September’s Vintage Music Charts bring fresh surprises across the 29 genres. Neil Diamond storms to number one in both Yacht Rock and Heartland Rock with “Hello Again,” while Wolfmother, Marc Cohn, Gerry Rafferty, and Bananarama’s “Venus” make striking debuts.
Cappella reclaims the spotlight in Diva House, Cake’s bold “I Will Survive” joins Post-Grunge, and The Smiths add two classics to Post-Punk. Discover all the shifts, climbs, and new arrivals in this month’s highlights.
Here is the Sep 30,2025 edition
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Big Beat
The September edition of the Big Beat chart sees remarkable stability at the top, with Death In Vegas’s “Aisha” holding firm at number one, followed once again by Armand Van Helden’s “My My My” in second place and Death In Vegas’s “Hands Around My Throat” in third. Underworld’s “Jumbo” remains unmoved at number four, while Fatboy Slim’s “Star 69” makes a decisive move upward into the top five, switching places with Armand Van Helden’s “I Want Your Soul,” now at six. The rest of the upper tier reflects subtle reshuffling: Apollo 440’s “Lost In Space [Theme]” and Basement Jaxx’s “Where’s Your Head At” trade positions in seventh and eighth, while Groove Armada’s “I See You Baby” edges just ahead of Utah Saints’ “What Can You Do For Me.” Lower down, Death In Vegas’s “Scorpio Rising” climbs to number eleven, its highest placement yet, nudging Utah Saints’ “Something Good ‘08” back to twelfth. The KLF’s classics realign, with “Justified & Ancient” steady at thirteen, “Last Train To Trancentral” easing to fifteen, and “America: What Time Is Love?” holding at sixteen. Stereo MC’s “Elevate My Mind” moves upward to fourteen. Cornershop’s “Brimful Of Asha” also gains ground, now at seventeen, ahead of Apollo 440’s “Ain’t Talkin’ ’Bout Dub.” Fatboy Slim’s catalog rebalances, with “Right Here Right Now” rising to nineteenth while “Ya Mama” slips to twentieth, closing a chart that demonstrates both consistency at the top and finely tuned movement throughout the middle and lower ranks.
2000s Garage Rock
The 2000s Garage Rock rankings begin September with The White Stripes maintaining dominance, as “I Just Don’t Know What To Do With Myself” continues to rule the list. Babyshambles’ “Albion” makes a significant leap into second place, pushing The Raconteurs’ “Steady As She Goes” into third. Jet’s “Are You Gonna Be My Girl” and The Hives’ “Hate To Say I Told You So” round out the top five, with both securing slightly higher ground. Black Rebel Motorcycle Club’s “Love Burns” makes a notable climb into sixth, ahead of The White Stripes’ enduring anthem “Seven Nation Army” at seventh. Electric Six’s “Danger! High Voltage” dips to eighth, and The 5.6.7.8’s “I’m Blue” holds ninth, while Kasabian’s “Goodbye Kiss” continues steady in tenth. The reshuffling deepens further down, with The Hives’ “Main Offender” breaking into the upper half at eleven, while “Maps” by Yeah Yeah Yeahs slips to twelfth. Their “Heads Will Roll” gains momentum at thirteen, just above The Hives’ “Two-Timing Touch And Broken Bones.” Black Rebel Motorcycle Club’s “Spread Your Love” rises modestly to fifteenth, while Electric Six’s “Dance Commander” drifts back to sixteenth. The Raconteurs’ “Hands” stays steady in seventeenth, Arctic Monkeys’ “Why’d You Only Call Me When You’re High” lingers in eighteenth, and the debut of Wolfmother’s “Woman” at number nineteen injects fresh energy near the close. The White Stripes’ “The Hardest Button To Button” rounds out the top twenty, having shifted down but still ensuring the band’s multiple entries maintain strong representation.
Britpop
The Britpop chart in September continues to be led by The Stone Roses’ “Sally Cinnamon” and Oasis’s “Some Might Say,” both firm in first and second. Saint Etienne’s “You’re In A Bad Way” advances to third, displacing Cast’s “Walkaway,” which slides to fifth behind their own “Alright,” now sitting in fourth. Black Box Recorder’s “Child Psychology” holds sixth, while James’s “Sit Down” strengthens its position, climbing into seventh. Oasis claim another top ten presence as “Roll With It” moves up to eighth, ahead of Lush’s “For Love” in ninth and Shed Seven’s “Going For Gold” at tenth. Their companion track “Chasing Rainbows” is eased down to eleventh. EMF’s evergreen “Unbelievable” is unchanged at twelve, with Utah Saints’ “What Can You Do For Me” also edging upward into thirteenth. Carter The Unstoppable Sex Machine’s “Sheriff Fatman” rises to fourteenth, while Edwyn Collins’ “A Girl Like You” slips slightly to fifteenth. Kula Shaker’s “Hush” remains secure at sixteen, just ahead of Cast’s “Sandstorm.” A significant arrival marks the lower end of the chart, as Happy Mondays’ “Step On” enters at number eighteen, injecting Madchester energy into the lineup. Supergrass’ “Pumping On Your Stereo” drops one place to nineteenth, while Utah Saints’ “Something Good ‘08” closes at number twenty. The reshaping underscores the resilience of longstanding tracks while allowing new momentum from an iconic 1990s anthem.
90s Sophisti-Pop
The Sophisti-Pop chart in September preserves its delicate balance at the summit, with Molella’s “With This Ring Let Me Go” once again commanding the number one spot, followed by Sade’s “Kiss Of Life” in second. Sting continues to dominate the upper tier, though the order has shifted: “Mad About You” ascends into third while “Shape Of My Heart” moves to fourth, both preceding the enduring presence of “Missing” from Everything But The Girl in fifth. Sting’s “The Soul Cages” and “Fields Of Gold” remain close behind, occupying sixth and seventh. M People’s “Don’t Look Any Further” breaks into the top ten at eighth, pushing The Beautiful South’s “Everybody’s Talkin’” to ninth and Chris Rea’s “Auberge” to tenth. Simply Red’s “Thrill Me” holds steady in eleventh, while Tears For Fears’ “Raoul And The Kings Of Spain” dips slightly to twelfth. The mid-chart entries remain closely knit, with Everything But The Girl’s “Rollercoaster” at thirteen, Basia’s “Drunk on Love” at fourteen, and The Beautiful South’s “Perfect 10” at fifteen. Further down, Everything But The Girl’s “Driving” holds at sixteen. The month also sees notable debuts and shifts in the lower reaches: Rick Astley’s gospel-infused “Cry For Help” arrives at seventeen, Simply Red’s “For Your Babies” settles into eighteenth, and Aztec Camera’s “Good Morning Britain” makes a striking debut at twentieth. Chris Rea’s “Girl In A Sports Car” slides to nineteenth, giving the close of the chart a fresh injection of variety without disrupting its smooth, classic flow.
2010s R&B
The 2010s R&B chart in September continues to highlight the resilience of its top three, with Kendrick Lamar’s “All The Stars,” Jorja Smith’s “Blue Lights,” and Asap Rocky’s “Everyday” again anchoring the summit. Enrique Iglesias’ “Dirty Dancer” holds firm at fourth, with The Weeknd’s “Try Me” steady in fifth. Summer Walker’s “Playing Games” and Khalid’s “Better” remain consistent at six and seven, while Nick Jonas’s “Jealous” sustains its eighth-place showing. Beyoncé’s “Before I Let Go” moves upward into ninth, overtaking Ella Mai’s “Trip,” which slips back to fourteenth. Alessia Cara’s “Scars To Your Beautiful” also rises into the top ten, now in tenth position. Chris Brown maintains a strong presence across the middle tier, with “Deuces” at eleven, “Liquor” up to thirteen, and “Back To Sleep” easing to sixteenth. Summer Walker’s “Girls Need Love” edges higher to twelfth, while Kehlani’s “Nights Like This” drifts to fifteenth. At the lower end, the chart welcomes two fresh arrivals: Toni Braxton’s “Yesterday” enters at seventeen, and Trey Songz’s “Heart Attack” makes its debut at number twenty. The Weeknd’s “Blinding Lights” slides to eighteenth, while Sam Smith’s “Dancing With A Stranger” shifts to nineteenth. This reshuffling adds contemporary voices to the established core, strengthening the chart’s balance between enduring anthems and resurgent late-decade highlights.
Neo-Mellow
The Neo-Mellow chart in September maintains its familiar leader, with Gary Jules’ “Mad World” extending its run at number one. The movement begins just below, as Jason Mraz’s “I’m Yours” steps up to second place, displacing Keane’s “Everybody’s Changing” to third, while “Somewhere Only We Know” follows in fourth. Jack Johnson’s “Sitting Waiting Wishing” slips one place to fifth. Michelle Branch strengthens her position in the upper half, with “Everywhere” climbing to sixth and “All You Wanted” advancing to eighth, surrounding Five for Fighting’s “Superman (It’s Not Easy),” which moves into seventh. Dido’s “Thank You” slides down to ninth while Paolo Nutini’s “New Shoes” shifts to tenth. KT Tunstall’s “Suddenly I See” finds new traction at number eleven, edging past Dido’s “White Flag” and David Gray’s “The One I Love.” The midsection softens further, with Vanessa Carlton’s “A Thousand Miles” gaining momentum at fourteen and The Calling’s “Wherever You Will Go” steady at fifteen. Santana’s “The Game of Love” follows at sixteen, but the most notable developments come lower down: Craig David’s “Unbelievable” makes its debut at seventeen, bringing a new face to the chart, while David Gray adds to his tally with “Sail Away” entering at nineteen. Keane’s “Crystal Ball” slips slightly to eighteenth, while Norah Jones’ “Don’t Know Why” now closes the list at number twenty. The chart balances long-standing staples with carefully placed debuts, refreshing the mix without unsettling its mellow tone.
P0st-Disco
The Post-Disco chart in September preserves a familiar shape at the summit, as Shalamar’s “Make That Move” and The S.O.S. Band’s “Take Your Time (Do It Right)” remain locked in first and second place. Imagination’s “Just an Illusion” stays secure in third, with Patrice Rushen’s “Forget Me Nots” holding steady at fourth. Evelyn “Champagne” King’s “I’m In Love” continues in fifth, anchoring the upper tier. Club Nouveau’s “Lean On Me” gains momentum, rising to sixth and nudging Shalamar’s “Over And Over” back to seventh. Roger Troutman’s “I Want To Be Your Man” makes a noticeable leap into eighth, now ahead of Alexander O’Neal’s “If You Were Here Tonight,” which holds ninth, while Incognito’s “Always There” dips slightly to tenth. The Whispers’ “And the Beat Goes On” rises into eleventh, pushing Dynasty’s “I’ve Just Begun To Love You” to twelfth. Cheryl Lynn’s “Encore” shifts down to thirteenth, while the biggest new arrival comes in fourteenth: Zapp’s electro-funk classic “Computer Love,” injecting talk box seduction into the lineup. The lower chart reorders accordingly, with Marky Mark’s “Good Vibrations” dropping to fifteenth, Level 42’s “Something About You” steady at sixteen, and Shalamar’s “Take That To The Bank” moving back to seventeenth. Evelyn “Champagne” King’s “Love Come Down” and Tom Browne’s “Funkin’ for Jamaica” hold close at eighteen and nineteen. At number twenty, Ashford & Simpson’s timeless “Solid” makes a striking debut, bringing their soulful partnership into the mix. The month underscores a reshaping in the lower half, with fresh entries complementing the enduring dominance of the top tier.
Yacht Rock
The Yacht Rock rankings see a dramatic shake-up in September, with Neil Diamond’s “Hello Again” entering directly at number one, displacing Chicago’s “Hard To Say I’m Sorry,” which now sits second. George Benson’s “In Your Eyes” holds firm at third, followed by Don Henley’s “The Boys Of Summer” in fourth and Michael McDonald’s “I Keep Forgetting (Every Time You’re Near)” steady in fifth. The mid-top ten remains familiar, with Chicago’s “Along Comes A Woman” at six, George Benson’s “Give Me The Night” at seven, and Eagles’ “Hole In The World” adjusting to eighth. Fleetwood Mac’s “Everywhere” continues at ninth, while Chicago’s “Hard Habit To Break” slides slightly into tenth. Billy Ocean’s “Caribbean Queen” now rests just outside the top ten, while Eric Carmen’s “Hungry Eyes” and Kenny Loggins’ “Footloose” follow closely behind. Fleetwood Mac’s “The Chain” climbs to fourteenth, nudging Billy Ocean’s “Mystery Lady” down to fifteenth. Chicago’s “You’re The Inspiration” softens to sixteenth, while Patrick Swayze’s “She’s Like The Wind” remains steady in seventeenth. The bottom end of the list remains unchanged, with Daryl Hall’s “Maneater,” Billy Ocean’s “Loverboy,” and Patty Smyth’s “Sometimes Love Just Ain’t Enough” rounding out the chart. The arrival of Neil Diamond at the summit provides a fresh highlight, reshaping the top without unsettling the chart’s enduring balance of polished classics.
Diva House
The Diva House chart in September introduces a new leader, as CeCe Peniston’s “Keep On Walkin’” climbs to number one, pushing Urban Cookie Collective’s “The Key The Secret” to second. Steps’ “One For Sorrow” holds at third, while Corona’s “The Rhythm of the Night” advances to fourth ahead of La Bouche’s “Sweet Dreams,” which slips to fifth. La Bouche strengthens its dual presence with “Be My Lover” rising to sixth, just above Rozalla’s “Everybody’s Free (To Feel Good).” Whigfield’s “Close To You” and “Sexy Eyes” now sit back-to-back in eighth and tenth, surrounding Incognito’s “Always There,” which falls to ninth. SNAP!’s “Rhythm Is A Dancer” slides to eleventh, followed by Marky Mark’s “Good Vibrations” at twelfth. A major newcomer breaks through at thirteen: Cappella’s “Move It Up” makes its debut, reshuffling the middle tier. West End’s “The Love I Lost” eases to fourteenth, with Cappella’s earlier hit “U Got 2 Let The Music” now at fifteenth. The rest of the lower half adjusts slightly, with D Mob’s “C’Mon And Get My Love” holding at sixteen, Lonnie Gordon’s “Happenin’ All Over Again” steady at seventeen, and Crystal Waters’ “Gypsy Woman” remaining at eighteen. Alex Party’s “Wrap Me Up” continues at nineteen, while SNAP!’s “The First The Last Eternity (Till the End)” closes the chart at twenty. With CeCe Peniston rising to the top and Cappella reasserting their presence, the list shows a renewed energy in both its upper and middle sections.
Vintage Power Pop
The Vintage Power Pop chart in September demonstrates remarkable consistency, as Blondie’s “The Tide Is High” secures another month at number one and XTC’s “Mayor Of Simpleton” continues in second. Nada Surf’s “Inside Of Love” stays in third, while Cheap Trick’s “The Flame” holds in fourth. The reshuffling begins with Todd Rundgren’s “Bang The Drum All Day,” which moves up to fifth, switching places with Squeeze’s “Tempted,” now at six. XTC’s “Generals And Majors” and The Knack’s “My Sharona” remain steady in seventh and eighth, while Ash’s “Shining Light” and Blondie’s “Atomic” also hold their ground in ninth and tenth. Teenage Fanclub’s “Fallin’” rises to eleventh, trading places with The Outfield’s “Your Love,” now twelfth. XTC’s “Senses Working Overtime” continues firm at thirteen, while Weezer’s “Island In The Sun” gains a small lift into fourteenth, ahead of Dinosaur Jr.’s “Start Choppin’” at fifteenth. XTC’s “Dear God” maintains its mid-tier presence at sixteen. The lower end sees slight reordering, with The Cars’ “Drive” advancing into seventeenth, while “Tonight She Comes” slips to eighteenth. World Party’s “Is It Like Today?” and Dinosaur Jr.’s “Feel The Pain” remain unchanged at nineteenth and twentieth. The month reinforces the chart’s equilibrium, with most of its core tracks holding steady while modest adjustments keep the order finely balanced.
Eurodance
The Eurodance chart in September maintains a stable top five, with Culture Beat firmly in command as “Anything” and “Crying In The Rain” continue to occupy the top two spots. Dr. Alban’s enduring anthem “It’s My Life” holds strong at number three, with Strike’s “U Sure Do” and ATC’s “All Around The World” unmoved in fourth and fifth. Culture Beat’s “Take Me Away” remains steady in sixth, while U96’s “Club Bizarre” and Dr. Alban’s “Away From Home” anchor the middle of the top ten. The most notable adjustment comes at ninth place, as Daze’s “Together Forever” makes a decisive leap into the upper ranks, overtaking Urban Cookie Collective’s “The Key The Secret,” which slips to twelfth. The Outhere Brothers’ “La La La Hey Hey” advances to tenth, nudging Scooter’s “Nessaja” back to eleventh. Further down, Scooter’s “Fire” and Groove Coverage’s “Moonlight Shadow” retain their places in the mid-teens, alongside Ice MC’s “Think About The Way.” Corona’s “The Rhythm of the Night” and La Bouche’s “Sweet Dreams” ease back a little but remain steady in the lower half, while Miss Jane’s “It’s A Fine Day” shifts to eighteenth. Atlantic Ocean’s “Waterfall” continues its slow drift down to nineteenth. The biggest arrival of the month lands at number twenty, as Ace of Base’s reggae-inflected “All That She Wants” joins the chart, adding a fresh yet iconic presence to the Eurodance lineup.
Heartland Rock
The Heartland Rock chart in September reshapes its summit dramatically with the arrival of Neil Diamond’s “Hello Again,” which storms in at number one. This debut forces Bryan Adams’ “Here I Am” into second place, while Bob Seger’s “Hollywood Nights” leaps into third, pushing Cheap Trick’s “The Flame” down to fourth. Adams still holds multiple strong positions, with “Have You Ever Really Loved A Woman?” in fifth and “Back To You” steady at eighth. Seger’s “Night Moves” also remains prominent, easing into sixth, just ahead of Don Henley’s “The Boys Of Summer,” which slides to seventh. Eagles’ “Hole In The World” stays firm at ninth. Foreigner enjoy a boost this month, with “I Don’t Want To Live Without You” climbing into the top ten at number ten, and “I Want To Know What Love Is” just behind at eleventh. Lindsey Buckingham’s “Trouble” dips to twelfth, while Todd Rundgren’s “Bang The Drum All Day” moves slightly to thirteenth. The Black Crowes’ “She Talks To Angels” slips to fourteenth, and Foreigner’s “Urgent” climbs into the mid-tier at fifteenth. The lower half remains in motion, with Little Steven’s “Bitter Fruit,” Foreigner’s “Say You Will,” and Bonnie Raitt’s “Nick Of Time” taking sixteenth through eighteenth, while America’s “You Can Do Magic” falls to nineteenth. At number twenty, Steve Miller Band’s “Abracadabra” makes its entry, adding a classic early-’80s anthem to the mix and closing out a chart reshaped by debuts and upward surges alike.
New Jack Swing
The New Jack Swing chart in September sees Shalamar’s “Make That Move” retain its hold on the top, but new arrivals energize the lineup just below. Jodeci’s “Cry For You” makes a forceful debut in second place, pushing Atlantic Starr’s “Always” down to third. The S.O.S. Band’s “Take Your Time (Do It Right)” eases into fourth, while Tevin Campbell’s “Tell Me What You Want Me To Do” holds firm at fifth. Stephanie Mills’ “Never Knew Love Like This Before” stays close in sixth, followed by Bell Biv DeVoe’s “Poison” in seventh. Another key debut comes in eighth place, where Wreckx-N-Effect’s “New Jack Swing” enters the chart, marking a defining statement track for the genre. Club Nouveau’s “Lean On Me” and Shalamar’s “Over And Over” complete the top ten. Roger Troutman’s “I Want To Be Your Man” continues to hover just outside at eleventh, with Color Me Badd’s “All 4 Love” in twelfth. The Whispers’ “And the Beat Goes On” slides to thirteenth, while Zapp’s “Computer Love” joins the rankings at fourteenth, adding another electro-funk classic to the mix. SWV’s “Can We,” Ready For The World’s “Love You Down,” and Shalamar’s “Take That To The Bank” hold their ground in the middle. Dionne Warwick’s “Take Good Care Of You And Me” eases to eighteenth, while Force MD’s “Love Is A House” lingers at nineteenth. Closing the list, BDP’s socially charged anthem “Self Destruction” enters at number twenty, bringing conscious hip-hop urgency into the New Jack Swing fold and giving the chart a sharper edge to balance its smooth harmonies.
Post-Grunge
The Post-Grunge chart in September crowns a new leader, as Candlebox’s “Far Behind” rises to number one, displacing Limp Bizkit’s “Behind Blue Eyes,” which now sits in second. Matchbox Twenty’s “Real World” and Counting Crows’ “Accidentally In Love” hold steady in third and fourth, while The Used’s “The Taste Of Ink” continues its strong showing in fifth. Live’s “Selling The Drama” gains a place to reach sixth, overtaking Paul Oakenfold’s “Starry Eyed Surprise,” now in seventh, while Faith No More’s “Digging The Grave” drops slightly to eighth. Chris Cornell’s “Billie Jean” remains constant in ninth, with Nickelback’s “How You Remind Me” steady in tenth. Spacehog’s “In the Meantime” climbs into eleventh, trading places with Better Than Ezra’s “Good,” now twelfth. Third Eye Blind’s “Semi-Charmed Life” advances into thirteenth, while The Offspring split their representation between “The Kids Aren’t Alright” at fourteen and “Pretty Fly (For A White Guy)” at sixteen. Nickelback’s “Too Bad” drifts to fifteenth, while Linkin Park hold two close positions with “Somewhere I Belong” in seventeenth and “Points Of Authority” closing the chart at number twenty. Silverchair’s “Tomorrow” dips to eighteenth, while Cake’s bold reimagining of “I Will Survive” makes a notable debut at nineteenth, injecting an alternative spin into the lower end. The reshaping brings both continuity and surprise, with long-established staples complemented by a striking new arrival.
Trip Hop
The Trip Hop chart in September remains under the command of Death In Vegas, as “Aisha” continues its unbroken run at number one. Just below, Zero 7’s “Destiny” makes a major leap into second place, pushing Björk’s “I Miss You” to third. Roots Manuva’s “Witness (1 Hope)” shifts slightly to fourth, while Death In Vegas secure another top-five entry with “Hands Around My Throat” in fifth. Olive’s “You’re Not Alone” strengthens its standing at sixth, while Portishead’s “All Mine” settles into seventh. Their companion track “Sour Times” follows at eighth, maintaining a double presence inside the top ten, alongside Zero 7’s “In The Waiting Line” in ninth and Morcheeba’s “Let Me See” in tenth. Björk’s “Army of Me” remains firm at eleventh, while Massive Attack’s brooding “Angel” climbs into twelfth, edging ahead of Everything But The Girl’s “I Don’t Want To Talk About It,” which falls to thirteenth. Groove Armada’s “I See You Baby” moves gently down to fourteenth, while Portishead’s “Glory Box” steadies at fifteenth. Everything But The Girl’s “Missing” slips to sixteenth, just before Death In Vegas’s “Scorpio Rising” rises to seventeenth. Björk consolidates her presence with “Hidden Place” at eighteenth and, most notably, the arrival of “Bachelorette” at number twenty, a theatrical late-’90s highlight adding fresh depth to the list. Air’s “Sexy Boy” holds its ground at nineteenth, ensuring the lower section balances between new entries and enduring electronic staples. The chart this month radiates both continuity at the summit and fresh textures from a powerful new debut.
80s New Wave Pop
The 80s New Wave Pop chart in September holds steady at the very top, with Fine Young Cannibals’ “Johnny Come Home” continuing as the number one track. The Thompson Twins remain dominant, but with notable reshuffling: “Doctor! Doctor!” stays firm at number two, while “Hold Me Now” makes a strong climb into third, ahead of Blondie’s “The Tide Is High,” which slips to fourth. Sheena Easton’s “Almost Over You” makes the most striking ascent, rising into the top five, while the Twins’ “Lies” moves down to sixth and “King For A Day” to seventh. Naked Eyes’ “Promises, Promises” holds at eighth, while Texas’ “Every Day Now” slips slightly into ninth. Bryan Ferry’s “Kiss and Tell” completes the top ten unchanged. The Lightning Seeds’ “Pure” and Howard Jones’ “What Is Love?” remain close in the middle ranks, joined by Simple Minds’ “Someone Somewhere In Summertime” and Kate Bush’s “Army Dreamers.” The Thompson Twins maintain further depth with “Lay Your Hands On Me” steady at fifteenth. Yazoo’s “Don’t Go” continues in sixteenth, while Mike + The Mechanics’ “Silent Running” and Men Without Hats’ “Safety Dance” inch upward. Suzanne Vega’s “Tom’s Diner” eases back to nineteenth, and the month closes with the arrival of a major 80s anthem: Dexys Midnight Runners’ “Come On Eileen” debuts at number twenty, injecting fresh energy into the lower end of the chart.
Gangster Rap
The Gangster Rap chart in September sees Panjabi MC’s “Beware” extend its run at number one, with Space Jam’s “Hit ’Em High” advancing to second, forcing 2Pac’s “Toss It Up” into third. Lil Bow Wow’s “Bow Wow (That’s My Name)” rises into the top four, with Nelly’s “N Dey Say” climbing close behind in fifth. Fabolous’ “Breathe” gains ground at sixth, while Ice Cube’s “You Know How We Do It” remains secure at seventh. D12’s “Purple Pills” dips slightly to eighth, while Ice Cube doubles his presence as “Check Yo Self” climbs to ninth. Jay-Z’s “Run This Town” anchors the top ten. Mase’s “Breath Stretch Shake” follows at eleventh, while Trick Daddy’s “Let’s Go” climbs into twelfth. Dr. Dre’s “Nuthin’ But a ‘G’ Thang” drifts to thirteenth, just ahead of Twista’s “Overnight Celebrity,” which moves up to fourteenth. Puff Daddy’s “Can’t Nobody Hold Me Down” settles into fifteenth, while 2Pac’s “Until The End Of Time” rises to sixteenth. Jay-Z maintains heavy representation with “Empire State of Mind” at seventeen and “Holy Grail” at eighteen. Flo Rida’s “Low” slides down to nineteenth, while 50 Cent’s “Disco Inferno” holds steady at twentieth. The month’s reshuffling reinforces both stability at the top and a sharpening of positions in the middle, with Ice Cube’s resurgence and Jay-Z’s multiple entries sustaining their weight across the list.
80s Glam Metal
The 80s Glam Metal chart in September delivers a dramatic shake-up as David Lee Roth’s “California Girls” bursts onto the scene at number one, relegating Ozzy Osbourne’s “Bark At The Moon” to second. Asia’s “Heat Of The Moment” holds steady in third, while Cheap Trick’s “The Flame” slips to fourth. Def Leppard’s “Rock Of Ages” rounds out the top five unchanged, followed closely by Ozzy Osbourne’s “The Ultimate Sin” in sixth. White Lion’s “Wait” remains firm in seventh, while Ratt’s “You’re In Love” edges into eighth. Foreigner reshuffle their ballads, with “I Don’t Want To Live Without You” moving up to ninth and “I Want To Know What Love Is” dropping to tenth. White Lion’s “When The Children Cry” and Dio’s “I Could Have Been A Dreamer” trade places at eleventh and twelfth, with Dio’s “Rainbow In The Dark” holding thirteenth. Foreigner’s “Urgent” climbs into fourteenth, just above “Say You Will” at fifteenth, while Styx’s “Babe” continues to hover at sixteenth. Kingdom Come’s “Get It On” dips to seventeenth, while Ratt’s “Lay It Down” slips into eighteenth. Ozzy Osbourne’s “Crazy Train” steadies in nineteenth, while the lower end of the chart welcomes a classic arrival: Judas Priest’s “Living After Midnight” enters at number twenty, giving the lineup a new jolt of early-80s metal energy alongside Roth’s flashy takeover at the summit.
90s Mellow Gold
The 90s Mellow Gold chart in September keeps Leo Sayer’s “When I Need You” untouched at number one, but the rest of the upper tier undergoes notable change. Bob Seger’s “Hollywood Nights” makes a major climb to second, pushing Paul McCartney’s “Hope Of Deliverance” to third. Bryan Adams’ “Have You Ever Really Loved A Woman?” slips to fourth, while Seger continues to hold ground with “Night Moves” at fifth. Adams’ “Back To You” follows close behind in sixth. The Bee Gees’ “For Whom The Bell Tolls” rises into seventh, overtaking Pretenders’ “Kid,” now in eighth. Mike + The Mechanics’ “Another Cup Of Coffee” remains stable at ninth, while Status Quo’s “Fun Fun Fun” rounds out the top ten. The middle section shuffles slightly, with “Over My Shoulder” by Mike + The Mechanics advancing to eleventh, just ahead of the Bee Gees’ “Alone.” Bonnie Raitt’s “Nick Of Time” continues steady at thirteen, while Eric Clapton’s “Bad Love” rises to fourteenth and “[Everything I Do] I Do It For You” slides to fifteenth. Clapton’s “Wonderful Tonight” softens to sixteenth, while Public Enemy’s “He Got Game” stays in seventeenth. Two new arrivals make an impact near the end: Marc Cohn’s “Walking In Memphis” debuts at eighteen, followed by Gerry Rafferty’s “Baker Street” at nineteen, both adding classic depth to the mellow gold soundscape. Carly Simon’s “You’re So Vain” closes the list at twentieth, giving the month a blend of enduring soft-rock ballads and newly resurfaced classics.
Old School Hip Hop
The Old School Hip Hop chart in September remains topped by “Hit ’Em High” from the Space Jam soundtrack, with Newcleus’ “Jam On It” and LL Cool J’s “Loungin” unchanged in second and third. Anthrax’s “Bring Tha Noize” continues to hold fourth, while Grandmaster Melle Mel’s “White Lines (Don’t Don’t Do It)” stays at fifth. A major shift occurs in sixth, where Chubby Checker’s evergreen “The Twist” leaps into the upper half, pushing Public Enemy’s “Brothers Gonna Work It Out” to seventh and Eric B.’s “Let The Rhythm Hit ’Em” to eighth. Public Enemy’s “911 Is A Joke” dips to ninth, while BDP’s “Self Destruction” gains momentum and enters the top ten at number ten. Beastie Boys’ “She’s Crafty” slides slightly to eleventh, with LL Cool J’s “Phenomenon” steady at twelfth. Publ