Heart release their debut album : ‘Dreamboat Annie’ featuring ‘Magic Man’ and ‘Crazy on You’ (1976)
Heart‘s ‘Dreamboat Annie’ is their debut album released in the US on February 14, 1976 by Mushroom Records.
‘Music For The Dancers’ N°523 – Vintage 90s Music Videos
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Tracks like “Think About” by D.J. H. and Stefy tap into ’90s sampling with Aretha Franklin cuts creating a nostalgic-mechanical vibe, while Scooter’s “Back in the U.K.” pairs wild energy with quirky Miss Marple samples, delivering a playful burst to mid-'90s charts. Quench’s “Dreams” leans on trance’s hypnotic flow, blending atmospheric pads and sawtooth riffs that captured attention in early ’90s dance scenes.
Meanwhile, Charles & Eddie’s “N.Y.C.” offers a subdued ode to their city with smooth harmonies but leaves little impact in contrast to their hit “Would I Lie To You?” Meat Beat Manifesto’s “Mindstream” layers industrial breakbeats and techno energy, favoring texture over accessibility, and 808 State’s “In Yer Face” throws dense production into a raw high-energy anthem teetering between thrilling and bold chaos.
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‘L’Amour Toujours’ N°313 – Vintage 80s Music Videos
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V Capri's "Haunting Me" merges mid-'80s Australian new wave flair with emotive vocals and glossy production, peaking locally at No. 1 in Perth but struggling to make a broader impact. When in Rome’s "The Promise," born out of low-budget ingenuity, became an ’80s pop staple with its melancholic keyboard lines and mid-chart success on both Billboard and dance charts, later revitalized through covers and film appearances like *Napoleon Dynamite*.
The Smiths’ "What Difference Does It Make?" delivers biting lyrics alongside Johnny Marr’s jangly guitar, marking an early standout in their catalog with its philosophical edge and chart presence. Meanwhile, Prefab Sprout’s "Johnny Johnny" hints at the band’s lyrical finesse but lacks the commercial staying power of their bigger hits. Fra Lippo Lippi balances melancholy and pop accessibility in "Shouldn’t Have to Be Like That," showcasing an understated charm that resonated across parts of Europe.
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‘We Are Live’ N°126 – 2010s Music Videos
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Stereophonics’ "Indian Summer" blends nostalgia with arena-ready riffs but feels a bit predictable, while Foals’ "My Number" pulses with rhythmic precision and post-punk cool, earning notable chart success like No. 23 in the UK. Cover Drive’s catchy "Lick Ya Down" peaks at No. 9 in the UK, showcasing polished pop-reggae, and Bruno Mars’ heartfelt ballad "When I Was Your Man" tops the US Billboard Hot 100 with raw, stripped-back emotion.
Mr. Probz’s "Waves," enhanced by Robin Schulz’s remix, rides emotional metaphors to international chart-topping status, while Passenger’s "Let Her Go" captivates with its folk-pop simplicity, becoming a global hit. Zedd, Maren Morris, and Grey’s "The Middle" perfects infectious pop but sacrifices edge for mainstream appeal. James Arthur’s "Safe Inside" brings tender familial reflections, gaining Platinum certification despite its safe musical choices.
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Hip-Hop & Soul N°109 – Vintage 90s Music Videos
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Brandy’s "Sittin' Up in My Room," crafted by Babyface, blends introspection with polished mid-'90s R&B, featuring a catchiness rooted in Brandy’s youthful sincerity. Meanwhile, Luniz’s "I Got 5 On It" delivers a laid-back yet poignant anthem about shared financial struggles, its enduring appeal amplified by Michael Marshall’s soulful hook and cultural moments like its eerie placement in *Us*.
TQ’s "Westside" pays homage to California legends with its smooth production and heartfelt vocals, while Busta Rhymes’ "Gimme Some More" pushes rapid-fire delivery over DJ Scratch’s chaotic beats. JAY-Z reimagines Rose Royce’s "Wishing on a Star" alongside Gwen Dickey, marrying lush production with nostalgic verses, and Byron Stingily’s "Get Up (Everybody)" channels Sylvester’s disco roots into a vibrant ’90s house anthem fueled by his soaring falsetto.
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‘Vous Avez Dit Bizarre’ N°545 – Vintage 2000s Music Videos
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Coheed and Cambria’s "The Suffering" fuses progressive complexity with radio-ready hooks, driven by Claudio Sanchez’s piercing vocals and a sleek blend of metal crunch and melody. Matchbox Twenty’s "Disease," co-written with Mick Jagger, leans on polished angst and a slick rock arrangement, though it feels more comfortable than groundbreaking. Wheatus’s "Teenage Dirtbag" reverberates with timeless adolescent angst, carried by Brendan B. Brown’s youthful delivery and a buoyant guitar riff that’s still universally relatable.
Oasis’s "Go Let It Out" balances psychedelic layers with Noel Gallagher’s instrumental heavy-lifting, while Idlewild’s "A Modern Way of Letting Go" mixes melodic energy with punk grit. M83’s "Don’t Save Us From the Flames" packs electronic urgency into a feverish dreamscape, reflecting Anthony Gonzalez’s flair for cinematic soundscapes. Bullet for My Valentine’s "All These Things I Hate (Revolve Around Me)" showcases the emotional tension between acoustic tenderness and heavy distortion, capturing their early heavy-metal edge.? Take our 12-track quiz.
This week In Jazz Legends (Special Pianists) 07/52
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Omar Sosa’s Moody Jazz Café performance fused Afro-Cuban rhythms with modern jazz, blending traditional influences with electronic effects. His use of piano, Fender Rhodes, and keyboards created textured, dynamic compositions that teetered between avant-garde dissonance and harmonic beauty. Similarly inventive, Herbie Hancock and Chick Corea’s duet on “Maiden Voyage” stripped down the original’s oceanic essence into a minimalist piano conversation, showcasing their chemistry yet leaning toward cerebral abstraction.
Hank Jones reinterpreted Duke Ellington's “In a Sentimental Mood” at the 1977 Nice Jazz Festival, delivering a restrained yet elegant take alongside Vic Dickenson’s heartfelt trombone. Monty Alexander brought warmth to standards like “September Song,” infusing island rhythms without losing their melancholy core. Meanwhile, Return to Forever's “Sorceress” balanced jazz fusion’s complexity and raw energy, standing out on their iconic *Romantic Warrior* album as both intricate and challenging, though emotionally distant for some listeners.
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‘Music For The Dancers’ N°116 – Vintage 2000s Music Videos
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Justin Timberlake’s “SexyBack,” with its distorted vocals and electro-funk swagger, marked a bold shift for the artist, blending Bowie-esque intensity with Timberlake’s unique edge. Co-created with Timbaland and Danja, it commanded global charts and earned a Grammy, though some critique its over-reliance on style. Ashanti’s “Happy,” polished and catchy, showcases her effortless delivery over Murder Inc.’s velvety beats, securing top 10 positions across charts and solidifying early 2000s R&B vibes.
Craig David’s “6 of 1 Thing” brings Cuban flavor to his pop-R&B fusion, but struggles to leave a lasting mark, unlike Basshunter’s “Now You’re Gone,” which turned “Boten Anna” into a Europop chart-topping anthem. Similarly, Eric Prydz’s “Proper Education” adapts Pink Floyd within sleek house beats, gaining massive acclaim while balancing artistic nods with mainstream energy. From Motorcycle’s emotive “As the Rush Comes” to Ferry Corsten’s rhythmic “Rock Your Body Rock,” these tracks capture moments of innovation, nostalgia, or functional dancefloor appeal.
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Arista publish ‘Whitney Houston,’ her eponymous debut album featuring ‘You Give Good Love,’ ‘Saving All My Love for You’ and ‘How Will I Know’ (1985)
‘Whitney Houston‘ feat. ‘”Saving All My Love for You’ and ‘How Will I Know’ is her self-titled debut album released on February 14, 1985 by Arista.
The Who record ‘Live at Leeds’ at the University of Leeds Refectory (1970)
The Who‘s ‘Live at Leeds’ is their first live album recorded at the University of Leeds Refectory on February 14, 1970 and released on May 23, 1970 by Decca
Island Records publish P J Harvey’s eighth album : ‘Let England Shake’ (2011)
PJ Harvey’s ‘Let England Shake’ is her eighth studio album co-produced with Flood, Mick Harvey & John Parish and released on February 14, 2011 by Island Records.
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