Sony publish Béla Fleck & the Flecktones’ eighth album : ‘The Hidden Land’ (2006)
‘The Hidden Land’ by Béla Fleck & the Flecktones is their eighth studio album released on February 14, 2006 by Sony.
Sarah Vaughan records ‘Swingin’ Easy,’ an album for Emarcy (1957)
Sarah Vaughan‘s ‘Swingin’ Easy’ is an album recorded (partly) on February 14, 1957 and released the same year by Emarcy.
We remember Louie Bellson. ‘Bellson’s Drum Roll Fades’
This day (February 14, 2009), in Los Angeles, California, died Luigi Paulino Alfredo Francesco Antonio Balassoni a.k.a. Louie Bellson, an Italian-American jazz drummer and bandleader. (more…)
We remember George Shearing. ‘The Lullaby of Shearing Land’
This day ( February 14, 2011), in New York City, New York, died Sir George Shearing, an Anglo-American jazz pianist. (more…)
Pharoah Sanders records ‘Karma,’ an album for Impulse! (1969)
Pharoah Sanders‘ ‘Karma’ is an album recorded on February 14 & 19, 1969 and released the same year by Impulse!.
Me:nu Du Jour February 13 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Fugees, Sérgio Mendes, Phil Collins, Black Sabbath, 2Pac, Bob Dylan, The Band, Rolling Stones, Emeli Sandé, Ella Fitzgerald, Charles Mingus, Taj Mahal, Dianne Reeves,…
Hip-Hop & Soul N°245 – Vintage 90s Music Videos
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Michael Jackson’s "Remember the Time" blends nostalgic R&B with the crisp beats of new jack swing, peaking at #3 on the US Billboard Hot 100 and shining with a star-studded video featuring Eddie Murphy and Iman. Meanwhile, Monica’s "Like This and Like That" from her debut shows youthful confidence layered with hip-hop influences, reaching #7 on the Billboard charts alongside "Before You Walk Out of My Life."
Cypress Hill’s "Illusions" crafts a shadowy mood with its Gary Burton sample, standing out with DJ Muggs’ hypnotic production, while Donell Jones’ cover of Stevie Wonder’s "Knocks Me Off My Feet" charms without reinventing, landing modestly on the Hot 100. Morcheeba’s "Trigger Hippie" pairs trip-hop's mellow vibes with ironic storytelling, marking their early sound with its dreamy yet chaotic narrative.
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‘Music For The Dancers’ N°115 – Vintage 80s Music Videos
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Kool & The Gang’s "Get Down On It" combines funky basslines with vibrant horn bursts, embodying 1980s party vibes. Billy Ocean’s "When the Going Gets Tough, the Tough Get Going" shines as a catchy anthem with a dynamic brass section and a playful music video featuring stars like Michael Douglas. Phil Collins' "Sussudio" stands out with its infectious synth grooves and a bold, Minneapolis-inspired sound, capturing the energy of mid-'80s pop.
The Whispers' "And the Beat Goes On" delivers polished funk with a memorable rhythm, while Altered Images’ "I Could Be Happy" balances wistful lyrics with upbeat tempos. On the hip-hop front, Eric B. & Rakim's "Move the Crowd" exemplifies lyrical precision and minimalistic beats. Meanwhile, UB40 and Afrika Bambaataa’s "Reckless" blends reggae and electro vibes, creating a fascinating, albeit uneven, collaboration.
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‘L’Amour Toujours’ N°657 – 2010s Music Videos
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Taylor Swift’s "Style" captures the push-pull dynamics of a turbulent romance with sleek production and nods to nostalgia, standing tall on *1989*. Sam Smith’s "Like I Can" blends heartfelt vocals and polished power pop, finding popularity on TikTok years after its UK Top 10 charting. Zedd’s "Stay the Night," with Hayley Williams, merges emotional intensity and polished EDM, though its formulaic pop-EDM appeal feels tied to its 2013 moment.
Maverick Sabre leans into raw introspection on "No One," showcasing his emotional depth, though it stayed under the radar compared to his earlier hits. David Guetta's "What I Did for Love," featuring Emeli Sandé, is anchored by its vocal heft but leans heavily on familiar EDM motifs. Meanwhile, Fergie’s "L.A. Love (La La)" shines more through its rhythmic hook and global themes than any bold artistic leap, earning its spot on global charts.
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‘Vous Avez Dit Bizarre’ N°329 – Vintage 90s Music Videos
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Extreme’s "Tragic Comic" blends humor and romance with a rock vibe, showcasing witty lyrics atop a straightforward E major framework. Its quirky black-and-white video and modest chart success signal the band's waning global momentum. Faith No More’s "Epic," a bold mix of funk, metal, and hip-hop, thrives on genre-defying chaos, with Mike Patton’s cryptic lyrics leaving interpretation wide open, cementing it as a live staple and a chart-topping triumph in Australia.
Placebo’s debut single "Come Home" channels raw energy with Brian Molko’s androgynous vocals weaving angst and urgency. Meanwhile, The Cramps’ "Bikini Girls With Machine Guns" revels in campy absurdity, pairing Lux Interior’s frantic delivery with Poison Ivy’s gritty guitar riffs. Unkle’s "Be There," featuring Ian Brown, captivates with its haunting simplicity and nocturnal aesthetics, showcasing DJ Shadow's meticulous production style with an understated yet magnetic pull.
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‘L’Amour Toujours’ N°108 – Vintage 2000s Music Videos
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Daniel Bedingfield’s "Gotta Get Thru This" brilliantly channels raw emotion with a DIY edge, blending heartfelt falsetto and UK garage beats recorded on home software. Sugababes’ "Push the Button" thrives on polished electropop precision, supported by Dallas Austin’s production, turning sexual tension into a chart-topping hit. Then there’s Mariah Carey’s reflective "Don’t Forget About Us," pairing lush arrangements with bittersweet nostalgia, showcasing her knack for universal ballads. Meanwhile, Justin Timberlake’s "What Goes Around.../...Comes Around" combines sleek production with Middle Eastern influences, offering a seven-minute exploration of karma in relationships.
Kylie Minogue's "Please Stay" mixes Latin-pop with a disco vibe, maintaining her flair for stylish but safe hits. LMC's "Take Me to the Clouds Above" cleverly pairs Whitney Houston’s vocal with U2’s bassline for a rhythmic, nostalgic UK smash. S Club 7’s "Have You Ever" leans into glossy sentimentality, becoming a chart favorite tied to a charity push. Lastly, "Hey There Delilah" by Plain White T’s strips back to acoustic simplicity, intertwining longing with repetitive melodies to create a universally relatable yet calculated ballad.
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Singing With Peter Gabriel
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Peter Gabriel’s "Washing of the Water" gets an understated touch from Coldplay’s Chris Martin, merging emotional restraint with spiritual depth. Kate Bush and Gabriel’s duet "Another Day" channels post-breakup longing, while "Blood of Eden," featuring Sinéad O'Connor, blends textured instrumentals with themes of human connection. Johnny Clegg’s "Asimbonanga" delivers a rhythmic tribute to Nelson Mandela’s fight against apartheid, uniting history and melody.
Youssou N'Dour and Neneh Cherry's "7 Seconds" pairs multilingual vocals with minimalism, crafting a poignant take on prejudice, while Yusuf Islam’s "Wild World" quietly reflects human fragility. "The Feeling Begins" centers Jivan Gasparyan’s duduk, evoking timeless emotion. Papa Wemba’s contribution to "In Your Eyes" shifts Peter Gabriel’s live performance into something vivid and communal. Tracks like "Signal to Noise" highlight collaborations that balance tradition and modernity with varying results.
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This week In Singing Ladies 07/52
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Sarah Vaughan’s "Send In The Clowns," from her 1981 album, highlights her vocal depth, turning Sondheim’s poignant lyrics into an intimate experience. Katie Melua’s "Spider’s Web" blends subtle guitar work and orchestral flourishes to examine moral ambiguity, while Brandi Carlile’s "Before It Breaks" presents a raw, restrained emotional journey with contributions from Rick Rubin and the Hanseroth brothers.
Jennifer Rush’s "The Power of Love" stands as a power ballad classic, marked by its global chart-topping success, whereas Heart’s "Magic Man" fuses personal storytelling with 1970s rock drama. The Tedeschi Trucks Band’s "Signs, High Times" opens their 2019 album on a groove-filled, bluesy note, showcasing Derek Trucks’ slide guitar and Susan Tedeschi’s commanding vocals. Each track brings its unique stamp to their respective albums.
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Phil Collins releases his debut solo album : ‘Face Value’ featuring ‘In the Air Tonight’ and ‘I Missed Again’ (1981)
Phil Collins‘ ‘Face Value’ feat. ‘In the Air Tonight’ is his debut solo studio album released on February 1981, 13 by Virgin / Atlantic Records.
The Rolling Stones release their third American album : ‘Now!’ featuring ‘Heart of Stone’ and ‘Little Red Rooster’ (1965)
The The Rolling Stones ‘Now!’ feat. ‘Heart of Stone’ and ‘Little Red Rooster’ is their third American studio album released on February 13, 1965 by London Records.
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