Stacey Kent records ‘The Boy Next Door’ an album for Candid Records (2003)
Stacey Kent‘s ‘The Boy Next Door’ is an album recorded on February 18-22, 2003 and released on August 26, 2003 by Candid Records.
Frank Sinatra records ‘The Concert Sinatra’ with a large orchestra conducted by Nelson Riddle (1963)
Frank Sinatra‘s ‘The Concert Sinatra’ is a studio album recorded on February 18 & 21, 1963 with a larger-than-normal orchestra gathered by Nelson Riddle for the occasion and released the same year by Reprise.
Miles Davis records ‘Jack Johnson’ also known as ‘A Tribute to Jack Johnson’ for Columbia (1970)
Miles Davis‘ ‘Jack Johnson‘ is a soundtrack album also known as ‘A Tribute to Jack Johnson‘ recorded on February 18 and April 7, 1970 and released in February 1971 by Columbia.
Me:nu Du Jour February 17 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Eric Clapton, John Mayall, Kate Bush, Elvis Presley, John Lennon, Rodrigo y Gabriela, Larry Carlton, Brad Mehldau, Dizzy Gillespie, Nat King Cole We Celebrate…
This week In One-Off Collaborations 07/52
How well do you know the music of
"California Love" stands as a West Coast anthem blending 2Pac’s urgency and Dr. Dre’s polished production, with Roger Troutman’s talk box adding infectious funk. Its cinematic flair, quick creation, and Grammy nod cement its appeal, though some critique its reliance on atmosphere over depth. Similarly, Chuck Berry’s "Johnny B. Goode," a cornerstone of rock, merges autobiographical nuance with dynamic riffs, its cultural impact spanning decades from "Back to the Future" to the Voyager Golden Record.
Robbie Williams and Kylie Minogue’s playful duet "Kids" exudes polished theatricality, with cheeky nods to nostalgia driving its UK chart success. Al Jarreau and Kurt Elling’s spirited take on "Take Five" explores jazz interplay, balancing Jarreau’s unpredictable scatting and Elling’s structured phrasing. Meanwhile, "On My Own" unites Patti LaBelle and Michael McDonald’s distinct vocals through slick '80s production, delivering emotional weight despite their physical distance during recording.
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‘L’Amour Toujours’ N°314 – Vintage 90s Music Videos
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Tina Turner’s "Love Thing" from *Simply the Best* blends her vocal prowess with early-'90s pop flair but sits awkwardly among her classic hits like "Private Dancer." George Michael’s "Heal the Pain," an ode to McCartney's style, offers melodic warmth but lacks standout energy despite a later duet with McCartney himself. Sheryl Crow’s raw "What I Can Do For You" tackles sexual harassment with sharp commentary, showcasing her early knack for meaningful rock.
Melissa Etheridge’s "I Want to Come Over" channels longing with her passionate voice, finding chart success globally. Heather Nova’s "Heart and Shoulder" offers polished alt-pop vulnerability, while Tanita Tikaram’s "Only the Ones We Love" aligns subdued folk-pop with elegiac strings. Zucchero’s duet "Diamante" melds Italian soul with Randy Crawford’s jazz finesse, and Tasmin Archer’s harrowing "In Your Care" emphasizes gravity over radio appeal.
? Take our 12-track quiz.
‘Vous Avez Dit Bizarre’ N°107 – Vintage 2000s Music Videos
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Franz Ferdinand’s cheeky "Do You Want To" struts through indie rock with spiky guitars and sardonic lyrics, capturing mid-2000s swagger, while Rihanna’s chilling "Disturbia" pairs a claustrophobic beat with detached vocals, crafting a shadowy dance-pop hit. MGMT’s "Time to Pretend" revels in hedonistic irony atop euphoric synths, balancing glittering highs with reflective lows.
Blink-182’s “Feeling This” merges lust and rhythm with Travis Barker’s intricate drumming, while Linkin Park’s “One Step Closer” channels raw nu-metal angst through fiery riffs and direct lyrics. Electric Six’s wild “Danger! High Voltage” flaunts campy theatrics with surreal vocals, and Editors’ cold, driving “Munich” thrives on urgency and rhythmic precision. Each track, in its own way, captures its era’s energy.
? Take our 12-track quiz.
‘Vous Avez Dit Bizarre’ N°546 – Vintage 90s Music Videos
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Elastica’s "Line Up" captures mid-’90s Britpop energy with punk influences, shining despite its brief chart tenure, while "Aeroplane" by Red Hot Chili Peppers balances funk theatrics and playful whimsy, marked by Flea’s bass and a quirky kids’ choir. Meanwhile, Air’s "Sexy Boy" stands out for its catchy production, grounded by a clever bassline, though its tongue-in-cheek charm overshadows depth.
My Bloody Valentine’s "To Here Knows When" flips convention, crafting a textured shoegaze haze, while Nitzer Ebb’s "Lightning Man" delivers hypnotic EBM intensity. Anthrax switches gears with "Nothing,” favoring groove-driven metal, and Chris Rea’s "Auberge" leans into nostalgic, bluesy rock. From My Bloody Valentine’s layered abstraction to GusGus’s sleek "Polyesterday," each holds a unique chapter in '90s sound evolution.
? Take our 12-track quiz.
‘We Are Live’ N°16 – Vintage 80s Music Videos
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The page highlights diverse ‘80s tracks, like Dexys Midnight Runners’ brassy tribute "Geno," blending fan-to-idol narrative with fiery saxophones, and The Icicle Works’ "Evangeline," a moody neo-psychedelic piece reflective of its late-'80s era. Sammy Hagar’s raw "I’ve Done Everything For You" contrasts with Rainbow’s polished "I Surrender," led by Joe Lynn Turner’s radio-friendly vocals, while Scorpions’ "Passion Rules the Game" balances rock grit with melodic finesse.
Other notable mentions include the jangle-filled optimism of The Bluebells’ "Cath," The Silencers’ Celtic-tinged "I See Red," and The Dickies’ playful punk postcard "Fan Mail." Ratt’s glam-metal anthem "You’re In Love" rides on confidence but sticks close to formula, and Cockney Rejects’ gritty "Bad Man" narrates East End strife. Spider’s "Gimme Gimme It All" channels defiant hard rock energy but feels tethered to its influences, offering snapshots of the decade’s evolving sounds.
? Take our 12-track quiz.
Hip-Hop & Soul N°247 – Vintage 2000s Music Videos
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Chingy’s "Holidae In," featuring Ludacris and Snoop Dogg, captured early 2000s party vibes with its infectious hotel escapades, peaking at No. 3 on the Billboard Hot 100. Similarly, Clipse’s "When the Last Time" paired their sharp delivery with The Neptunes’ signature bounce, charting at No. 19 and solidifying its club anthem status. D12’s "Shit on You" showcased their brash humor while staying true to their Detroit roots.
Three 6 Mafia’s "Stay Fly," blending Willie Hutch’s soulful sample with swagger, soared to No. 13 and became a Southern hip-hop staple. Pharoahe Monch’s commanding "Simon Says," driven by a cinematic Godzilla sample, turned heads with its intensity and boldness. Meanwhile, Raghav’s "Angel Eyes" brought reggae-pop fusion to the forefront, hitting No. 7 on UK charts, though it leaned more on tribute than unique identity.? Take our 12-track quiz.
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