The April 30 update across the vintage genre charts brings a mix of stability and quiet shifts, with a few standout changes. In *Boy Bands Retro*, New Edition’s 1984 single “Mr. Telephone Man” makes a surprise return, while *Art Rock* welcomes XTC’s “Generals and Majors” as its only newcomer, replacing David Bowie’s “Fame 90.” The *Nu Metal* list remains largely intact, save for the entry of Machine Head’s “Old” at #20, displacing Deftones.
*2010s Trap* introduces Kodak Black’s viral hit “Zeze,” the only new appearance in an otherwise unchanged top five led again by Lil Wayne. Meanwhile, *Post-Punk* features no debuts, but continues to be dominated by Talking Heads, with XTC inching higher and Siouxsie holding two slots. In all, the charts show a preference for well-established catalog tracks, with only a few adjustments hinting at shifting listening patterns within familiar favorites.
Here is the Apr 30,2025 edition
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Big Beat
The Big Beat chart sees one new entry: Basement Jaxx‘s “Where’s Your Head At” debuts at number 18. With samples from Gary Numan and a surreal video, the 2001 track blends electronic and alternative dance elements. Fatboy Slim’s “Rockafeller Skank” exits the chart to make room.
Death In Vegas’ “Aisha” rises to number one, overtaking Armand Van Helden’s “My My My.” Groove Armada, The KLF, and Utah Saints maintain their strong mid-chart positions. The rest of the ranking remains mostly stable, with only slight positional shifts among familiar tracks.
2000s Garage Rock
The 2000s Garage Rock chart adds The Vines’ “Get Free” at number 20, replacing Kasabian’s “Goodbye Kiss.” The track, known for its raw energy and grunge-inspired edge, marked the Australian band’s breakout in the early 2000s.
Yeah Yeah Yeahs’ “Maps” holds the top spot, while The White Stripes dominate with five songs across the chart. Arctic Monkeys and Jet remain steady, and there are no significant moves in the top half.
Britpop
The Britpop chart registers no new entries in April, but sees some movement in rankings. Lush’s “Nothing Natural” drops from number 4 to 17, while “For Love” climbs to 12. Del Amitri’s “Always The Last To Know” moves up to the top 10.
Cast’s “Walkaway” retains its number one position. Other mainstays like Shed Seven, EMF, and Oasis continue to circulate in the upper ranks. Despite the reshuffling, the genre remains dominated by familiar names.
90s Sophisti-Pop
The 90s Sophisti-Pop chart welcomes one new entry: Swing Out Sister’s cover of “La La (Means I Love You)” debuts at number 19. The rendition preserves the spirit of The Delfonics’ original, enhanced by orchestral arrangements.
Sade’s “Kiss Of Life” climbs to number 2, pushing Chris Rea’s “Auberge” to fourth. The top 10 remains dominated by Sting and Everything But The Girl, with M People holding several positions in the lower tier.
2010s R&B
The 2010s R&B chart sees one new entry: Bryson Tiller’s “Don’t” debuts at number 19. Originally a SoundCloud release, the track blends R&B melodies with hip-hop influences and helped launch Tiller’s career.
The Weeknd continues to dominate, holding three positions in the top 15. Kendrick Lamar and SZA’s “All The Stars” climbs to number 2. The rest of the chart remains largely stable, with only minor reordering.
Neo-Mellow
Two new entries appear in the *Neo-Mellow* chart. KT Tunstall’s “Saving My Face” lands at number 15, examining societal pressure around cosmetic surgery through sharp lyrics and spectral visuals. Colbie Caillat’s “Bubbly” debuts at number 20, offering a light, acoustic portrayal of early-stage infatuation, supported by soft production from her father, Ken Caillat.
Norah Jones‘ “Don’t Know Why” slips to 13, while “The One I Love” by David Gray rises to 11. The exits include “Alanis Morissette – Crazy” and “Train – Drops of Jupiter,” making room for the two newcomers. Keane continues to dominate the top 10 with three songs, maintaining genre stability.
P0st-Disco
Level 42’s “Something About You” debuts at number 20, bringing polished synth-funk and lyrical tension to the chart. Its 1985 video and crossover success in the U.S. secure its relevance in the post-disco space.
Patrice Rushen‘s “Forget Me Nots” drops to 17, and the Whispers’ “And the Beat Goes On” climbs slightly. Marky Mark’s “Good Vibrations” and Incognito’s “Always There” retain their top 10 positions. “Maze – Back In Stride Again” exits the chart to make room for the new entry.
Yacht Rock
No new entries surface on the *Yacht Rock* chart this month. The top 5 remains intact, with Don Henley’s “The Boys of Summer” holding the lead, and Michael McDonald’s “I Keep Forgetting” anchoring at number 5. This 1982 track blends yacht rock with R&B influences and has been widely sampled in hip-hop.
Minimal shifts occur in ranks 12 to 20, with Daryl Hall’s solo versions of “Maneater” and “Out of Touch” appearing, reflecting catalog adjustments. The structure of the chart remains consistent with the prior month.
Diva House
Rozalla’s “Faith [In The Power Of Love]” enters at number 20. Released in 1991, this follow-up to her rave anthem “Everybody’s Free” expands her presence on the chart with producer credits from Nigel Swanston and Tim Cox.
“Snap! – Rame [Beloved]” drops to 19, while Whigfield’s “Close To You” and “Sexy Eyes” move up to mid-chart positions. “Snap! – Ooops Up” and “The First the Last Eternity” retain their ranks, consolidating the group’s consistent performance. No major exits are recorded this month.
Vintage Power Pop
XTC’s “Generals and Majors” debuts at number 8, offering a satirical take on militarism with ironic lyrics and jagged guitars. The 1980 single, produced by Steve Lillywhite, features Virgin Records founder Richard Branson in the video.
“Teenage Fanclub & De La Soul – Fallin’” drops slightly, and “Weezer – Island In The Sun” moves down to number 20. No tracks leave the chart; the new entry results from reshuffling existing artists, notably XTC, now with four tracks in the top 20.
Eurodance
The *Eurodance* chart remains relatively stable, with no new entries this month. ATC’s “All Around The World” continues to lead, followed by two tracks from Dr. Alban. His 1994 hit “Look Who’s Talking” rises slightly to number 15, maintaining its presence with its energetic delivery and Cheiron production.
DJ Sammy’s “The Boys of Summer” falls to 20, while Daze’s “Together Forever” moves into the top 10. Overall, the genre holds its structure, with Scooter and Snap! retaining multiple mid-chart positions.
Heartland Rock
The Black Crowes‘ “Sting Me” debuts at number 20, replacing Steve Miller Band’s “Abracadabra.” Released in 1992, “Sting Me” channels Southern rock energy and political edge, paired with a legalization-themed video.
Bryan Adams continues to dominate the top ranks with five tracks in the top ten, including “Christmas Time” at number one. Minor shifts occur among Seger and Raitt entries, but no other new arrivals or exits are recorded.
New Jack Swing
Three new tracks enter the *New Jack Swing* chart. Freddie Jackson’s “You Are My Lady” lands at 19, a 1985 ballad noted for its quiet storm aesthetic. Angie Stone’s “Life Story” arrives at number 20, exploring emotional evolution through neo-soul arrangements. The Whispers re-enter with “And the Beat Goes On” and “It’s A Love Thing,” now placed at 17 and 18, respectively.
SWV’s “Can We” retains the third spot, while Tevin Campbell’s “Tell Me What You Want Me To Do” climbs to number four. Exits include Maze’s “Back In Stride Again,” Wreckx-N-Effect’s “Rump Shaker,” and Milli Vanilli’s “All or Nothing.”
Post-Grunge
Matchbox Twenty’s “Real World” makes a significant debut at number one, replacing Candlebox’s “Far Behind.” The track, which humorously contemplates alternate lives, marks the band’s breakout Billboard appearance.
Nickelback’s “Too Bad” and Chris Cornell’s “Billie Jean” shift up, while Candlebox and Silverchair both slide. The rest of the chart holds steady, with no exits recorded this month.
Trip Hop
Air’s “Sexy Boy” debuts at number 17, entering the *Trip Hop* chart with its blend of French electronica and surreal pop. Known for its toy-monkey video and lyrical play on masculinity, the track continues Air’s presence alongside “Playground Love.”
Death In Vegas’ “Aisha” climbs to the top, while Portishead’s “Sour Times” moves to second. Björk remains dominant with five songs, including “Army of Me,” “Hunter,” and “Hidden Place.” The chart sees no exits; the new entry results from reordering and replacing one of Portishead’s duplicate entries.
80s New Wave Pop
Thompson Twins add “King For A Day” at number 2, replacing “Lay Your Hands On Me,” which moves to 7. “King For A Day,” co-produced with Nile Rodgers, peaked at #8 on the Billboard Hot 100 in 1985. Suzanne Vega‘s “Tom’s Diner” enters at number 16, a track that found renewed life in its DNA remix version.
Yazoo’s “Nobody’s Diary” and Belinda Carlisle’s “Heaven Is a Place on Earth” exit. The rest of the chart mostly reorders key tracks by Thompson Twins, Yazoo, and Kate Bush, with Bryan Ferry and Kim Wilde holding steady in the mid-tier.
Gangster Rap
Panjabi MC’s “Beware” debuts at number 1, displacing 2Pac’s “Toss It Up.” Originally released as “Mundian To Bach Ke,” the track blends bhangra with Western hip-hop aesthetics and gained international traction after its 2002 remix with Jay-Z.
50 Cent’s “Disco Inferno” enters at number 20, while Snoop Dogg’s “Snoop’s Upside Ya Head” exits. Most Jay-Z, Ice Cube, and Dr. Dre placements hold with minor shuffles. Lil Bow Wow’s hit rises to number 6, maintaining its early-2000s relevance.
80s Glam Metal
Survivor’s “Burning Heart” enters at number 19, replacing Poison’s “Cry Tough.” The track, crafted for *Rocky IV*, peaked at #2 on the Billboard Hot 100 and remains one of the band’s most recognizable songs.
Asia’s “Heat Of The Moment” takes the top spot from Ozzy Osbourne’s “Bark at the Moon,” now at 3. No other new entries are noted, but positions shift slightly among Poison, Ratt, Dio, and White Lion titles.
90s Mellow Gold
Three tracks join the chart: Bryan Adams‘ “Thought I’d Died And Gone To Heaven” at 17, Mike + The Mechanics’ “Word Of Mouth” at 18, and Public Enemy’s “He Got Game” climbs one spot to 16. Departing are Patty Smyth’s duet, Carly Simon’s “You’re So Vain,” and Rod Stewart‘s “Downtown Train,” now at 19.
Top 10 positions are unchanged, dominated by Bryan Adams and Bob Seger. Paul McCartney’s “Hope Of Deliverance” and Bonnie Raitt’s “Nick Of Time” stay in strong mid-tier placement.
Old School Hip Hop
Chubb Rock’s 1991 single “Treat Em Right” debuts at number 20, replacing Boogie Down Productions‘ “Love’s Gonna Get’cha.” The track’s crossover appeal brought it to the Billboard Hot 100 and reinforced Chubb Rock’s club-friendly lyricism.
Positions within Public Enemy and LL Cool J entries remain mostly intact. No new reentries for Run DMC or Beastie Boys, though Eric B. & Rakim and Afrika Bambaataa stay in the mid-section of the chart.
Boy Bands Retro
New Edition’s “Mr. Telephone Man” enters at number 20, adding 1980s new jack swing to a chart dominated by 1990s and 2000s acts. One Direction’s “History” drops from number 2 to 15, while East 17 consolidates their presence with three songs in the top 11.
BBMak and McFly stay stable, while All-4-One’s “I Swear” continues its hold on the top spot. Puff Daddy’s “I’ll Be Missing You” exits along with Another Level’s track, making room for stronger retro representation.
Indie Rock
Hot Chip‘s “Boy From School” enters at number 8, replacing Yeah Yeah Yeahs’ “Heads Will Roll,” which drops to 16. The new entry reinforces Hot Chip’s dominant chart presence, with three tracks in the Top 20.
Franz Ferdinand and The Raconteurs both move up, while Interpol closes the chart at number 20. The top 5 remains unchanged, led by Sigur Rós’ “Hoppípolla.”
Girl Groups
Wilson Phillips’ “You’re In Love” enters at number 20, replacing All Saints’ “Black Coffee.” The early ’90s ballad brings a mellow contrast to the R&B-heavy lineup.
SWV maintains dominance with three tracks, including chart-topper “Can We.” En Vogue also remains strong with three entries, while Sugababes hold two spots in the middle of the ranking.
Pop Dance
Eric Prydz’s “Proper Education” debuts at number 19, pushing out Mr Probz’s “Waves.” The Pink Floyd-inspired rework aligns with the genre’s retro-electro leaning trends.
Avicii climbs with “My Feelings For You” up to number 3. David Guetta and Tiësto both maintain multiple entries, underscoring their continued chart strength across classic and mid-2000s dance tracks.
Neo Soul
Mary J. Blige’s “Everything” enters at number 19 and Nicole Wray’s “Make It Hot” debuts at 20, pushing out Nas and Missy Elliott’s older entries. These additions bring 1997–1998 energy to a chart led by early 2000s neo-soul standards.
Aaliyah and Angie Stone each hold two entries, while De La Soul’s “All Good?” remains at number 1. Jay Z and Lauryn Hill collaborations retain stable presence mid-chart.
Art Rock
There is one new entry this month: “Generals and Majors” by XTC arrives at number 10. Produced by Steve Lillywhite, the track mixes jagged guitars with irony, critiquing military clichés through sardonic lyrics. Richard Branson appears in the video, underlining the band’s eccentric image.
“Fame 90” by David Bowie exits the chart. Bowie remains a dominant presence with six songs, including “The Hearts Filthy Lesson” and “Hallo Spaceboy,” which both retain high positions. “Jigsaw Falling Into Place” by Radiohead climbs to number six, becoming the highest-ranked post-2000 track. The top three are reshuffled, with Bing Crosby’s holiday duet reclaiming the number one spot.
Most other entries remain stable, with Electric Light Orchestra and Kate Bush still well represented. No new artists appear in this cycle, keeping the chart anchored in established acts.
2010s Trap
“Zeze” by Kodak Black featuring Travis Scott and Offset enters at number 20. Known for its steel drum loop and viral #WaitingChallenge, the 2018 single gains attention for blending tropical beats with Atlanta trap.
Diddy’s “Hello Good Morning” exits to make room. The top five is unchanged, led by Lil Wayne’s “She Will” and “Mona Lisa.” DJ Snake and A$AP Rocky swap ranks, while Post Malone holds steady with two songs in the lower half. Chris Brown, Tory Lanez, and Flipp Dinero maintain moderate positions.
The overall chart remains consistent, with all other titles carried over from March and minor shifts in order among recurring artists like Jay Z, Nicki Minaj, and Lil Baby.
Nu Metal
“Old” by Machine Head debuts at number 20. Released in 1994, the song is a groove metal staple with introspective lyrics and heavy riffs, showcasing Robb Flynn’s signature intensity.
“Be Quiet and Drive” by Deftones is the only exit. Ministry’s “N.W.O.” and Candlebox’s “Far Behind” continue to lead the chart, with no change in the top three. P.O.D., Kittie, and Rage Against The Machine all retain two entries each, underscoring their sustained relevance.
Most tracks remain fixed in position, reflecting minimal volatility in this genre’s current rankings.
Post-Punk
No new entries appear in the post-punk chart this month. “Heartland” by The The drops to number 20, while XTC’s “Generals and Majors” climbs to number seven, replacing “Another Girl Another Planet” in the top five.
Echo & the Bunnymen, now listed as “Echo,” hold at number nine with “Nothing Lasts Forever,” a 1997 comeback single reflecting on change. Siouxsie maintains two tracks in the lower half, with “Dazzle” and “Spellbound” holding their places.
Talking Heads remain dominant with five tracks in rotation, led by “This Must Be the Place” at number one. The chart stays largely stable, with only internal reshuffles across legacy acts.