Yungblud

Yungblud trades riffs for ruin as Aerosmith slips back in with “My Only Angel”

Yungblud and Aerosmith leak a sliver of nostalgia and fractured romance in “My Only Angel,” quietly marking Aerosmith’s return to original material after more than ten years.

Following their unlikely alignment at the 2025 MTV Video Music Awards, this collaboration trades arena-rock swagger for something more melancholic, as both parties discard sentimentality with theatrical flair and a trace of cinematic detachment.

Yungblud to Cover “Changes” Forever, Thanks to Ozzy’s Permission—And Passing

Yungblud pledges eternal homage to Ozzy Osbourne following the icon’s death at 76 after long-standing health struggles. Shattered but lucid, the artist recounts being shaped by Osbourne’s refusal to conform, calling him a lifelong compass through misfit adolescence and a career often labeled “too much.”

Having performed a version of Black Sabbath’s “Changes” at the ‘Back To The Beginning’ show—later sanctioned by Ozzy himself—Yungblud now vows to play it until the end of his own road, every night, without fail.

Yungblud recruits London Philharmonic to turn angst into orchestral overkill

Yungblud laces his flair for theatrical distress with orchestral largesse, enlisting the London Philharmonic to amplify his familiar register of angst and grandiosity. The track emerges as part confessional, part rock opera, teetering between self-effacing charm and operatic melodrama.

He doesn’t so much evolve as inflate, turning insecurity into spectacle with sweeping strings and clenched-jaw conviction. Nostalgia brushes elbows with melodrama, and the effect is oddly earnest—if slightly excessive.

Yungblud tips hat to Charli XCX, threads Britpop angst into double LP 'Idols'

Yungblud expresses admiration for Charli XCX, linking their artistic kinship to their shared flair for straying from pop convention. Referencing her near-double-album and cultural impact, he sees a creative kinship in being “from the left field.”

Speaking on his new double LP ‘Idols,’ he explains part one centres on reclaiming self-perception, while part two dives into mortality with a more cynical lens. The album includes singles like ‘Zombie’ and draws influence from Britpop icons and an existential reckoning with childhood idols.