Charli Xcx

Charli XCX cranks the chaos with “Wall of Sound” and leaves resolution behind

Charli XCX swivels into noisy grandeur with “Wall of Sound,” the newest Wuthering Heights single layered with maximalist distortion and a calculated nod to pop chaos. Here she calibrates volume and emotion with production that teeters between euphoric exorcism and deliberate overload.

Synthetic textures crash against frenetic vocals, creating an unsettling anthem that seems more interested in obliteration than resolution. The title offers less a metaphor and more a warning.

Charli XCX lights up pop's contradictions—luxury SUVs, windowless greenrooms

Charli XCX candidly reflects on the paradoxes of pop stardom in her Substack essay, charting the manic highs of absurd luxury—cigarettes in black SUVs, earrings with their own security—and the free-fall into soulless liminal spaces like windowless greenrooms and visa offices.

She critiques the public's shifting perceptions, where fantasy mutates into insult, and questions the expectation that artists must perform moral consistency.

For Charli, art lies in fabrication, not virtue.

Charli XCX waxes cryptic in eerie mansion for Fennell’s Wuthering Heights reboot

Charli XCX trades the neon chaos of Brat for spectral minimalism in “House,” her eerie new track for Emerald Fennell’s Wuthering Heights reimagining. Directed by Mitch Ryan, the video stages Charli in a decaying mansion, pouring wax onto herself while Velvet Underground’s John Cale narrates in tones that hover between dream and menace.

The duo mutters “I think I’m gonna die in this house” over shrieking strings, before Charli ends up sprawled in white among rooftree decay. She calls the song “elegant and brutal”—a phrase lifted from Cale himself, who later contributes a spoken-word piece that reportedly leaves her in tears.

Charli XCX weeps, wails, and mud-crawls for Fennell’s Wuthering Heights score

Charli XCX crafts “House” for Emerald Fennell’s Wuthering Heights adaptation, channeling a sonic duality shaped by the Velvet Underground’s John Cale. Drawn to his phrase “elegant and brutal,” she reaches out, receives a poem that leaves her in tears, and creates a piece tethered to passion, pain, and the shivering mud of the Moors.

The teaser features Charli face-down while dissonant strings cut through a voice—requesting privacy—hinting at tension beneath the surface. The track drops ahead of the film’s February release.

Charli XCX flips a coin on 'Brat'—charts love it, label not so much

Charli XCX confesses to Vanity Fair a long-standing internal conflict—whether to lean into the persona of a cynical, underground provocateur or play nice as a polished pop product. Haunted by this identity tug-of-war throughout her career, she ultimately throws the dice on ‘Brat’, unapologetically crafting it her way, label backlash or not.

The gamble appears calculated: ‘Brat’ tops charts in five countries, while Charli cooly muses the next album may flop—and she’s “down for that.”