SST publish Hüsker Dü’s third album : ‘New Day Rising’ (1985)
Hüsker Dü‘s ‘New Day Rising’ is their third studio album, co-produced with Spot and released in January 1985 on SST Records.
Hüsker Dü‘s ‘New Day Rising’ is their third studio album, co-produced with Spot and released in January 1985 on SST Records.
This day (January 31, 1944), in Kosciusko, Mississippi, is born Charles Douglas a.k.a. Charlie Musselwhite, an American electric blues harmonica player. (more…)
Tony Bennett‘s ‘The Movie Song Album’ is a studio album (his ‘all time favorite’ ) released on January 31, 1966 by Columbia.
Anita O’Day‘s ‘Anita Sings the Most’ is an album recorded on January 31, 1957 with Oscar Peterson on piano and released the same year by Verve.
Miles Davis‘ ‘Aura’ is a concept album produced by Danish composer/trumpeter Palle Mikkelborg, recorded between January 31–February 4, 1985 and released in 1989 by Columbia.
Horace Silver‘s ‘Finger Poppin” is an album recorded on January 31, 1959, with Blue Mitchell, Junior Cook, Gene Taylor and Louis Hayes and released mid-April 1959 by Blue Note.
Originating from Spanish bullfighting traditions, Paso Doble's robust sound features brass instruments, percussion, and castanets, all synchronized to create a dynamic and intense auditory experience. As the genre transcended bullrings to ballrooms, it evolved through French and Latin American interpretations, blending regional musical elements while maintaining its Spanish essence. Prominent figures like Pascual Marquina Narro have shaped Paso Doble's legacy, infusing it with themes of valor and drama to create a melodious tale of triumph and tragedy. From the commanding compositions of Carmen Sevilla and Manolo Escobar to the transcontinental reach of cultural icons like Lolita Torres and Antonio Molina, Paso Doble continues to thrive as a timeless art.
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How well do you know the music of John Mellencamp’s heartfelt "Hand to Hold On To" channels Midwestern grit with its raw simplicity, while Van Halen’s "Jump" electrifies with its iconic synth riff and playful bravado. Philip Lynott’s reflective "King’s Call" pays mellow homage to Elvis, and Edie Brickell’s "What I Am" blends chill grooves with sharp lyricism. The Bolshoi’s moody "Away" explores post-punk detachment, while Robin Gibb’s tender "Another Lonely Night in New York" captures urban solitude with cinematic sincerity.? Take our 12-track quiz.