Singing (Ladies only) Ed Sheeran

Rita Ora's "Your Song," co-written with Ed Sheeran, blends her charismatic vocals with a breezy pop style and Caribbean flair, showcasing simplicity with Ed's knack for catchy tunes. Meanwhile, Grace VanderWaal's take on Sheeran's "The A Team" offers raw charm with her unique timbre, capturing a blend of sincerity and evolving artistry. Both stand out in their own right, balancing adaptation with authenticity.

Demi Lovato's live cover of "Give Me Love" strips the production back to spotlight her emotive range, giving Sheeran's lyrics a fresh vulnerability. On a different note, songs like "Photograph" and "Supermarket Flowers" reflect Sheeran's strength in evoking universal emotion, with the latter standing out as a heartfelt tribute. Together, these tracks showcase personal resonance and versatile performances.

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New Music Videos (Ladies Only) – N°480

new on RVM

Ikkimel’s "Böser Junge" blends canine metaphors with club influences. Stela Cole’s "Stereoqueen" reworks Destiny’s Child for playful defiance. Chirine Lajmi’s "Ta3abni Fra9ou" mixes Arabic pop with heartache. Delia’s "Dor" combines electronic textures with introspection.

Lisa Hyper’s "Bitter Sweet" captures dancehall turbulence. Rose Villain’s "Fuorilegge" blends genres for Sanremo 2025. Halsey releases punk-infused "Safeword." HEYOON’s "ASAP" teams with Chris Patrick for viral pop. Loana’s "À Petit Feu" highlights Réunion’s rising talent.

Updated : Feb 28,2025

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This week In Singing Ladies 07/52

Sarah Vaughan’s "Send In The Clowns," from her 1981 album, highlights her vocal depth, turning Sondheim’s poignant lyrics into an intimate experience. Katie Melua’s "Spider’s Web" blends subtle guitar work and orchestral flourishes to examine moral ambiguity, while Brandi Carlile’s "Before It Breaks" presents a raw, restrained emotional journey with contributions from Rick Rubin and the Hanseroth brothers.

Jennifer Rush’s "The Power of Love" stands as a power ballad classic, marked by its global chart-topping success, whereas Heart’s "Magic Man" fuses personal storytelling with 1970s rock drama. The Tedeschi Trucks Band’s "Signs, High Times" opens their 2019 album on a groove-filled, bluesy note, showcasing Derek Trucks’ slide guitar and Susan Tedeschi’s commanding vocals. Each track brings its unique stamp to their respective albums.

Continue ReadingThis week In Singing Ladies 07/52

This week In Singing Ladies 06/52

From Pink Floyd’s "Comfortably Numb," blending David Gilmour’s guitar brilliance with Roger Waters’ poignant lyrics, to Europe’s "The Final Countdown" and its iconic keyboard riff, these tracks highlight defining musical moments. Gary Moore’s "Empty Rooms" channels heartbreak, while Whitney Houston’s "How Will I Know" delivers ‘80s pop perfection, and Bobby Brown’s "My Prerogative" asserts individuality with slick new jack swing energy.

The Beach Boys’ "Kokomo" offers tropical escapism, Sérgio Mendes’ "Alibis" crafts polished adult contemporary grooves, and Eric Clapton with B.B. King reinterpret blues history in "Worried Life Blues." XTC’s "Senses Working Overtime" leans into eclectic charm, while Roberta Flack’s "Feel Like Makin' Love" balances tender finesse. These standout tracks anchor moments in music history, captivating through distinct moods and timeless appeal.

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This week In Singing Ladies 05/52

Texas’s “Say What You Want” oozes sultry sophistication, with Sharleen Spiteri’s emotive vocals effortlessly riding Johnny McElhone’s sleek production. Melody Gardot’s smoky “Your Heart Is As Black As Night” lets muted trumpet and double bass brew quiet tension, while Caro Emerald’s “Just One Dance” blends vintage jazz with modern beats, conjuring playful allure. Julia Holter’s “Feel You” offers delicate harpsichord notes over lush strings, embracing intricate vulnerability, and Brandi Carlile’s “The Things I Regret” leans on raw acoustic harmonies for genuine emotional pull. Madeleine Peyroux’s “The Things I’ve Seen Today” meanders through gentle folk-jazz landscapes with conversational charm, while Agnes Obel’s “Over the Hill” hushes with stripped-down elegance. Meanwhile, Miley Cyrus reimagines Melanie Safka’s “Look What They’ve Done to My Song Ma,” a bittersweet duet that bridges generations.

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This week In Singing Ladies 04/52

Bonnie Raitt’s blues-infused "Have A Heart" captures exasperated honesty, while Tori Amos’ "Cornflake Girl" critiques betrayal through haunting alt-rock grooves. Rihanna’s "Kiss It Better" blends sultry emotion with retro flair, and Lana Del Rey’s "Summertime Sadness" layers cinematic melancholy with hypnotic beats. Adele’s raw "Someone Like You" strips heartbreak bare, contrasting Céline Dion’s tender "Recovering," which balances grief and resilience. Kacey Musgraves’ dreamy "Butterflies" celebrates newfound love, and Joan Baez’s iconic "Diamonds and Rust" offers a lyrical postcard from bittersweet romance.

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This week In Singing Ladies 03/52

Sade’s "Nothing Can Come Between Us" blends minimalism and elegance, its buoyant bassline and syncopated guitars standing out, while Tracy Chapman’s "Give Me One Reason" shines with bluesy simplicity and sharp defiance. Dolly Parton’s "Coat of Many Colors" delivers raw storytelling through tender country clarity, and Valerie June’s "Workin’ Woman Blues" pulses with grittiness and perseverance. Gloria Estefan’s reflective "Always Tomorrow" offers quiet resilience, and Corinne Bailey Rae’s "Closer" captures intimate R&B warmth. Meanwhile, Ana Tijoux’s "Sacar La Voz" doubles as poetic protest, and Elis Regina’s "Tatuagem" transcends romance with piercing vocal passion.

Continue ReadingThis week In Singing Ladies 03/52