Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 15 genres.
Here is the Feb 9,2025 edition
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Alt Z
The ALT Z chart sees one new entry this week, with “Not My Fault” by Reneé Rapp and Megan Thee Stallion debuting at number 19. Featured on the “Mean Girls” movie soundtrack, the track merges disco-pop elements with themes of self-confidence and emotional independence. The accompanying video enhances the song’s aesthetic with a pink-drenched setting that reflects an unapologetic attitude.
Faouzia’s “Minefields” drops to fourth place as Elley Duhé’s “Middle Of The Night” moves up to third. The rest of the top 10 remains stable, with Tate McRae’s “Greedy” continuing its hold at number one.
Lizzy McAlpine’s “Ceilings” and Alan Walker & Daya’s “Heart Over Mind” switch positions, while all other tracks maintain their rankings. No departures occur, with the only change being the inclusion of “Not My Fault.”
Alternative Metal
The Alternative Metal chart welcomes two new entries this week. “Two Faced” by Linkin Park enters at number two, bringing a nu-metal and rap-rock sound reminiscent of their early albums. Featuring Emily Armstrong of Dead Sara, the track explores themes of trust and deception. Three Days Grace also returns to the rankings with “Mayday” at number 13. The song marks Adam Gontier’s first release with the band in over a decade, blending melodic alternative rock with heavier breakdowns.
With these additions, “Linkin Park – Over Each Other” and “Black Veil Brides – Bleeders” exit the rankings. “The Emptiness Machine” retains the top spot, while Falling In Reverse’s “Watch The World Burn” holds steady at third place.
Motionless In White’s “Another Life” climbs into the top five, displacing Linkin Park’s “Heavy Is The Crown” to fourth. Other tracks shift slightly, but the overall structure of the chart remains consistent.
Alternative R&B
The Alternative R&B chart introduces three new tracks this week. Ravyn Lenae’s “Love Me Not” debuts at number 14, offering a duet with Rex Orange County that explores themes of longing and detachment. The Lonely Island enters at number 17 with “Here I Go,” a satirical collaboration with Charli XCX that critiques performative outrage. Audrey Nuna rounds out the new additions with “Mine” at number 19, blending R&B and rap into her distinctive “rage n B” sound.
The arrival of these tracks results in the departures of Coldplay, Elyanna, Little Simz, Burna Boy, and Tini’s “We Pray,” along with SiR’s “John Redcorn” and Little Simz’s “Gorilla.” Sevdaliza’s “Alibi” and “No Me Cansare” continue to dominate the top two spots, while Tinashe’s “Nasty” maintains its position at number three.
Ashnikko’s “Eusexua” makes a notable jump into the top 10, while Katy Perry’s “I’m His, He’s Mine” moves up to fourth place. Most other songs remain in familiar positions.
American Hip-Hop
The American Hip-Hop chart sees one major new entry, with Kendrick Lamar’s “Squabble Up” debuting at number eight. Blending West Coast influences with a mariachi-inspired twist, the track incorporates a sample of Debbie Deb’s “When I Hear Music.” The production, handled by Sounwave, Jack Antonoff, and Ruchaun Akers, contributes to its rhythmic momentum.
With “Squabble Up” entering, Glorilla’s “Tomorrow 2” featuring Cardi B exits the rankings. Meanwhile, Kendrick Lamar’s “Not Like Us” continues to hold the top spot, while Central Cee and Lil Baby’s “Band4Band” climbs to second place, pushing “Whatchu Kno About Me” by Glorilla and Sexyy Red down to fourth.
Minor shifts occur throughout the chart, but the top-tier positions remain largely unchanged. Wrekonize’s “Zombies” and Pooh Shiesty’s “Back In Blood” continue to hold steady in the middle ranks.
Art Pop
The Art Pop chart remains unchanged this week, with no new entries or departures. Lady Gaga & Bruno Mars’ “Die With A Smile” continues to lead, while Billie Eilish’s “Birds Of A Feather” stays in second place.
Billie Eilish’s “Everything I Wanted” moves up to third, swapping places with Lady Gaga’s “Shallow.” “Disease” by Lady Gaga rises one spot to fifth, while Charli XCX & Billie Eilish’s “Guess” shifts down to sixth.
The rest of the chart sees only minor adjustments, with Lana Del Rey’s “Chemtrails Over The Country Club” and Billie Eilish’s “All The Good Girls Go To Hell” each moving up one rank. Otherwise, the lineup remains stable.
Asian Pop
The Asian Pop chart sees six new entries this week, led by Rosé’s “Toxic Till The End” at number eight. The emo-pop and synth-driven ballad blends pop-punk energy with introspective lyrics about a toxic relationship. The music video features Evan Mock as Rosé’s counterpart in a turbulent romance.
BTS’ “Dynamite” re-enters at number nine, continuing its influence as a disco-pop anthem. Another Rosé track, “Number One Girl,” lands at number ten, weaving pop-punk with piano ballad elements. Blackpink returns with “Pink Venom” at eleven and “Shut Down” at fourteen, both incorporating hip-hop and traditional Korean instrumentation. ATEEZ rounds out the newcomers with “Ice On My Teeth” at twelve, fusing hip-hop rhythms with orchestral elements.
With these additions, Stray Kids’ “Chk Chk Boom,” G-Dragon’s “Power,” Jung Kook’s “3D,” and Fujii Kaze’s “Michi Teyu Ku” exit the rankings. Rosé & Bruno Mars’ “Apt.” retains the top spot, while Aespa’s “Whiplash” and Jennie’s “Mantra” hold steady in second and third.
Country Music
The Country Music chart sees three new additions this week. Shenandoah, Jason Aldean, and Luke Bryan enter at number four with “Sunday In The South,” a modern remake of Shenandoah’s 1989 classic. Tyler Hubbard’s “Dancin’ In The Country” debuts at fourteen, drawing from real-life inspiration for its romantic narrative. Blake Shelton’s “Texas” arrives at eighteen, marking his first solo release under a new label.
The entry of these tracks leads to the departures of Elle King’s “Drunk (And I Don’t Wanna Go Home),” Luke Bryan’s “Love You Miss You Mean It,” and Jessie Murph’s “Pray.” The top three remains unchanged, with Ella Langley’s “You Look Like You Love Me” maintaining its lead.
Lainey Wilson’s “Wildflowers And Wild Horses” drops one spot to eighth as her other track, “4X4Xu,” climbs to seventh. Morgan Wallen’s “You Proof” and Kane Brown’s “Thank God” remain in familiar positions.
Dance Pop
The Dance Pop chart sees no new entries this week. Rosé & Bruno Mars’ “Apt.” stays at number one, followed by Lady Gaga & Bruno Mars’ “Die With A Smile” in second place.
Doja Cat’s “Paint The Town Red” moves up to fifth, switching places with Glorilla & T-Pain’s “I Luv Her,” which drops to twelfth. Dua Lipa’s “Houdini” climbs to eighth, while David Guetta & OneRepublic’s “I Don’t Wanna Wait” slips one spot to eleventh.
The only other adjustment in the rankings comes from Lady Gaga’s “Disease,” which enters the top 20 at number nineteen, displacing “Shallow” to eighteenth. The rest of the chart remains largely unchanged.
East & South African Music
The East & South African Music chart sees seven new additions this week, led by Tyla’s “Water” debuting at number one. Blending amapiano, Afrobeats, and R&B, the track gains traction through viral performances and earns her a Grammy for Best African Music Performance.
Mr Pilato, Ego Slimflow & Tebogo G Mashego’s “Biri Marung” lands at number two, incorporating amapiano’s layered production. 2Point1’s “Sthandwa Sam” debuts at three, merging electronic and house elements with African rhythms. Master KG’s “Jerusalema” re-enters at five, while King Temoso, Master KG & Nkosazana Daughter’s “Dali Wami” arrives at fourteen, drawing on South African wedding traditions. Diamond Platnumz’s “Waah!” featuring Koffi Olomide takes position sixteen, adding Soukous influences. Zuchu’s “Antenna” and “Honey” complete the new entries at seventeen and eighteen.
With these additions, Bassie & M-Touch’s “Kwelanga 2.0,” Kamo Mphela & Khalil Harrison’s “Dalie,” Kevin Kade’s “Sikosa,” Harrycane & Nkosazana Daughter’s “Sondela,” and Mbosso’s “Ova” exit the rankings. The rest of the chart sees minor shifts, but Diamond Platnumz & Jason Derulo’s “Komasava Remix” drops to six after previously leading.
French R&B
The French R&B chart sees five new entries this week. Gazo’s “Nanani Nanana” debuts at number eight, continuing his presence in the drill scene. Jul enters at ten with “Un Jour, Je L’Aurai,” ahead of his upcoming album. Gims & Lossa’s “Loco” arrives at twelve, blending afropop with urban influences. KeBlack & SDM’s “Boulot” enters at fourteen, featuring a mix of Afrobeat and rap. Naza’s “Joli Bébé” debuts at eighteen, pairing afrobeat rhythms with a smooth vocal approach.
The arrival of these songs results in the departures of MHD’s “Kata,” MHD’s “Full,” Houari & Jul’s “Vanillée,” Gazo’s “Probation,” and Lyna Mahyem & Numidia Lezoul’s “Jamais Yensak.” Joe Dwèt Filé’s “4 Kampé” holds its position at the top, with Gims’ “Sois Pas Timide” and Gims & Dystinct’s “Spider” remaining in second and third.
Gazo’s collaboration with Morad, “Fiesta,” lands at number nineteen, replacing Aya Nakamura’s “Hypé.” The rest of the chart remains mostly unchanged.
Metalcore
The Metalcore chart introduces four new tracks this week. Bring Me The Horizon’s “Kool-Aid” enters at number seven, delivering a critique of blind conformity with electronic influences. Bad Omens & Poppy’s “V.A.N” debuts at number eight, bringing a dynamic contrast between Poppy’s ethereal vocals and Noah Sebastian’s intense delivery. Spiritbox’s “Perfect Soul” arrives at fourteen, marking a departure from their heavier sound in favor of a fully melodic composition. Electric Callboy rounds out the new additions with “Spaceman” at nineteen, blending metalcore and electronic elements with high-energy rap verses.
These entries lead to the exits of Lorna Shore’s “To The Hellfire,” Lamb Of God’s “Memento Mori,” Bad Omens’ “Concrete Jungle,” and Architects’ “Seeing Red.” Babymetal & Electric Callboy’s “Ratatata” maintains its lead, followed closely by SiM’s “The Rumbling” and Motionless In White’s “Another Life.”
Bad Omens’ “Like A Villain” drops one spot to fifth as Electric Callboy’s “We Got The Moves” climbs to fourth. Bring Me The Horizon’s “Parasite Eve” slips to thirteen, while Motionless In White’s “Masterpiece” moves down to fifteen.
Modern Dancehall
The Modern Dancehall chart sees three new entries this week. Rema & Selena Gomez’s “Calm Down” debuts at number one, bringing an Afrobeats influence into the rankings. Spice’s “Go Down Deh” featuring Shaggy and Sean Paul enters at five, combining traditional dancehall rhythms with global pop appeal. Jah Vinci & Notnice’s “Scream” lands at eleven, adding a new melodic element to the rankings.
These additions result in the departures of Teejay’s “From Rags To Riches,” Najeeriii’s “1Rifle,” and Nhance & Teejay’s “Tables Turn.” Shenseea’s “Hit & Run” drops to second, while Burna Boy’s “For My Hand” with Ed Sheeran remains at third.
Kraff’s “Ikation” and Jamal’s “Ballandor” continue to hold strong, while Tyla & Skillibeng’s “Jump” stays at seventh. Aya Nakamura & Damso’s “Dégâine” debuts at seventeen, replacing Squash’s “Get Up.”
Nigerian Pop
The Nigerian Pop chart sees three new additions this week. Ayra Starr’s “Rush” enters at number two, blending Afrobeats with themes of ambition and resilience. Rema’s original “Calm Down” re-enters at number five, bolstered by its ongoing success. Kizz Daniel’s “Buga (Lo Lo Lo)” debuts at thirteen, bringing an energetic rhythm and celebratory lyrics.
These additions result in the exits of Fireboy DML’s “Peru,” CKay’s “Emiliana,” and Ayra Starr’s “Last Heartbreak Song.” Omah Lay’s “Soso” moves down to third after holding the top spot.
Chris Brown’s “Sensational” featuring Davido & Lojay drops to eighth, while Ruger’s “Girlfriend” climbs one spot to sixth. Boypee & Hyce’s “Ogechi Remix” with Davido moves down to seventeen, making room for new arrivals.
Pov: Indie
The POV: Indie chart introduces one new entry this week. Twenty One Pilots’ “Vignette” debuts at number nine, delivering an introspective, piano-driven arrangement that gradually builds in intensity.
With this addition, Twenty One Pilots’ “Navigating” exits the rankings. The top five remains unchanged, with Hozier’s “Too Sweet” leading, followed by Glass Animals’ “Heat Waves” and Beabadoobee’s “Glue Song.”
Conan Gray’s “Heather” holds steady at tenth, while Yungblud’s “Cotton Candy” shifts down to eighth to make room for “Vignette.” No other major movements occur in the rankings.
Urban Contemporary
The Urban Contemporary chart sees one new entry this week. Fabolous’ “Snooze Freestyle” debuts at number twenty, bringing a remix of SZA’s track with his signature wordplay.
This addition results in the departure of John Legend’s “You Deserve It All.” Shakira’s “Soltera” continues to hold the top position, with GloRilla & T-Pain’s “I Luv Her” remaining in second place.
The rest of the chart remains stable, with Usher’s “Good Good” at third, followed by a trio of Partynextdoor tracks. Rihanna’s “Lift Me Up” and Jung Kook & Usher’s “Standing Next To You” stay in their previous positions.
Urbano Latino
The Urbano Latino chart sees six new entries this week, with Rauw Alejandro & Romeo Santos’ “Khé?” debuting at number one. The track merges bachata and reggaeton, blending Romeo’s signature romantic style with Rauw’s contemporary urban sound. Karol G, Feid, and DFZM’s “+57” enters at number three, featuring an all-Colombian lineup celebrating the country’s music scene.
Karol G’s “TQG” climbs into the rankings at number five, reintroducing her collaboration with Shakira. “Provenza” follows at number seven, bringing afrobeat-infused reggaeton rhythms back into the mix. Bad Bunny’s “Dákiti” returns at number ten, reinforcing its long-standing success. Maluma also adds a new track, “Cosas Pendientes,” at number eleven, marking a shift in his evolving sound.
With these changes, Arcángel & Grupo Frontera’s “Alv,” Myke Towers’ “Si Se Da – Remix,” Cris MJ & FloyyMenor’s “Después De La Una,” Beéle’s “Frente Al Mar,” Feid’s “Sorry 4 That Much,” and Luck Ra & Khea’s “Hola Perdida” exit the rankings. Shakira’s “Soltera” drops to second, while Feid & Maisak’s “Se Me Olvida” remains at fourth.
Other shifts include Xavi’s “La Diabla” staying at number nine, while Danny Ocean & Kapo’s “Imagínate” debuts at thirteen, replacing Myke Towers & Benny Blanco’s “Degenere.”