Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.

While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 20 genres.

Here is the Jun 24,2026 edition

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Top 20 Music Charts – 21 Genres Ranked (Jun 24, 2026)
Top 20 Music Charts – 21 Genres Ranked (Jun 24, 2026)

Afro-Love

AFRO-LOVE sees Tems retain the top spot with “Me & U”, while Jeady Jay remains firmly at No. 2. The week’s biggest change comes from Joé Dwèt Filé, whose new single “Rihanna” debuts at No. 3, pushing several tracks down the chart. Rutshelle Guillaume also enters the Top 20 with “Can’t Get Over You”.

New entry: Joé Dwèt Filé’s “Rihanna” blends French zouk, pop and Haitian kompa influences as a single from HATE LOVE.

New entry: Rutshelle Guillaume‘s “Can’t Get Over You” joins the chart with a melodic, dance-oriented afro-pop sound.

See the Full Top 20 for Afro-Love

Alt Z

ALT Z remains highly stable with an unchanged top three led by Sub Urban and Tate McRae. The only new arrival is Gracie Abrams, whose “Hit The Wall” debuts at No. 6, triggering minor shifts throughout the chart.

New entry: Gracie Abrams‘ “Hit The Wall” opens Daughter From Hell with atmospheric production and lyrics exploring emotional burnout and self-doubt.

See the Full Top 20 for Alt Z

Alternative Metal

ALTERNATIVE METAL keeps Linkin Park at No. 1, while Evanescence scores the week’s highest debut as “Who Will You Follow” enters directly at No. 2. The new arrival pushes the remainder of the Top 10 down by one position.

New entry: Evanescence‘s “Who Will You Follow” combines piano, guitars and electronic textures while exploring themes of identity and belief.

See the Full Top 20 for Alternative Metal

Alternative R&B

ALTERNATIVE R&B remains led by Ravyn Lenae and Sevdaliza. Doechii climbs with “Alter Ego”, while two new entries complete the chart as Jenevieve and JIHYO debut at No. 12 with “Hvnly”, and Adekunle Gold closes the Top 20 with “Sinner”.

New entry: Jenevieve and JIHYO’s “Hvnly” reimagines Jenevieve‘s original track with a blend of R&B and K-pop influences.

New entry: Adekunle Gold‘s “Sinner” pairs Afrobeat and R&B on a track featuring Lucky Daye and produced by Blaise Beatz.

See the Full Top 20 for Alternative R&B

American Hip-Hop

AMERICAN HIP-HOP continues to be led by Kendrick Lamar, while King Von climbs to No. 2. French Montana posts the week’s highest debut with “Go Ladies” at No. 6, joined by two additional new entries from Lil Baby and Pop Smoke near the bottom of the chart.

New entry: French Montana‘s “Go Ladies” delivers a club-ready anthem built around a sample of “Planet Rock” alongside Max B.

New entry: Lil Baby‘s “Emotionally Scarred” reflects on fame and personal struggles over production by Twysted Genius.

New entry: Pop Smoke and Lil Tjay‘s “Mood Swings” blends trap and R&B while exploring the highs and lows of a relationship.

See the Full Top 20 for American Hip-Hop

Art Pop

ART POP remains firmly led by Lady Gaga and Billie Eilish, while Charli XCX makes the week’s biggest impact as “SS26” debuts straight at No. 3. The new arrival reshuffles the Top 10, with several established hits slipping slightly.

New entry: Charli XCX‘s “SS26” delivers sleek electronic pop with a futuristic, fashion-inspired aesthetic.

See the Full Top 20 for Art Pop

Asian Pop

ASIAN POP welcomes a new No. 1 as ROSÉ‘s “APT.” climbs to the summit, while ILLIT and BTS each move up one place. LISA scores the week’s highest debut at No. 4 with the FIFA World Cup 2026™ anthem “Goals”, while Yorushika and ARASHI also enter the chart as BABYMONSTER falls to No. 20.

New entry: LISA, Anitta and Rema‘s “Goals” blends K-pop, Latin pop and Afrobeats as the Official FIFA World Cup 2026™ anthem.

New entry: Yorushika‘s “Bubble” combines energetic rock and drum-and-bass influences while serving as the opening theme for the anime Liar Game.

New entry: ARASHI‘s “Five” marks the group’s return with a nostalgic J-pop farewell single celebrating unity and hope.

See the Full Top 20 for Asian Pop

Caribbean Club

CARIBBEAN CLUB remains topped by MAUVAIS DJO, while Kybba climbs to No. 2 ahead of Arlene MC. Bulin 47 enters the chart at No. 7 with “Ta Talde Pah”, causing minor shifts throughout the remainder of the Top 20.

New entry: Bulin 47 and Ceky Viciny‘s “Ta Talde Pah” showcases contemporary Dominican urban music with reggaeton and Latin trap influences.

See the Full Top 20 for Caribbean Club

Corridos

CORRIDOS keeps an unchanged Top 5 headed by Lenin Ramirez. Oscar Maydon moves into the Top 10, while Carin León returns to the chart with “Me Está Doliendo” at No. 18 alongside Alejandro Fernández.

New entry: Carin León and Alejandro Fernández’s “Me Está Doliendo” is a heartfelt duet centered on longing and unresolved heartbreak.

See the Full Top 20 for Corridos

Country Music

COUNTRY MUSIC remains remarkably stable with Ella Langley holding the entire Top 3. Minor position changes affect the middle of the chart, while Cole Swindell and Kane Brown join the Top 20 with two established country hits.

New entry: Cole Swindell‘s “She Had Me At Heads Carolina” pays tribute to Jo Dee Messina’s ’90s country classic.

New entry: Kane Brown and Katelyn Brown’s “Thank God” is a country-pop duet celebrating their real-life love story.

See the Full Top 20 for Country Music

Dance Pop

DANCE POP remains remarkably stable with ROSÉ and Lady Gaga holding the top two positions. The week’s only new arrival comes from Dua Lipa, whose live collaboration “Oye Mi Amor” enters at No. 10, prompting minor shifts across the lower half of the Top 20.

New entry: Dua Lipa‘s “Oye Mi Amor” is a live collaboration with Fher de Maná that revisits the Spanish rock classic with energetic guitars and a cross-cultural performance.

See the Full Top 20 for Dance Pop

East & South African Music

EAST & SOUTH AFRICAN MUSIC sees Bien remain at No. 1, while Goon Flavour and Tyla both climb into the Top 3. Asake makes the week’s only debut with “Forgiveness” at No. 8, reshuffling much of the middle section of the chart.

New entry: Asake‘s “Forgiveness” blends Afrobeat and Lagos street-pop influences around themes of remorse and reconciliation.

See the Full Top 20 for East & South African Music

French R&B

FRENCH R&B remains highly stable with Joé Dwèt Filé and Gims continuing to dominate the Top 3. Soolking moves up one place to No. 7, while only minor position changes affect the remainder of the chart.

See the Full Top 20 for French R&B

Metalcore

METALCORE welcomes a new No. 1 as Motionless In White‘s “Afraid Of The Dark” climbs to the summit, ending YUNGBLUD’s reign. Elsewhere, the chart remains largely unchanged, with only minor position swaps throughout the Top 20.

See the Full Top 20 for Metalcore

Modern Dancehall

MODERN DANCEHALL keeps an unchanged Top 6 led by Kybba, Spice and WizTheMc. Vybz Kartel‘s “Panic” breaks into the Top 10, while Nhance enters at No. 19 with “Stay To Myself”, becoming the week’s only new addition.

New entry: Nhance‘s “Stay To Myself” is a dancehall track built around introspective lyrics, melodic vocals and a minor-key groove.

See the Full Top 20 for Modern Dancehall

Nigerian Pop

NIGERIAN POP remains topped by Rema and Ayra Starr, while Tems climbs to No. 3 with “Me & U”. The remainder of the chart sees only minor position changes, with no new entries this week.

See the Full Top 20 for Nigerian Pop

Pop Hits

POP HITS keeps an unchanged Top 5 led by Lady Gaga, Billie Eilish and Taylor Swift. Glass Animals climbs into the Top 10, while Black Eyed Peas return to the chart at No. 15 with “Girl Like Me”.

New entry: Black Eyed Peas‘ “Girl Like Me”, featuring Shakira, blends Latin pop and reggaeton on a playful, cross-cultural collaboration.

See the Full Top 20 for Pop Hits

Pov: Indie

POV: INDIE remains highly stable with an unchanged Top 7 headed by Glass Animals. Bleachers return to the chart at No. 20 with “Merry Christmas, Please Don’t Call”, while only minor position changes affect the rest of the ranking.

New entry: Bleachers‘ “Merry Christmas, Please Don’t Call” explores the quiet acceptance of a relationship’s end through a reflective holiday-themed narrative.

See the Full Top 20 for POV: Indie

Punjabi Party

PUNJABI PARTY sees Karan Aujla retain the top spot, while Cheema Y makes the week’s highest debut as “Cartel” enters at No. 2. Sukha and R Nait also join the chart, triggering notable movement throughout the Top 20.

New entry: Cheema Y and Gur Sidhu’s “Cartel” delivers hard-hitting Punjabi hip-hop with powerful themes and club-ready production.

New entry: Sukha‘s “Wang” blends modern UK Punjabi sounds with traditional bhangra influences on a bass-driven production.

New entry: R Nait and Sudesh Kumari’s “Kilometer” combines contemporary Punjabi pop and bhangra around themes of distance and relationships.

See the Full Top 20 for Punjabi Party

Urban Contemporary

URBAN CONTEMPORARY remains exceptionally stable, with Shakira continuing to lead the chart through the top two positions. Only minor position swaps occur across the Top 20, with no new entries this week.

See the Full Top 20 for Urban Contemporary

Urbano Latino

URBANO LATINO stays firmly led by Shakira and Bad Bunny, while Karol G moves into the Top 4 as several Bad Bunny tracks continue to dominate the chart. YOVNGCHIMI closes the Top 20 with the week’s only new entry, “MVLAN”.

New entry: YOVNGCHIMI and JC Reyes’ “MVLAN” is a Latin trap collaboration built around themes of ambition, confidence and luxury.

See the Full Top 20 for Urbano Latino


This bi-weekly update of the top 20 tracks across 20 genres reflects the continued evolution of listener preferences. While some tracks maintain their grip on the charts, others make way for fresh entries that bring new perspectives and sounds to the forefront.

Disclaimer: Our aim with these rankings is not to provide a definitive measure but to offer a snapshot of trends that resonate with audiences today.

We’ll continue to share these updates regularly, consolidating data and highlighting the shifts that make each genre so dynamic.

Thank you for following along, and we look forward to seeing how these charts evolve in the weeks to come.

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