‘L’Amour Toujours’ N°314 – Vintage 90s Music Videos

How well do you know the music of

Tina Turner’s "Love Thing" from *Simply the Best* blends her vocal prowess with early-'90s pop flair but sits awkwardly among her classic hits like "Private Dancer." George Michael’s "Heal the Pain," an ode to McCartney's style, offers melodic warmth but lacks standout energy despite a later duet with McCartney himself. Sheryl Crow’s raw "What I Can Do For You" tackles sexual harassment with sharp commentary, showcasing her early knack for meaningful rock.

Melissa Etheridge’s "I Want to Come Over" channels longing with her passionate voice, finding chart success globally. Heather Nova’s "Heart and Shoulder" offers polished alt-pop vulnerability, while Tanita Tikaram’s "Only the Ones We Love" aligns subdued folk-pop with elegiac strings. Zucchero’s duet "Diamante" melds Italian soul with Randy Crawford’s jazz finesse, and Tasmin Archer’s harrowing "In Your Care" emphasizes gravity over radio appeal.

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Singing With Sheryl Crow

Sheryl Crow and Grace Potter’s acoustic “New Kid In Town” honors Glenn Frey with raw, stripped-back harmonies, reflecting the Eagles’ original while staying reverent. Kid Rock and Crow’s “Picture” brings aching regret to life, marrying confessional lyrics with their emotional vocal chemistry. The understated duet became a hit, resonating with heartbreak and sincerity.

Crow and Vince Gill’s take on “Two More Bottles of Wine” during Emmylou Harris’s tribute is polished yet safe, while her duet with Ben Harper on “My Sweet Lord” respects George Harrison’s legacy but feels bound by its solemn cause. Crow’s duet with Pat Benatar on “I Shall Believe” combines grit and grace but plays it too tidy, while her “Don’t Let Me Down” alongside Chris Stapleton adds layered textures but stays shadowed by the Beatles’ original.

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This week In ‘2000s Throwback’ 06/52

50 Cent’s "In Da Club" fuses Dr. Dre’s signature production with raw energy, dominating the Billboard Hot 100 for nine weeks and earning 9x platinum certification. Its hypnotic groove, simple yet effective hook, and cultural ubiquity, from movie soundtracks to major awards, cemented it as an early 2000s phenomenon. Kanye West’s "Through the Wire" turns adversity into artistry, rapping post-jaw surgery over a Chaka Khan sample. Its mix of personal triumph and catchy production launched him as a force in hip-hop, peaking at No. 15 on the Billboard Hot 100 and earning critical acclaim.

Michael Bublé’s cover of "Crazy Little Thing Called Love" swaps Queen’s swagger for smooth, lounge-style polish, making it a polished addition to his self-titled debut. Amy Winehouse’s "Love Is a Losing Game," though modest on charts, captivates with understated vocals and enduring melancholy, later praised with an Ivor Novello Award. Meanwhile, Franz Ferdinand’s "The Dark of the Matinée" combines sharp wit with crisp indie rock, landing it at No. 8 in the UK. Sheryl Crow’s "Strong Enough" pairs vulnerability with subtle strength, charting globally while showcasing its quiet emotional resonance.

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Singing With Sheryl Crow OLDIES

Sheryl Crow’s "Everyday Is a Winding Road" captures mid-90s resilience with its road-trip-ready groove and Neil Finn’s subtle backing vocals, making it a standout from her triple-platinum 1996 album. Prince’s 1999 cover gives it a sardonic twist, reframing its sunny tone with sharp guitar work and personal lyric changes. The song’s adaptability highlights its universal appeal, from soundtracks to live performances.

Meanwhile, Crow’s "Strong Enough" shines with raw vulnerability, flipping gender norms in its poignant question, “Are you strong enough to be my man?” Collaborations like “Angel” with Sarah McLachlan or "It Don’t Hurt" featuring Dixie Chicks reflect her knack for blending voices, though live showcases sometimes veer into nostalgia over reinvention. Tracks like “Soak Up the Sun” and her duet with Willie Nelson on “City of New Orleans” embody her crossover charm across decades.

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Happy Birthday Sheryl Crow

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  • Post published:February 11, 2025
  • Post category:PORTRAITSROCK

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‘L’Amour Toujours’ N°310 – Vintage 90s Music Videos

How well do you know the music of George Michael brought precision to "I Can’t Make You Love Me," while Dina Carroll’s "The Perfect Year" balanced nostalgia and hope. Thunder’s "A Better Man" embraced introspection, and Kristin Hersh’s "Your Ghost" delivered haunting simplicity with Michael Stipe’s ethereal backing. Sheryl Crow’s "Strong Enough" stood out for its raw honesty, and Lenny Kravitz’s "I Build This Garden For Us" channeled ’60s idealism. Lisa Loeb’s "I Do" pushed back at industry demands, Shawn Colvin’s "Round of Blues" merged thoughtful folk-rock with collaboration, and Wendy & Lisa’s "Don’t Try to Tell Me" leaned into funky confidence. Each carved its place with depth and emotion.? Take our 12-track quiz.

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This week In ’90s Throwback’ 06/52

Amy Winehouse’s "Love Is a Losing Game" is a minimalist heartbreak ballad from *Back to Black*, where her smoky vocals shine against sparse production, earning it an Ivor Novello Award. Samantha Fish brings fiery blues-rock intensity to "I Put a Spell On You," revisiting the classic with sharp guitar work and raw emotion. Meanwhile, Valerie June’s "Somebody to Love" pairs her distinctive banjolele with tender vocals, blending her Tennessee roots with gospel and blues influences.

Rhiannon Giddens reimagines Patsy Cline’s "She’s Got You" with understated precision, while Suzanne Vega’s "Solitude Standing" captures introspective quietness with layered textures. P!nk’s "Try" balances resilience and theatrics, epitomized by a strikingly physical music video. Sheryl Crow’s "Strong Enough" offers a raw, confessional tone, its stripped-back production bolstering its emotional weight, staying as impactful decades after its release.

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This week In Singing Ladies 06/52

From Pink Floyd’s "Comfortably Numb," blending David Gilmour’s guitar brilliance with Roger Waters’ poignant lyrics, to Europe’s "The Final Countdown" and its iconic keyboard riff, these tracks highlight defining musical moments. Gary Moore’s "Empty Rooms" channels heartbreak, while Whitney Houston’s "How Will I Know" delivers ‘80s pop perfection, and Bobby Brown’s "My Prerogative" asserts individuality with slick new jack swing energy.

The Beach Boys’ "Kokomo" offers tropical escapism, Sérgio Mendes’ "Alibis" crafts polished adult contemporary grooves, and Eric Clapton with B.B. King reinterpret blues history in "Worried Life Blues." XTC’s "Senses Working Overtime" leans into eclectic charm, while Roberta Flack’s "Feel Like Makin' Love" balances tender finesse. These standout tracks anchor moments in music history, captivating through distinct moods and timeless appeal.

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This week In ‘2000s Throwback’ 03/52

Sheryl Crow’s introspective "Wildflower" unfolds with elegant orchestration, while Massive Attack’s haunting "Butterfly Caught" fuses eerie strings and trip-hop depth. Linkin Park’s "One Step Closer" channels pure frustration through explosive riffs, and The Roots’ "The Seed (2.0)" blends raw rock with slick hip-hop energy. Kid Rock’s bold "So Hott" roars with gritty excess, and Korn’s "Did My Time" rides on ferocity and dark riffs.

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Happy Birthday Kid Rock

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  • Post published:January 17, 2025
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Eric, Roger, Gloria et al perform for the Tsunami victims (2005)

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  • Post published:January 15, 2025
  • Post category:CONCERTSVIDEOS

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‘Vous Avez Dit Bizarre’ N°303 – Vintage 90s Music Videos

UB40’s "Bring Me Your Cup" brings relaxed reggae vibes to *Promises and Lies*, while The Mission’s "Tower of Strength" stands tall with its Gothic rock intensity, amplified by collaborations like *TOS2020*. Sheryl Crow’s "Everyday Is a Winding Road" grooves with layered textures and a candid nod to life’s chaos, as U2’s funk-infused "Mysterious Ways" experiments with duality and feminine themes. The Beastie Boys’ "Sure Shot" bridges jazz and hip-hop with a sharp social edge, while Sinead O’Connor’s minimalist "Thank You for Hearing Me" channels raw emotion. The Smashing Pumpkins’ "Rocket" merges grunge and ambition, and Blur’s "The Universal" juxtaposes grandeur with biting irony. Natalie Imbruglia’s brooding "Smoke" paints heartbreak through layered guitars, and Kula Shaker’s "Govinda" merges Sanskrit prayers with psychedelic sounds. Genesis’s "No Son of Mine" tackles family pain with deep storytelling, and Dylan’s "Like A Rolling Stone" finds a swaggering cover in The Rolling Stones’ lively performances.

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This week In One-Off Collaborations 50/52

How well do you know the music of Nicole Scherzinger, John~Owen~Jones, Ramin Karimloo, Simon Bowman & Earl Carpenter, Eric Clapton, D'Angelo, David Sanborn & Marcus Miller, John Lennon, Keith Richards, Eric Clapton & Mitch Mitchell, Lady Gaga & The Rolling Stones, George Harrison & Delaney and Bonnie Bramlett, Sheryl Crow, Jackson Browne & David Crosby, Paul Weller & Adele, Warren Hayes & Dave Matthews, Joe Walsh & Billy Gibbons, Dionne Warwick, Stevie Wonder, Whitney Houston & Luther Vandross, Bruce Springsteen, Peter Gabriel, Tracy Chapman & Youssou N'Dour, Miles Davis, Carlos Santana & Robben Ford ? Take our 12-track quiz.

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