Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series to reflect shifts in listener trends. These rankings combine data from our platform with external streaming metrics to highlight what’s resonating right now.
While not exhaustive, these charts capture notable changes—rising hits, enduring favorites, and exciting new entries—across 16 genres.
Here is the Jul 24, 2025 edition
.
Alt Z
Tate McRae’s “Greedy” maintains its position at No. 1 for another week, reaffirming its dominance on the chart.
Faouzia and Sub Urban (with Benee) hold firm at No. 2 and No. 3, while Elley Duhé and The Chainsmokers remain stable at Nos. 4 and 5.
Gracie Abrams continues to impress with “I Love You, I’M Sorry” at No. 6, and her other track “Risk” climbs to No. 9.
Gayle’s “abcdefu” drops from No. 8 to No. 13, while Jp Saxe’s ballad with Julia Michaels slides from No. 10 to No. 14.
Royal’s “Wasteland” shifts slightly to No. 15, and Lizzy McAlpine’s “Ceilings” moves up to No. 11.
Two tracks exit: Zolita’s “Somebody I Fucked Once” and King Princess’ “Fantastic.”
New entries include David Guetta and Kim Petras‘ “When We Were Young” at No. 16, and Reneé Rapp’s introspective “Leave Me Alone” at No. 18.
Alternative Metal
Linkin Park’s “The Emptiness Machine” and “Up From The Bottom” retain their grip on the top two spots, while Falling In Reverse’s “Watch The World Burn” remains at No. 3.
“Voices In My Head” by Falling In Reverse climbs sharply from No. 9 to No. 4, overtaking Linkin Park’s “Two Faced.”
Evanescence‘s “Afterlife” dips from No. 5 to No. 9 as Falling In Reverse’s “Prequel” and other Linkin Park staples stay consistent.
“Last Resort – Reimagined” re-enters the upper half at No. 14, replacing Slipknot’s “Unsainted” which falls to No. 18.
Linkin Park’s “Over Each Other” slides to No. 20, while their presence remains strong with six tracks in the Top 20.
Alternative R&B
Mariah The Scientist debuts at No. 1 with “Burning Blue,” marking a powerful new entry that leads the chart.
Ravyn Lenae’s “Love Me Not” holds steady at No. 2, while Sevdaliza’s “Alibi” drops one spot to No. 3.
Mariah The Scientist appears prominently with three tracks in the Top 10, including “From A Woman” and “2 You.”
Ari Lennox returns to the upper ranks with “Shea Butter Baby” at No. 16, while Teyana Taylor’s “Bare Wit Me” slides down to No. 17.
Doechii’s “Alter Ego” and 88Rising’s “The Weekend” round out the chart with minor position changes.
American Hip-Hop
Kendrick Lamar’s “Not Like Us” retains its top spot, followed closely by Lil Nas X’s enduring remix of “Old Town Road.”
Twice and Megan Thee Stallion’s collaboration “Strategy” jumps from No. 10 to No. 4, marking the week’s biggest upward move.
YoungBoy Never Broke Again’s “Finest” debuts at No. 8, injecting new momentum into the lower Top 10.
Most tracks see minor shifts, with King Von, Glorilla, and Eminem holding multiple entries in the bottom half.
Art Pop
Lady Gaga and Bruno Mars’ “Die With A Smile” continues to lead, with Billie Eilish’s “Birds Of A Feather” and “Everything I Wanted” in pursuit.
Charli XCX’s “Party 4 U” debuts at No. 10 following renewed attention from Coachella and a film feature.
Billie Eilish remains dominant with six tracks in the Top 20, while Lady Gaga matches her with multiple entries as well.
Lana Del Rey and Lorde anchor the lower end of the chart, while Charli XCX’s “360” drops to No. 19.
Asian Pop
Rosé’s “Apt.” with Bruno Mars continues its reign at No. 1, maintaining strong momentum at the top.
KATSEYE makes a powerful debut at No. 2 with “Gnarly,” injecting high-energy satire and club flair into the chart.
Jennie’s “Like Jennie” slips one spot to No. 3, while her collaboration with Doechii, “Extral,” holds at No. 16.
Blackpink solidifies its chart presence with “Pink Venom” jumping from No. 11 to No. 5, and “Shut Down” rising into the Top 10.
ROSÉ scores a second chart entry with the cinematic “Messy,” entering at No. 11.
Newcomers MEOVV and aespa enter with “Hands Up” and “Supernova” at Nos. 17 and 18 respectively, signaling fresh movement in the lower tier.
Exiting the chart this week are Hana’s “Rose,” Lisa’s “Born Again,” Jimin’s “Who,” and Psy’s “That That.”
Country Music
Miley Cyrus holds steady at No. 1 with “End Of The World,” with Riley Green and Ella Langley also maintaining their spots at Nos. 2 and 3.
Morgan Wallen’s “I’m The Problem” inches past “Smile,” reversing their previous positions.
Lainey Wilson climbs back into the Top 10 with “Wildflowers And Wild Horses,” while “4X4Xu” remains stable at No. 17.
New entries this week include Skye Newman’s candid “Hairdresser” at No. 13, Josh Ross’ reflective “Single Again” at No. 19, and Tyler Braden’s anthemic “Devil You Know” at No. 20.
Luke Combs sees both “Forever After All” and “The Kind Of Love We Make” slide into the lower half of the chart.
Blake Shelton and Megan Moroney exit the chart this week, making room for the rising newcomers.
Dance Pop
Rosé and Bruno Mars’ “Apt.” dominates the chart for another week, followed closely by Lady Gaga’s “Die With A Smile.”
Dua Lipa’s “Levitating” holds firm at No. 3, while Doja Cat’s “Paint The Town Red” rises to No. 4.
David Guetta and OneRepublic debut “I Don’t Wanna Wait” at No. 18, blending Eurodance nostalgia with pop clarity.
Jazzy’s “No Bad Vibes” slips to No. 15, as Elton John’s “Cold Heart” and Sevdaliza’s “Alibi” swap places at Nos. 7 and 8.
Lady Gaga’s “Hold My Hand” returns to the chart at No. 19, reinforcing her multi-entry dominance alongside Doja Cat and Dua Lipa.
East & South African Music
Chella’s “My Darling” holds at No. 1, showcasing continued popularity across the region.
The Top 5 remains unchanged, with Tyla, Master KG, Marioo, and Shandesh all maintaining strong placements.
Harmonize’s “Furaha” rises slightly to No. 8, and DJ Maphorisa continues to chart with three collaborative tracks.
Matata’s “Mpishi” and Tnk Musiq’s “Uyaphapha Marn” also gain modest attention in the mid-tier.
No new debuts appear this week, but minor reordering reflects consistent streaming and radio presence for the genre’s mainstays.
French R&B
Gims maintains his lead at No. 1 with “Sois Pas Timide,” closely followed by Joé Dwèt Filé’s “4 Kampé” and “Spider” with Dystinct.
L2B enters at No. 7 with “Tout Pour L’Équipe,” marking the only new appearance this week and reinforcing their group’s comeback momentum.
Lacrim’s “No Lo Se” drops from No. 8 to No. 13, while Naza and Maes also see modest declines.
Joé Dwèt Filé’s “Jolie Madame” slides to No. 20 but remains on the chart, joining Gims and Gazo as artists with multiple entries.
Metalcore
Babymetal and Electric Callboy’s “Ratatata” holds firm at No. 1, showcasing ongoing synergy between J-pop metal and German electrocore.
Sleep Token’s “Emergence” debuts at No. 2, marking a striking return with atmospheric weight and lyrical transformation.
Bad Omens’ “Like A Villain” remains at No. 3, while Sim’s “The Rumbling” slides to No. 4, rounding out a competitive Top 5.
Slaughter To Prevail re-enters at No. 17 with “Russian Grizzly In America,” pushing “Pump It – Velvet Remix” to No. 16 and “K.O.D.” to No. 20.
“V.A.N” featuring Poppy exits the chart, making way for the genre’s darker, theatrical cuts to rise.
Modern Dancehall
Moliy’s “Shake It To The Max” remix continues its reign at No. 1, followed by the enduring global favorite “Calm Down” by Rema and Selena Gomez.
Chronic Law enters at No. 8 with “NY Girls,” bringing fresh lyrical perspective and regional flair to the genre’s upper tier.
Burna Boy’s two entries swap positions, with “For My Hand” now ahead of “Tested, Approved & Trusted.”
All 20 tracks remain intact from the previous week, though modest reshuffling suggests continued audience engagement across new and classic sounds.
Nigerian Pop
Rema retains the No. 1 spot with “Calm Down” featuring Selena Gomez, while his solo version remains in the Top 10.
Omah Lay’s “Soso” climbs to No. 3, as Dax’s “Lonely Dirt Road” drops to No. 8 amid rising local contenders.
AY YOLA debuts at No. 4 with “Homay,” bringing Bashkir folklore into the Afrobeats space with cultural fusion and modern electronics.
The Top 20 sees minimal exits, with most songs showing minor shifts; Wizkid and Tems maintain a strong double presence toward the bottom.
Pov: Indie
Glass Animals’ “Heat Waves” leads for another week, while Twenty One Pilots hold six entries, including “The Line” at No. 3.
Yungblud’s “The Funeral” returns at No. 16, adding energy and flair from his 2022 release.
Conan Gray’s “Heather” drops to No. 7, edged out by rising positions for Beabadoobee and Yungblud’s soundtrack feature.
All existing entries remain, with subtle reordering reflecting steady listening trends and fan loyalty.
Urban Contemporary
Shakira’s “Soltera” maintains its position at the top, while Usher climbs to No. 2 with “Good Good.”
Rihanna adds a new entry with “Friend Of Mine” at No. 12, boosting her presence alongside “Lift Me Up.”
Jeremih’s “Wait On It” slips to No. 10, while T-Pain’s “I Like Dat” gains ground in the upper mid-tier.
The chart stays consistent with the prior week’s entries, with Rihanna’s soundtrack work offering the most notable shakeup.
Urbano Latino
Beéle and Ovy On The Drums hold the No. 1 spot with “Mi Refe,” followed closely by Bad Bunny and Karol G’s mega-collaboration “+57.”
Mesita’s “Una Foto” remix enters at No. 15, bringing Nicki Nicole, Emilia, and Tiago PZK into the mix with urban-pop elegance.
Beéle secures three entries this week, with “Morena” joining at No. 17, further cementing his genre dominance.
Boza’s “Orion” closes the chart at No. 20, marking a strong debut with emotional lyricism and sonic detail.