We remember Lee Morgan
This day (February 19, 1972), in New York, died Edward Lee Morgan, an American hard bop trumpeter. (more…)
Dinah Washington records ‘What a Diff’rence a Day Makes!’ (1959)
Dinah Washington‘s ‘What a Diff’rence a Day Makes!’ is an album arranged by Belford Hendricks, recorded on February 19 and August 1959 and released the same year by Mercury.
Impulse! publish ‘Duke Ellington Meets Coleman Hawkins’ (1963)
‘Duke Ellington Meets Coleman Hawkins‘ is an album recorded in August 18, 1962 At Van Gelder Studio and released in February 1963 by Impulse!
Herbie Hancock records ‘Crossings,’ the second album of his Mwandishi period in February (1972)
Herbie Hancock‘s ‘Crossings’ is his tenth (and second in his Mwandishi period) album recorded in February 1972 and released in May 1972 By Warner Bros.
Freddie Hubbard records ‘Blue Spirits’ with Joe Henderson, Hank Mobley & McCoy Tyner (1965)
Freddie Hubbard‘s ‘Blue Spirits’ is his tenth album recorded on February 19 & 26, 1965, with Joe Henderson, Hank Mobley and McCoy Tynerr.
We remember Larry Coryell
This day (February 19, 2017), in New York City, died Larry Coryell American jazz fusion guitarist
VIDEO DIGEST
We remember Larry Coryell
Tracklist :
1 . Spaces Revisited (2017)
2 . Larry Coryell Trio (2016)
3 . w/ Murali Coryell (2015)
4 . Kowloon Jag (2013)
5 . Blue Monk 2011)
6 . w/ Badi Assad & John Abercrombie – Three Guitars
7 . w/ George Duke – So What
8 . w/ Al Di Meola – Spain (1986)
9 . w/ Stipe / Delucia – Meeting Of The Spirits (1979)
10 . w/ Larry Carlton.J Abercrombie、John Scofield Tal Farlow – Autumn Leaves
11 . w/ Philip Catherine – Montreux (1977)
12 . w/ The Eleventh House – Low-Lee-Tah (1973)
13 . w/ Gary Burton – Berlin (1967)
14 . w/ Victor Bailey, Lenny White – Jazz Triumph Festival (2006)
Tracklist :
Feel Like Making Love . Yesterdays . Something . Rene’s Theme . ‘Round Midnight . Gloria’s Step . Intro To Tracey . Body & Soul . No More Booze Minor Blues . Wrong Is Right .
Me:nu Du Jour February 18 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOL TODAY We Listen To Aretha Franklin, Frank Sinatra, The Supremes, The Postal Service, Jackson Browne, Stacey Kent, Phil Collins, Miles Davis We Celebrate Randy Crawford, Irma Thomas,…
‘Music For The Dancers’ N°335 – Vintage 90s Music Videos
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Lenny Kravitz's "Fly Away" delivers effortless grooves with its four-chord simplicity, blending pop-rock and funk for wide appeal—it even snagged a Grammy and topped the UK charts. Jamiroquai’s "High Times" stands out with polished R&B-funk, showcasing tight production and Jay Kay's vocal charisma, though its tame lyrics on travel fatigue leave it feeling safe rather than bold.
Urban Cookie Collective's "Sail Away" rides the ’90s Eurodance wave with radiant vocals by Diane Charlemagne, climbing charts across Europe while sticking to a familiar formula. Meanwhile, "Crispy Bacon" by Laurent Garnier masters minimalist techno, its relentless bassline and stripped-back intensity epitomizing late '90s club culture with playful menace.? Take our 12-track quiz.
‘Look Ma, No Mike!’ N°13 – Vintage 2000s Music Videos
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Dumdums’ "Army of Two" blends crisp production, plaintive vocals, and rhythmic precision, capturing early-2000s British guitar pop but plateauing at number 27 like their previous singles. JJ72’s "Snow," marked by melancholic energy and Mark Greaney’s theatrical vocals, saw a delayed rise to number 21 on its re-release, contrasting their fragile yet defiant presence with peers like Coldplay and Embrace.
Oasis’s "Songbird," Liam Gallagher’s tender ode, strips back typical bombast for raw simplicity, maintaining a modest spot in their catalog. Beth Orton’s "Conceived" is understated and intimate, leaning on her folk-pop blend yet leaving ambitions underexplored. Meanwhile, Freefaller’s "Do This! Do That!" delivers catchy, straightforward pop/rock, reflecting early-2000s radio's formulaic appeal.? Take our 12-track quiz.
This week In ‘Hard & Metal Throwback’ 07/52
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Black Sabbath's "N.I.B." from their 1970 debut is a bold blend of Tony Iommi's heavy riffs and Geezer Butler's bass intro, complemented by Ozzy Osbourne's haunting vocals, depicting Lucifer's transformation through love. Metallica's "Damage, Inc.," closing their 1986 "Master of Puppets," delivers raw thrash energy, driven by Cliff Burton's layered bass intro and technical precision, cementing its place as a live favorite.
AC/DC's "Thunderstruck" from 1990’s "The Razors Edge" thrives on Angus Young's hypnotic guitar riff, bringing arena rock fervor despite its catchy simplicity. Guns N' Roses' "Welcome to the Jungle" unleashes urban chaos with Slash's slithering guitar riff and Axl Rose’s piercing wails. Rush's "YYZ," a prog-rock marvel from 1981's "Moving Pictures," dazzles with its 10/8 time signature and seamless interplay between Geddy Lee, Neil Peart, and Alex Lifeson.? Take our 12-track quiz.
This week In ‘2000s Throwback’ 07/52
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Carolina Chocolate Drops’ take on Blu Cantrell’s “Hit ‘Em Up Style” transforms modern pop into a string-band jam with banjos and fiddles, tying it to their Piedmont roots. Prince’s “Fury” mixes acid rock and funk with blistering guitar but feels restrained, contrasting its live performances where his energy electrifies the track. Meanwhile, Tenacious D’s “Dude (I Totally Miss You)” walks the line between humor and heartfelt emotion, thriving in their animated live sets.
Beth Hart’s “Hiding Under Water” channels her raw blues-rock energy, with live renditions cutting deeper into her vulnerability. Robbie Williams’ “Monsoon” sits comfortably on “Escapology,” blending polished instrumentation with emotional volatility. PJ Harvey’s “The Sky Lit Up” sprints with controlled chaos, while George Benson and Al Jarreau’s “Summer Breeze” reimagines soft rock as jazzy sophistication, contrasting nostalgia with urbane warmth.
? Take our 12-track quiz.
‘Vous Avez Dit Bizarre’ N°108 – Vintage 80s Music Videos
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Talking Heads’ "And She Was" merges surreal LSD-inspired storytelling with upbeat pop, highlighted by whimsical details like a Yoo-Hoo factory backdrop. Pet Shop Boys’ cover of "Always on My Mind" transforms Elvis sentimentality into a pulsating synth anthem, taking risks with its flashy reinterpretation. Michael Jackson’s "Thriller" blends catchy grooves with horror theatrics, immortalized by Vincent Price’s spoken-word interlude and the iconic music video.
Stray Cats' "Rock This Town" reinvigorates rockabilly with an energetic modern twist, while Pop Will Eat Itself’s "Can U Dig It?" crafts a frenetic, sample-driven love letter to pop culture. The Bangles’ "Manic Monday," penned by Prince, perfectly encapsulates workweek chaos with relatable lyrics and polished harmonies. Blancmange’s "Waves," though lushly arranged, trades their usual snappy synth pop for subdued orchestration, leaving listeners divided.
? Take our 12-track quiz.
‘L’Amour Toujours’ N°315 – Vintage 2000s Music Videos
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Andreas Johnson's "Glorious" embodies late-90s polished pop-rock, delivering catchy, radio-ready melodies but leaning more on marketability than artistry. Shivaree's "Goodnight Moon" stands out with its haunting Southern Gothic vibe, blending Ambrosia Parsley's vulnerable vocals with noir-like instrumentation. Meanwhile, Richard Hawley’s "Baby, You’re My Light" embraces understated tenderness, offering warmth but skirting predictability.
Counting Crows' "Big Yellow Taxi" revamps Joni Mitchell's original with Vanessa Carlton's vocal addition, balancing nostalgia with commercial sheen. Simple Plan’s "When I’m Gone" softens their pop-punk roots into radio-friendly polish, while Antony Costa’s cautious "Do You Ever Think Of Me" reflects a transitional solo effort. Plumb’s "Real" focuses on self-acceptance, though its safe production misses potential depth.
? Take our 12-track quiz.
‘We Are Live’ N°17 – Vintage 90s Music Videos
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From the anthemic "Alive" by Pearl Jam, blending raw introspection and arena energy, to the Scorpions’ "Wind of Change," a melodic reflection of geopolitical optimism, the tracks showcase diverse artistry. Mike + The Mechanics deliver polished 80s pop-rock with "All I Need Is a Miracle," while Metallica’s "Sad But True" slows things down with crushing riffs and brooding intensity. Living Colour’s "Leave It Alone" brims with defiance, and Siouxsie and the Banshees’ "Stargazer" glides on ethereal melodies.
Manic Street Preachers’ "You Love Us" thrives in glam-infused theatricality, and The Godfathers’ "Unreal World" captures gritty urgency in its critique of societal unrest. Ocean Colour Scene’s "The Riverboat Song" borrows Led Zeppelin swagger, and The La's’ "Feelin’" reflects melodic charm amidst production struggles. Genesis’ "Tell Me Why" leans into emotive pop balladry, while Mark Owen’s "Clementine" blends Britpop tones with reflective lyrics. These tracks, spanning different styles and moods, capture snapshots of their respective times and sounds.
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