live acoustic sets and highlighted their versatility in performance settings, although it did not have a dedicated music video clip.

Ann and Nancy Wilson performed “The Battle of Evermore” with The Lovemongers, their acoustic side project, originally for the 1992 compilation album “Singles: Original Motion Picture Soundtrack,” tied to Cameron Crowe’s film “Singles.” This cover is a rendition of the 1971 Led Zeppelin song from their album “Led Zeppelin IV,” marking the band’s only track with a guest vocalist, which was Sandy Denny.

The Lovemongers’ version features Ann and Nancy’s harmonized vocals alongside Nancy’s mandolin work, staying true to the original’s folk-inspired arrangement.

The song was performed live during the band’s 1992 U.S. tour at multiple stops, including Seattle, where it gained attention for its faithful yet distinct interpretation.

Additionally, “The Battle of Evermore” cover by the Lovemongers also appeared on their subsequent EP “Battle of Evermore” in 1993.

While it was not a major charting single, the recording contributed to Heart’s ability to explore acoustic and folk elements in their broader rock catalog.

Jeff Healey’s rendition of “Communication Breakdown” is a cover of the classic Led Zeppelin track originally from their self-titled debut album released in 1969.

Jeff Healey, a Canadian blues-rock and jazz musician, included this interpretation as part of the album “Cover to Cover,” which was released in 1995.

The album exclusively featured Healey’s versions of various rock and blues classics, highlighting his versatility and reverence for the genre’s influential tracks.

“Cover to Cover” achieved moderate commercial success and was distributed under the Arista label.

Healey’s version of “Communication Breakdown” preserved the song’s hard rock elements while showcasing his innovative guitar-playing techniques, such as playing the guitar flat on his lap, a unique style attributed to his blindness since infancy due to retinoblastoma.

Although this particular track did not chart as an individual single, the album received attention for its eclectic mix of covers and cemented Healey’s deep connection to classic rock influences.

The album also features contributions from the Jeff Healey Band, consisting of Joe Rockman (bass) and Tom Stephen (drums), longtime collaborators who were integral to the band’s cohesive sound.

While Jeff Healey’s version of “Communication Breakdown” has been featured in various compilations and playlists, it remains a prominent example of his dedication to reimagining iconic rock tracks.

Sheryl Crow’s song “Rock and Roll” is featured on her 2019 album “Threads,” a collaborative project that includes a range of prominent musicians.

This track is a duet with Joe Walsh, the guitarist from the Eagles, who also contributed to the production and played guitar for the song.

The album “Threads” reached No.2 on the Billboard Top Rock Albums chart and earned nominations for the 62nd Annual Grammy Awards.

While “Rock and Roll” did not individually chart, it was part of a body of work praised for its roster of collaborators, including Keith Richards, Eric Clapton, and Willie Nelson.

“Threads” was also positioned as Sheryl Crow’s final full studio album, creating additional attention around its release.

Crow and Walsh performed “Rock and Roll” during select appearances promoting the album, including televised segments like “The Tonight Show Starring Jimmy Fallon.” Additionally, the music video for this album features clips of the artists in the studio, highlighting the collaborative process behind the record.

All of these elements contributed to the song’s context as part of her career-spanning collaborative milestone.

Tori Amos’s rendition of “Thank You,” originally written and performed by Led Zeppelin, appeared as a B-side on her 1992 single “Crucify,” which was part of her debut studio album “Little Earthquakes.” The song is notable as an intimate solo piano cover, showcasing Amos’s distinctive reinterpretation of the classic rock ballad.

The “Crucify” EP, featuring this track, charted at No.22 on the UK Singles Chart and spent 7 weeks on the chart.

While Amos’s version did not chart separately, it gained attention for its stripped-down arrangement compared to the original, highlighting her classical training and emotive vocal delivery.

It has been performed sporadically during her live concerts, including her renowned 1996 “Boys for Pele” tour and later during the 2005 tour for “The Beekeeper,” reinforcing its role as a fan-favorite B-side.

Though it was never released as a standalone track or clip, its inclusion as part of “Crucify” made it accessible to a broader audience and further cemented Amos’s ability to reinterpret canonical songs from prominent bands.

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