Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Mar 24, 2025 edition
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Alt Z
The ALT Z chart sees one new entry as Melanie Martinez’s “Death” arrives at number 20. Released in March 2023, the track features dark pop themes of rebirth and transformation, with a visual concept portraying Martinez’s creative resurrection in a surreal setting.
Tate McRae’s “Greedy” drops from first to fourth, allowing Sub Urban and Benee’s “Uh Oh!” to take the lead. Faouzia’s “Minefields” and Elley Duhé’s “Middle Of The Night” climb to second and third, respectively. Alan Walker and Daya’s “Heart Over Mind” exits the top 20, making room for the new addition.
The rest of the chart remains largely stable, with minor shifts in positioning and no major departures beyond the one replacement.
Alternative Metal
The Alternative Metal chart introduces one new entry this week as Daughtry’s “Separate Ways (Worlds Apart)” debuts at number 20. This 2023 cover of the Journey classic features Lzzy Hale and updates the original with modern hard rock elements and dual vocal delivery.
The addition pushes Gojira’s “Mea Culpa [Ah! ça Ira!]” out of the rankings. Slipknot’s “Unsainted” moves up one position to number 11, switching places with Linkin Park’s “Over Each Other.” The top 10 sees no changes, with Linkin Park and Falling In Reverse maintaining their positions.
The overall structure remains consistent, centered on legacy acts and recent standout releases.
Alternative R&B
The Alternative R&B chart sees Doechii’s “Denial Is A River” debut at number one. The track features confessional storytelling and layered production, framed as a tense dialogue that critiques fame and emotional sabotage, drawing from personal experience and pop culture references.
Dreamville’s “Sacrifices” enters at number 20. This collaborative track features EarthGang, J. Cole, Smino, and Saba, and reflects on personal dedication and emotional weight. FKA Twigs’ “Eusexua” exits the rankings to make space for the new entry.
Sevdaliza’s two tracks drop to second and third, while other shifts are minimal, reflecting steady positions for artists like Tinashe, Mariah The Scientist, and Ari Lennox.
American Hip-Hop
The American Hip-Hop chart introduces two new entries. GloRilla and Cardi B’s “Tomorrow 2” lands at number 18, combining Memphis and Bronx influences in a remix produced by Macaroni Toni. Bosh’s “H24 [Takotak]” debuts at number 19 with a tense, minimalist beat and street-focused lyrics.
Yung Bleu’s “You’re Mines Still” returns to the chart at number 20, replacing Tyler, The Creator’s “That Guy,” Kendrick Lamar’s “Euphoria,” and Future’s “Life Is Good.” Lil Nas X’s “Old Town Road – Remix” rises to third, marking the only change in the top five.
The chart reflects a slight reshuffle, with Kendrick Lamar maintaining the top two spots and several positions shifting lower in the list.
Art Pop
The Art Pop chart sees one new entry as Billie Eilish’s “Your Power” debuts at number 15. The 2021 acoustic track addresses abuses of power, using restrained instrumentation and a desert-set music video to deliver its message.
“Everything I Wanted” drops to fourth, allowing “Shallow” by Lady Gaga to climb to third. Minor repositioning occurs among other entries by Charli XCX and Lana Del Rey. No tracks leave the chart, and the top two songs remain unchanged.
Billie Eilish increases her presence with six songs on the chart, reinforcing her ongoing impact in the genre.
Asian Pop
The Asian Pop chart introduces one new entry as Stray Kids‘ “Walkin On Water” debuts at number 19. The track adopts an old-school hip-hop format, using boom bap beats to deliver a message of resilience. The video features traditional Korean visuals combined with contemporary swagger, set in a historical palace.
The inclusion pushes Jung Kook’s “3D” out of the rankings. Lisa’s “New Woman” drops to 11, while Stray Kids’ “Lalalala” climbs to sixth. Minor shifts occur elsewhere, including changes in positions for tracks by aespa and Rosé, but the top three songs remain unchanged.
Most artists retain their presence, with continued strong representation from members of Blackpink and Stray Kids across multiple tracks.
Country Music
The Country Music chart sees no new entries or exits this week. Morgan Wallen’s “Smile” holds the top position, followed by Ella Langley and Riley Green’s “You Look Like You Love Me” at number two.
The only significant movement occurs in the lower half, where Tyler Braden’s “Devil You Know” rises to position 13 and pushes down tracks by Luke Combs and Chris LeDoux. Teddy Swims’ “Some Things I’ll Never Know” and Chris Stapleton’s “Think I’m In Love With You” round out the bottom two positions.
The chart remains anchored by consistent performers, with Wallen and Wilson maintaining multiple positions across the top 10.
Dance Pop
The Dance Pop chart introduces one new entry this week. Ofenbach and Norma Jean Martine’s “Overdrive” arrives at number 19, a reinterpretation of Kim Wilde’s “Cambodia.” The track blends nostalgic elements with modern production, supported by a video set in a lab with Frankenstein-inspired visuals.
This addition results in the exit of Lady Gaga’s “Disease.” Shakira’s “Acróstico” climbs one spot to seventh, while other positions see minimal change. “Apt.” by Rosé and Bruno Mars remains at the top for a third consecutive week.
The chart continues to feature a mix of longstanding hits and collaborative singles with crossover appeal.
East & South African Music
The East & South African Music chart sees three new entries. “Extra Pressure” by Bensoul and Bien debuts at number five, blending afropop with emotional themes around devotion. D Voice’s “Tunapendana,” featuring Mbosso, enters at number eight, delivering a romantic Swahili-language duet. Mduduzi Ncube’s “Dear Ex Yami,” featuring four collaborators, debuts at number ten, focusing on post-relationship reflections.
These additions push out tracks by Rayvanny, Bassie & M-Touch, and Diamond Platnumz & Jason Derulo. Mbosso reappears with “Kupenda” at number 19. Master KG’s “Jerusalema” climbs to third, while 2Point1’s “Sthandwa Sam” drops to sixth.
The chart shifts slightly toward newer releases while retaining a base of high-performing regional anthems.
French R&B
The French R&B chart features one new entry as Gims and Lossa’s “Loco” debuts at number 14. The track, released in January 2024, combines afropop and urban sounds to address personal conflict and ambition over a fast-paced beat.
This addition leads to the repositioning of several tracks in the lower half, with KeBlack’s “Boucan” moving to number 10 and Benab’s “Mon Poto” dropping to 17. All previous entries remain, and the top five titles are unchanged from the prior update.
Gims now occupies five spots on the chart, either solo or in collaboration, reflecting consistent presence in the genre.
Metalcore
The Metalcore chart introduces one new entry as A Day To Remember’s “Miracle” debuts at number 19. The track emphasizes perseverance over passive hope, fusing pop-punk and metalcore elements to underline personal strength. It replaces Electric Callboy’s “Spaceman,” which drops to the final position at number 20.
Minor repositioning affects the top 10, with Motionless In White’s “Another Life” moving up one spot to third, and Bad Omens continuing to hold multiple positions across the chart. Spiritbox’s “Perfect Soul” drops to 14, while “Circle With Me” holds steady at 18.
The chart remains dominated by recurring names such as Bad Omens, Electric Callboy, and Motionless In White, reflecting a consistent lineup with limited turnover.
Modern Dancehall
The Modern Dancehall chart sees two new entries. Tommy Lee Sparta’s “Price” enters at number 19, characterized by sparse percussion and dark tones. Vybz Kartel’s “Amout,” added as part of a deluxe album reissue, joins at number 20, maintaining the artist’s recognizable style.
Coldplay and collaborators’ “We Pray” drops to position 15, while tracks by Cherifou and Popcaan exit the rankings. The top 10 remains unchanged, with Rema’s “Calm Down” and Shenseea’s “Hit & Run” continuing to lead.
The chart reflects a balance between established dancehall artists and newer material making its way into the lower ranks.
Nigerian Pop
The Nigerian Pop chart introduces one new entry as Wizkid’s “Joro” reappears at number 18. Originally released in 2019, the track blends Yoruba lyrics and Afrobeat rhythms, underscoring romantic themes with a smooth instrumental backdrop.
Its inclusion pushes out Ruger’s “Girlfriend,” which had been in steady rotation. Victony’s “Soweto” slips to 11, while Dax’s “Dear Alcohol” rises to sixth. Rema continues to dominate with two versions of “Calm Down” holding strong positions.
The chart remains populated with familiar names, with minor shifts reflecting ongoing audience engagement rather than major shake-ups.
Pov: Indie
The POV: Indie chart introduces one new entry as Twenty One Pilots’ “Midwest Indigo” arrives at number 20. The track uses winter imagery and minimalist production to explore emotional isolation, reinforcing the band’s continued presence across multiple chart positions.
No songs exit the chart, though the order of several tracks shifts. Noah Kahan’s “Stick Season” climbs into the top five, while Mitski’s “My Love Mine All Mine” drops slightly. Twenty One Pilots now occupy six positions, underscoring a concentrated presence.
The overall composition continues to revolve around introspective and narrative-driven indie tracks, with few structural changes.
Urban Contemporary
The Urban Contemporary chart features one new entry. City Girls and Usher’s “Good Love” debuts at number 19, blending late-’90s R&B with modern hip-hop. Built on a Lathun sample and supported by a skating-rink video, the track marks a new addition to both artists’ catalogues.
Its entry causes Sebastian Yatra’s “Tacones Rojos” to move down to 18, while the rest of the chart remains stable. The top five, led by Shakira’s “Soltera” and GloRilla’s “I Luv Her,” sees no changes in position.
The chart continues to showcase a mix of established acts, with only minor shifts in the lower ranks.
Urbano Latino
The Urbano Latino chart sees one new entry. Bad Bunny’s “Baile Inolvidable” debuts at number one, marking a rare salsa track to top the rankings. With a spoken interlude from Jacobo Morales and strong cultural overtones, the song adds variety to the top of the chart.
Feid and Maisak’s “Se Me Olvida” also joins the chart at number six, replacing Feid’s earlier solo version. Tracks by Karol G, Beéle, and Shakira adjust slightly, while previous number one “Mi Refe” drops to second place.
The chart reflects ongoing rotation among key Latin pop names, with collaborations and remixes shaping the upper tier.