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Cesária Évora's 'Rogamar' is an album released on March 6, 2006 by Lusafrica.Track Listing : 1.Sombras Di Distino (Manuel De Novas) - 04:36 . 2.Um Pincelada (Teófilo Chantre) - 03:28…
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Joni Mitchell, Yes, Duke Ellington, Coleman Hawkins, Herbie Hancock, Dinah Washington, Freddie Hubbard We Celebrate Smokey Robinson, Jean-Paul Bluey, Incognito, Toni Iommi, Black Sabbath,…
Marty Friedman’s “Tearful Confession” showcases guitar skills. Bleed From Within’s “God Complex” blends metalcore and groove. Deathless Legacy’s “Sanctified” mixes gothic and symphonic metal. Dying Wish explores melodic metalcore on “I Brought You My Soul.” Phil X & The Drills rock with Tommy Lee on “Fake The Day Away.”
Imperial Triumphant’s “Pleasuredome” fuses extreme metal and jazz. Black & Damned delivers heavy metal in “Red Heavens.” ACCVSED combines metalcore with vulnerability on “Don’t Let Me Fall Apart.” Rotting Christ performs live classic “Κατά τον Δαίμονα Εαυτού.” Unleash The Archers powers through “Gods In Decay.” Lay of the Autumn soars with “Thrown Away.”
Updated : Mar 5,2025
Peter Gabriel’s “Washing of the Water” gets an understated touch from Coldplay’s Chris Martin, merging emotional restraint with spiritual depth. Kate Bush and Gabriel’s duet “Another Day” channels post-breakup longing, while “Blood of Eden,” featuring Sinéad O’Connor, blends textured instrumentals with themes of human connection. Johnny Clegg’s “Asimbonanga” delivers a rhythmic tribute to Nelson Mandela’s fight against apartheid, uniting history and melody.
Youssou N’Dour and Neneh Cherry’s “7 Seconds” pairs multilingual vocals with minimalism, crafting a poignant take on prejudice, while Yusuf Islam’s “Wild World” quietly reflects human fragility. “The Feeling Begins” centers Jivan Gasparyan’s duduk, evoking timeless emotion. Papa Wemba’s contribution to “In Your Eyes” shifts Peter Gabriel’s live performance into something vivid and communal. Tracks like “Signal to Noise” highlight collaborations that balance tradition and modernity with varying results.
Kyle Gordon parodies UK hip-hop on “Selekta.” Alan Walker and Robin Packalen blend electronics with romance on “Dust.” Raka and Bhumika Sharma fuse Punjabi traditions with pop on “Sneakout.” Yung Bredda mixes soca and zess for Carnival’s “Kettle Pot.”
Demarco delivers dancehall energy with “Giddy Up.” Each track highlights unique genre blends, from comedic takes to electronic vibes and cultural fusions.
Updated : Mar 8,2025
Addison Rae’s “High Fashion” blends dance-pop with early 2000s vibes, co-written with Tove Lo. Chung Ha’s “Stress” fuses house beats with a ’90s touch, while Clara’s “Febbre” debuts at Sanremo with a self-care pop-up. Rosé’s “Number One Girl” channels heartbreak in a raw pop-punk ballad.
BINI’s “Blink Twice” teases with playful lyrics over an insistent beat. Giorgia’s “La cura per me” embraces intricate harmonies, while Allie Sherlock’s “Ex-Friend” unpacks betrayal with sharp hooks.
Updated : Feb 10,2025
Aretha Franklin’s gritty “Chain of Fools” opens with Joe South’s hypnotic guitar, amplifying her commanding vocals, while Wilson Pickett’s “Everybody Needs Somebody to Love” transforms Solomon Burke’s anthem into a raw, brass-heavy powerhouse. Johnny Cash’s live “Folsom Prison Blues” drips with dark humor, and Dusty Springfield’s sultry “Son of a Preacher Man” melds seduction with a tight rhythm. Jefferson Airplane’s electrified “Somebody to Love” channels disillusionment, while The Doors’ “Hello, I Love You” delivers a brief, swaggering groove. Pink Floyd’s spacey “Astronomy Domine” takes listeners on a cosmic ride, and Soft Machine’s sprawling “Moon in June” fuses introspection with jazz-driven improvisation.
