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‘Music For The Dancers’ N°326 – Vintage 80s Music Videos

‘Music For The Dancers’ N°326 – Vintage 80s Music Videos

How well do you know the music of 52nd Street’s smooth and emotional “You’re My Last Chance” captures mid-’80s sophistication, while Morris Day’s funky “The Oak Tree” radiates playful confidence. Chaka Khan’s lively “It’s My Party” blends steel pans and brass grooves, and Laura Branigan’s dramatic “Gloria” transforms into a high-energy anthem. Shalamar’s “My Girl Loves Me” layers glossy R&B, and Eddie Murphy’s “Party All the Time” serves up unabashed fun with Rick James’ funk-driven production. Wendy & Lisa’s introspective “Sideshow” exudes post-Prince artistry, while Fast Eddie’s “I Can Dance” keeps things simple yet infectious with Chicago house flair.? Take our 12-track quiz.

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This week In One-Off Collaborations 10

This week In One-Off Collaborations 10

Ed Sheeran’s “Lego House” pairs melancholy lyrics with soothing acoustics, enhanced by a clever video starring Rupert Grint. Neil Young’s “Heart of Gold” blends raw folk with quiet intensity, while David Gilmour’s “On an Island” leans into delicate guitar-driven introspection. Miley Cyrus and Melanie Safka breathe fresh life into “Look What They’ve Done to My Song Ma,” balancing nostalgia and wit. Shakira and Rihanna create a polished mix of reggae and rock in “Can’t Remember to Forget You,” and Justin Timberlake teams with Chris Stapleton for a memorable CMA mashup of “Tennessee Whiskey” and “Drink You Away.” Meanwhile, Carminho and Milton Nascimento’s “Encontros e Despedidas” offers a heartfelt blend of Portuguese and Brazilian musical styles.

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‘We Are Live’ N°10 – Vintage 80s Music Videos

‘We Are Live’ N°10 – Vintage 80s Music Videos

How well do you know the music of The page bursts with standout tracks from iconic bands. The Selecter’s “Three Minute Hero” captures 2-tone ska’s raw energy, while The Jam’s “Start!” blends urgency and sharp minimalism. Bow Wow Wow’s “Go Wild in the Country” radiates rebellious fun, and Lucy Dacus’s “Habit” wrestles with heartbreak through a building sonic intensity. Queen’s “Save Me” mixes grandeur with vulnerability, and Slade’s “We’ll Bring the House Down” roars with gritty, anthemic defiance. Simple Minds’ “Sanctify Yourself” delivers bold, arena-ready empowerment, and Blitz’s “New Age” experiments with post-punk cool. Cliff Richard’s “Carrie” channels eerie storytelling, contrasting Styx’s reflective “The Best of Times,” while Slade carries joyful energy in “All Join Hands.”? Take our 12-track quiz.

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‘Music For The Dancers’ N°522 – Vintage 2000s Music Videos

‘Music For The Dancers’ N°522 – Vintage 2000s Music Videos

How well do you know the music of Hi-Gate’s “Pitchin’ (In Every Direction)” captures late ’90s trance with driving synths and club energy, while Phoenix’s “If I Ever Feel Better” blends introspection with upbeat grooves, showcasing their indie-pop charm. Tracks like DuMonde’s “Tomorrow” deliver euphoric German trance, and Soulwax’s edgy “E Talking” fuses indie with electronic grit. Britney Spears’ “Overprotected” critiques control with polished pop flair, and VooDoo & Serano’s relentless “Blood Is Pumpin’” keeps the rave spirit alive. Meanwhile, The Lovefreekz’s “Shine” celebrates disco-inspired house, and MC Tali’s “Blazin’” highlights drum and bass vibrancy.? Take our 12-track quiz.

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New Music Videos (Legends & Superstars) – N°477

New Music Videos (Legends & Superstars) – N°477

The Offspring’s “OK, But This Is The Last Time” echoes themes of “Self Esteem” with a self-aware twist. Robyn and David Byrne revisit “Dancing On My Own” at SNL50. Cher reinterprets “If I Could Turn Back Time,” reaffirming its legacy. Sam Smith’s “Love Is A Stillness” delivers quiet intimacy.

Pentatonix revives “The Sound of Silence” with layered harmonies. RAYE’s Grammy performance of “Oscar Winning Tears” marks a career milestone shaped by industry struggles.

​ Updated : Feb 17,2025

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‘L’Amour Toujours’ N°477 – Vintage 90s Music Videos

‘L’Amour Toujours’ N°477 – Vintage 90s Music Videos

How well do you know the music of Babybird’s cheeky “Candy Girl” brought mid-‘90s indie pop flair with wry humor and breezy melodies, while Dubstar’s “I Will Be Your Girlfriend” blended synth-pop charm and quirky influences. Gin Blossoms’ “Hey Jealousy” captured jangly angst and regret, and Goldbug’s bold rework of “Whole Lotta Love” added electronic style to rock staples. Chynna Phillips’ emotive “Naked and Sacred” and Cathy Dennis’ sleek “Falling” offered polished pop moments, while Sophie B. Hawkins’ spin on Dylan’s “I Want You” paired intimacy with subtle techno beats.? Take our 12-track quiz.

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‘L’Amour Toujours’ N°100 – Vintage 80s Music Videos

‘L’Amour Toujours’ N°100 – Vintage 80s Music Videos

How well do you know the music of Madonna’s “Borderline” blends heartfelt vulnerability with post-disco grooves, while Rod Stewart’s “Young Turks” captures youthful defiance with synth-driven energy. Elvis Costello’s moody take on “Don’t Let Me Be Misunderstood” slows things down with introspection, contrasting the flashy grit of Whitesnake’s “Give Me All Your Love.” Texas’ bluesy “I Don’t Want a Lover” pairs slide guitar with raw emotion, and Double’s “The Captain of Her Heart” offers quiet elegance through minimalist balladry.? Take our 12-track quiz.

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This week In Guitar Virtuosi 05/52

This week In Guitar Virtuosi 05/52

Santana’s “Once It’s Gotcha” layers Latin jazz percussion with Carlos Santana’s subtle guitar and vocals, while Bill Frisell’s “Outlaws” shifts between jazz fusion and Americana across two albums, each offering distinct moods. Prince’s “Controversy” boldly questions identity with synth-heavy grooves, and Black Sabbath’s “Supernaut” delivers unrelenting riffs adored by legends like Jeff Beck. John Scofield’s “Acidhead” blurs jazz, funk, and electronic chaos, while James Blood Ulmer’s “President of Hell” dives into raw, experimental blues. Rock Candy Funk Party’s “Don’t Funk With Me” delivers playful funk energy, and Kenny Wayne Shepherd revives B.B. King classics with fiery solos and emotional depth. Steve Hackett’s “El Niño” storms through progressive rock with symphonic intensity, and George Benson’s “Valdez in the Country” melds finesse and groove in a jazz-funk classic.

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