Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Feb 25,2025 edition
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Alt Z
The ALT Z chart welcomes three new entries, with Gayle’s “abcdefu” debuting at number five. This breakup anthem, driven by sharp lyricism and a pop-punk edge, replaces The Chainsmokers’ “Takeaway.” JP Saxe and Julia Michaels’ “If the World Was Ending” enters at number ten, bringing a melancholic piano-led ballad exploring hypothetical reunions. Noah Cyrus’ “July” lands at number eighteen, its stripped-back folk-pop production and introspective lyrics offering a contrast to the genre’s more electronic sounds.
Among the exits, Melanie Martinez’s “Void” and Ashnikko’s “Deal With It” drop out, while The Chainsmokers’ “Takeaway” also leaves the rankings.
Tate McRae’s “Greedy” remains at the top spot, with Sub Urban’s “Uh Oh!” and Elley Duhé’s “Middle of the Night” holding firm at second and third place. Despite the shifts, the chart maintains a balance between moody alt-pop ballads and dynamic electronic-influenced tracks.
Alternative Metal
Gojira’s “Mea Culpa (Ah! Ça Ira!)” enters the Alternative Metal chart at number eighteen. The track, a reimagining of a French Revolution-era song, gained global attention after its inclusion in the 2024 Summer Olympics opening ceremony. Its orchestral elements and intense metal instrumentation stand out among the heavily guitar-driven tracks dominating the rankings.
Slipknot’s “Nero Forte” climbs to ninth place, pushing Falling In Reverse’s “Ronald” down to tenth. Motionless In White’s “Another Life” and Falling In Reverse’s “Prequel” maintain their strong mid-chart placements, reflecting their continued presence in the genre.
The top four remains unchanged, with Linkin Park holding the leading positions. The consistency in the upper rankings highlights the enduring popularity of these acts, while Gojira’s entry introduces a new sonic layer to the chart.
Alternative R&B
SiR’s “John Redcorn” makes its way onto the Alternative R&B chart at number nineteen. The song, which metaphorically examines unrequited love through the lens of an animated character, adds a smooth, melancholic layer to the rankings. The track’s late entry shakes up the lower placements but does not impact the top contenders.
Amaarae’s “Angels in Tibet” drops one spot to number twenty, while Young M.A’s “Big” moves up to fifteen. Katy Perry and Doechii’s collaboration, “I’m His, He’s Mine,” swaps positions with Mariah The Scientist’s “From A Woman,” reflecting a minor shift in listener preferences.
Sevdaliza continues to dominate with “Alibi” and “No Me Cansaré,” while Tinashe’s “Nasty” holds steady at number three. The chart remains largely stable, with SiR’s entry being the most significant movement.
American Hip-Hop
Three new entries shake up the American Hip-Hop chart, with DaBaby’s “BOP” arriving at number eighteen. Its fast-paced delivery and choreography-driven video bring renewed attention to the track. Future’s “Life Is Good,” featuring Drake, lands at number nineteen, with its split-production style showcasing both artists’ distinct flows. Pop Smoke and Lil Tjay’s “Mood Swings” enters at number twenty, offering a mix of melodic rap and drill influences.
Rod Wave’s “25,” Real Boston Richey’s “Help Me,” and Gunna’s “Him All Along” exit the chart, making room for the new additions. Kendrick Lamar strengthens his hold at the top, as “Squabble Up” moves to number two, replacing Central Cee and Lil Baby’s “Band4Band.”
The reshuffle introduces a blend of trap, drill, and melodic rap into the rankings, reinforcing the genre’s diversity while keeping Kendrick Lamar firmly in control at the top.
Art Pop
Two new entries alter the Art Pop chart, with Idina Menzel and Aurora’s “Into the Unknown” debuting at number ten. The cinematic ballad from *Frozen 2* merges theatrical vocals with an ethereal soundscape, contrasting the electro-pop and alternative influences dominating the rankings. Lady Gaga’s “911” enters at number fourteen, its robotic synth-pop production and introspective lyrics marking a shift from her more anthemic works.
Lana Del Rey’s “Doin’ Time” drops to seventeen, while Charli XCX’s “Von Dutch” moves up one position. The upper rankings remain steady, with Lady Gaga and Billie Eilish continuing to lead the genre.
Despite minor shifts, the chart maintains a balance between mainstream pop experimentation and alternative influences, with the latest additions reinforcing the diverse sonic elements defining the category.
Asian Pop
The Asian Pop chart sees two new entries, with The Weeknd, Jennie, and Lil’s “One of the Girls” debuting at number eight. Featured in HBO’s *The Idol*, the track blends smooth R&B influences with Jennie’s signature pop delivery, supported by Lil’s rap verse. Jung Kook’s “3D” featuring Jack Harlow enters at number nineteen, a track that juxtaposes melodic pop vocals with a rhythmic hip-hop flow.
Lisa and Rosalía’s “New Woman” drops to number eleven, while Ateez’s “Ice On My Teeth” slides down to sixteen. Stray Kids’ “Lalalala” climbs to number seven, marking one of the most notable upward movements.
Rosé and Bruno Mars maintain the top position with “Apt.,” followed by Aespa’s “Whiplash” and Jennie’s “Mantra,” reflecting continued stability in the upper rankings.
Country Music
The Country Music chart remains unchanged, with no new entries or exits in this update. The top five tracks hold steady, with Ella Langley and Riley Green’s “You Look Like You Love Me” maintaining its lead. Luke Combs’ “Ain’t No Love in Oklahoma” and Bailey Zimmerman’s “Fall In Love” continue in second and third positions.
Among minor shifts, Lainey Wilson’s “Wildflowers And Wild Horses” moves up one spot to sixth, swapping places with Morgan Wallen’s “You Proof.” Meanwhile, Tyler Braden’s “Devil You Know” and Chris Stapleton’s “Think I’m In Love With You” trade positions in the lower half.
With a stable lineup, the chart reflects continued listener preference for these dominant country hits.
Dance Pop
The Dance Pop chart features one notable new entry, as Elton John and Dua Lipa’s “Cold Heart (PNAU Remix)” joins at number eleven. The track, built from a fusion of Elton John’s classic hits, revives familiar melodies within a contemporary dance setting.
Doja Cat’s “Say So” climbs back into the top ten, replacing “Streets,” which moves down to fourteen. Meanwhile, Lady Gaga’s “Disease” advances to twelfth, pushing GloRilla and T-Pain’s “I Luv Her” down to eighteen.
Rosé and Bruno Mars continue their dominance at number one with “Apt.,” followed closely by Lady Gaga and Bruno Mars’ “Die With A Smile.” Despite a few shifts, the chart retains its balance between electronic-driven anthems and crossover pop collaborations.
East & South African Music
The East & South African Music chart sees four new entries, starting with Vigro Deep’s “A-Z (Yashi Moto)” at number eight. The amapiano track, featuring collaborations with DJ Maphorisa and Kabza De Small, reinforces the genre’s strong presence on the chart. Marioo and Harmonize’s “Wangu” debuts at sixteen, blending Bongo Flava with Afrobeats. Caiiro’s Afro-tech production “Ndisize” featuring Ami Faku enters at nineteen, bringing a mix of deep house and soulful vocals. Wanitwa Mos and Nkosazana Daughter’s “Makhelwane” arrives at number twenty, incorporating elements of Gqom and Afro-house.
Among the movements, Diamond Platnumz’s “Jeje” jumps to number eleven, while Pabi Cooper’s “Pabi Jo” drops to thirteen. D Voice’s “Nani” also shifts down to fifteen, making space for the incoming tracks.
Tyla’s “Water” remains the leading track, followed by Mr Pilato, Ego Slimflow & Tebogo G Mashego’s “Biri Marung.” The latest additions highlight the growing variety of regional influences within the rankings.
French R&B
Lyna Mahyem and Numidia Lezoul’s “Jamais Yensak” debuts at number twenty on the French R&B chart. Blending R&B with Maghrebi influences, the song explores themes of love and separation through bilingual lyrics in French and Arabic.
Gims’ “Only You” moves down one spot to eighteen, while Naza’s “Joli Bébé” climbs to seventeen. The upper half of the chart remains unchanged, with Joé Dwèt Filé’s “4 Kampé” maintaining its lead, followed by Gims’ “Sois Pas Timide.”
With a steady lineup, the chart’s lone new addition introduces a distinct cultural influence while preserving its core sound.
Metalcore
The Metalcore chart remains unchanged in terms of new entries, with no new tracks breaking into the rankings. The most notable shift is Electric Callboy’s “We Got The Moves” moving up to second place, overtaking SiM’s “The Rumbling,” which falls to third. Spiritbox’s “Perfect Soul” climbs to seventh, pushing down Bring Me The Horizon’s “Kool-Aid” to ninth.
Electric Callboy’s “Spaceman” rises to twelfth, while Bad Omens’ “Artificial Suicide” drops one position. The lower half of the chart sees Architects’ “Seeing Red” swapping spots with Motionless In White’s “Masterpiece.”
Babymetal and Electric Callboy’s “Ratatata” retains the top spot, showing strong listener retention, while the chart’s core remains centered on high-energy, electronic-infused metalcore anthems.
Modern Dancehall
The Modern Dancehall chart introduces three new entries, with Cherifou’s “Olome Deureume” debuting at number eleven. The track incorporates elements of Senegalese mbalax, blending percussion-driven grooves with contemporary production. Teejay’s “From Rags to Riches” lands at number thirteen, a dancehall anthem reflecting personal struggles and ambition. Chronic Law’s “Don’t Fall” enters at number nineteen, offering a cautionary narrative over a steady beat.
Jah Vinci and Notnice’s “Scream” drops to twentieth, making room for the additions. Kraff’s “Ikation” moves up to fifth, overtaking Jamal’s “Ballandor.”
Rema’s “Calm Down” featuring Selena Gomez remains at number one, while Shenseea’s “Hit & Run” and Burna Boy’s “For My Hand” continue to hold their positions, reflecting steady dominance in the genre.
Nigerian Pop
The Nigerian Pop chart welcomes two new entries, with Tems’ “Me & U” debuting at number fourteen. The track, blending introspective R&B with Afrobeat influences, marks her return after a two-year solo hiatus. Davido’s “Funds” featuring Odumodublvck and Chike enters at number eighteen, layering Amapiano rhythms with elements of highlife and street rap.
Victony’s “Soweto” moves up to tenth, while Kizz Daniel’s “Buga” drops to sixteen. Omah Lay’s “Understand” also rises, displacing Mavins’ “Overloading.”
Rema’s “Calm Down” featuring Selena Gomez continues to dominate at number one, with Ayra Starr’s “Rush” and Omah Lay’s “Soso” holding their places as top contenders.
Pov: Indie
The POV: Indie chart sees two new additions, with Noah Kahan’s “Stick Season” debuting at number five. The folk-driven track captures seasonal transitions and emotional solitude, adding a fresh dynamic to the rankings. Twenty One Pilots’ “Midwest Indigo” enters at number twenty, blending alternative rock elements with winter-themed lyricism.
Yungblud’s “I Was Made For Lovin’ You” drops to sixth, while Liana Flores’ “Rises The Moon” moves down to eighth. Chappell Roan’s “Casual” advances to ninth, reflecting growing traction.
Hozier’s “Too Sweet” holds the top position, followed by Glass Animals’ “Heat Waves” and Beabadoobee’s “Glue Song.” The rankings maintain a mix of introspective and alternative-driven sounds.
Urban Contemporary
Two new tracks enter the Urban Contemporary chart, with Teyana Taylor’s “Morning” debuting at number twelve. The smooth R&B collaboration with Kehlani adds a sensual and layered dynamic to the rankings. Ciara’s “How We Roll” featuring Chris Brown joins at number thirteen, delivering an upbeat blend of classic and modern R&B.
Leela James’ “Complicated” drops to eighteen, while Don Toliver’s “Attitude” moves down to twentieth. The upper half of the chart remains stable, with Shakira’s “Soltera” continuing to lead.
GloRilla’s “I Luv Her” and Usher’s “Good Good” retain their strong positions, reinforcing their standing as dominant tracks in the genre.
Urbano Latino
The Urbano Latino chart welcomes two new entries, with Arcángel and Grupo Frontera’s “ALV” debuting at number nineteen. Blending reggaeton with Mexican norteña influences, the track introduces a distinct fusion of urban Latin and regional sounds. Bad Bunny’s “Me Porto Bonito” joins at number twenty, bringing back his signature reggaeton flow alongside Chencho Corleone.
Feid and Maisak’s “Se Me Olvida” drops to ninth, while Maluma’s “Sobrio” moves up to twelfth. Xavi’s “La Diabla” climbs to fourth, overtaking Karol G, Feid, and DFZM’s collaborative track “+57.”
Rauw Alejandro and Romeo Santos’ “Khé?” continues to lead the rankings, followed by Shakira’s “Soltera” and Karol G’s “TQG.” The latest additions reinforce the genre’s mix of reggaeton and crossover influences.