James Brown‘s ‘Love Power Peace’ is a live album recorded on March 8, 1971 at the Olympia, Paris with the original J.B.’s featuring Bootsy and Catfish Collins and released on August 23, 1992 by Polydor.

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Track Listing : 1.Intro (James Brown) – 00:00 . 2.Brother Rapp (James Brown) – 03:03 . 3.Ain’T It Funky Now (James Brown) – 05:36 . 4.Georgia On My Mind (Hoagy Carmichael, Stuart Gorrell) – 06:12 . 5.It’S A New Day (James Brown) – 02:53 . 6.Bewildered (Teddy Powell, Leonard Whitcup) – 04:19 . 7.Get Up (I Feel Like Being A) Sex Machine (James Brown, Bobby Byrd, Ron Lenhoff) – 08:45 . 8.Try Me (James Brown) – 02:24 . 9.Medley: Papa’S Got A Brand New Bag/I Got You (I Feel Good) /I Got … (James Brown) – 01:30 . 10.Give It Up Or Turnit A Loose (Charles Bobbit) – 05:14 . 11.It’S A Man’S Man’S Man’S World (James Brown, Betty Jean Newsome) – 05:43 . 12.Please, Please, Please (James Brown, Johnny Terry) – 02:09 . 13.Get Up (I Feel Like Being A) Sex Machine (Reprise) (James Brown, Bobby Byrd, Ron Lenhoff) – 00:39 . 14.Super Bad (James Brown) – 05:08 . 15.Get Up, Get Into It, Get Involved (James Brown, Bobby Byrd, Ron Lenhoff) – 02:07 . 16.Soul Power (James Brown) – 04:25 . 17.Get Up, Get Into It, Get Involved (Finale) (James Brown, Bobby Byrd, Ron Lenhoff) – 03:34

Musicians : James Brown – Vocals, Organ . Bobby Byrd – Mc, Vocals, Organ . Darryl “Hasaan” Jamison – Trumpet . Clayton “Chicken” Gunnells – Trumpet . Fred Wesley – Trombone . St. Clair Pinckney – Tenor Saxophone . Phelps “Catfish” Collins – Lead Guitar . Hearlon “Cheese” Martin – Rhythm Guitar . William “Bootsy” Collins – Bass Guitar . John “Jabo” Starks – Drums . Don Juan “Tiger” Martin – Drums . David Matthews – Additional Horns, Strings

Production : Produced By James Brown, Harry Weinger

Package : Daddy Cool – Liner Notes

Recorded On March 8, 1971 At Olympia, Paris, France.

Released On August 23, 1992 By Polydor.

(Source James Brown – Love Power Peace | Official Site)

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UNSUNG
And as for the band onstage…You got it: gettin’ down. SERIOUSLY gettin’ down and with a fever of a hundred and twelve. Bobby Byrd’s roar of a baritone coming out of his beanpole carriage dressed in white and sporting a pair of badass wingtips. […]

The Absolute Sound
The horns and strings seem submerged while the vocals are sometimes too forward. On the other hand, in spite of distant staging for the instruments in general the drums and the deep, dark, ominous bass lines come through clearly, revealing the energy and intricacy of a remarkable rhythm section. […]

Stereophile
What’s most fascinating about this show is how it documents a time in the evolution of Brown’s music when funk was taking over from soul. Rhythms fly in and out from every direction, and Bootsy is active and essential throughout. […]

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