August 2025 brings notable shifts across several charts, with major movements at the top. Death In Vegas maintain control in both electronic and trip hop, while Armand Van Helden and Groove Armada trade key positions. In 2000s garage rock, The Raconteurs and Babyshambles give way to Jet and The Hives, as The White Stripes continue to anchor the rankings.
Britpop highlights Oasis climbing with renewed strength and the addition of a new Cast entry, while in sophisti-pop Sade and Sting remain firmly placed near the summit. R&B stays led by Kendrick Lamar and SZA, joined by a fresh entry from Alessia Cara, as Jason Mraz breaks into the upper tier of neo-mellow. Meanwhile, Culture Beat, Gnarls Barkley, and Limp Bizkit reinforce their dominance within their respective genres, marking a month defined by reshuffles and significant new arrivals.
Here is the Aug 31,2025 edition
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Big Beat
Death In Vegas maintain a commanding presence at the top of the chart, with “Aisha” and “Hands Around My Throat” holding firm at #1 and #3, while “Scorpio Rising” climbs one place to #13.
Armand Van Helden continues his dominance, with “My My My” steady at #2 and “I Want Your Soul” moving into the top 5 at #5, overtaking Groove Armada.
Underworld’s “Jumbo” and Apollo 440’s “Lost In Space [Theme]” remain solid in the top 6, showing chart stability among the leaders.
Basement Jaxx’s “Where’s Your Head At” rises to #7, pushing Utah Saints’ “What Can You Do For Me” down to #9. Meanwhile, Groove Armada’s “I See You Baby” drops five spots to #10.
The KLF’s catalogue shifts slightly, with “Justified & Ancient” climbing to #12, while “Last Train To Trancentral [Live From The Lost Continent]” falls to #14. “America: What Time Is Love?” holds steady at #16.
Fatboy Slim enjoys mixed fortunes: “Star 69” jumps to #8, “Ya Mama” slips to #17, and “Right Here Right Now” holds at #20.
Apollo 440’s “Ain’t Talkin’ ’Bout Dub” holds at #19, while Stereo MC’s “Elevate My Mind” slides two spots to #15.
The only new arrival this month is Cornershop’s “Brimful Of Asha,” entering at #18. The track, originally released in 1997 and propelled to wider acclaim by Norman Cook’s remix, pays tribute to Indian playback legend Asha Bhosle and remains an enduring crossover hit.
2000s Garage Rock
The White Stripes remain untouchable at the top of the 2000s Garage Rock chart with “I Just Don’t Know What To Do With Myself,” while The Raconteurs climb to #2, swapping places with Babyshambles’ “Albion” which falls to #3.
Jet’s “Are You Gonna Be My Girl” rises strongly into the top 4, pushing Electric Six’s “Danger! High Voltage” to #5. The Hives also make gains, with “Hate To Say I Told You So” moving into the top 6.
The White Stripes’ “Seven Nation Army” slips to #7, while Black Rebel Motorcycle Club’s “Love Burns” drops to #8. The remainder of the top 10 sees The 5.6.7.8’s and Yeah Yeah Yeahs holding steady.
Kasabian’s “Goodbye Kiss” climbs into the top 11, as Arctic Monkeys’ “Why’d You Only Call Me When You’re High” falls to #18. The Hives push forward with “Main Offender” at #14 and “Two-Timing Touch And Broken Bones” at #17.
The Subways’ “Rock & Roll Queen” drops to the bottom at #20, while The Raconteurs’ “Hands” slides one spot to #19, closing the month with a reshuffle in the lower ranks.
Britpop
Britpop sees The Stone Roses’ “Sally Cinnamon” firmly at #1, while Oasis’ “Some Might Say” overtakes Cast’s “Walkaway” for the runner-up spot. Cast still dominate the upper end with “Walkaway” at #3 and “Alright” at #4.
Saint Etienne rise into the top 5 with “You’re In A Bad Way,” as Shed Seven’s “Chasing Rainbows” slips slightly to #7 but “Going For Gold” holds steady at #8. James’ “Sit Down” climbs to #9, pushing EMF’s “Unbelievable HD” down to #12.
Oasis gain ground with “Roll With It,” moving up to #11, while Edwyn Collins and Utah Saints shuffle slightly in the midsection. Lush’s presence holds with “For Love” at #10, though “Nothing Natural” exits the chart this month.
The only new entry is Cast’s “Sandstorm,” appearing at #17. Originally released in 1996, it reinforces the band’s chart dominance with another John Power-led anthem.
90s Sophisti-Pop
In 90s Sophisti-Pop, Molella keeps a strong hold at #1 with “With This Ring Let Me Go.” Sade’s “Kiss Of Life” climbs to #2, while Sting’s “Shape Of My Heart” slips to #3.
The rest of Sting’s catalogue remains stable, with “Mad About You,” “The Soul Cages,” and “Fields Of Gold” holding firm in the top 7. Everything But The Girl’s “Missing” continues its long-running presence at #5.
The Beautiful South’s “Everybody’s Talkin’” stays at #10, while “Perfect 10” slips to #13. Simply Red’s “Thrill Me” rises to #11, overtaking M People’s “Don’t Look Any Further” which settles at #12.
Talk Talk’s “Life’s What You Make It” falls to the bottom at #20, while Everything But The Girl’s “Driving” moves up into the midsection at #16, helping to balance shifts at the lower end of the chart.
2010s R&B
Kendrick Lamar and SZA’s “All The Stars” retains the top spot in 2010s R&B, with Jorja Smith’s “Blue Lights” still close behind at #2. A$AP Rocky’s “Everyday” climbs into the top 3, pushing Babyshambles’ rival from earlier genre aside, while Enrique Iglesias’ “Dirty Dancer” holds steady at #4.
The Weeknd’s “Try Me” drops to #5, while Summer Walker continues a strong run with “Playing Games” at #6 and “Girls Need Love” climbing to #14.
Khalid’s “Better” improves to #7, swapping with Ella Mai’s “Trip,” which falls to #9. Nick Jonas’ “Jealous” rises to #8, continuing its resurgence.
Chris Brown shuffles across the chart: “Deuces” climbs to #11, “Liquor” moves up to #15, while “Back To Sleep” drops slightly to #13. Beyoncé’s “Before I Let Go” also strengthens at #10.
The month’s only new entry is Alessia Cara’s “Scars To Your Beautiful,” debuting at #16. Its empowering themes of self-acceptance bring a fresh dimension to the chart’s mix of smooth ballads and club-driven R&B.
Neo-Mellow
Gary Jules’ “Mad World” remains unshaken at the top of the NEO-MELLOW ranking, with Keane continuing to hold both the second and third spots. The first notable shift arrives just outside the top tier: Jason Mraz’s “I’m Yours” makes a strong entrance at number five, inserting itself between Jack Johnson and Dido, while subtly rebalancing the chart order. In turn, Five for Fighting slips from sixth to eighth, and Paolo Nutini’s “New Shoes” shifts back one position. The middle tier remains stable, though Dido’s “White Flag” and David Gray’s “The One I Love” each move down a notch to accommodate the reshuffle above. Toward the lower end, Colbie Caillat and Norah Jones trade places, but Snow Patrol’s “Chasing Cars” continues to anchor the chart at number twenty.
P0st-Disco
On the POST-DISCO list, Shalamar’s “Make That Move” keeps its commanding hold at number one, with The S.O.S. Band and Imagination also standing firm in the runner-up positions. Patrice Rushen’s “Forget Me Nots” makes a decisive climb from fourth to overtake Evelyn “Champagne” King for the number four slot, pushing “I’m In Love” down one. Shalamar’s “Over And Over” slides to sixth as Club Nouveau’s “Lean On Me” edges forward. Deeper in the ranking, Alexander O’Neal’s ballad “If You Were Here Tonight” gains ground into the top ten, while Cheryl Lynn’s “Encore” slips just outside. Roger Troutman also sees an upward bump, advancing to twelfth and nudging Marky Mark’s “Good Vibrations” into the lower half of the chart. The remainder stays tightly packed, with minimal positional shifts among the enduring staples of the genre.
Yacht Rock
The YACHT ROCK chart experiences a reshuffle at the summit as Chicago’s “Hard To Say I’m Sorry” ascends to number one, nudging George Benson’s “In Your Eyes” into second and Don Henley’s “The Boys Of Summer” down to third. Michael McDonald’s timeless “I Keep Forgetting (Every Time You’re Near)” also strengthens its hold, rising into the top four. The Eagles’ “Hole In The World” slips modestly but maintains a strong presence in the top five. Fleetwood Mac’s “Everywhere” makes its way into the top ten, displacing Billy Ocean’s “Caribbean Queen” to tenth. The back half of the chart largely holds steady, though Fleetwood Mac’s “The Chain” edges upward, trading places with Ocean’s “Loverboy.” Beyond these adjustments, familiar fixtures like Daryl Hall’s “Maneater” and Patty Smyth’s “Sometimes Love Just Ain’t Enough” remain securely positioned.
Diva House
DIVA HOUSE sees Urban Cookie Collective’s “The Key The Secret” maintain a flawless run at number one. Behind it, CeCe Peniston’s “Keep On Walkin’” and Steps’ “One For Sorrow” swap positions, with Peniston moving into the runner-up spot. Further movement takes place as Corona’s “The Rhythm of the Night” surges into the top five, forcing SNAP!’s “Rhythm Is A Dancer” slightly lower. Rozalla holds steady, while La Bouche’s “Be My Lover” edges ahead into the upper tier. Mid-chart adjustments find Incognito falling to ninth, while Whigfield’s two entries—“Close To You” and “Sexy Eyes”—settle back-to-back just outside the top ten. In the lower half, Cappella, Lonnie Gordon, and D Mob each advance slightly as Crystal Waters and SNAP!’s later tracks rotate downward. Despite these shifts, the genre’s core staples remain intact, reflecting its enduring mix of 90s dance floor anthems.
Vintage Power Pop
The VINTAGE POWER POP listing is largely stable at the top, with Blondie’s “The Tide Is High” continuing its run at number one, followed closely by XTC and Nada Surf. The middle of the chart undergoes its most noticeable realignment: XTC’s “Generals And Majors” climbs into seventh, nudging The Knack’s “My Sharona” and Ash’s “Shining Light” each down one. At the lower end, Weezer’s “Island In The Sun” gains traction, climbing to sixteenth and pushing Dinosaur Jr.’s “Feel The Pain” to twentieth. In tandem, The Cars’ “Drive” and World Party’s “Is It Like Today?” trade positions, shifting slightly upward in the sequence. Despite these adjustments, the overall structure of the chart remains firm, with only subtle changes reshaping the long-standing lineup of power pop staples.
Eurodance
Culture Beat’s dominance continues into August, though the order at the top shifts. “Anything” climbs one place to secure the No. 1 spot, pushing “Crying In The Rain” into second while Dr. Alban’s enduring “It’s My Life” stays steady at No. 3. Strike’s 1994 anthem “U Sure Do” makes a strong debut at No. 4, immediately reshaping the upper tier. ATC’s “All Around The World [la la la la la la la la]” holds its ground at No. 5, while Culture Beat’s “Take Me Away” slips to No. 6. U96’s “Club Bizarre” and Dr. Alban’s “Away From Home” maintain close positions mid-chart, but Urban Cookie Collective’s “The Key The Secret” softens slightly to No. 9. Scooter’s “Nessaja” and “Fire” remain back-to-back inside the Top 11, while The Outhere Brothers and Ice MC swap positions just outside. Below, two new arrivals—Groove Coverage’s “Moonlight Shadow” at No. 14 and Daze’s “Together Forever” at No. 17—bring fresh early-2000s energy into a list otherwise dominated by 90s mainstays. Corona’s “The Rhythm of the Night” also resurfaces at No. 18, while Atlantic Ocean and Miss Jane round out a busy Top 20.
Heartland Rock
p>Cheap Trick’s “The Flame” secures a second consecutive month at No. 1 on the Heartland Rock chart, holding steady ahead of Bryan Adams, who reshuffles positions with “Here I Am” rising to No. 2 while “Have You Ever Really Loved A Woman?” slips to No. 3. Don Henley’s “The Boys of Summer” remains fixed at No. 4, while Bob Seger’s “Night Moves” stays strong in the Top 5. Bryan Adams keeps his multi-song presence alive with “Back To You” at No. 6, leaving “Hollywood Nights” and “Hole In The World” unmoved in the middle section. Further down, Lindsey Buckingham and Todd Rundgren both gain ground, while The Black Crowes climb sharply to No. 11 with “She Talks To Angels.” Foreigner reshapes the lower tier, with “I Don’t Want To Live Without You” entering at No. 14, followed closely by “Say You Will” at No. 19 and “Urgent” at No. 20. America, Bonnie Raitt, and Bryan Adams’ early-90s ballad “[Everything I Do] I Do It For You” slide slightly but maintain chart presence, while Foreigner’s multiple entries make them the month’s biggest newcomers.
New Jack Swing
Shalamar continue their grip on the New Jack Swing chart as “Make That Move” holds the top spot. Below, Atlantic Starr’s “Always” overtakes The S.O.S. Band’s “Take Your Time [Do It Right]” for the runner-up position, while Tevin Campbell and Angie Stone keep steady inside the Top 5. Stephanie Mills and Bell Biv DeVoe maintain consistent momentum mid-ranking, as Shalamar and Club Nouveau also remain secure with familiar placements. The biggest movement comes in the lower half: Roger Troutman’s “I Want To Be Your Man” rises to No. 11, replacing Freddie Jackson, who slips to No. 18. The Whispers, SWV, and Shalamar’s “Take That To The Bank” all shift upward slightly, with Ready For The World and Force MD’s trading places. At the close of the chart, Jeffrey Osborne’s “Only Human” debuts at No. 20, adding fresh early-90s soul to the mix and ensuring the rotation of classic ballads continues alongside the genre’s uptempo standards.
Post-Grunge
Limp Bizkit maintain their commanding run on the Post-Grunge chart, with “Behind Blue Eyes” holding firm at No. 1. The Top 5 otherwise remains unchanged, Candlebox, Matchbox Twenty, Counting Crows, and The Used all anchoring key positions. Faith No More’s “Digging The Grave” stays steady at No. 6, while Live’s “Selling The Drama” climbs to No. 7, trading with Nickelback’s “Too Bad,” which falls back to No. 11. Paul Oakenfold’s “Starry Eyed Surprise” edges upward, while Chris Cornell’s cover of “Billie Jean” moves into the Top 10. Nickelback’s “How You Remind Me” strengthens its standing at No. 10, giving the band two entries inside the upper half. In the lower tier, Better Than Ezra, The Offspring, and Spacehog hold mid-table, while Third Eye Blind’s “Semi~Charmed Life” rises to No. 15. Silverchair, Rage Against The Machine, and Linkin Park’s “Somewhere I Belong” shuffle slightly downward, but the biggest shift arrives at No. 20, where Linkin Park debut “Points of Authority,” expanding their presence on the chart and reinforcing their hybrid metal dominance.
Trip Hop
Death In Vegas extend their grip on Trip Hop with “Aisha” at No. 1 for another month, while Roots Manuva holds steady at No. 2. Björk’s “I Miss You” climbs to No. 3, trading places with Zero 7’s “Destiny,” now at No. 4. Death In Vegas double their Top 5 presence as “Hands Around My Throat” leaps into fifth, reshaping the upper tier alongside Portishead’s “All Mine” at No. 6. Olive and Portishead’s “Sour Times” maintain familiar territory mid-chart, joined by Zero 7’s “In The Waiting Line” at No. 9. Morcheeba, Björk, and Everything But The Girl shuffle through the middle ranks, while Groove Armada dips to No. 13. New arrivals add darker textures: Massive Attack’s brooding “Angel” lands at No. 14, bringing a heavier edge to the chart, while Death In Vegas close the list with “Scorpio Rising” at No. 20. Portishead’s “Glory Box” climbs into the Top 16, ensuring all of their signature singles remain in circulation, as Trip Hop’s balance shifts between 90s cornerstones and early-2000s additions.
80s New Wave Pop
Fine Young Cannibals lock up a second month at No. 1 with “Johnny Come Home,” as the Thompson Twins continue to crowd the podium—“Doctor! Doctor!” holds at No. 2 while “Lies” nudges up to No. 3 and “King For A Day” eases to No. 5. Blondie’s “The Tide Is High” rises two to No. 4, and Texas push “Every Day Now” into the Top 6. The month’s sharpest climb belongs to Sheena Easton’s “Almost Over You,” vaulting 18–12, while Howard Jones takes the biggest slide, 5–10. Naked Eyes improve three to No. 8 as Bryan Ferry edges to No. 9, and The Lightning Seeds dip to No. 11. Simple Minds stand firm at No. 13; Kate Bush slips to No. 14; Suzanne Vega softens to No. 17. The lower tier largely stabilizes, with Mike + The Mechanics up one to No. 18 and Men Without Hats at No. 19. Kim Carnes anchors the list a second month at No. 20, confirming a fully intact Top 20 with only internal reshuffles.
Gangster Rap
The Gangster Rap listings remain steady at the very top, with Panjabi MC, 2Pac, and Space Jam retaining the first three places. D12 and Lil Bow Wow also keep their ground in the top five. The most notable shifts unfold in the middle range: Fabolous’ “Breathe” edges into the top ten at No. 8, moving ahead of Mase and Dr. Dre, who swap positions at Nos. 9 and 10. Jay Z continues to hold multiple spots but shifts downward, with “Run This Town” sliding to No. 11 and “Empire State of Mind” to No. 12. Trick Daddy makes a striking leap to No. 14 with “Let’s Go,” while Flo Rida’s “Low” dips one slot to No. 15. The biggest headline is 2Pac’s return to the chart at No. 19 with “Until The End of Time,” a late-career anthem that brings fresh depth to the lower ranks, forcing 50 Cent down one place to No. 20.
80s Glam Metal
Ozzy Osbourne’s “Bark at the Moon” and Cheap Trick’s “The Flame” preserve their grip at the summit of the 80s Glam Metal list, with Asia’s “Heat Of The Moment” still fixed in third. Below, however, several titles jostle for position. Def Leppard’s “Rock Of Ages” climbs to No. 4, and Osbourne’s “The Ultimate Sin” surges into the top five at No. 5, making for a double presence in the upper ranks. Dio’s “I Could Have Been A Dreamer” slips back to No. 8, yielding ground to White Lion’s “Wait” at No. 6 and Ratt’s “You’re In Love” at No. 7. Dio rebounds slightly with “Rainbow In The Dark” now entering the top ten at No. 10, while Kingdom Come drifts outside to No. 11. Foreigner show remarkable staying power with four entries in the teens, though the key moment is the arrival of another Ozzy classic—”Crazy Train” debuts at No. 19, ensuring his profile on this chart remains stronger than ever.
90s Mellow Gold
Leo Sayer’s “When I Need You” continues as the defining track of 90s Mellow Gold, but the order just beneath him reshuffles. Paul McCartney rises to No. 2 with “Hope Of Deliverance,” overtaking Bryan Adams’ ballad “Have You Ever Really Loved A Woman?” which slips to No. 3. Bob Seger holds steady with “Night Moves” at No. 4, while Adams balances his position with “Back To You” unmoved at No. 5. The mid-tier sees smaller adjustments: Bee Gees’ “For Whom The Bell Tolls” edges ahead to No. 8, sending “Alone” slightly down to No. 11. Mike + The Mechanics tighten their cluster with “Over My Shoulder” climbing to No. 12, while “Another Cup Of Coffee” remains just above at No. 9. Eric Clapton’s “Wonderful Tonight” slides out of the top ten to No. 14, giving way to Status Quo’s “Fun Fun Fun” at No. 10. Meanwhile, Carly Simon makes a quiet but steady improvement with “You’re So Vain,” which rises to No. 19.
Old School Hip Hop
Old School Hip Hop remains driven by Space Jam’s “Hit’em High” and Newcleus’ “Jam on It” at the forefront, though the contest just below has shifted. LL Cool J’s “Loungin” advances to No. 3, nudging Anthrax’s “Bring Tha Noize” down to No. 4. Grandmaster Melle Mel stays in place at No. 5, while Public Enemy climb into the No. 6 slot with “Brothers Gonna Work It Out,” displacing Eric B. to No. 8. The Beastie Boys also slide back one to No. 9 as Public Enemy’s “911 Is A Joke” climbs to No. 7. A reshuffle in the lower middle tier sees Chubby Checker’s perennial “The Twist” shoot upward to No. 11, and Run DMC move back to No. 12. The most striking developments occur further down, where Public Enemy re-enter with “Welcome To The Terrordome” at No. 15 and Boogie Down Productions’ peace anthem “Self Destruction” at No. 16. These additions push long-standing cuts downward, reshaping the lower order but ensuring the genre’s political edge remains prominent.
Boy Bands Retro
All_4_One hold firm at the top of the Boy Bands Retro chart, with “I Swear” continuing its reign at No. 1 and “I Can Love You Like That” steady in third. Bell Biv DeVoe keep pace at No. 2 with “Poison,” while Color Me Badd’s “All 4 Love” and A1’s “Like A Rose” remain unmoved in the top five. The middle tier sees subtle reshuffling, as BBMak’s “Back Here” edges upward to No. 11, while East 17’s “Around The World” slides back to No. 13. Next’s “Wifey” also gains ground, rising to No. 12. At the lower end, Blackstreet’s “Don’t Leave Me” climbs to No. 16, while Soul For Real dip to No. 19. The key development arrives at No. 20, where A1 return with “Everytime,” a fresh entry that closes out the list with a reflective ballad, ensuring their presence is doubled on this month’s chart.
Indie Rock
In Indie Rock, Sigur Rós maintain their commanding lead with “Hoppípolla,” followed closely by Mono and Gerry Cinnamon, both holding steady. LCD Soundsystem remain fixed at No. 4 with “All My Friends,” but Franz Ferdinand’s “Take Me Out” makes a decisive climb into the top five at No. 5. Death Cab for Cutie rise to No. 6 with “I Will Follow You into the Dark,” pushing Hot Chip’s “Boy From School” down one place. The mid-chart stays largely consistent, though The Hives surge upward to No. 16 with “Hate To Say I Told You So,” gaining new traction. The most striking movement comes in the lower ranks, where Pavement’s 1997 track “Shady Lane” makes its debut at No. 17, joined by Interpol’s “Obstacle 1” at No. 19. Their arrivals push The Flaming Lips’ “Yoshimi Battles the Pink Robots Pt. 1” down to No. 20, adding fresh late-90s and early-2000s weight to an already diverse lineup.
Girl Groups
Jade hold the Girl Groups crown once again with “I Wanna Love You,” trailed closely by SWV and No Angels, both locked in place at Nos. 2 and 3. Sugababes and All Saints remain steady inside the top five, with no change in their positions. Further down, M2M’s “Don’t Say You Love Me” climbs to No. 6, moving ahead of En Vogue’s “Giving Him Something He Can Feel.” Sugababes also rise with “Overload” now at No. 9, while Brownstone’s “If You Love Me” slips into the tenth slot. The Pointer Sisters’ “Slow Hand” drop slightly to No. 12, while The Veronicas’ “4Ever” makes a sharp climb to No. 14. The most notable shake-up comes with the debut of Bananarama’s “I Heard A Rumour” at No. 18, adding a splash of late-80s pop sheen to the mix and further diversifying the bottom tier of the chart.
Pop Dance
Pop Dance remains dominated by Loud Luxury’s “Body” and Supermode’s “Tell Me Why,” both holding fast at the summit. The top five see some adjustments, with Lost Frequencies’ “Reality” rising to No. 3 and Eric Prydz’s “Call on Me” climbing into No. 4, forcing Tiësto’s “Lethal Industry” to slide to No. 5. Fedde Le Grand’s “Put Your Hands Up For Detroit” also climbs into the top six, overtaking Avicii’s “My Feelings For You,” which falls to No. 7. Gorgon City’s “All Four Walls” enters the top ten at No. 11, while Benny Benassi’s “No Matter What You Do” advances to No. 14. The most striking movements occur at the base of the rankings: Armin Van Buuren introduces “This Is What It Feels Like” at No. 17, and David Guetta resurfaces with “Memories” at No. 20, the latter bringing Kid Cudi’s voice back into the spotlight and refreshing the lower end with a familiar club anthem.
Neo Soul
Neo Soul undergoes its most dramatic shift in months, as Gnarls Barkley storms in at No. 1 with “Who Cares,” displacing Aaliyah’s “Hot Like Fire” to second place. De La Soul remain steady in third with “All Good?,” while Aaliyah’s “If Your Girl Only Knew” slips slightly to No. 4. The rest of the top ten largely maintains its order, though Angie Stone’s “Life Story” climbs into ninth place, moving ahead of Mary J. Blige’s “Family Affair.” Further down, Nicole’s “Make It Hot” rises to No. 13, while Ghostface Killah trades positions with Mary J. Blige’s “Love Is All We Need,” which drifts back to No. 16. The most telling change comes with Gnarls Barkley again, as “Crazy” returns at No. 19, giving the duo a rare double presence on the chart and solidifying their dominance in this month’s reshuffle.
Art Rock
Kate Bush’s “Army Dreamers” retains its commanding presence atop the Art Rock chart, with XTC holding steady in second place through “Mayor Of Simpleton.” Todd Rundgren remains unmoved at No. 3, but the balance shifts just beneath him, as XTC’s “Generals And Majors” climbs to No. 4, nudging David Bowie’s “The Hearts Filthy Lesson” to fifth. Radiohead’s “Jigsaw Falling Into Place” and Bowie’s “Hallo Spaceboy” continue their firm placements in the mid-upper ranks. A reshuffle occurs within the lower half of the chart: “No Surprises” makes a decisive jump into the top ten at No. 9, while “Creep” also advances to No. 12. Gerry Rafferty and David Bowie slide back with “Baker Street” and “Let’s Dance,” now at Nos. 13 and 14. New entries further enrich the list: Electric Light Orchestra introduce “So Serious” at No. 15, and Robert Plant resurfaces with “Big Log” at No. 17, adding fresh textures to the lineup. Kate Bush closes the chart once again with “Running Up That Hill,” now at No. 20, underscoring her enduring hold across multiple ranks.
2010s Trap
In 2010s Trap, Lil Wayne continues his reign with “She Will,” keeping the top spot for another month. Enrique Iglesias rises to No. 2 with “Dirty Dancer,” while Nafe Smallz makes an emphatic debut at No. 3 with “Good Love,” pushing Lil Wayne’s “Mona Lisa” down to fourth. Jay Z and DJ Snake maintain their positions just behind, as Kanye West’s “Runaway” slips to No. 7. The middle tier sees modest shifts, with Chris Brown’s “Deuces” climbing to No. 12, trading places with Kehlani’s “Nights Like This,” now at No. 13. In the lower tier, a wave of new entries shakes the order: Toni Braxton’s “Yesterday” claims No. 19 and Trey Songz’s “Heart Attack” arrives at No. 20, both adding a soulful R&B edge to the trap-heavy lineup. Their inclusion pushes long-standing titles from Selena Gomez and Lil Baby off the chart, refreshing the bottom end with new voices.
Nu Metal
Limp Bizkit continue their dominance in Nu Metal, with “Behind Blue Eyes” unmoved at No. 1 and Candlebox’s “Far Behind” maintaining its stronghold at No. 2. Ministry and Anthrax hold steady in third and fourth, while Kittie’s “Brackish” remains secure at No. 5. The most notable swap comes within P.O.D.’s catalog: “Alive” overtakes “Sleeping Awake” to move into sixth place, forcing its companion track down to seventh. Deftones and Faith No More trade positions just below, with “Change [In The House Of Flies]” rising to No. 9 and “Digging The Grave” easing to No. 10. Silverchair’s “Tomorrow” slides down to No. 14, as Papa Roach’s “Last Resort” moves upward to No. 13. Further adjustments push Rage Against The Machine and Linkin Park slightly downward, with Staind’s “For You” and Alice In Chains’ “Angry Chair” closing the list at Nos. 19 and 20.
Post-Punk
The Smiths once again lead the Post-Punk rankings with “There Is A Light That Never Goes Out,” joined in their familiar role by Talking Heads’ “This Must Be the Place” at No. 2. XTC retain a strong presence in third with “Mayor Of Simpleton,” while the order just beneath shifts, as “Generals And Majors” moves up to No. 4 and Talking Heads’ “The Lady Don’t Mind” slides back to fifth. Echo’s “Nothing Lasts Forever” climbs into sixth, tightening its position in the top ten. The lower ranks see the most significant activity, with The Jesus and Mary Chain entering at No. 15 with “Far Gone And Out,” and Love and Rockets’ “So Alive” debuting at No. 20. Their arrivals displace Captain Sensible’s “Wot,” which drops to No. 18, and ensure a revitalized edge in the lower order. Talking Heads continue to mark their influence across multiple entries, b