Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Nov 8,2025 edition
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Alt Z
Tate McRae maintains her lock on the ALT Z chart as “Just Keep Watching” holds at number one for a third consecutive update, underscoring its steady momentum atop a competitive field.
“Greedy” overtakes Faouzia’s “Minefields” to claim the runner-up slot, giving McRae a rare one-two grip on the chart and reaffirming her continued prominence across multiple entries.
Faouzia’s “Minefields” slips one position to third yet remains a key fixture near the summit, while Elley Duhé’s “Middle Of The Night” and Sub Urban’s “Uh Oh!” retain their placements at four and five respectively, showing enduring strength in listener engagement.
The Chainsmokers and Lennon Stella keep “Takeaway” steady at six, and Gracie Abrams holds at seven with “I Love You, I’M Sorry,” confirming the track’s growing staying power.
McRae’s “Exes” and Sub Urban’s “Freak” continue unchanged in the middle tier, reflecting notable chart stability this week.
Lizzy McAlpine’s “Ceilings” edges into the top ten, replacing Lauren Spencer Smith’s “Flowers,” which dips to sixteen after a long upper-tier run.
Faouzia’s “Unethical” and Gracie Abrams’ “Risk” both advance a place each, tightening the midrange ranks, while Gayle’s “abcdefu” and JP Saxe’s enduring duet with Julia Michaels hold steady below them.
Minimal volatility defines the rest of the list, with Melanie Martinez’s “Death” and Royal’s “Wasteland” maintaining presence, and Noah Cyrus’s “July” and Em Beihold’s “Brutus” closing out a largely unchanged lower end.
Alternative Metal
The ALTERNATIVE METAL chart once again crowns Linkin Park’s “The Emptiness Machine” at number one, followed closely by “Up From The Bottom,” reaffirming the band’s total command of the format.
Falling In Reverse holds third with “Watch The World Burn,” while “Heavy Is The Crown” remains at four, ensuring Linkin Park’s double presence inside the top tier.
“Voices In My Head” continues to anchor fifth, though a key shift sees “Two Faced” vault from twelfth to sixth, overtaking “Lost” as the highest climber among the group’s catalog entries.
Motionless In White’s “Another Life” gains one position to eighth, trading places with Evanescence’s “Afterlife,” which now rests at nine.
Breaking Benjamin’s “So Cold” edges down to ten, rounding out a dense upper block dominated by long-charting staples.
Further below, Falling In Reverse keeps multiple tracks in rotation—“Prequel,” “Ronald,” and “Zombified” continue to rotate within the second half, signaling consistent listener demand across their catalog.
The closing stretch shows stability, with Skillet, Daughtry, and Slipknot’s “Unsainted” all holding ground, while Nemra and Serj Tankian’s “I’m Afraid Of Stars” remains unmoved at twenty, keeping its foothold for a third cycle.
Alternative R&B
In ALTERNATIVE R&B, Mariah The Scientist continues her dominance as “Burning Blue” holds number one without interruption, while Ravyn Lenae’s “Love Me Not” and Sevdaliza’s “Alibi” remain firmly in second and third, preserving the chart’s upper balance.
Doechii’s “Denial Is A River” and Tinashe’s “Nasty” keep their places in the top five, marking a steady configuration across the leading entries.
Mariah The Scientist’s “2 You” stays at six and “From A Woman” at nine, both serving as anchors for her multi-track presence.
Lucky Daye and Sevdaliza’s collaborations retain midrange footing, while Ari Lennox’s “Pressure” rounds out the top ten, holding its ground with remarkable consistency.
Teyana Taylor’s “Morning” moves up to eleven, while Young M.A’s “Went Legit Freestyle” dips to twelve, signaling minor internal reshuffling among recurring names.
Ari Lennox’s “Shea Butter Baby” edges upward as “Hair Down” by SiR and Kendrick Lamar slides to fifteen, and Swedish House Mafia’s “Lioness” keeps its grip just outside the upper half.
New arrival “All My Friends” by Snakehips, featuring Tinashe and Chance The Rapper, enters at seventeen, marking the week’s only debut and injecting movement into an otherwise static chart.
Snow Tha Product’s “Tell You Like This” re-enters at twenty, closing the ranking with a sharp, late resurgence that replaces Teyana Taylor’s “Bare Wit Me.”
American Hip-Hop
Kendrick Lamar’s “Not Like Us” sustains its firm hold atop the AMERICAN HIP-HOP chart, with Twice and Megan Thee Stallion’s “Strategy” keeping pace at number two, mirroring their prior momentum.
Central Cee’s “Band4Band” remains in third, and Travis Scott’s “Fe!N” retains fourth, preserving an unbroken top four lineup from two weeks earlier.
Offset and Gunna’s “Different Species” is the only new arrival in the top ten, debuting at fifth and immediately displacing King Von’s “Took Her To The O” to six.
YoungBoy Never Broke Again continues to maintain double entries inside the upper half with “Finest” and “Wine & Dine” trading seventh and eighth positions.
YFN Lucci expands his presence with “On My Mind,” debuting at nine, while “Jan. 31st (My Truth)” slips one place to ten, creating an adjacent pairing of his work in the middle range.
Future’s “Life Is Good” climbs back to eleven, nudging BigXthaPlug’s “All The Way” to twelve, while Yung Bleu, King Von, and Eminem all experience modest downward adjustments through the teens.
Glorilla’s “Whatchu Kno About Me” and “Wanna Be” remain mid-tier fixtures, while Pooh Shiesty’s “Back In Blood” returns at nineteen, adding depth to the lower range.
bbno$ closes the chart at twenty with “1-800,” its longevity underscoring a surprisingly durable crossover performance.
Art Pop
The ART POP ranking sees Lady Gaga’s “Die With A Smile” maintain its unshaken leadership for another term, holding off Billie Eilish’s “Birds Of A Feather” which continues steadfast at number two.
New entrant “The Dead Dance” storms in at third, immediately becoming Gaga’s highest new appearance and pushing “Abracadabra” and “Hold My Hand” down to fourth and fifth respectively.
Charli XCX and Billie Eilish’s “Guess” holds sixth, while Eilish’s solo “Everything I Wanted” rises to seventh, reflecting a broader resurgence in her catalog entries.
Gaga’s “Shallow” slips slightly to eighth, keeping ahead of Idina Menzel and Aurora’s enduring “Into the Unknown,” which returns to the upper half at ninth.
Lana Del Rey’s “Doin’ Time” holds steady at ten as the rest of the lineup reshuffles minimally.
Aurora’s “Cure For Me” drifts to eleven, while Billie Eilish’s “Happier Than Ever” slides to twelve, continuing her dense mid-chart presence.
Charli XCX’s “Party 4 U” gains momentum at thirteen, joined by Eilish’s “Bad Guy” and “Lunch,” which stabilize around the center of the list.
The lower ranks remain dominated by Gaga and Eilish as “Rain On Me,” “Disease,” “Therefore I Am,” and “Nda” collectively round out the final quarter, underscoring a two-artist stronghold that defines the format’s tone this cycle.
Asian Pop
Rosé and Bruno Mars maintain their hold at the summit of the ASIAN POP chart as “Apt.” remains in first place, marking another uninterrupted week of dominance across regions and cross-genre playlists alike.
BLACKPINK’s “뛰어 (JUMP)” continues firm in second, extending its own strong streak near the top without closing the narrow gap with Rosé’s collaboration.
KATSEYE preserves a complete sweep of third through fifth positions with “Touch,” “Gnarly,” and “Gameboy,” underscoring the group’s unbroken multi-track grip within the upper range.
TWICE’s “This Is For” advances to sixth, overtaking Jennie’s “Like Jennie,” which now places seventh as なとり’s “プロポーズ” steadies at eighth.
Lisa’s “Rockstar” stays firm at ninth, while Stray Kids enter fresh at tenth with “Ceremony,” their new single pushing “Lalalala” down to twelfth and bringing renewed chart energy.
BTS’s “Dynamite” holds at eleven, showing lasting traction years after release, while KATSEYE’s “Gabriela” softens slightly to thirteenth following months of steady mid-tier stability.
The middle sector remains largely intact, led by YOUNGOHM’s “เจิดจรัส,” TWICE’s collaboration “Strategy,” and The Weeknd’s “One Of The Girls,” all sustaining their presence without major volatility.
Lower ranks adjust modestly: BLACKPINK’s “Pink Venom” repositions at seventeen, aespa’s “Whiplash” and BLACKPINK’s “Shut Down” follow, and Jennie’s “Mantra” closes the list at twenty, keeping her solo entries well distributed through the frame.
Country Music
Morgan Wallen continues his run atop the COUNTRY MUSIC chart with “I’m The Problem,” as Miley Cyrus’s “End Of The World” remains directly behind in second, extending a stable lead pairing for another update.
Riley Green’s “Worst Way” and Ella Langley’s duet “You Look Like You Love Me” secure the third and fourth positions respectively, both retaining their mid-autumn momentum.
Luke Combs’s “Ain’t No Love In Oklahoma” and Bailey Zimmerman’s “Fall In Love” hold steady in fifth and sixth, ensuring minimal shake-up within the chart’s upper half.
Further below, Combs reclaims traction with “Forever After All” climbing to seventh, as Wallen’s “Smile” slips to eighth and Hardy’s “Wait In The Truck” continues its long-running presence at nine.
“The Kind Of Love We Make” stays consistent at ten, anchoring Combs’s strong showing with three entries in the top ten.
In the mid-tier, Wallen’s “You Proof” edges upward, followed by Kane Brown’s “Thank God” and Cody Johnson’s “Dirt Cheap,” both showing minimal movement.
“Back In The Saddle” by Luke Combs returns to the upper half at fourteen, while Tyler Braden, Cole Swindell, and Lainey Wilson maintain a familiar sequence just behind.
The sole new addition this week is “New” by JamWayne, featuring 501Bryze and Hessom, entering at eighteen and marking a rare country-rap crossover moment amid otherwise unchanged standings.
Lainey Wilson’s “4X4Xu” and Justin Moore’s “You, Me, And Whiskey” close out the list, each holding steady within the bottom two slots.
Dance Pop
In DANCE POP, Rosé and Bruno Mars retain the number one spot with “Apt.,” extending its cross-format reign while Lady Gaga and Bruno Mars’s “Die With A Smile” remain a close second for a third consecutive ranking.
Dua Lipa’s “Levitating” continues at third, maintaining the trio of immovable leaders atop the chart, as Doja Cat’s “Paint The Town Red” and “Streets” occupy fourth and fifth positions after a minor internal shuffle.
Bruno Mars’s “Leave The Door Open” holds sixth, while Gaga’s “Shallow” climbs to seventh, displacing Elton John and Dua Lipa’s “Cold Heart,” now at eighth.
Dimitri Vegas’s “Thank You [Not So Bad]” slides to ninth, and Sevdaliza’s “Alibi” holds tenth, keeping the top section balanced across pop and electronic hybrids.
Akon re-enters the chart with “Far Away,” featuring Amirror, debuting at eleventh and injecting a nostalgic yet contemporary R&B influence into the dance mix.
Dua Lipa’s “Houdini” maintains twelfth, followed by “Shameless,” “You Right,” and “Need To Know,” all continuing to rotate in a compact middle range.
Doja Cat’s “Say So” dips to sixteenth, while David Guetta’s “I’M Good (Blue)” holds at seventeen, still among the most persistent crossover hits of recent years.
Swedish House Mafia and The Weeknd’s “Moth To A Flame” re-enters at eighteen, Dua Lipa’s “Love Again” debuts at nineteen, and “Break My Heart” rounds out the list at twenty, creating a finish dominated by Lipa’s sustained catalog visibility.
East & South African Music
Goon Flavour’s “Ngishutheni,” featuring Master KG and Eemoh, remains the defining leader on the EAST & SOUTH AFRICAN MUSIC chart, securing first place once again.
Chella’s “My Darling” and Mbosso’s “Pawa” continue to hold second and third, ensuring a stable upper trio that has persisted for weeks.
Davido’s “With You” and Tyla’s “Water” stay fixed in fourth and fifth, with no interruption in the chart’s high end.
CIZA’s “Isaka (6AM)” and Barnaba’s “Salama” remain secure in the mid-top section, followed closely by Marioo’s “Nairobi,” which keeps its place at eighth.
Uncle Waffles rises to ninth with “Zenzele,” gaining new airplay traction, while “uValo” by Jazzworx and collaborators debuts at tenth, marking the week’s highest new entry.
Master KG’s “Jerusalema” slips slightly to eleventh, reflecting a mild repositioning amid the influx of newer material.
Zee Nxumalo’s “Mamma” opens at twelfth, reinforcing the Amapiano sector’s influence, as Titom’s “Tshwala Bam” slides to thirteen after months of upper-tier residence.
Further down, “Sthandwa Sam” and “Furaha” maintain steady footing, while Shandesh’s “Sdudla Or Slender” and Mluusician’s “Malacosta” populate the latter half with fresh rotation energy.
Marioo’s “Dunia” enters at eighteen, Kirikou Akili’s “Aha Nihe?” follows at nineteen, and Diamond Platnumz’s “Waah!” closes at twenty, its longevity further solidifying a broad East African presence on the list.
French R&B
Joé Dwèt Filé leads the FRENCH R&B chart again with “4 Kampé,” continuing an uninterrupted run at number one, while Gims holds both second and third with “Sois Pas Timide” and “Spider,” preserving his near-total upper-tier dominance.
Tayc and Shreya Ghoshal’s “Yimmy Yimmy” and Gazo’s “Kat” maintain fourth and fifth respectively, holding position with no significant shifts since the last cycle.
Dadju’s “I Love You” with Tayc anchors sixth, and Guy2Bezbar’s “Monaco” and Benab’s “Mon Poto” stabilize mid-upper placements.
Soolking’s “Carré OK” retains ninth, while Jul’s “Un Jour, Je L’Aurai” rises into the top ten, marking the only internal movement within that section.
Joé Dwèt Filé’s “Jolie Madame” and Gazo’s “Cartier” hold close at eleven and twelve, now joined by a new arrival—Da Uzi’s “Michael Jordan”—debuting at thirteen with a strong entry supported by its hard-hitting narrative tone.
Keblack’s “Boucan” and Lacrim’s “No Lo Se” stay midlist as Naza, Booba, and Gims’s “Only You” trade minor positions below.
L2B’s “Tout Pour L’Équipe” remains near the base at nineteen, and PNL’s classic “Blanka” re-enters at twenty, closing the current cycle with a veteran return to visibility.
Metalcore
Bad Omens continue to dominate the METALCORE chart as “Specter” holds firm at number one, leaving little room for challengers. YUNGBLUD’s “Zombie” remains second, maintaining its surprising grip within a field otherwise dominated by heavier acts.
Motionless In White’s “Another Life” advances to third, overtaking Babymetal and Electric Callboy’s “Ratatata,” which now sits fourth, while “Like A Villain” by Bad Omens rounds out the top five. The consistency at the upper end reflects sustained listener interest rather than sudden shifts.
Sim’s “The Rumbling” and Sleep Token’s “Emergence” preserve their mid-top ten stability, while Electric Callboy’s “Elevator Operator” edges ahead of “We Got The Moves,” trading eighth and ninth positions. “Concrete Jungle” reenters the upper range at tenth, reasserting the band’s multi-track presence.
Motionless In White’s “Masterpiece” and Bad Omens’ “Limits” each drop slightly, yet remain comfortably inside the middle block. The lower tier remains dense with familiar names—Architects, Imminence, and Bring Me The Horizon—shuffling positions without new debuts interrupting the run.
Electric Callboy’s “Still Waiting” makes its first appearance at eighteen, a late-cycle addition that injects punk-toned immediacy into the set. Bad Omens close the list with “Artificial Suicide,” reentering at twenty, reinforcing their unmatched saturation across the genre’s current rotation.
Modern Dancehall
The MODERN DANCEHALL chart stays firmly anchored by Kybba’s “Ba Ba Bad Remix,” featuring Ryan Castro, Sean Paul, and Busy Signal, which retains its top spot without serious contention. Rema’s crossover hit “Calm Down” follows again in second, extending its long dual-chart run.
Moliy’s “Shake It To The Max [Fly] [Remix]” remains third, while Wizthemc’s “Show Me Love” keeps fourth and Spice’s enduring “Go Down Deh” holds fifth, forming an immovable core of high-rotation favorites.
Shenseea’s “Hit & Run” and Masicka’s “Rich Sex” stay in their places, while Meryl’s “Shatta Confessions” and Burna Boy’s “Tested, Approved & Trusted” continue their strong mid-tier performances. “For My Hand” by Burna Boy and Ed Sheeran swaps spots with its companion track, adding variation without real volatility.
Ayetian’s “Wah Yo Deh Pan,” featuring Govana and Nvtzz, debuts at eleven, its swaggering riddim pushing into a section previously dominated by more melodic cuts. Denis Nuca’s “Doar La Ea. Ba La Ea” climbs to twelve, replacing older holdovers that now recede.
Kraff expands his presence with “My Type,” featuring DJ Mac, entering at sixteen alongside his still-charting “Ikation,” consolidating his standing across the dancehall sphere. The chart closes with Tarrus Riley’s “Lighter,” which continues its long post-peak stability.
Nigerian Pop
Rema and Selena Gomez’s “Calm Down” continues its uncontested reign on the NIGERIAN POP chart, marking another week of dominance across both domestic and international streams. Ayra Starr’s “Rush” and Omah Lay’s “Soso” remain fixed in second and third, forming a stable lead trio.
Chiké’s “Egwu” and AY YOLA’s “Homay” follow closely behind, each maintaining position with minimal week-to-week variation. Fireboy DML’s “Bandana” moves up to sixth, displacing Victony’s “Soweto,” which now sits at ninth.
Dax’s “Lonely Dirt Road” edges one position higher, while “Calm Down” repeats at eighth via Rema’s solo cut, reinforcing his complete dominance within the chart. Kizz Daniel’s “Buga” and Ruger’s “Girlfriend” sustain long-running appeal inside the top ten and just beyond.
Iyanya’s “One Side – Remix” and Omah Lay’s “Understand” keep the midsection steady, while Chris Brown’s “Sensational” and Mavins’ “Overloading” trade slight placements below them.
New entry “Emiliana” by CKay arrives at seventeen, bringing renewed attention to its global milestones and signaling a resurgence for classic Afrobeats balladry. Burna Boy’s “Tested, Approved & Trusted” enters at eighteen, nudging older catalog staples toward the chart’s base. Tems’ “Me & U” closes the list at twenty, giving the set a balanced mix of legacy hits and slow-burning returnees.
Pov: Indie
Hozier takes command of the POV: INDIE chart as “Too Sweet” moves to number one, finally unseating Glass Animals’ long-reigning “Heat Waves,” which now holds second after years of recurrent success.
Conan Gray’s “Heather” remains third, while Twenty One Pilots’ “The Line” and Beabadoobee’s “Glue Song” round out the top five, preserving the introspective yet melodic character defining this segment.
YUNGBLUD’s “I Was Made For Lovin’ You” and Beabadoobee’s “Beaches” switch places, holding mid-upper ranks as Twenty One Pilots’ “The Contract” stays firm at eighth. Clairo’s “Juna” rises to ninth, marking her highest showing to date, while YUNGBLUD’s “Zombie” settles at tenth after cross-chart exposure.
Mitski’s “My Love Mine All Mine” drifts slightly to eleventh, ahead of Noah Kahan’s “Stick Season” and Liana Flores’ “Rises The Moon,” both maintaining perennial presence.
The week’s most notable debut is “Drum Show” by Twenty One Pilots at fifteen, where Josh Dun’s co-lead turn generates renewed attention for their current album. Cults’ “Always Forever” reappears at seventeen following viral rediscovery, while Ashe’s “Till Forever Falls Apart” closes at twenty, bringing emotional gravitas to the chart’s reflective finish.
Urban Contemporary
Shakira’s “Soltera” remains unshaken at the top of the URBAN CONTEMPORARY chart, continuing its multi-format success with Partynextdoor’s “No Chill” holding second and Usher’s “Good Good” in third, sustaining the same trio of frontrunners from the previous period.
GloRilla and T-Pain’s “I Luv Her” keeps its upward momentum at fourth, while Wale’s “On Chill” reclaims fifth, displacing Clipse’s “So Be It,” which now rests just below.
Ciara’s “How We Roll” remains steady at seven, and Rihanna’s “Lift Me Up” continues to chart at eight, followed by a new addition—“Low,” her collaboration with Diamond Platnumz—entering at nine and blending R&B with Afropop precision.
Jung Kook’s remix of “Standing Next To You” rounds out the top ten, marking the chart’s midpoint with international balance.
The lower half remains anchored by T-Pain, Jeremih, and Ne-Yo’s familiar entries, though Ciara again breaks through at sixteen with another new cut, “Dance With Me,” featuring Tyga, giving her a rare dual presence this week.
Joyner Lucas, Partynextdoor, and Usher’s follow-up “Ruin” complete the lower tier, with Snakehips and Tinashe’s enduring “All My Friends” closing the list at twenty—still charting years after its debut.
Urbano Latino
Bad Bunny’s “Baile Inolvidable” continues its reign at number one on the URBANO LATINO chart, holding off Beéle and Ovy On The Drums’ “Mi Refe,” which remains a solid runner-up. Karol G’s “Provenza” climbs to third, displacing her own “+57,” as “Papasito” and Feid’s “Luna” occupy fourth and fifth respectively.
Myke Towers’ “Si Se Da – Remix” and Karol G’s “+57” form the heart of the chart’s upper-middle block, reinforcing the week’s female-driven dominance. “TQG” keeps its foothold at eighth, while Rauw Alejandro’s “Khé?” retains ninth and Xavi’s “La Diabla” stays tenth, maintaining the same pulse-driven structure that defines the genre’s mainstream.
Shakira’s “Soltera” continues dual-chart success at eleventh, reflecting wide crossover appeal. Bad Bunny populates much of the mid-lower range with “Dákiti,” “Moscow Mule,” “Me Porto Bonito,” and “Ojitos Lindos,” each holding minor shifts rather than major drops.
New entry “Latina Foreva” by Karol G arrives at thirteen, establishing her fifth simultaneous placement and signaling a broader new phase for her releases. Greeicy’s “Quiero Más” debuts at fourteen, joining as the week’s other newcomer with a smoother, pop-leaning contrast to the reggaeton-heavy roster.
Anitta’s “Envolver” returns at twenty, rounding out the cycle with a minimalist, late-night close that underscores how enduring viral momentum continues to shape the Latin pop landscape.