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GUITAR VIRTUOSI
This week In Guitar Virtuosi 13/52
This week In Guitar Virtuosi 12/52
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This week In Guitar Virtuosi 07/52
Pat Metheny’s reworking of Carly Simon’s "That's The Way I Always Heard It Should Be" transforms its emotional weight into intricate instrumental nuances, highlighted by the unique 42-string Pikasso guitar. Shawn Lane’s "Rice with the Angels" takes a more chaotic yet cohesive approach, blending fusion and jazz elements in a raw, immersive live performance alongside Jonas Hellborg and Jeff Sipe, creating a soundscape that's both intense and intricate.
Rory Gallagher injects lively storytelling into "Secret Agent" from his 1976 album "Calling Card," pairing cheeky themes with energetic slide guitar, while Eric Clapton and Jeff Beck's live duet on "Little Brown Bird" showcases subtle blues interplay over showy technique. Steve Hackett’s "Every Day" balances personal gravity with prog-pop charm, highlighted by shifting guitar tones and thoughtful arrangements, making it a standout on his *Spectral Mornings* album.
? Take our 12-track quiz.This week In Guitar Virtuosi 06/52
Michel Petrucciani’s take on Miles Davis’ "So What" from a 1998 Stuttgart concert highlights its staying power, with Anthony Jackson’s steady bass and Steve Gadd’s subtle drumming anchoring restrained improvisation. Meanwhile, John Coltrane’s quartet version of "I Want to Talk About You" on *Soultrane* strips an old big-band tune to its emotional core, balancing reverence with hints of the freedom he’d later fully embrace.
Wayne Shorter’s "Starry Night" from *Without a Net* showcases conversational interplay within his quartet, while Chick Corea’s ambitious "Moseb the Executioner" merges diverse traditions despite feeling structurally dense. Dizzy Gillespie’s "A Night in Tunisia" pushes Afro-Cuban rhythms into bebop's restless energy, contrasting with Jimmy Smith’s warmer jazz-organ twist on "Honky Tonk," particularly live. Each track offers glimpses of its artist’s unique touchpoint in jazz history.
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SINGING LADIES
This week In Singing Ladies 14/52
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Singing (Ladies only) Elton John
This week In Singing Ladies 12/52
This week In Singing Ladies 11/52
Singing (Ladies Only) James Taylor
This week In Singing Ladies 10/52
This week In Singing Ladies 09/52
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MALE BALLADEERS
This week In Male Balladeers 14/52
This week In Male Balladeers 13/52
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This week In Male Balladeers 11/52
This week In Male Balladeers 10/52
This week In Male Balladeers 08/52
This week In Male Balladeers 07/52
Robbie Williams’ "Angels," co-written with Guy Chambers, blends sweeping production with karaoke-ready appeal, securing its place in late-'90s pop history despite chart peaks of No. 4 in the UK and No. 41 in the US. Its enduring cultural resonance includes a 2022 AI reboot featuring Beethoven’s "Moonlight Sonata." Similarly introspective, Myles Kennedy’s "Haunted by Design" shifts from Alter Bridge’s rock bombast to stripped-down blues, exploring grief through restrained acoustic textures.
Other highlights bring diverse tones: The Weeknd’s "Sidewalks," from "Starboy," pairs introspective lyrics with Kendrick Lamar’s sharp verses, while Jamie Cullum’s "Gran Torino," tied to Clint Eastwood’s film, opts for smoky jazz intimacy. Ed Sheeran’s "I’m a Mess," blending raw lyrics with pop accessibility, reflects a bittersweet confessional quality. Meanwhile, Screamin’ Jay Hawkins’ theatrical "Constipation Blues" thrives on eccentricity, showcasing absurdity with unmatched flair during a chaotic 1983 Serge Gainsbourg duet.
? Take our 12-track quiz.This week In Male Balladeers 06/52
Lenny Kravitz's "Dancin' Til Dawn" leans on his funk and rock roots, carried by his multi-instrumental talents and Lenny Pickett's sultry saxophone, though its mid-tempo groove feels more atmospheric than urgent. Paul Simon’s "Wristband" pairs flamenco rhythms and Clap! Clap!'s electronic touch to craft a witty reflection on exclusivity, offering layered social commentary with subtle humor.
Father John Misty’s "I Love You, Honeybear" blends lush orchestration with ironic lyrics, while Kurt Elling reimagines "Norwegian Wood" through a jazz lens, balancing abstraction and homage. Michael Bublé's polished take on "Moondance" sticks closely to the original’s blueprint, and "My Valentine" by Paul McCartney, featuring Eric Clapton, delivers a refined yet understated personal tribute.? Take our 12-track quiz.
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SINGING WITH & COVERS
Norah & The Guys
Clapton & The Bluesmen
Singing With Mariah Carey
Singing (and Playing) With Steven Tyler
Singing With Elton John (Oldies)
Singing With Elton John
Singing (and Playing) With Chaka Khan
Singing (and Playing) With George Benson
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COLLABORATIONS
This week In One-Off Collaborations 14/52
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This week In One-Off Collaborations 09/52
This week In One-Off Collaborations 08/52
This week In One-Off Collaborations 07/52
"California Love" stands as a West Coast anthem blending 2Pac’s urgency and Dr. Dre’s polished production, with Roger Troutman’s talk box adding infectious funk. Its cinematic flair, quick creation, and Grammy nod cement its appeal, though some critique its reliance on atmosphere over depth. Similarly, Chuck Berry’s "Johnny B. Goode," a cornerstone of rock, merges autobiographical nuance with dynamic riffs, its cultural impact spanning decades from "Back to the Future" to the Voyager Golden Record.
Robbie Williams and Kylie Minogue’s playful duet "Kids" exudes polished theatricality, with cheeky nods to nostalgia driving its UK chart success. Al Jarreau and Kurt Elling’s spirited take on "Take Five" explores jazz interplay, balancing Jarreau’s unpredictable scatting and Elling’s structured phrasing. Meanwhile, "On My Own" unites Patti LaBelle and Michael McDonald’s distinct vocals through slick '80s production, delivering emotional weight despite their physical distance during recording.
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