Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Feb 8,2026 edition
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Alt Z
Stability defines the top of the chart, with Tate McRae’s “Just Keep Watching” and Faouzia’s “Minefields” holding firm at numbers one and two.
Minor positional swaps occur within the top ten, but the overall structure remains unchanged, suggesting a settled listener base across this cycle.
No new entries appear this week, reinforcing the chart’s equilibrium and long-tail streaming behavior.
Alternative Metal
Linkin Park continue their extended reign, with “The Emptiness Machine” and “Up From The Bottom” retaining the top two spots.
“Lost” climbs into fourth, while “So Cold” by Breaking Benjamin edges upward, reflecting renewed engagement with catalog staples.
The lower half of the chart remains largely static, emphasizing sustained loyalty rather than breakout movement.
Alternative R&B
The top nine positions remain unchanged, led by Ravyn Lenae’s “Love Me Not” and Mariah The Scientist’s “Burning Blue.”
Doechii debuts at number ten with “Girl, Get Up,” a late-2025 release produced by Jay Versace. The track incorporates a Birdman and Clipse sample and addresses industry skepticism, personal scrutiny, and resilience. SZA contributes the hook, reinforcing the song’s motivational core.
Joji enters at number twenty with “If It Only Gets Better,” built on minimal acoustic textures, soft bass, and restrained repetition that leans into atmospheric introspection.
American Hip-Hop
The top five remain completely locked, with Pooh Shiesty’s “FDO” and Kendrick Lamar’s “Not Like Us” continuing to dominate.
“Laugh Now Cry Later” rises into the top ten, while BigXthaPlug’s “All The Way” posts a strong climb, reflecting expanding crossover appeal.
Rod Wave debuts at number fourteen with “Feed The Streets,” a reflective track centered on grief, loyalty, and perseverance, referencing personal loss and broader hip-hop lineage. The accompanying video reinforces its somber, documentary-like tone.
Art Pop
The top six remains completely unchanged, with Lady Gaga and Billie Eilish continuing to anchor the chart through sustained multi-track presence.
Lana Del Rey posts the most visible movement this week as “Chemtrails Over The Country Club” enters at number seven. The 2021 Jack Antonoff–produced track contrasts nostalgic suburban imagery with underlying melancholy, blending 70s folk-pop calm with themes of disillusionment.
“Shallow” slips one position to eight, while “Into the Unknown” drops to ten, creating mild reshuffling within the upper tier without disrupting overall balance.
Billie Eilish’s catalog remains tightly clustered in the mid-chart, with “Everything I Wanted,” “Happier Than Ever,” and “Bad Guy” holding near-identical ranges.
At number twenty, Billie Eilish debuts with “NDA.” Released in 2021, the track blends dark pop with industrial and techno elements while addressing privacy, fame, and public scrutiny. The nighttime video imagery reinforces the song’s anxious tone.
Asian Pop
Stability defines the top three, as Rosé’s “Apt.”, BLACKPINK’s “JUMP,” and LE SSERAFIM’s “Spaghetti” retain their positions.
Hwasa enters directly at number four with “Good Goodbye,” a digital single released October 15, 2025. Co-written with An Shin-ae and Park Woo-sang, the emotional ballad focuses on graceful separation rather than dramatic heartbreak, supported by restrained production.
KATSEYE titles reshuffle slightly, with “Gnarly” rising above “Gameboy,” while BTS’ “Dynamite” maintains its long-running mid-chart placement.
No exits occur this week, underscoring listener consistency across releases and catalog tracks.
Country Music
Peso Pluma storms in at number one with “Dopamina,” a December 25, 2025 release from the joint album *DINASTÍA* with Tito Double P. The track blends Música Mexicana with jet-set imagery and luxury-coded excess.
Junior H enters the top five at number four with “Mi Gata,” a corridos tumbados track released January 5, 2026, built on minimalist guitar loops and heartbreak-driven lyrics.
Mid-chart positions reshuffle as multiple Fuerza Regida and Carín León titles slide downward, reflecting the impact of high-profile debuts.
Efecto Elegante enters at number nineteen with “Ebrio De Amor,” leaning into traditional regional Mexican instrumentation to explore heartbreak through alcohol-soaked metaphors.
Dance Pop
The top eighteen remains entirely unchanged, highlighting a rare week of complete chart stability.
Chris Stapleton enters at number nineteen with “White Horse,” the opening track from his 2023 album *Higher*. Co-written with Dan Wilson, the song blends blues rock grit with country themes of self-awareness and restrained romantic ambition.
“Think I’m In Love With You” holds at number twenty, giving Stapleton dual representation at the lower end of the chart.
East & South African Music
The top three remains fully locked, with Rosé and Bruno Mars holding firm at number one, followed by Lady Gaga’s collaboration and Dua Lipa’s “Levitating,” confirming continued cross-format dominance.
Dimitri Vegas’ “Thank You (Not So Bad)” climbs to number four, overtaking Shakira’s “Acróstico,” which slips to sixth after a brief upper-tier hold.
Doja Cat strengthens her presence as “Say So” rises into the top ten, while “Paint The Town Red” remains a stable top-five performer.
At number fifteen, Jazzy enters with “No Bad Vibes.” The Afro-house track pairs the Irish vocalist with producer KILIMANJARO, built around hypnotic rave textures and a steady, dancefloor-focused pulse.
French R&B
The top three stays unchanged, led by “Ngishutheni,” “My Darling,” and Tyla’s “Water,” signaling strong listener retention.
Driemo enters directly at number four with “Joker.” Released in January 2026, the track explores devotion and emotional uncertainty, produced by Nyanda and Taktic, with visuals directed by Sean Films.
Zuchu debuts at number seven with “Inama,” a 2025 collaboration with Diamond Platnumz released under WCB Wasafi, centered on loyalty and resilience through Bongo Fleva rhythms.
Bruce Melodie enters at twelve with “Pom Pom,” a January 1, 2026 release uniting Diamond Platnumz and Brown Joel in a streamlined Afrobeats and Bongo Flava fusion.
TxC appear at number fourteen with “Nakupenda,” featuring Davido, Shoday, Zlatan, and Al Xapo, built on log-drum-driven Amapiano production.
Harmonize adds a second chart presence as “Leo,” featuring Mbosso, enters at seventeen, reinforcing his continued visibility this week.
Metalcore
The top eight remains unchanged, led by Joé Dwèt Filé and Gims, highlighting a week of notable stability.
Benab’s “Mon Poto” rises into the top ten, while Gazo’s titles shuffle positions without major disruption.
At number twenty, Gims enters with “Only You,” a 2021 collaboration with Dhurata Dora blending French pop-R&B with Balkan melodic influences, supported by a Stefan Redjimi–directed video.
Modern Dancehall
YUNGBLUD retains the number-one spot with “Zombie,” while Bad Omens’ “Specter” and “Dying To Love” swap positions at numbers two and three.
The remainder of the top ten remains unchanged, reflecting strong format loyalty and minimal volatility.
Nigerian Pop
The top seven holds completely steady, led by Kybba’s “Ba Ba Bad Remix” and Spice’s “Go Down Deh.”
Chronic Law posts the most visible movement, with “NY Girls” climbing into the top ten, while “Badness Upgrade 2.0” shifts slightly downward.
Blessd enters at number nineteen with “QUITATELOTO,” adding Latin crossover presence to the lower end of the chart.
Pov: Indie
The top three remains unchanged, with Rema’s “Calm Down” featuring Selena Gomez continuing its long-running reign ahead of Ayra Starr’s “Rush” and Omah Lay’s “Soso.”
Tems posts the most visible upward move, as “Me & U” climbs from number eight to number four, overtaking Chiké’s “Egwu,” which slips one position to five.
“Bandana” by Fireboy DML holds steady in the upper tier, while Rema’s solo version of “Calm Down” edges up to seventh, reinforcing his dual-track dominance.
Mid-chart reshuffling sees “Understand” by Omah Lay rise to eleven and “Essence” by Wizkid and Tems move up to twelve, reflecting renewed listener traction.
The lower section remains stable, with Burna Boy and Crayon retaining their positions and no new entries appearing this week.
Urban Contemporary
Karan Aujla’s “For A Reason” holds the top spot, while “Deewane” by Navaan Sandhu rises to number two, pushing Sidhu Moose Wala’s “Barota” down one position.
Cheema Y’s “Young G.O.A.T” climbs into the top ten, while Nijjar’s “God Did” also posts a notable rise, reinforcing upward momentum for both artists.
Khan Bhaini enters at number fifteen with “Past Present Future,” released November 21, 2025. The track reflects on personal growth and faith, written and composed by Bhaini and produced by Savraj.
Jassa Dhillon debuts at number eighteen with “Heer,” a 2025 release drawing inspiration from the Heer–Ranjha legend, framed through atmospheric Punjabi pop production.
Urbano Latino
The top four remains unchanged, led by Shakira’s “Zoo” and “Soltera,” followed by PARTYNEXTDOOR and Usher.
PARTYNEXTDOOR enters at number seventeen with “R E A L W O M A N.” Released in March 2024, the track centers on empowerment and mutual respect, blending affirmation with smooth, rhythmic production.
Teyana Taylor adds a second chart presence as “Hard Part” enters at nineteen, joining “Morning” already in the top twenty.