Fka Twigs

FKA Twigs spins pain and poise on ‘Eusexua,’ post-lawsuit, no pity required

FKA Twigs parses the interplay of joy and damage with the composure of someone who has aged into clarity. Speaking to ELLE UK, she reflects on reaching a stage where beauty and brutality no longer cancel each other out—they coexist, like a raspberry that’s both tart and sweet.

Months after settling her lawsuit against Shia LaBeouf, she navigates the memory of a violent past while channeling it into her experimental album ‘Eusexua,’ earning critical nods without chasing absolution or sentimentality.

FKA twigs turns NYC sidewalk strut into guerrilla promo for upcoming album

FKA twigs strolls a New York City street, clad in minimal hotpants and a leather jacket, as she listens to music from her earbuds with the kind of casual rebellion that skirts performance art. The artist seizes this impromptu catwalk moment to promote her new album, released 14 November via Young and Atlantic Records.

With earbuds in and gaze fixed ahead, she moves through the city as though its concrete rhythm is part beat, part backdrop. She is reportedly scheduled to perform, threading this choreography of self-promotion through her daily routine.

FKA Twigs racks up 9 UK Music Video Award nods—jury clearly has a type.

FKA Twigs tops the list of nominees at this year’s UK Music Video Awards, collecting nine nominations across various categories. The accolades form part of the event’s annual round-up of international entries, spotlighting music video work produced in the UK and abroad.

The singer’s visual output, frequently characterized by stylized aesthetics and performance-driven narratives, seems to align well with the juries' preferences. The finalist lineup spans across genres and forms, reflecting the awards' stated focus on music video creativity.

FKA Twigs checks back in with ‘EUSEXUA Afterglow’ and a foggy ‘Cheap Hotel’

FKA Twigs announces ‘EUSEXUA Afterglow,’ a new full-length release—not a deluxe add-on—landing November 14 via Atlantic/Young. The atmospheric single ‘Cheap Hotel’ makes its entrance with hazy synths and feather-light vocals, paired with a seven-minute Jordan Hemingway-directed video dripping in post-rave ennui and hotel keycard transience.

Described by Twigs as a "visceral waterfall," the album extends the stripped contours of ‘EUSEXUA’ into raw aftermath, where desire lingers in late checkouts and blurred memories.

Virgin births and unease: FKA Twigs and Nicolas Cage go biblical and bizarre

Interpolating biblical archetypes with a flair for cinematic disquiet, The Carpenter’s Son casts FKA Twigs as the Virgin Mary in a stylized reimagining of the Jesus nativity myth. Nicolas Cage broods in frame as the narrative swerves from sacred to sinister with deliberate unease.

The teaser positions the story somewhere between reverence and reversal, pushing devotional themes through a horror-film prism, where holy iconography skews into the uncanny rather than the divine.