Nat King Cole begins the recording of ‘Cole Español,’ an album arranged by Nelson Riddle (1958)
Nat King Cole‘s ‘Cole Español’ is a studio album arranged by Nelson Riddle, recorded on February 17, 18, 20, June 11, 30, 1958 and released in August 1958 by Capitol.
We remember Ray Barretto. ‘The Other Road’
This day (February 17, 2006), in Hoboken, New Jersey, died Ray Barretto, a Puerto Rican conga player. (more…)
We remember Thelonious Monk
This day ( February 17, 1982), in Englewood, New Jersey, died Thelonious Sphere Monk, an American jazz pianist and composer. (more…)
Dizzy Gillespie records ‘The Ebullient Mr. Gillespie’ an album for Verve (1959)
Dizzy Gillespie‘s ‘The Ebullient Mr. Gillespie’ is an album recorded on February 17, 18 & 20, 1959 and released the same year by Verve.
Brad Mehldau records with Larry Grenadier and Jeff Ballard : ‘Ode’ for Nonesuch (2008)
Brad Mehldau‘s ‘Ode’ is an album recorded on February 17, 2008 & April 19, 2011 with Larry Grenadier and Jeff Ballard and released on March 20, 2012 by Nonesuch Records.
Happy Birthday Fred Frith. ‘Frith The Fred’
This day (February 17, 1949), in Heathfield, Sussex, England, is born Fred Frith, an English multi-instrumentalist. (more…)
MCA Records publish Larry Carlton’s live album : ‘Last Nite’ (1986)
Larry Carlton‘s ‘Last Nite’ is a live album recorded in 1985 at The Baked Potato In North Hollywood and released on February 17, 1986 by MCA Records
Me:nu Du Jour February 16 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Carolina Chocolate Drops, Isley Brothers, Archie Shepp, Sarah Vaughan, Pat Metheny We Celebrate The Weeknd, YFN Lucci, Brownie McGhee, Sonny Bono We Watch Guns…
Hip-Hop & Soul N°108 – Vintage 2000s Music Videos
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Tracks like Flo Rida's "Low" with its crunk-era vibe and T-Pain's iconic hook captured mid-2000s nightlife, while Usher’s "Yeah!" featuring Lil Jon and Ludacris blended R&B charm with crunk energy to dominate charts globally. Beyoncé’s "If I Were a Boy" stripped back flash for emotional depth, creating a poignant yet polished ballad, and 50 Cent's "P.I.M.P." paired steel drum loops with swagger, balancing mainstream appeal and gritty themes.
Meanwhile, Afroman’s "Because I Got High" turned stoner humor into a worldwide hit, contrasting with 2Pac’s reflective "Thugz Mansion," which sought peace amidst turmoil. Ne-Yo’s "Mad" delivered polished vulnerability, and Wyclef Jean and Mary J. Blige's emotive "911" leaned into melodramatic storytelling. Wu-Tang Clan’s "Gravel Pit" thrived on chaos, while Sisqó’s "Got to Get It" served as a stepping stone to his solo heights.
? Take our 12-track quiz.
‘L’Amour Toujours’ N°481 – Vintage 90s Music Videos
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From the heartfelt fusion of rock, folk, and soul in Hothouse Flowers' "An Emotional Time" to Tom Petty's tight and energetic "You Wreck Me," the text highlights tracks that balance craft and emotion. Adam Ant’s "Wonderful" adopts a reflective tone, moving away from his earlier flamboyance, while Amy Grant’s "Good For Me" radiates polished, radio-friendly early-'90s pop charm. The Mavericks bring understated elegance to "Here Comes the Rain," blending country with Tex-Mex flair. Meanwhile, Teenage Fanclub offers breezy sincerity in their jangly "What You Do to Me," and Claudia Brücken's atmospheric "Kiss Like Ether" thrives on introspection and subtle abstraction.
OTT’s smooth cover of "Let Me In" retools nostalgia for ’90s boy band appeal, and Jaki Graham’s "You Can Count On Me (For Love)" delivers warmth albeit within formulaic boundaries. Melanie Williams and Joe Roberts' cautious rendition of "You Are Everything" opts for precision over depth, while Meat Loaf’s theatrical "Rock and Roll Dreams Come Through" contrasts with the understated clarity of Steinman’s original. Harry Connick Jr.'s jazzy "We Are in Love" exudes charm, though it forgoes spontaneity, and The Mavericks’ Grammy-winning performance reiterates their melodic consistency. These tracks, though varied in tone and success, carry distinct elements that resonate within their respective contexts.
? Take our 12-track quiz.
‘Vous Avez Dit Bizarre’ N°106 – Vintage 90s Music Videos
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Korn’s “A.D.I.D.A.S.” captures raw irreverence, blending juvenile cheekiness with nu-metal chaos, while The Prodigy’s “Smack My Bitch Up” hits with abrasive beats and a controversial narrative bolstered by its shocking video twist. Sinéad O'Connor’s “You Made Me the Thief of Your Heart” channels unfiltered grief, a standout vocal performance swirling within cinematic production. Pavement keeps it sardonic with “Cut Your Hair,” skewering music industry superficiality through infectious lo-fi charm.
Red Hot Chili Peppers’ funky “Give It Away” thrives on its unrelenting energy but teeters on chaotic, while Bad Religion’s “21st Century (Digital Boy)” critiques consumer detachment with punk sharpness. PJ Harvey’s haunting “Down by the Water” shifts into an unsettling experimental blues realm, as Elton John’s “Recover Your Soul” opts for polished yet restrained introspection. The Wonder Stuff’s “Welcome to the Cheap Seats” combines whimsy and rough-edged exuberance across formats, keeping their alt-rock energy intact.
? Take our 12-track quiz.
‘L’Amour Toujours’ N°110 – Vintage 80s Music Videos
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Taylor Dayne’s "Don’t Rush Me" pairs assertive patience with glossy production, landing it a No. 2 Billboard spot, just behind Phil Collins's "Two Hearts," while Pat Benatar’s "Love Is a Battlefield" redefined her sound with drum machines, topping U.S. and Australian charts. Meanwhile, The Bangles’ "Eternal Flame" captivated listeners with its sparse arrangement and vocal focus, claiming No. 1 spots worldwide.
Meat Loaf and Cher’s dynamic "Dead Ringer for Love" brought raw energy and theatrical flair, landing at No. 5 in the UK. Roy Orbison’s late-career gem "You Got It" blended timeless vocals with modern songwriting, peaking at No. 9 Billboard. Madness’s "It Must Be Love" balanced whimsy and sincerity for enduring charm, while T’Pau’s emotive "Valentine" showcased vocal intensity, reaching the UK top 10.
? Take our 12-track quiz.
‘Music For The Dancers’ N°611 – 2010s Music Videos
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"Run Up" by Major Lazer featuring PartyNextDoor and Nicki Minaj blends breezy Caribbean vibes with dancehall finesse, featuring PND's melodic charm and Nicki's confident swagger. Taylor Swift's "Shake It Off" shines as a defiant pop anthem, driven by catchy drum loops and infectious sax riffs. Both tracks radiate chart-friendly appeal with polished production and hooks that linger.
Avicii & Nicky Romero's "I Could Be The One" offers a melodic EDM touch with Noonie Bao's emotive vocals, while Pitbull and Kesha's "Timber" fuses harmonicas and EDM beats into a global hit. Meanwhile, Bakermat's "Teach Me" updates gospel with modern house, aiming for vibe over depth, and Philip George's "Wish You Were Mine" reworks Stevie Wonder into house grooves.? Take our 12-track quiz.
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