Harry Connick, Jr‘s ‘Oh, My NOLA’ is an album containing well-known songs associated with New Orleans, recorded with a his big band and released on January 30, 2007 by Sony/Columbia.
‘Bernstein Plays Brubeck Plays Bernstein’ by The Dave Brubeck Quartet is an album recorded on January 30 and February 14, 1960 with Leonard Bernstein as conductor and released in 1961 by Columbia.
Charles Mingus‘ ‘Pithecanthropus Erectus’ is an album recorded on January 30, 1956 and released the same year by Atlantic.
Featuring: Power Star Pawan Singh, Harrdy Sandhu, Neelkamal Singh, Asim Riaz, Sukh Deswal, Laddi Chhajla, Mantu Chhuria, Khesari Lal Yadav, Saurabh Royale, Veet Baljit, Arnaaz Gill, Khesari Lal Yadav, Pardeep Sran, Jazzy B, Preet Harpal, Sabba, Diler Kharkiya, Gurmanter, Masoom Sharma, The PropheC, Brandon Harry, Faridkot, Saallax Sanaag, Devender Ahlawat, Prabh Gill, Master Saleem, Anant Rastogi, Shehbaz Badesha, Talwiinder, Kulwinder Sohi, Avkash Mann, Jassa Dhillon, Tarsem Jassar, MORE
Updated : Jan 30,2026
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Caro Emerald, Steppenwolf, Charlie Musselwhite, Ben Harper, Vampire Weekend, Eric Burdon, Brian Eno, Gram Parsons, John Scofield, Dee Dee Bridgewater, Nat King Cole, Jackie…
How well do you know the music of Texas’s “Say What You Want” oozes sultry sophistication, with Sharleen Spiteri’s emotive vocals effortlessly riding Johnny McElhone’s sleek production. Melody Gardot’s smoky “Your Heart Is As Black As Night” lets muted trumpet and double bass brew quiet tension, while Caro Emerald’s “Just One Dance” blends vintage jazz with modern beats, conjuring playful allure. Julia Holter’s “Feel You” offers delicate harpsichord notes over lush strings, embracing intricate vulnerability, and Brandi Carlile’s “The Things I Regret” leans on raw acoustic harmonies for genuine emotional pull. Madeleine Peyroux’s “The Things I’ve Seen Today” meanders through gentle folk-jazz landscapes with conversational charm, while Agnes Obel’s “Over the Hill” hushes with stripped-down elegance. Meanwhile, Miley Cyrus reimagines Melanie Safka’s “Look What They’ve Done to My Song Ma,” a bittersweet duet that bridges generations.? Take our 12-track quiz.
How well do you know the music of Johnny Gill’s velvety "A Cute, Sweet, Love Addiction" oozes '90s R&B sophistication, while Jodeci’s emotive "Cry for You" shines with gospel-tinged vulnerability. Simply Red’s "Stars" blends Hucknall’s distinct vocals with polished pop charm, and "If You Ever" pairs East 17’s catchy melodies with Gabrielle’s rich delivery. Barbra Streisand and Céline Dion’s duet "Tell Him" offers powerhouse harmonies, and 3T’s "Anything" delivers classic Jackson-esque sentimental R&B.? Take our 12-track quiz.
Gram Parsons‘ ‘Grievous Angel’ is his second and final solo studio album featuring Emmylou Harris and released posthumously in January 1974 by Reprise
How well do you know the music of Maroon 5’s “Harder to Breathe” bursts with intensity, blending rock aggression and funk hooks, while Biffy Clyro’s “Who’s Got a Match?” packs urgency into a sharp alt-rock anthem. Audioslave’s “Cochise” delivers explosive hard rock energy, and Incubus’ “Wish You Were Here” balances dreamy introspection and emotional resonance. Ida Maria’s chaotic “Oh My God” and Lostprophets’ anthemic “Last Train Home” capture raw, unfiltered emotion, while Razorlight’s scrappy “Stumble and Fall” thrives on jangly guitars and earnest vocals. Bullet for My Valentine’s “Waking the Demon” showcases thrash-fueled intensity, contrasting with Ian Brown’s reflective “Time Is My Everything,” which blends layered meanings with hypnotic grooves.? Take our 12-track quiz.
How well do you know the music of David Guetta’s "Play Hard" electrifies with Akon and Ne-Yo’s vocals over Alice Deejay’s "Better Off Alone" sample, while Passion Pit’s "The Reeling" blends synth-pop with emotional depth. Imagine Dragons’ "Believer" storms through themes of resilience, and Vance Joy’s "Riptide" captivates with its quirky, ukulele-driven charm. Lorde’s "Team" stands out for its minimalist beat and reflective lyrics, and Sub Focus’ "Turn Back Time" balances nostalgic vibes with a modern drum-and-bass pulse. Indiana’s "Solo Dancing" offers brooding synths and introspective independence, while The Wombats’ "Jump Into The Fog" merges indie energy with darker wit.? Take our 12-track quiz.
How well do you know the music of R.E.M.'s "Stand" brings quirky absurdity to a catchy pop-rock tune, while Swing Out Sister's "Surrender" radiates polished jazz-pop finesse with vibrant trumpet work. Faith No More's "We Care a Lot" mixes funk-metal swagger with biting satire, and The Jam's "Town Called Malice" critiques Thatcher-era struggles atop Motown-inspired rhythms. Kraftwerk's "The Model" blends cold detachment with synth elegance, and Duran Duran’s "New Moon on Monday" delivers sleek '80s optimism with cinematic flair. Meanwhile, Arcadia's "The Promise" features Sting’s subtle backing vocals, and The Skids’ "Working for the Yankee Dollar" critiques global politics with sharp post-punk energy.? Take our 12-track quiz.
How well do you know the music of Sarah Cracknell’s haunting vocals shine in “The Journey Continues,” blending classical flourishes with electronic beats, while Paul Oakenfold’s “Bullet in the Gun” pulses with late-’90s trance energy. Kyla’s “Do You Mind” brought UK funky house to life, later sampled in Drake’s “One Dance,” and Ferry Corsten’s “Fire” merged Simon Le Bon’s vocals with hypnotic synths for a euphoric club hit.? Take our 12-track quiz.
How well do you know the music of Guns N’ Roses give Dylan’s “Knockin’ on Heaven’s Door” swagger and spectacle, with Slash’s electrifying solos and a gospel choir turning it into a live eulogy. Billy Idol’s “Rebel Yell” channels 80s excess through snarling riffs and defiant energy, while Alice Cooper’s “School’s Out” doubles as a rebellious anthem of teenage freedom. Blondie’s pop-reggae spin on “The Tide Is High” highlights their genre-bending charm, and Prince’s “Controversy” pairs funk grooves with bold provocations on identity and society. Santana’s “Deeper, Dig Deeper” dives into fusion chaos, and Leonard Cohen’s ominous “First We Take Manhattan” balances dark humor with synth-layered intensity. Cocteau Twins’ “Wax and Wane” adds a metallic edge to their ethereal roots, while Art of Noise’s “Close (to the Edit)” disrupts pop with experimental absurdity.? Take our 12-track quiz.
How well do you know the music of George Clinton’s “Atomic Dog” barks into funky, synthetic chaos, while Def Jef’s “Droppin’ Rhymes on Drums” fuses intricate lyricism with Etta James' smoky vocals. Patrice Rushen’s “Never Gonna Give You Up” grooves with finesse, contrasting with Alisha’s bubbly freestyle hit “Baby Talk.” Meanwhile, Barrington Levy’s reggae anthem “Here I Come” stands timeless, and Steinski’s “We’ll Be Right Back” flips media snippets into a sharp anti-commercial statement.? Take our 12-track quiz.
‘Vampire Weekend‘ is their debut studio album released on January 29, 2008 by XL Recordings.
