How well do you know your music? Let’s find out with a quiz that accompanies this week playlist.
The subjects du jour are : NSYNC, Mis~Teeq, Da Hool, David Guetta & Chris Willis, Cleopatra, Basement Jaxx, t.A.T.u., Madonna, Alice DeeJay, Ultra Naté, Junkie XL, Elvis Presley, Ian Van Dahl
They are the performers of twelve vintage dance tunes that were ranked in various charts, this week (30/52) BUT … in the Noughties 2000s.
For TWELVE more 'Music For The Dancers' - Vintage 2000s Music Videos - week 30/52 - click here
Tracklist
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1 . NSYNC - PopFeatured on the 2001 album "Celebrity".
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2 . Mis~Teeq - All I WantFeatured on the 2001 album "Lickin' on Both Sides".
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3 . Da Hool - Meet Her At The LoveparadeFeatured on the 1997 album "Here Comes Da Hool".
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4 . David Guetta & Chris Willis - Love Is GoneFeatured on the 2007 album "Pop Life".
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5 . Cleopatra - Come And Get MeFeatured on the 2000 album "Steppin' Out".
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6 . Basement Jaxx - RomeoFeatured on the 2001 album "Rooty".
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7 . t.A.T.u. - Not Gonna Get UsFeatured on the 2002 album "200 km/h in the Wrong Lane".
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8 . Madonna - HollywoodFeatured on the 2003 album "American Life".
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9 . Alice DeeJay - Will I EverFeatured on the 2000 album "Who Needs Guitars Anyway?".
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10 . Ultra Naté - DesireFeatured on the 1998 album "Stranger Than Fiction".
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11 . Junkie XL, Elvis Presley- A Little Less Conversation [Elvis vs JXL]
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12 . Ian Van Dahl - Castles In The SkyFeatured on the 2000 album "Ace".
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And the correct answers (in case you missed one or two) are:
1. The track "Pop" by *NSYNC is notable for featuring over 1,200 stutter-edits. This complex production element was applied by BT, giving the song a distinctive sound that set it apart in the pop music landscape.
2. "All I Want" by Mis-Teeq prominently showcases the UK garage style. The So Solid Crew-influenced garage remix by Sunship played a significant role in its success and in defining the early 2000s garage-pop crossover sound.
3. Da Hool's "Meet Her At The Loveparade" pays tribute to the Love Parade, a famous electronic dance music festival in Germany. The song became an anthem for the event, celebrated for its synth-driven beats.
4. David Guetta's "Love Is Gone" was his first track to incorporate a guitar sample, making it notable within his discography. It highlights the blend of electronic and instrumental elements, contributing to its broad appeal.
5. Cleopatra's "Come and Get Me" blends contemporary R&B with UK garage. The song is characterized by its pop-oriented production style, featuring bass and guitar licks that enhance its dynamic feel.
6. The music video for Basement Jaxx's "Romeo" is characterized by Indian thematic elements. It received attention for its vibrant visuals, complementing the energetic house track.
7. The lyrics of t.A.T.u.'s "Not Gonna Get Us" depict the duo running away because others do not understand their love for each other. This theme of escape highlights the pressures they face from societal misunderstanding.
8. Madonna's "Hollywood" sparked a lawsuit over alleged similarities between its video and the photography of Guy Bourdin. Accusations focused on visual styling choices in Jean-Baptiste Mondino's direction.
9. The music video for "Will I Ever" by Alice DeeJay was filmed at the Arken Museum in Ishøj, Denmark. Its distinctive setting contributed to the song's visual appeal, complementing the Eurodance track.
10. "Desire" by Ultra Naté was released in the US on Strictly Rhythm Records. Known for its electronic and house influences, the track was part of her ongoing contribution to the dance music scene.
11. Junkie XL's remix of "A Little Less Conversation" by Elvis Presley was notably used in a 2002 World Cup ad campaign. The remix gained further popularity through its inclusion in the film "Ocean’s Eleven."
12. In Ian Van Dahl's "Castles In The Sky," Cindy Mertens is featured miming to the vocals in the music video, although the actual vocalist was Marsha who did not appear in the video or live performances.
And the correct answers (in case you missed one or two) are:
1. "Blinding Lights" holds the title of the best-performing song in Billboard Hot 100 history, achieving this accolade by outpacing classics like "The Twist". Its success redefined mainstream pop chart performance.
2. The track melds synth-pop and electropop, synthesizing a modern sound with retro appeal. The Weeknd blends these elements to create an irresistibly catchy and rhythmic piece.
3. The song's distinctive 80s-inspired sound has been central to its charm, resonating with a wide audience and securing its status as a modern classic. Nostalgia meets today in a danceable package.
4. "Blinding Lights" boasts reaching the number one spot in over 40 countries, a testament to its global appeal and The Weeknd's cross-demographic reach.
5. Among the creators, Dr. Dre did not engage in writing "Blinding Lights". Max Martin and Belly were pivotal in shaping its successful formula.
6. Released as the second single from *After Hours*, "Blinding Lights" effectively set the tone for The Weeknd's ambitious album rollout and narrative style.
7. Notably, "Blinding Lights" spent an unprecedented amount of time in the top ten of the Billboard Hot 100 chart, reflecting its enduring popularity with audiences.
8. The song's commercial triumph is underscored by its diamond certification by the RIAA, marking a significant milestone for The Weeknd in his career.
9. "Take My Breath" belongs to *Dawn FM*, reflecting a shift in The Weeknd's artistic focus in his discography while drawing on previous successful elements.
10. The music video for "Take My Breath" featured intense strobe lighting, which led to its IMAX screening being withdrawn to prevent health risks like seizures.
11. Upon release, "Take My Breath" debuted on the US Billboard Hot 100, achieving a spot in the top ten and continuing The Weeknd's streak of chart successes.
12. Drawing inspiration from 80s synthwave and its synth-heavy soundscape, "Take My Breath" carries the baton from The Weeknd's previous stylistic ventures.
For THE FULL 'MUSIC FOR THE DANCERS' COLLECTION click here
















