Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Jun 24, 2025 edition
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Tate McRae’s “Greedy” takes the top spot from Faouzia’s “Minefields,” flipping the top two positions in a closely contested chart.
Gracie Abrams scores a new entry at #13 with “Risk,” adding depth to her presence alongside “I Love You, I’M Sorry.”
Lauren Spencer Smith’s “Flowers” climbs from #12 to #10, overtaking Jp Saxe and Royal.
Zolita’s “Somebody I Fucked Once” edges upward to #16, re-entering the top 20 after a brief dip.
Melanie Martinez’s “Death” drops to #20, while J-Hope’s “Arson” also slips slightly to #18.
King Princess’ “Fantastic” exits the chart this week, making room for new movement.
Alternative Metal
Linkin Park continues its dominance, maintaining the top six slots with no changes at the summit.
Falling In Reverse debuts “Ronald” at #8, replacing Breaking Benjamin’s “So Cold,” which drops to #11.
“Last Resort – Reimagined” climbs five spots to #13, overtaking Slipknot and Motionless In White tracks.
Skillet’s “Psycho In My Head” drops to #17, while “Zombified” and “Unsainted” swap spots at #18 and #19 respectively.
No new entries or exits occur besides “Ronald,” signaling a strong hold from returning heavyweights.
Alternative R&B
Sevdaliza’s “Alibi” holds firm at #1, while Ravyn Lenae’s “Love Me Not” makes a strong debut at #2.
Tinashe enters at #4 with “Nasty,” pushing Doechii’s “Denial Is A River” down one position.
Doechii reappears at #19 with the JT-assisted “Alter Ego,” bringing more presence to her chart impact.
Sir’s “Nothing Even Matters” exits to make way, while “Shea Butter Baby” and “Hair Down” both slip slightly.
Mariah The Scientist’s dual entries remain stable in the top six, reaffirming her consistent appeal.
American Hip-Hop
Kendrick Lamar’s “Not Like Us” remains at #1, continuing its chart supremacy.
Central Cee debuts at #2 with “Band4Band” featuring Lil Baby, displacing Lil Nas X and reshuffling the top tier.
Travis Scott’s “Fe!N” enters at #4, showing strong momentum alongside another debut—BigXthaPlug’s “All The Way” at #6.
Eminem returns with “Houdini” at #15, continuing his resurgence in cultural commentary.
Glorilla and Megan Thee Stallion’s “Wanna Be” lands at #12, while Future’s “Type Shit” debuts at #18.
Notably, Pooh Shiesty and Youngboy Never Broke Again exit the top 20 to make room for these new entries.
Art Pop
Lady Gaga and Billie Eilish maintain their dominance at the top, with no change in the top three positions.
“Into the Unknown” moves up to #4, pushing “Shallow” down to #10 in a significant reshuffle.
Billie Eilish introduces “Lunch” at #9, showcasing her evolving sound and adding to her strong chart presence.
Charli XCX debuts “360” at #16, enhancing the electro-pop flavor of the chart.
The Weeknd and Lana Del Rey trade places, while “Open Hearts” dips slightly to #19.
Overall, chart activity is driven by new entries from major players rather than significant exits.
Asian Pop
Rosé’s “Apt.” featuring Bruno Mars continues its reign at #1, with Jennie’s “Like Jennie” and Aespa’s “Whiplash” holding steady behind it.
Mrs. GREEN APPLE’s “クスシキ” debuts at #4, marking a major breakthrough and displacing Lisa’s “Rockstar” to #7.
New entries from Hana (“Rose” at #11), Earl Agustin (“Tibok” at #15), and Aespa again (“Supernova” at #19) refresh the lower half of the chart.
“Born Again” by Lisa slips to #13, while Jennie’s “Extral” drops to #14 amid the influx of new releases.
Jisoo’s “Earthquake” and Rosé’s “Number One Girl” exit the chart, making way for the genre’s expanding diversity.
Country Music
Miley Cyrus remains atop the chart with “End Of The World,” maintaining a strong lead over Riley Green and Ella Langley.
Luke Combs debuts “Ain’t No Love In Oklahoma” at #5, pushing Morgan Wallen’s “Smile” to #6.
Hardy and Kane Brown trade places, while “You, Me, And Whiskey” by Justin Moore gains traction, moving up to #13.
Lainey Wilson’s “Wildflowers And Wild Horses” and “4X4Xu” switch spots at #14 and #15 respectively.
The top 20 remains highly stable, with no exits, but notable reshuffling reflects continued interest in returning chart regulars.
Dance Pop
Rosé and Bruno Mars hold #1 for a second week, while Lady Gaga and Dua Lipa retain their spots at #2 and #3.
Sevdaliza’s “Alibi” jumps to #5, overtaking Gaga’s “Shallow,” which drops to #11.
Doja Cat re-enters with “You Right” at #10 and adds “Break My Heart” at #19, emphasizing her strong catalog presence.
Tiesto’s “The Business” rises to #14, while “No Bad Vibes” and “Love Again” both slip slightly.
Ofenbach’s “Overdrive” and Tyler Hubbard’s “Dancin’ In The Country” exit the chart, replaced by upbeat returns from Doja and Dua.
East & South African Music
Chella’s “My Darling” debuts at #1, unseating Tyla’s “Water,” now at #2 after a strong run.
Titom’s “Tshwala Bam” enters the chart at #5, injecting amapiano energy into the top tier.
Marioo returns with “Naogopa” at #18, while Lydia Jazmine debuts “Wotabade” at #20, expanding the regional footprint.
DJ Maphorisa and TNK Musiq retain mid-chart consistency with multiple collaborative entries.
Mduduzi Ncube and King Temoso exit to make room for the rising new tracks from Tanzania and Uganda.
French R&B
Joé Dwèt Filé’s “4 Kampé” holds at #1, leading an otherwise stable top five.
Naza’s “Joli Bébé” rises to #7, overtaking Benab and shifting Lacrim and Soolking down one position each.
KeBlack debuts “Boucan” featuring Franglish at #12, while Dadju scores two new entries with “Mon Soleil” at #19 and “Va Dire À Ton Ex” at #20.
Benab’s “Mon Poto” slips to #13, and “Jolie Madame” by Joé Dwèt Filé drops slightly to #14.
Booba’s “Mona Lisa” exits, making way for Dadju’s latest romantic ballads.
Metalcore
Babymetal and Electric Callboy’s collaboration “Ratatata” storms to #1, displacing SiM’s long-reigning “The Rumbling.”
Bad Omens’ “Limits” drops to #12, while Electric Callboy’s entries remain strong, with three in the top 11.
Slaughter to Prevail debuts “K.O.D.” at #18, injecting deathcore intensity into the chart’s lower ranks.
Bring Me The Horizon closes the chart with “Kingslayer (Live in Tokyo),” a live performance featuring Babymetal that reintroduces their rebellious anthem at #20.
Bad Omens’ “V.A.N” exits the chart to make way for this live resurgence, while the top 10 sees only minimal reshuffling.
Modern Dancehall
Moliy’s “Shake It To The Max” retains the top position, while the top five remain unchanged for a second week.
Armanii’s “8:00 PM” featuring Malie Donn debuts at #8, infusing late-night vibes and smooth melodies into the upper chart.
Burna Boy reappears with “Tested, Approved & Trusted” at #9, his second charting entry this week.
Uncle Waffles’ amapiano track “Wadibusa” lands at #13, expanding genre diversity alongside Squash’s introspective “Know Bout Dat” at #15.
DJ Leska’s “Capitaine” and Ayetian’s “Balance” exit, making way for these new culturally rich additions.
Nigerian Pop
Rema continues to dominate with “Calm Down” at #1 and again at #6 in its original form.
Wizkid’s “Essence” climbs to #8, reflecting its enduring popularity, while Ruger’s “Girlfriend” rises to #11.
CKay’s classic “Emiliana” re-emerges at #17, joining Davido’s “Kante” featuring Fave, which debuts at #20.
Dax’s “Dear Alcohol” drops to #16, and “Funds” by Davido exits to make room for these returnees.
Chart movement is driven by nostalgic comebacks and steady fan favorites across the genre.
Pov: Indie
Glass Animals’ “Heat Waves” holds #1, while Hozier’s “Too Sweet” makes a dramatic debut at #2.
YUNGBLUD’s “I Was Made For Lovin’ You” enters at #7, providing a cinematic edge to the indie chart.
Twenty One Pilots expand their reach with three new entries: “Midwest Indigo” at #9, “Navigating” at #13, and “Next Semester” at #20.
Liana Flores’ “Rises The Moon” debuts softly at #11, offering folk tranquility amidst rock-leaning peers.
Alan Walker and Beabadoobee’s “Beaches” exit the top 20, reshuffled to accommodate new fan-driven additions.
Urban Contemporary
Shakira’s “Soltera” leads the chart for another week, with GloRilla and Usher maintaining strong top five placements.
Jung Kook’s remix with Usher climbs to #5, nudging T-Pain and Ciara down one position each.
Partynextdoor adds “For Certain” at #19, highlighting his thematic consistency and smooth R&B delivery.
Rihanna, Teyana Taylor, and Jeremih remain stable, signaling slow shifts across the genre this week.
City Girls’ “Good Love” retains its spot at #20, balancing newer arrivals with chart mainstays.
Urbano Latino
Beéle’s “Mi Refe” rises to #1, dethroning Bad Bunny’s “Baile Inolvidable,” which falls to #2.
Myke Towers’ “Si Se Da – Remix” rises to #6, while Maluma’s “Sobrio” reclaims ground at #7.
Rvssian’s new entry “Santa” featuring Rauw Alejandro and Ayra Starr arrives at #11, blending reggaeton and afrobeats.
Feid’s “Se Me Olvida” drops to #16, while Beéle’s “Morena” also slips down to #17.
Mesita’s “Una Foto [Remix]” exits the chart, making space for genre fusion and evolving collaborations.