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>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Aretha Franklin, Brian Eno, David Byrne, Queen, James Taylor, PJ Harvey, U2, Todd Rundgren, Michel Petrucciani, Keith Jarrett, Haircut One Hundred, John Martyn We…
How well do you know the music of Good Charlotte, One Night Only, Empire of the Sun, Eels, Eminem, Planet Funk, Black Eyed Peas, First Aid Kit, Death In Vegas, The Prodigy, OneRepublic, Coldplay
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Lenny Kravitz’s “Fly Away” delivers effortless grooves with its four-chord simplicity, blending pop-rock and funk for wide appeal—it even snagged a Grammy and topped the UK charts. Jamiroquai’s “High Times” stands out with polished R&B-funk, showcasing tight production and Jay Kay’s vocal charisma, though its tame lyrics on travel fatigue leave it feeling safe rather than bold.
Urban Cookie Collective’s “Sail Away” rides the ’90s Eurodance wave with radiant vocals by Diane Charlemagne, climbing charts across Europe while sticking to a familiar formula. Meanwhile, “Crispy Bacon” by Laurent Garnier masters minimalist techno, its relentless bassline and stripped-back intensity epitomizing late ’90s club culture with playful menace.? Take our 12-track quiz.
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Dumdums’ “Army of Two” blends crisp production, plaintive vocals, and rhythmic precision, capturing early-2000s British guitar pop but plateauing at number 27 like their previous singles. JJ72’s “Snow,” marked by melancholic energy and Mark Greaney’s theatrical vocals, saw a delayed rise to number 21 on its re-release, contrasting their fragile yet defiant presence with peers like Coldplay and Embrace.
Oasis’s “Songbird,” Liam Gallagher’s tender ode, strips back typical bombast for raw simplicity, maintaining a modest spot in their catalog. Beth Orton’s “Conceived” is understated and intimate, leaning on her folk-pop blend yet leaving ambitions underexplored. Meanwhile, Freefaller’s “Do This! Do That!” delivers catchy, straightforward pop/rock, reflecting early-2000s radio’s formulaic appeal.? Take our 12-track quiz.
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Morrissey’s “I’m Throwing My Arms Around Paris” channels unrequited love through an embrace of a cold, unresponsive city, blending poetic alienation with melodic simplicity. On the flip side, Papa Roach’s “Last Resort” navigates raw emotions of suicide and despair, highlighted by aggressive guitars and a relentless hook, securing its place as a cultural touchstone of early 2000s metal. Meanwhile, Cold War Kids’ “Hang Me Up to Dry” leans into an eerie melodic pull, with Nathan Willett’s vocals oscillating between desperation and resignation.
Sum 41’s “The Hell Song” distills anguish into a blazing pop-punk anthem, combining biting riffs with introspective lyrics, while Korn’s “Falling Away from Me” uses eerie melodies and crushing bass lines to address domestic abuse. The Beta Band’s “Squares” crafts a layered exploration of unease through experimental use of samples and warped beats, contrasting sharply with My Chemical Romance’s punk-charged rework of Bob Dylan’s “Desolation Row,” a rapid, distorted sprint rooted in raw energy. Finally, Mogwai’s “Friend of the Night” finds introspective balance with its piano-led arrangement, embracing a softer side of post-rock dynamics.? Take our 12-track quiz.
Peter Gabriel’s “Washing of the Water” gets an understated touch from Coldplay’s Chris Martin, merging emotional restraint with spiritual depth. Kate Bush and Gabriel’s duet “Another Day” channels post-breakup longing, while “Blood of Eden,” featuring Sinéad O’Connor, blends textured instrumentals with themes of human connection. Johnny Clegg’s “Asimbonanga” delivers a rhythmic tribute to Nelson Mandela’s fight against apartheid, uniting history and melody.
Youssou N’Dour and Neneh Cherry’s “7 Seconds” pairs multilingual vocals with minimalism, crafting a poignant take on prejudice, while Yusuf Islam’s “Wild World” quietly reflects human fragility. “The Feeling Begins” centers Jivan Gasparyan’s duduk, evoking timeless emotion. Papa Wemba’s contribution to “In Your Eyes” shifts Peter Gabriel’s live performance into something vivid and communal. Tracks like “Signal to Noise” highlight collaborations that balance tradition and modernity with varying results.
How well do you know the music of Depeche Mode’s “See You” blends youthful charm with darker synth-pop edges, capturing a transitional moment for the band post-Vince Clarke. Blondie’s Debbie Harry experiments with icy allure on Giorgio Moroder-produced “Rush Rush,” while Talking Heads’ “Once in a Lifetime” melds existential musings with funky rhythms. Genesis’s “Illegal Alien” mixes satire and controversy, and The The’s “Slow Train to Dawn” pairs Matt Johnson’s brooding with Neneh Cherry’s raw edge. Madness’s ska-fueled “One Step Beyond” radiates chaotic energy, while Heaven 17’s “Temptation” towers with its grand orchestral drama and synth precision. Time Zone’s “World Destruction” unites Afrika Bambaataa and John Lydon in raw punk-rap fusion, and Mötley Crüe’s glam-metal revamp of “Smokin’ in the Boys Room” delivers rebellious nostalgia.? Take our 12-track quiz.
How well do you know the music of Franz Ferdinand’s swagger-filled “Ulysses” pairs angular guitars with nocturnal chaos, while Arctic Monkeys’ “When the Sun Goes Down” delivers gritty realism through sharp, vivid storytelling. My Chemical Romance’s “Welcome to the Black Parade” channels emo grandeur with theatrical flair, and Eminem’s haunting “Stan” dissects obsession. Meanwhile, Coldplay’s “Life in Technicolor ii” balances global rhythms with polished pop-rock, and Benny Benassi’s “No Matter What You Do” loops hypnotic beats into early 2000s club vibes. Mint Royale’s quirky “Blue Song” fuses humor with pulsing electronica, while Thirty Seconds to Mars’ soaring “From Yesterday” indulges in cinematic ambition. Each track finds its unique place in a broad spectrum of storytelling and sound.? Take our 12-track quiz.