Last updated on June 30, 2026, updated every month.
Kate Bush replaces Bing Crosby and David Bowie at the top of Art Rock. Gerry Rafferty returns in two charts, while Crystal Waters, Fleetwood Mac, En Vogue, Village People, America and The Subways all make new appearances in this month’s Top 20.
Elsewhere, Loose Ends enters two different charts, Fat Les returns with both “Vindaloo” and “Jerusalem”, Bob Seger places two songs in Heartland Rock, and Björk, Radiohead, Faith No More and Sevendust are back in the rankings.
Big Beat
Death In Vegas’s “Aisha” remains at number one, followed by Armand Van Helden’s “My My My,” with the top four unchanged. “I Want Your Soul” rises to fifth while “Star 69” slips to sixth. Apollo 440’s “Lost In Space [Theme]” moves up to eighth and Leftfield’s “Afro Left” reaches the top 10. There are no new entries in the top 20.
2000s Garage Rock
The White Stripes’ “I Just Don’t Know What To Do With Myself” stays at number one ahead of The Hives’ “Hate To Say I Told You So.” The Raconteurs’ “Steady As She Goes” climbs to third, swapping places with Babyshambles’ “Albion.” The only new entry is The Subways’ “Rock & Roll Queen” at number 17. Released in 2005, it peaked at number 22 in the UK and became widely known through films, television, adverts, and video games.
Britpop
Babybird’s “You’re Gorgeous” remains at number one, with The Stone Roses’ “Sally Cinnamon” and Saint Etienne’s “You’re In A Bad Way” unchanged in the top three. James’ “Sit Down” rises to fifth while Lush’s “Desire Lines” climbs to ninth. The only new entry is Fat Les’ “Vindaloo” at number 19. Released in 1998, it became an unofficial England football anthem and parodies football crowd chants.
90s Sophisti-Pop
Sting’s “When We Dance” remains at number one. Chris Rea’s “Nothing To Fear” climbs to second as “Auberge” slips to third. Sade’s “Kiss Of Life” rises to fourth, while Molella’s “With This Ring Let Me Go” reaches sixth. Everything But The Girl’s “Missing” moves up to seventh. There are no new entries in the top 20.
2010s R&B
Kendrick Lamar’s “All The Stars,” The Weeknd’s “Try Me,” Asap Rocky’s “Everyday,” and Toni Braxton’s “Yesterday” remain the top four. Alicia Keys’ “Try Sleeping With A Broken Heart” climbs to fifth. Two new entries appear: Beyoncé’s “Before I Let Go” at number 12, a 2019 reinterpretation of the Maze featuring Frankie Beverly classic featured in the credits of Homecoming, and Michael Jackson’s “Hold My Hand” at number 18, the 2010 posthumous duet with Akon.
Neo-Mellow
Gary Jules’ “Mad World” remains at number one, followed by Jason Mraz’s “I’m Yours” and Keane’s “Everybody’s Changing,” with the top seven unchanged. Plain White T’s “Hey There Delilah” climbs to eighth, while Michelle Branch’s “All You Wanted” and Dido’s “Thank You” each fall two places. The only new entry is KT Tunstall’s “Black Horse And The Cherry Tree” at number 20, a 2005 single noted for its loop pedal performance and blues-influenced arrangement.
P0st-Disco
Incognito’s “Nights Over Egypt” and Rufus’ “Ain’t Nobody” remain the top two. Two new entries reach the top 10: Loose Ends’ “Hangin’ On A String” enters at number three, and Yarbrough & Peoples’ “Don’t Stop The Music” debuts at number six. “Hangin’ On A String” was released in 1985 with production by Nick Martinelli, while “Don’t Stop The Music,” released in 1980, became a Billboard Hot Soul Singles number-one hit.
Yacht Rock
Don Henley’s “The End Of The Innocence,” Chicago’s “Hard To Say I’m Sorry,” George Benson’s “In Your Eyes,” and Michael McDonald’s “I Keep Forgetting” remain the top four. “The Boys Of Summer” climbs to fifth while “Hole In The World” drops to eighth. The only new entry is Fleetwood Mac’s “Sara” at number 19. Originally released in 1980, it reached number seven on the Billboard Hot 100 and was written by Stevie Nicks.
Diva House
Incognito’s “Nights Over Egypt” stays at number one, while CeCe Peniston’s “Keep On Walkin’” rises to second and Alison Limerick’s “Where Love Lives” slips to third. D_Mob’s “C’Mon And Get My Love” climbs to 11, with Cappella’s “U Got 2 Let The Music” and West End’s “The Love I Lost” each moving down one place. The only new entry is Crystal Waters’ “Gypsy Woman (She’s Homeless)” at number 19, a 1991 international house music hit produced by The Basement Boys.
Vintage Power Pop
Blondie’s “The Tide Is High” remains number one, with XTC’s “Generals And Majors” and “Mayor Of Simpleton” holding second and third. Squeeze’s “Tempted” climbs to fourth, while Cheap Trick’s “The Flame” drops to fifth. Weezer’s “Island In The Sun” rises to seventh and Nada Surf’s “Inside Of Love” reaches ninth. There are no new entries in the top 20.
Eurodance
Culture Beat’s “Anything” remains at number one, followed by “Mr Vain” and ATC’s “All Around The World,” with the top five unchanged. “Take Me Away” rises to sixth while “Crying In The Rain” slips to seventh. La Bouche’s “Sweet Dreams” moves up to ninth as Groove Coverage’s “Moonlight Shadow” falls to tenth. There are no new entries in the top 20.
Heartland Rock
Don Henley’s “The End Of The Innocence” stays at number one. Bryan Adams’ “Here I Am” climbs to second, while Bob Seger’s “Night Moves” reaches third. Two new entries appear: Bob Seger’s “We’ve Got Tonight” at number 10, a 1978 ballad that reached number 13 on the US chart, and America’s “You Can Do Magic” at number 20, the 1982 Russ Ballard-written single that returned the band to the US top 10.
New Jack Swing
Atlantic Starr’s “Always” rises to number one, replacing Foxy Brown’s “I’ll Be,” which slips to second. Jodeci’s “Cry For You” remains third. The only new entry is Loose Ends’ “Hangin’ On A String” at number four, a 1985 single produced by Nick Martinelli featuring shared lead vocals from Carl McIntosh and Jane Eugene. Shanice’s “Saving Forever For You” also enters the chart at number 17, a 1992 ballad written by Diane Warren for Beverly Hills, 90210 that reached number four on the Billboard Hot 100.
Post-Grunge
Candlebox’s “Far Behind,” Chris Cornell’s “Billie Jean,” Matchbox Twenty’s “Real World,” and Live’s “Selling The Drama” remain the top four. Faith No More’s “Digging The Grave” climbs to sixth while Linkin Park’s “Somewhere I Belong” moves ahead of “Points Of Authority.” The only new entry is Faith No More’s “Last Cup Of Sorrow” at number 18, a 1997 single with artwork and a video inspired by Alfred Hitchcock’s Vertigo.
Trip Hop
Death In Vegas’ “Aisha,” Zero 7’s “Destiny,” and “In The Waiting Line” remain the top three. Massive Attack’s “Angel” climbs to sixth while Portishead’s “Sour Times” reaches ninth. The only new entry is Björk’s “Hidden Place” at number 20. Released in 2001 as the lead single from Vespertine, it features production by Matmos and Mark Bell with harp and micro-beat arrangements.
80s New Wave Pop
Donna Summer’s “State Of Independence” and “She Works Hard For The Money” remain the top two, followed by Fine Young Cannibals’ “Johnny Come Home.” Most of the top 20 is unchanged, with only minor positional shifts including Thompson Twins’ “Lies” moving ahead of Sheena Easton’s “Almost Over You.” The only new entry is Village People’s “Can’t Stop The Music” at number 20, a 1980 single from the film of the same name.
Gangster Rap
Panjabi MC’s “Beware,” Foxy Brown’s “I’ll Be,” and Craig Mack’s “Get Down” remain the top three, with the top six unchanged. T.I.’s “Why You Wanna” climbs to seventh while Mase’s “Breath Stretch Shake” falls to tenth. The only new entry is D12’s “Purple Pills” at number 20, a 2001 single produced by Eminem that was also released in a censored version titled “Purple Hills” for radio.
80s Glam Metal
David Lee Roth’s “California Girls” remains at number one. April Wine’s “Just Between You And Me” climbs to second while Asia’s “Heat Of The Moment” slips to third. Def Leppard’s “Animal” rises to fourth and “Rock Of Ages” moves to sixth. The remainder of the top 20 sees minor positional changes, with no new entries.
90s Mellow Gold
Leo Sayer’s “When I Need You,” Paul McCartney’s “Hope Of Deliverance,” and Elton John’s “Runaway Train” remain the top three. Bob Seger’s “Night Moves” rises to fourth while Bee Gees’ “For Whom The Bell Tolls” slips to fifth. Two new entries appear: Rod Stewart’s “Lady Luck” at number 17, released in 1995 from A Spanner in the Works, and Gerry Rafferty’s “Baker Street” at number 18, the 1978 single known for its saxophone riff by Raphael Ravenscroft.
Old School Hip Hop
Newcleus’ “Jam on It,” LL Cool J.’s “Loungin,” and “Hit’em High” remain the top three. Afrika Bambaataa’s “Reckless” is the only new entry, debuting at number five. Released in 1988 with UB40, the single reached the top 20 in the UK and charted in Belgium and the Netherlands. Other movements in the chart are limited to minor position changes.
Boy Bands Retro
All-4-One’s “I Can Love You Like That” and “I Swear” remain the top two. New Edition’s “Mr. Telephone Man” rises to third while Color Me Badd’s “All 4 Love” slips to fourth. 3T’s “Why?” climbs to eighth and Backstreet Boys’ “Shape Of My Heart” reaches ninth. The only new entry is East 17’s “Thunder” at number 20, a 1995 single with pop-rap and dance influences.
Indie Rock
Hot Chip’s “Ready For The Floor,” Sigur Rós’ “Hoppípolla,” and LCD Soundsystem’s “Tribulations” remain the top three. Two new entries appear: Fat Les’ “Vindaloo” debuts at number seven, while “Jerusalem” enters at number 19. “Vindaloo,” released in 1998, became an unofficial England football anthem, and “Jerusalem,” released in 2000, is Fat Les’ reinterpretation of William Blake’s hymn with a satirical approach.
Girl Groups
Jade’s “I Wanna Love You,” SWV’s “Can We,” No Angels’ “Daylight In Your Eyes,” and The Veronicas’ “4Ever” remain the top four. Sugababes’ “Hole In The Head” climbs to fifth while En Vogue’s “Giving Him Something He Can Feel” moves to sixth. The only new entry is En Vogue’s “Hold On” at number 19, the group’s 1990 debut single, which reached number two on the Billboard Hot 100.
Pop Dance
Loud Luxury’s “Body,” Lost Frequencies’ “Reality,” and Avicii’s “My Feelings For You” remain the top three, with the top five unchanged. Shakira’s “Waka Waka (This Time For Africa)” climbs to sixth while DJ Snake’s “Let Me Love You” falls to eighth. David Guetta’s “Memories” rises to 17. There are no new entries in the top 20.
Neo Soul
Bob Marley’s “Turn Your Lights Down Low” and Aaliyah’s “If Your Girl Only Knew” remain the top two. Les Nubians’ “Makeda” climbs to third, while De La Soul’s “All Good?” and Erick Sermon’s “Music” each move down one place. Other changes are limited to minor movements, including Kanye West’s “All Falls Down” rising to 14. There are no new entries in the top 20.
Art Rock
Kate Bush’s “Army Dreamers” rises to number one, replacing Bing Crosby and David Bowie’s “Peace On Earth / Little Drummer Boy,” which leaves the chart. David Bowie’s “Hallo Spaceboy” climbs to second, while XTC’s “Generals And Majors” moves to third. Two new entries appear: Gerry Rafferty’s “Baker Street” at number 18 and Radiohead’s “Go To Sleep” at number 20. Released in 2003, “Go To Sleep” is a single from Hail to the Thief that reached number 12 on the UK Singles Chart.
2010s Trap
Lil Wayne’s “She Will,” Kanye West’s “Runaway,” and DJ Snake’s “Let Me Love You” remain the top three, with the top seven unchanged. Post Malone’s “Sunflower” climbs to eighth while Toni Braxton’s “Yesterday” falls to tenth. The only new entry is Justin Bieber’s “Confident” at number 19, a 2013 single featuring Chance the Rapper that concluded Bieber’s Music Mondays release series.
Nu Metal
Candlebox’s “Far Behind,” Ministry’s “N.W.O.,” Anthrax’s “Bring Tha Noize,” and “Black Lodge” remain the top four. Faith No More’s “Digging The Grave” rises to seventh while P.O.D.’s “Alive” slips to eighth. The only new entry is Sevendust’s “Denial” at number 19, a 1999 single from the album Home released as the album’s second track.
Post-Punk
Talking Heads’ “This Must Be the Place (Naive Melody)” remains at number one. The Go-Betweens’ “Streets Of Your Town” climbs to second while The Smiths’ “There Is A Light That Never Goes Out” moves to third. The only new entry is The Cure’s “Just Like Heaven” at number 20. Written by Robert Smith, the song was inspired by a trip to Beachy Head and was recorded for the album Kiss Me, Kiss Me, Kiss Me.